Contents for September 08th, 2026
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Weekly Spotlight: Party in the Park: Trio Under the Triboro, an event by Franklin Furnace + Socrates Sculpture Park + Materials for the Arts, on September 19, 12-5PM, Astoria NY
1. Martha Wilson, FF Alumn, new book reviewed at Hyperallergic.com
2. Martha Wilson, Arantxa Araujo, Bradley Eros, Jean Carla Rodea, FF Alumns, at Brooklyn Book Festival, Issue Project Room, Sept. 23
3. Franklin Furnace at Repair Café El Barrio, Manhattan, Sept. 13
4. Alice Wu, FF Alumn, at Art Complex Museum, Duxbury, MA, opening Sept. 20
5. Rafael Sánchez, FF Alumn, at Shmorévaz, Paris, France, Sept. 10 – Oct. 17
6. Vito Acconci, Papo Colo, David Hammons, Komar & Melamid Morgan O’Hara, FF Alumns, now online at NYTimes.com
7. Patty Chang, Pat Oleszko, Asia Stewart, FF Alumns, at Smack Mellon, Brooklyn, opening Sept. 19
8. Liliana Porter, FF Alumn, at ISLAA, Manhattan, Oct. 2-3
9. Howardena Pindell, Richard Tuttle, FF Alumns, at The Grolier Club, Manhattan, thru Nov. 28
10. Terry Berkowitz, Kiyo Gutierrez, Shaun Leonardo, Robert Longo, Debra Pearlman, FF Alumns, now online at ArtAtATimeLikeThis.com
11. Ayana Evans, FF Alumn, at Contemporary Art Museum, St Louis, MO, opening, Sept. 10, 2026-Feb. 7, 2027
12. Peggy Ahwesh, Bradley Eros & Peggy Ahwesh, Tessa Hughes Freeland, FF Alumn, at MoMA, Manhattan, Sept. 26
13. Les Levine, FF Alumn, at Amant, Brooklyn, opening Sept. 17
14. Day de Dada, FF Alumns, at Prospect Park Nethermead, Brooklyn, Sept. 12
15. Ann Rosen, FF Alumn, at Rangefinder Gallery, Chicago, IL, thru Sept. 30
16. Bee Naidus, FF Alumn, at Turtle Island Bioregional Congress, Vernonia, OR, Sept. 15 and more
17. Debra Pearlman, FF Alumn, September news
18. Kate Kern, FF Member, at Columbus College of Art and Design,OH, thru Sept. 30
19. Quimetta Perle, FF Alumn, at St. Joseph’s University, Brooklyn, opening Sept. 17
20. Priscilla Stadler, FF Alumn, at Governor’s Island, NYC, Sept. 5-20
21. Paul Zelevansky, FF Alumn, now online at https://vimeo.com/1223406305
22. Cynthia Karalla, FF Member, at Pictorial Foundation, Newburgh, NY, opening Sept. 12
23. Ray Johnson, FF Alumn, at Art Institute of Chicago,IL, Sept. 10
24. Kriota Willberg, FF Alumn, at Dixon Place, Manhattan, Sept. 21, and more
25. Sally Apfelbaum, FF Member, at Elizabeth Foundation for the Arts, Manhattan, opening Sept. 15
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Weekly Spotlight: Party in the Park: Trio Under the Triboro, an event by Franklin Furnace + Socrates Sculpture Park + Materials for the Arts, on September 19, 12-5PM, Astoria NY
Party in the Park: Trio Under the Triboro
SEPTEMBER 19, 2026 | 12 – 5PM
FF@50 / MFTA@50 / SSP@40
Location: Socrates Sculpture Park
32-01 Vernon Boulevard
Astoria, NY 11106
Party in the Park is a day-long performance art festival presented in collaboration with Socrates Sculpture Park and Materials for the Arts. Rooted in the belief that artists thrive within a strong cultural ecosystem, the festival celebrates the decades-long partnership between three Queens-based arts organizations committed to providing artists with resources, space, opportunity, and community.
A milestone year for each organization—Socrates Sculpture Park’s 40th anniversary and Materials for the Arts’ and Franklin Furnace’s 50th anniversary — the festival brings together their shared communities for a dynamic day of live performance, music, and public engagement along Socrates’ waterfront.
Curated by Francheska Alcántara and titled Performaxxing, the program will feature bold, body-based, durational performances that embrace a more-is-more aesthetic as both symptom and material of contemporary life. Performaxxing asks a single, unresolved question: what is revealed when we take the self all the way to the maximum, and what, then, is destroyed?
More than a party, Party in the Park is a celebration of three longtime Queens-based arts organizations whose enduring partnership has strengthened New York City’s cultural landscape for decades. It is an opportunity to honor artistic collaboration, champion creative risk-taking, and reaffirm the enduring role of public space in supporting artists and nourishing communities.
Artists:
Itala Aguilera
Wearing an outfit made of edible fabric, three performers will cut away pieces to eat and share with the audience until the entire outfit is been consumed.
Crackhead Barney
The Park temporarily becomes the territory of a fictional immigration-processing system. Instead of constructing a literal detention center, Crackhead Barney creates an institution that moves.
Jake Brush w/ Candystore & Mike Feswick
A stacking contest while reciting MTV True Life episode titles as displaced confessions, with the winner earning a minor “special power” to sabotage the karaoke number that follows.
kara lynch
Keening is a sonic and somatic invitation to wail, mourn, and weep together in public, gathered at a geographical sinkhole in the Park as a metaphor for our personal and collective grief.
zavé martohardjono
An operatic lament set to a stitched-together track of disco and house singers’ wails, addressing queer emotional and physical labor under political persecution.
Reed Rushes
Exploring climate change, hypermasculinity, denial, and extraction, drag king Stan unravels through movement, clowning, and sound.
Sandy Williams IV
Pushing physical limits by playing guitar and repeating a single line from Nirvana’s “Come As You Are,” until exhaustion.
Coco Villa
Fruitflesh explores how repetition and endurance operate as forms of lumination and catharsis.
Music by Madre Guía
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1. Martha Wilson, FF Alumn, new book reviewed at Hyperallergic.com
For five decades, Franklin Furnace, led by the indestructible Martha Wilson, has been a supportive home and archive for artists who’ve been screwed by the system, or rejected by the donor-controlled mainstream art establishment. With a foreword by Aruna D’Souza, this book looks back at this important history, which includes avant-garde artists such as Ana Mendieta, Carolee Schneemann, David Wojnarowicz, and Laurie Anderson. Franklin Furnace stood by artists through the worst of government censorship and the steepest of art funding cuts. Fifty years after it was founded in a storefront on 112 Franklin Street in Tribeca, it still keeps the flame of fearless art burning. —Hakim Bishara
https://hyperallergic.com/15-art-books-for-your-fall-reading-list/?ref=daily-newsletter
to pre order please visit this link:
https://www.paypal.com/ncp/payment/6DVTAE7JTQ3SC
Thank you
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2. Martha Wilson, Arantxa Araujo, Bradley Eros, Jean Carla Rodea, FF Alumns, at Brooklyn Book Festival, Issue Project Room, Sept. 23
Back to the Present: 50 Years of Free Expression with Franklin Furnace
Wednesday, September 23rd at 8pm, ISSUE Project Room presents an evening of performance and conversation in partnership with Franklin Furnace as part of their 50th anniversary commemoration and the November publication of Back to the Present: 50 Years of Free Expression with Franklin Furnace, edited by founder and pioneering artist, Martha Wilson. Held at ISSUE’s 22 Boerum Pl. theater during the 2026 Brooklyn Book Festival, the program reflects the two organizations’ commitments to experimental practice and freedom of expression, while celebrating their respective anniversary seasons.Founded by Wilson in 1976, Franklin Furnace has spent five decades championing cutting-edge performance art, avant-garde art practitioners, and their publications. Back to the Present — published by Princeton Architectural Press — traces that history through rare archival materials, artist writings, and reflections on censorship, free speech, and artistic freedom. Both an archive and a call to action, Back to the Present documents how artists challenged institutional norms, and is a reminder that the struggle for creative freedom is far from over. The evening extends that dialogue into the present, and features a new collaborative performance by Jean Carla Rodea (2023 ISSUE AIR) and 2020 Franklin Furnace FUND alumn Arantxa Araujo, alongside a conversation between Wilson and “mediamystic maverick” Bradley Eros (1993 Franklin Furnace FUND alumn & 2007 ISSUE AIR) reflecting on live art and alternative cultural spaces across fifty years of interdisciplinary practice.
for tickets, $27, please visit: https://brooklynbookfestival.org/event/back-to-the-present-50-years-of-free-expression-with-franklin-furnace-in-person/
Arantxa Araujo is a Mexican artist with a background in neuroscience. Her work is essentially multidisciplinary, feminist, meditative and rooted in bio-behavioral research and technology. Her work has been shown in the Brooklyn Museum, at the Radical Women Latin American Art Exhibit, Leslie-Lohman Museum, Grace Exhibition Space, The Queens Museum (NYC); RAW and Satellite Art Fair (Miami); Illuminus Festival (Boston), and SPACE Gallery (Pittsburgh); ExTeresaArte Actual Museum, and La Explanada del MUAC (Mexico); and Nuit Blanche Festival (Canada). Araujo is a Franklin Furnace FUND awardee, BAC and LMCC grantee and has received support through numerous residencies and fellowships including Leslie-Lohman Museum Artist Fellowship, Creative Capital taller, ITP Camp and EMERGENYC (flagship program 2017). Araujo was awarded a full scholarship from Mexican Government Institution CONACYT. She holds an MA in Motor Learning and Control from Teachers College, Columbia University and a BA in Theater Studies from Emerson College.
Bradley Eros is an experimental film director, actor, curator, poet, and performance artist who also makes Musique concrète sound collages, music videos, photographs, live projection performances, works on paper and art objects. His work has been presented in multiple screenings and exhibitions at the Museum of Modern Art, and the Whitney Museum of American Art, including the 2004 Whitney Biennial, and is in the permanent collection of the museum. He has also created dozens of zines, posters, soundtracks and unique artist’s books. He is represented by Microscope Gallery in New York City and is known for his work in the field of contracted cinema.Jean Carla Rodea (b in Mexico City) is a research-based interdisciplinary artist and educator currently living between Brooklyn, NY and San Francisco, CA. Her/their work involves a variety of disciplines and mediums such as music, sound, poetry, vocal performance and performance art, photography, video, movement, and sculpture. Her artistic practice deals with spaces and instances where problematic socio-political and cultural constructs are rendered visible through multimedia installations and performance.
Martha Wilson is a pioneering feminist artist and gallery director, who over the past five decades created innovative photographic and video works that explore her female subjectivity through role-playing, costume transformations, and “invasions” of other people’s personae. She began making these videos and photo/text works in the early 1970s while in Halifax in Nova Scotia, and further developed her performative and video-based practice after moving in 1974 to New York City, embarking on a long career that would see her gain attention across the U.S. for her provocative appearances as political personae. In 1976 she founded, and as Founding Director Emerita, continues to help direct Franklin Furnace, an artist-run space that champions the exploration, promotion and preservation of artists’ books, installation art, video, online and performance art, further challenging institutional norms, the roles artists play within society, and expectations about what constitutes acceptable art mediums.
https://brooklynbookfestival.org/event_type/bookend-events
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3. Franklin Furnace at Repair Café El Barrio, Manhattan, Sept. 13
Repair Café El Barrio’s 4th anniversary celebration
Sunday, September 13th 11am to 5pm
El Barrio’s Artspace PS109
210 E99th Street East Harlem, NYC
Repair Café El Barrio will celebrate its fourth anniversary with a full day of conversations, repairs, food, art, and community activities!!!
11 – 12:30pm THE INFRASTRUCTURE WE MAKE FOR ONE ANOTHER – Collaborative symposium exploring how New Yorkers create the spaces, networks, and shared resources that help communities care for one another and thrive.
Panelists: Rolinda Ramos (Director of Programs at El Barrio’s Artspace PS109), Mark Hurst (host of Techtonic in WFMU), Sebastián Martín (CEO/founder of CambioLabs), Harley Spiller (Ken Dewey Director of Franklin Furnace), Emily Coyne and Nicole de Santis (Clean Bushwick Initiative), and Rocío Salceda (Founder/Creative director of RCEB) as a host.
The symposium will conclude with a surprising participatory artwork that will invite the audience to experience its ideas in an entirely different way!!!
2 – 5pm COMMUNITY FAIR & REPAIR CAFÉ
Meet and participate with initiatives with repairs, activities, fashion, demonstrations, art and opportunities to connect.
Participating initiatives: Repair Café Brooklyn, Repair Café Queens, Repair Café NYC, Big Reuse, Lower East Side Ecology Center, Time’s Up, NYC Fair Trade Coalition, CambioLab, the Repurposeful Ancestry Lab, Community Climate Hub, Trees NY, Juju Lee, Eivy T2T, and Matt Lopéz-Jensen.
Bring something to repair, participate in activities, or simply come spend time with us!
The symposium seating is limited. Reserve your place through the link here:
https://www.repaircafeelbarrio.org
No RSVP is required for the Community Fair and Repair Café.
Any questions, please contact Ari – ari@repaircafeelbarrio.org
For more details, please visit https://www.repaircafeelbarrio.org/ and follow us on instagram for news and updates: @repaircafeelbarrio
Thank you and Happy Repairing!!!
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4. Alice Wu, FF Alumn, at Art Complex Museum, Duxbury, MA, opening Sept. 20
I’m so excited to share I’m in an upcoming show at the Art Complex Museum in Duxbury, MA. The opening reception is Sunday 9/20 from 1-4pm.
I’ll be at the opening and would love to connect with any friends of FF in the area. Easiest to DM me through IG @alice.wu.art. Thank you and see you soon!
Show information:
Interpreting the Natural: Contemporary Visions of Scholars’ Rocks
at Art Complex Museum, 189 Alden Street, Duxbury, MA, 02332
September 20, 2026 – January 17, 2027
Reception: Sunday, September 20, 2026, 1:00 – 4:00 pm
This exhibition explores scholars’ rocks, or viewing stones, natural forms long valued in East Asia for contemplation and aesthetic reflection. Seen through the lens of contemporary art, these minimally altered stones become both micro-landscapes and abstract sculptures, raising questions about authorship, authenticity, and the meaning of art. Organized by guest curator Donna Dodson, the exhibition features works by ten artists with ties to South Korea, China, Taiwan, Japan, and the United States, including connections to Boston and New England. Their recent work is shown in dialogue with scholars’ rocks from the collections of Kemin Hu and Timothy A. Springer.
Together, these works invite reflection on our relationship to nature, especially at a time of climate crisis and environmental imbalance. By bringing together tradition and contemporary vision, the exhibition highlights the enduring power of stone as a source of beauty, meaning, and connection.
Participating artists
Kate Gilbert, Paul Harris, Danielle Krcmar, Lisa Tang Liu, Cathy Della Lucia, Andy Moerlein, Wen-hao Tien, Alice Wu, Yu-Wen Wu, Qhanzhou (Jack) Zhao
Artist interviews: https://youtu.be/_3ey2wYNrNg
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5. Rafael Sánchez, FF Alumn, at Shmorévaz, Paris, France, Sept. 10 – Oct. 17
Lion Bite
Sara Mackillop and Rafael Sánchez
Shmorévaz, Paris (10 September – 17 October, 2026)
Curated by Juf (Bea Ortega Botas and Leto Ybarra)
Working in very different formal languages, Mackillop and Sánchez propose ways of using objects to hold on to that which is cyclically bursting in and out of perception, interpretation and the world itself. Through a scissor cut, a saw-toothed edge, a razor blade, a reflection of the sun, or a snowfall, both artists harness the quiet, massive forces of the everyday at their most critical moment, where a gesture is both destructive and generative. Placed on the façade of
Shmorévaz’s space in Paris, a stone lion serendipitously frames the exhibition from outside with an image of this tension. The delicate bite of the petrified lion joins two stacked circles to form the infinity symbol, an endless loop in which rupture and preservation feed each other.
Sara MacKillop is a contemporary artist who lives and works in London. She has developed a practice encompassing sculpture, installation-based work and artists’ publications centered on the transformation of everyday objects and materials associated with stationery, archives, administration, and analog communication systems. Her work begins with commonplace materials —paper, envelopes, archive boxes, mail-order catalogues, books, record sleeves, and
office supplies— which she subtly alters to create sculptures of remarkable economy and restraint. MacKillop’s practice is characterized by a minimalist sensibility and a sustained interest in what often goes unnoticed. Many of her works explore the disappearance of analog technologies and modes of communication, prompting reflection on memory, obsolescence, and
the cultural shifts brought about by technological change. Her work has been exhibited internationally in both solo and group exhibitions Recent Solo Exhibitions include Subplot, Roland Ross Gallery, (2026) Attachments, The Cutaway View Good Weather Gallery (2025),Clages Gallery (2025) .Institutional solo exhibitions include Renewals and Returns, PEER Gallery (2020)Haus der Kunst, Munich (2016); Kunsthal Charlothtenborg, Copenhagen (2013); Spike Island, Bristol (2011); White Columns, New York (2011); and Dundee
Contemporary Arts, Scotland (2010).Recent Group Shows include, Financial Times, Timeshare (2026) Vanishing Meter curated by Matthew Lawson Garrett , Petrine Dusseldorf (2026), Linienstrasse, Dusseldorf (2025) She has also participated in group exhibitions at institutions including the Serralves Museum, Porto; Artists Space, New York; and the Museo Nacional Centro de Arte Reina Sofía, Madrid. She has produced over 50 publications both self published
and published.
Rafael Sánchez is a Cuban-born visual artist based in New York City. Spanning more than four decades, his practice moves freely across drawing, painting, sculpture, photography, video, performance, street interventions, and elaborate theatrical works. Closely intertwined with his lived experience and frequently developed in collaboration with fellow artists, Sánchez’s work explores processes of transformation, animation, and the ways in which the magical and
scientific coincide. To do so, his paintings and sculptures often combine traditional techniques with what he calls “conductive” materials—including honey, medicine, dirt, driveway sealer, and foundation makeup. Since his first solo exhibition at Aljira, A Center for Contemporary Art, Newark, in 1985, Sánchez has exhibited at Kiang Malingue, New York (2026); RAINRAIN, New York (2026); Whitney ISP Curatorial at Westbeth, New York (2025); Derosia, White Columns, and Martos Gallery, New York (2022); Fall River Museum of Contemporary Art, Massachusetts (2021); HOUSING and Kerry Schuss, New York (2021); Galerie Max Mayer, Düsseldorf (2019); the Museum of the City of New York (2017); La MaMa Galleria, New York (2014); the Museum of Modern Art, the Center for Book Arts, and El Museo del Barrio, New York (2011); Foundation ELBA, Nijmegen; the Jersey City Museum; Hallwalls, Buffalo; WhiteBox, Participant Inc., and Artists Space, New York; and the Institute of Contemporary Art, Boston, among other venues. His performances have been presented as part of Performa and Whitney ISP Curatorial, and at Soon Is Now, Dixon Place, Artists Space, Participant Inc., Thread Waxing Space, WhiteBox, Jackie 60, the Fruit Farm Festival, and the Armada Festival, among other venues and contexts.
Shmorévaz is an independent art space located in a former shoe store in Paris. Affect, archives, and political and erotic imaginaries are at the center of its programming, through artistic and publishing projects coming mostly from
feminist, queer, and DIY cultures. In parallel to its exhibition program, the space also hosts readings, book launches, and research residencies. In September 2024, it launched its publishing platform: Shmooks (Shmorévaz Books).
Juf is a curatorial, research, project by artists Bea Ortega Botas and Leto Ybarra, now based between New York and Madrid. Lion Bite at Shmorévaz is made possible with the support of the Spanish Embassy in France
https://jufjuf.org/en/post/lion-bite-shmorevaz-rafael-sanchez-sara-mackillop
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6. Vito Acconci, Papo Colo, David Hammons, Komar & Melamid Morgan O’Hara, FF Alumns, now online at NYTimes.com
Please visit this link:
Thank you.
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7. Patty Chang, Pat Oleszko, Asia Stewart, FF Alumns, at Smack Mellon, Brooklyn, opening Sept. 19
Please visit this link:
https://www.smackmellon.org/exhibition/how-we-work-smack-mellon-at-30
Thank you.
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8. Liliana Porter, FF Alumn, at ISLAA, Manhattan, Oct. 2-3
Please visit this link:
and
Thank you.
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9. Howardena Pindell, Richard Tuttle, FF Alumns, at The Grolier Club, Manhattan, thru Nov. 28
GROLIER CLUB’S 1,000TH EXHIBITION HIGHLIGHTS REVOLUTIONS IN CONTEMPORARY ART AND PAPERMAKING Pioneers in Hand Papermaking: 50 Years of Innovation at Dieu Donné September 8 – November 28, 2026 © Glenn Ligon NEW YORK CITY — The Grolier Club kicks off its 2026–2027 season with the milestone 1,000th exhibition presented at the Club, a new show highlighting revolutions in contemporary American hand papermaking. On view September 8 through November 28, 2026, in the Club’s Ground Floor Gallery, Pioneers in Hand Papermaking: 50 Years of Innovation at Dieu Donné celebrates the 50th anniversary of the Dieu Donné Papermill, a nonprofit studio based in the Brooklyn Navy Yard. A leader of the grassroots hand papermaking movement that emerged in the 1970s, Dieu Donné’s master papermakers work with contemporary artists to develop their imagery using the papermaking process. Featuring more than 110 works from the collections of Susan Gosin, Dieu Donné co-founder and Grolier Club member, and the Dieu Donné Archive & Collection, the exhibition includes custom sheets of paper and two- and three-dimensional works by 80 artists, including Diana Al-Hadid, Lynda Benglis, Mark Bradford, Michele Oka Doner, William Kentridge, Glenn Ligon, Howardena Pindell, Do Ho Suh, and many others. Techniques featured in the exhibition include line and chiaroscuro watermarking, pulp painting, stenciling, and paper casting, with videos that show artists’ reimagination of these processes, alongside papermaking tools and materials. Pioneers in Hand Papermaking is curated by Susan Gosin with Cynthia Nourse Thompson, and an accompanying publication, Dieu Donné: Paper Making Art, from Chronicle Books is available during the exhibition. Exhibition Highlights © Richard Tuttle Pioneers in Hand Papermaking opens with examples of historic and contemporary watermarking, stenciling, and painting with colored pulp. A watermark design lies hidden within the structure of the paper fibers, not on the surface, and fascinates visual artists with its mysterious quality.
William Kentridge’s Sheets of Evidence (2009), an artist book of 18 watermarked drawings, hides secrets in plain sight inside a sheet of paper. Instead of traditional wire, Kentridge used laser-cut, adhesive-backed vinyl to make the watermarks. Stencils allow artists at Dieu Donné to apply colored paper pulp, wet into wet, on top of a wet base sheet. In Dharmajika Near and Far (1997), Arlene Shechet built spiraling compositions, inspired by Buddhist architectural blueprints, by spooning fine blue pigmented linen-rag pulp into cut mylar stencils. Glenn Ligon’s Self-Portrait at Eleven Years Old (2004) is an image of his childhood icon, Stevie Wonder, stenciled in a retro Ben Day dot style. Ligon says the work “is about how you can become so intensely identified with pop culture figures that they become part of how you see yourself in the world.”
The pulp painting process involves applying pigmented pulp onto a base sheet that acts like a canvas. After the pulp is pressed and dried, the layers become permanently bonded as a unified painting. For the colorful work Patriarch (2013), Firelei Báez marbled pulp paint directly into the liquid pulp. Once dry, the marbled imagery became part of the structure of the paper itself, not just on the surface as with traditional marbling. Also featured are works created with the “blowout” technique, a method that uses sprayed water to draw, erase, and remove wet pulp when composing an image. Blowout examples on view include Diana Al-Hadid’s Babble On (2025), inspired by the Tower of Babel, and Michele Oka Doner’s artist book What is White (2010), made using wax stencils with white and off-white pulp on translucent sheets. The collage section of the exhibition showcases how multiple sheets of wet paper can be layered on top of one another to enclose collaged composition or create random visual field effects. Highlights on view include Do Ho Suh’s Going Home (2013), with colorful embroidered thread drawings that reveal his characteristic themes of identity, memory, and sense of home; and Howardena Pindell’s Untitled #114 (2023), composed of very small circles of handmade paper with meticulously handwritten, etched, or letterpress-printed numbers and symbols inspired by her father’s mathematical notebooks. To make three-dimensional paper art, sheets of wet paper are laminated onto an armature, or paper pulp can be cast and manipulated to © Do Ho Suh make sculpture. Lynda Benglis’ undulating Lunar Hornet (2023) was made by sandwiching wire armatures between two wet sheets of brightly colored and stenciled paper, which shrunk, dried, and twisted into free-form shapes. Pulp can also be pressed into molds to cast multiples, such as Jonathan Seliger’s hyper-realistic ice cream cones Triple Scoop: Pistachio, Raspberry, Fudge Brownie (2004), or one-ofa-kind sculptures, such as Mark Bradford’s Life Size (2019), a replica of a Los Angeles Police Department body camera
A related publication, Dieu Donné: Paper Making Art by Susan Gosin (Chronicle Books, $65 hardcover, ISBN 9781797244327), is available for preorder and at associated Grolier Club and Dieu Donné events. Dieu Donné, a New York City non-profit studio based in the Brooklyn Navy Yard, pioneered the grassroots hand papermaking movement that emerged in the 1970s as part of the arts and crafts revival. For the past five decades, Dieu Donné has led the revolution in hand papermaking by reinventing it as an art medium through collaborations with important contemporary artists. Written by Susan Gosin, this is the first book to detail hand papermaking as an art form at Dieu Donné. The book features more than 450 vibrant images including reproductions of handmade work by artists like Glenn Ligon, William Kentridge, Michele Oka Doner, Nari Ward, and more. Also included are photos of the studio and of artists at work, essays about the art of hand papermaking by contemporary artists and researchers, and more. © Howardena Pindell Programming The Grolier Club will present free public programs related to the exhibition. More information and updates can be found at http://grolierclub.eventbrite.com.
Wednesday, September 23 at 6 pm Book Talk and Launch In celebration of Dieu Donné’s 50 years of making innovative handmade paper art with contemporary artists, Susan Gosin, co-founder of Dieu Donné, will talk about her newly published book: Dieu Donné: Paper Making Art, and the artist book Dieu Donné: Paper & Art, created for the 50th Anniversary. Artist Tricia Wright will discuss her artmaking process with Susan Gosin and present the work of art, Singing Hand, made for the edition of Dieu Donné: Paper & Art. She will also explain her artmaking process at Dieu Donné, including casting handmade paper and applying gold leaf. Wednesday, September 30 at 6 pm Artist Book Collaboration Conversation (via Zoom) Curator Cynthia Nourse Thompson will speak with artist Lesley Dill, poet Tom Sleigh, and printer Peter Kruty, who collaborated, along with master papermaker Paul Wong, at Dieu Donné to create the book, I Had a Blueprint of History, 2012. The conversation will highlight the themes of working together as an ensemble to translate the written word into image, and handmade paper’s relationship to print and book that is echoed throughout the entire exhibition. Thursday, October 15 from 9 am – 6:30 pm Creative Collaboration Symposium (via Zoom) A day-long symposium with five panels that reflect on the themes of collaboration in the exhibition from the perspective of artists, collaborators, publishers, curators, and scholars. Saturday, October 17 from 1-5 pm Curator Open Hours with OHNY In conjunction with Open House New York, as part of 2026 Open House New York Weekend, exhibition co-curator and Dieu Donné co-founder Susan Gosin will be available to answer questions about the exhibition and talk with visitors. September 16, October 21, November 18; at 1pm In-person tour of Pioneers in Hand Papermaking: 50 Years of Innovation at Dieu Donné. Upcoming Exhibitions Henry Wessel – Photographs and Books September 8 – November 14, 2026 Second Floor Gallery Black Brilliance: An American Chronicle December 3, 2026 – February 20, 2027 Second Floor Gallery Uncertainty and the Quantum Revolution December 16, 2026 – March 13, 2027 Ground Floor Gallery Crossing Boundaries: Women Traveling, Writing, and Collecting in South and Southeast Asia, 1715–1945 March 4 – May 15, 2027 Second Floor Gallery Rivers of Free Thought: 2,000 Years of Wonder from the Embassy of the Free Mind March 31, 2027 – July 3, 2027 Ground Floor Gallery About The Grolier Club Founded in 1884, The Grolier Club is America’s oldest and largest society for bibliophiles and enthusiasts in the graphic arts. Named for Jean Grolier (1489/90-1565), the Renaissance collector renowned for sharing his library with friends, the Club’s objective is to promote “the study, collecting, and appreciation of books and works on paper.” Through the concerted efforts of an international network of over eight hundred men and women—book and print collectors, antiquarian book dealers, librarians, designers, fine printers, binders, and other artisans—The Grolier Club pursues this mission through its library, its public exhibitions and lectures, and its long and distinguished series of publications. Visiting The Grolier Club 47 East 60th Street, New York, NY 10022 212-838-6690, www.grolierclub.org Hours: Monday–Saturday, 10 am to 5 pm Admission: Exhibitions are open to the public free of charge For further press information, please contact: Amanda Domizio, Amanda Domizio Communications 347-229-2877 / amanda@domiziopr.com
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10. Terry Berkowitz, Kiyo Gutierrez, Shaun Leonardo, Robert Longo, Debra Pearlman, FF Alumns, now online at ArtAtATimeLikeThis.com
On October 3, digital mobile trucks will circulate through the streets of New York City displaying works and messages from Marilyn Minter, Robert Longo, Shaun Leonardo, Marka27, Sasha Stiles, Julian Alexander, Debra Pearlman, Janet Biggs and Terry Berkowitz, Kiyo Gutierrez, August Savage and Jonathan Allen.
The project will be live on line September 10th here: https://artatatimelikethis.com/take-one-action
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11. Ayana Evans, FF Alumn, at Contemporary Art Museum, St Louis, MO, opening, Sept. 10, 2026-Feb. 7, 2027
My 1st museum solo exhibition opens Sept 10th Contemporary Art Museum St. Louis Curated by Dean Daderko Installation is underway! —> 𝘼𝙮𝙖𝙣𝙖 𝙀𝙫𝙖𝙣𝙨: 𝙉𝙤𝙗𝙤𝙙𝙮’𝙨 𝙂𝙤𝙣𝙣𝙖 𝙇𝙤𝙫𝙚 𝙔𝙤𝙪 𝙩𝙝𝙚 𝙒𝙖𝙮 𝙄 𝘿𝙤, on view, Sept 10th – Feb 7th. Performance at the museum Oct 9th and exhibit Community Fair Oct 10th.
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12. Peggy Ahwesh, Bradley Eros & Peggy Ahwesh, Tessa Hughes Freeland, FF Alumn, at MoMA, Manhattan, Sept. 26
Please visit this link:
https://www.moma.org/calendar/events/11635
Thank you!
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13. Les Levine, FF Alumn, at Amant, Brooklyn, opening Sept. 17
Sentient Earth
September 17, 2026–
February 14, 2027
932 Grand
315 Maujer
Géza, 306 Maujer
Opening Reception Thursday, September 17 from 6–9 pm.
The exhibition features twenty-eight international artists contending with the ways extractive technologies shape lived environments and shifting perceptions of the planet. Responding to historical trajectories of mining, these narratives extend into the political and ecological imperatives of today’s financial and algorithmic systems. Across Amant’s campus, over sixty artworks span geographies and a multiplicity of media, including kinetic sculpture, anamorphic painting, and documentary film. By addressing rare earth economies, ecological uncertainty, affective investments, and logistical networks, these conversations across fields illuminate the myriad lenses through which Earth becomes legible as a resource.
Participating Artists: Bernd & Hilla Becher, Bernadette Corporation, Nina Canell, Isaiah Davis, Simon Denny, Mark Dion, Eliza Evans, Rachel Fäth, Ignacio Gatica, Gabrielle L’Hirondelle Hill, Maren Karlson, John Kelsey, Clare Koury, Les Levine, Emil Martirosian, Hélio Melo, Mike Mosco, Jonathan Okoronkwo, Nohemí Pérez, Marina Pinsky, Monira Al Qadiri, Coumba Samba, Cauleen Smith, Nellie Stockbridge, Bernard Walsh, Yuyan Wang, Marina Xenofontos, and Liu Yujia
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14. Day de Dada, FF Alumns, at Prospect Park Nethermead, Brooklyn, Sept. 12
Hello! I am writing to invite you to my 7th annual Fluxus-themed show, THE FLUXUS GAMES
in the Prospect Park Nethermead / Music Pagoda on September 12, 2-6pm!
Joining with the incredible Amanda+James’ Summer Happenings Festival, we have planned a nonsensical afternoon of Fluxus sport, games, ceremonies, feats of strength, and more–with a fantastic lineup of artists including:
Day de Dada
Ariadne Greif
Meaningless Work
James Danner
Evelyn Dugan
John Bambery
Amanda Hameline
Calvin Hitchcock
KARL
…and other surprise guests!
Bring a picnic! Cheer on your favorite team!
The event is FREE, but please RSVP at the link below so we know how many people to expect:
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15. Ann Rosen, FF Alumn, at Rangefinder Gallery, Chicago, IL, thru Sept. 30
Still, We See
Fotophase Exhibition at the Rangefinder Gallery of Tamarkin Camera, Chicago, Ill
August 28 – September 30, 2026
Fotophase is a nonprofit advancing the role of photography within neuroarts—the emerging field examining how the arts and aesthetic experiences affect the brain, body and behavior.
Still, We See is Fotophase’s debut photographic exhibition bringing 25 photographers together exploring the healing and transformational power of photography.
Presented at the Rangefinder Gallery at Tamarkin Camera, each photographer presents a single photograph on their relationship to memory, illness, trauma, identity and transformation.
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16. Bee Naidus, FF Alumn, at Turtle Island Bioregional Congress, Vernonia, OR, Sept. 15 and more
I will be leading an Art as Mutual Aid workshop (on Sept 15th) at this gathering, exhibiting my nightmare/dream quilt at the gathering (all during the Congress), and co-facilitating interactive theater workshop (also on Sept 15th), in the style of Theater of the Oppressed. for full details please visit https://www.tibc11.earth/
Also I will leading another Art as Mutual Aid workshop at this subsequent gathering in Oregon on Sept 27th. For full details please visit https://www.thetempleofbelonging.com/
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17. Debra Pearlman, FF Alumn, September news
I hope you are finding some pleasant escapes from the heat. The summer brings a moment to catch one’s breath and remember some of the pleasures that have happened. Pillow Princess, a three person show curated by Bailey Coleman opened this spring at 5-50 Gallery and was reviewed in Cultbytes by Anoushka Bhalla. Bailey, who first saw my work at the Zero Art Fair at The Flag Foundation last year, snagged a work of mine and followed with a studio visit and this recent show. I was also happy to participate at MANA’s fundraiser in May where work was whisked away before my arrival at the opening. My second time participating in Everywomen Biennial and a welcomed surprise new gallery, Ejecta Projects in Pa. included my participation in Swimming In Cold Seas curated by founders Shannon Egan and Anthony Cervino. September 13 opens Evolving Freedoms at the Maguire Art Museum in Philadelphia where I have two large works included. The show runs through December 13. And also in September, Beckett’s Children by Michael Coffee will be available with a recent work of mine on its cover. Published by OR books, a paperback version with afterward, following the hardcover version which also included a cover with my work. Stay tuned for another announcement very soon!
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18. Kate Kern, FF Member, at Columbus College of Art and Design,OH, thru Sept. 30
Kate Kern, FF Member, at Beeler Gallery, Columbus College of Art and Design, 60 Cleveland Ave., Columbus, OH 43215. September 3- 30
The exhibition SEEING, brings selected artwork of Kate Kern and Ana England together. It features drawings, mixed media sculpture and an artists’ book installation. Gallery Hours: Wednesday – Saturday 11 am – 6 pm More info: (614) 222-3270
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19. Quimetta Perle, FF Alumn, at St. Joseph’s University, Brooklyn, opening Sept. 17
Please join me at the opening reception for Inside/Out on Thursday, Sept. 17, 5:30-8:00 pm at St. Joseph’s University, 245 Clinton Avenue, Brooklyn, NY. Alumni Room Gallery Directions: Take the G train to Clinton/Washington Avenues
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20. Priscilla Stadler, FF Alumn, at Governor’s Island, NYC, Sept. 5-20
MusselQuest at Swale House on Governors Island
MusselQuest
September 5 – 20
Open Saturdays and Sundays, 11 – 5
Swale House, Noland Park 6B, Governors Island
Saturday, September 19, 2:30 – 5:00 pm: Gathering Stitches Workshop
Sunday September 20, from 2 – 5 pm: MusselQuest closing reception
Interdisciplinary artist Priscilla Stadler’s newly-formed Institute for Creative Research presents an evolving exhibition documenting an intuitive search for the Atlantic Ribbed Mussels of Governors Island.
Using divination and psychogeography as research methodologies, MusselQuest investigates assumptions about learning and knowledge while prioritizing connection and joy.
In this process-focused exhibition, Priscilla Stadler’s hand-stitched labcoats and collaborator Emily Garfield’s map-themed textile hangings will be joined by the ongoing results of their research on Governors Island’s native mussels.
Stadler is an artist-in-residence at Swale House from September 1 – 20.
MusselQuest is made possible with support from ecoartspace and SWALE Lab.
For more info, visit www.priscillastadler.com/musselquest
For updates, follow me on instagram and/or visit www.priscillastadler.com
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21. Paul Zelevansky, FF Alumn, now online at https://vimeo.com/1223406305
TO THE GREAT BLANKNESS
MAILING LIST:
“WE ARE THE CHAMPIONS”
PZ, September 2, 2026
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22. Cynthia Karalla, FF Member, at Pictorial Foundation, Newburgh, NY, opening Sept. 12
PICTORIAL FOUNDATION TO OPEN A FULL SCALE WALK IN CAMERA OBSCURA IN NEWBURGH
A Phillip and Edith Leonian Foundation grant brings an immersive photographic experience to Newburgh, with Oculus Obscura bringing together ten accomplished artists and leaders in camera obscura and pinhole photography
NEWBURGH, NY — September 12–November 1, 2026 — The Pictorial Foundation will open a full-scale, walk-in camera obscura in Newburgh, made possible through a grant from the Phillip and Edith Leonian Foundation. Visitors will be invited to enter the darkness of the camera and experience the world outside carried by light through an oculus, becoming witnesses to an image as it forms.
The experience is at the heart of Oculus Obscura, an exhibition bringing together ten accomplished artists and leaders in camera obscura and pinhole photography: Jill Enfield, Chris Peregoy, Dale Rio, Heather Palecek, Sharon Harris, Tricia Rosenkilde, Donna Bassin, Cynthia Karalla, Anne McDonald and Jack Platner.
The exhibition considers light as material, darkness as space, and the aperture as a threshold through which the visible world becomes an image.
OCULUS OBSCURA
Oculus is Latin for eye—an opening where light enters and the unseen becomes visible. In Oculus Obscura, the camera is no longer an object to look at but a space to enter: darkness becomes a vessel, light becomes a trace, and the familiar world slowly gathers into image. From this elemental threshold, the exhibition asks what photography can reveal when artists return to its first conditions—light, time, space and wonder.
TEN ARTISTS. MANY FORMS OF SEEING.
The artists in Oculus Obscura approach camera obscura and pinhole photography through distinct materials, processes and forms, demonstrating the continuing vitality of an image making practice built on one of photography’s simplest principles.
The exhibition includes masked pinholes on paperboard, handmade camerae obscurae, a panoramic camera obscura, wood-crafted pinhole cameras, ceramic pinholes formed from silt
and clay harvested from Hudson Valley estuaries, and contemporary digital cameras adapted for pinhole photography. Together with the full-scale walk-in camera obscura created for the exhibition, these works transform the gallery into an immersive environment—one visitors can enter, explore, and experience as both a photographic instrument and a space for inspiration.
Together, these instruments place process and image in direct conversation. The result is not a study of photographic history, but an active exploration of how artists continue to question the camera itself. Across the exhibition, the works reveal the extraordinary possibilities contained within the smallest of openings.
THE IMAGE TAKES TIME
Two pinhole cameras will continue making long exposure photographs throughout the exhibition, allowing Oculus Obscura to unfold as a living photographic process.
The photographs will accumulate light over time, recording the changing conditions of the exhibition and its surroundings.
The work therefore remains open after September 1. Images will continue to emerge as the exhibition progresses, making duration itself part of the photographic experience.
The exhibition does not simply present photographs. It continues to make them.
A CAMERA AS A PLACE FOR EXPERIENCE
On September 19 and 20, Jill Enfield, assisted by Chris Peregoy, will lead the first workshop
inside the newly created Walk-In Camera Obscura.
The workshop extends the project from exhibition into experience, inviting participants to encounter camera obscura and pinhole photography through direct engagement with light, aperture, darkness and exposure.
The camera becomes a place for learning, experimentation and exchange.
WHAT THE LEONIAN GRANT MAKES POSSIBLE
Representatives of the Phillip and Edith Leonian Foundation will attend the September 12th opening to experience firsthand what their support has inspired. The grant has made possible the creation of a full-scale camera obscura, along with the artistic and educational programming surrounding it. For the Pictorial Foundation, this reflects the larger value of the project: an idea becomes an experience, and an experience becomes a place where artists and audiences can meet. The camera obscura is not presented as a relic of photographic history, but as a functioning instrument that produces images, supports learning, and invites people inside.
NEWBURGH AS A PLACE FOR SEEING
The Pictorial Foundation is based in Newburgh with a mission to create dialogue between artists and audiences, where photography and the visual arts intersect with contemporary thought and experience. Oculus Obscura embodies that mission by bringing accomplished artists, contemporary photographic practice, historical process, local material and public experience into conversation. The project reflects the Foundation’s belief that cultural life can be built and experienced here, inviting people to look differently at the world around them. In Newburgh, a small aperture becomes an opening into a larger conversation about seeing, making, time, material and place, and for a moment, the visitor is not standing outside the camera looking in, but inside the image.
OCULUS OBSCURA
September 12 – November 1, 2026 The Pictorial Foundation Newburgh, New York
Inaugural Camera Obscura Workshop: September 19–20 Led by Jill Enfield, assisted by Chris Peregoy
Artists:
Jill Enfield Chris Peregoy Dale Rio Heather Palecek Sharon Harris Tricia Rosenkilde Donna Bassin Cynthia Karalla Anne McDonald Jack Platner
Exhibition Curator:
Karen Ghostlaw / ArtSpace Director
Walk In Camera Obscura Design and Build:
Michael Pomarico
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23. Ray Johnson, FF Alumn, at Art Institute of Chicago,IL, Sept. 10
Ray Johnson’s Books
as Social Objects
A lecture by Johanna Gosse
Hosted by the Art Institute of Chicago
Thurs, Sept 10 | 6:00–7:00
Ray Johnson was a renowned maker of meticulous collages and a pioneering figure in the worlds of Pop, Fluxus, Conceptual Art, and performance in the 1960s. From live events to exchanges via the postal service, he treated social interactions as a type of artistic endeavor.
Join art historian Johanna Gosse to look closely at a collaged book, Th Thee for and Lai, which Johnson made for his friend Remy Charlip around 1955. Th Thee for and Lai references cinema and suggests how Johnson’s “moticos,” a term the artist coined to refer to small collage panels and books like this one, might be best understood as “moving pictures.” By playfully introducing processes of interactivity, movement, and fugitive connection, Th Thee for and Lai shows us how Johnson treated this and his other books, such as The Paper Snake (1965), as intrinsically social media.
Considering this unconventional work, Gosse explores how Johnson’s book-making connects to the beginnings of his mail art and reflects on what these practices can tell us about social media networks today.
About the Speaker: Johanna Gosse is a London-based art historian, curator, and lecturer in Lens and Time-Based Art Histories at the Courtauld Institute of Art. Her research examines postwar American art, media, and cultural politics. From 2023 to 2024, she was the Terra Foundation Visiting Professor of American Art at Oxford University, and she is currently developing a book based on her Terra lecture series on American art and ecology in the Vietnam War era.
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24. Kriota Willberg, FF Alumn, at Dixon Place, Manhattan, Sept. 21, and more
Hello Everyone!
Hope all’s well for you at the start of the fall. It’s good for me, too because I have three major events accessible to you in September…!
The Small Press Expo in Bethesda, MD on September 12-13
Carousel comics reading in NYC on September 21
Graphic Medicine workshop in NYC on September 22
Here’s the list with details!
September 12-13 at the Small Press Expo: https://www.smallpressexpo.com/
This will work for you if you happen to be at The Bethesda North Marriott Hotel & Conference Center at 5701 Marinelli Road, Rockville Maryland, which is accessible via the Washington DC subway train system. Yay!
In addition to the huge room of tables of comics selling including my tabling the full weekend, my Physical Self-Care for Artists and Writers workshop on September 12, 5-6:30pm, and my Drawing Anatomy in Action workshop on Sunday the 13th at 1:30pm, there will be a huge dynamic series of events that will happen at SPX.
There are twenty-two panels in all that will be held on Saturday, September 12th and Sunday, September 13th. The full programming schedule with descriptions can be seen on the SPX website.
and
September 21 Carousel: Comics Performances and Picture Shows at 7:30pm at Dixon Place, 161A Chrystie St, In Manhattan, New York City.
I will be sharing an excerpt from my upcoming graphic medicine anatomical memoir which will be published by Fantagraphics in April of 2027. Here’s the promotion image, and you can see my self-portrait of me anatomizing myself to share my diaphragm. Ha ha!
We will be performing in the Dixon Place theater lounge that also has a bar. It will be rather fun to consume a beverage and be our audience. Here’s the Dixon Place Link and on the site you can also find a link to buy the ticket: https://dixonplace.org/performances/carousel-comics-performance/
carousel BKBF Sept 2026 tall.jpeg
Here is the cover of the book I’ll be previewing at the Dixon Place Carousel. Yay! It’s called Over My Dead Body and you can go to the Fantagraphics website if you’d like to preorder the book after you see me read my excerpt: https://www.fantagraphics.com/products/over-my-dead-body-dissecting-my-life?srsltid=AfmBOorJTizLYf2XNrM_3-txxUdmVucjvzziP3MsrkFPbj9mlBqCV-mf
and
September 22 Visual Narratives: A Graphic Medicine Workshop at the New York Academy of Medicine at 1216 Fifth Avenue, in Manhattan, New York City.
I’ll be teaching this workshop. Creative arts and comics practices can contribute to healthier and very good aging processes.
Here’s the workshop description:
Creating a Visual Narrative: A Graphic Medicine Workshop
Graphic medicine is a powerful visual tool to communicate about physical or mental health, illness, caregiving, or patient and physician experiences. In this hands-on workshop, cartoonist and educator Kriota Willberg shares her experiences and information on creating comics about anatomy, palliative care, death and dying, caregiving, and self-care. Plus she’ll share the potential inspiration of NYAM’s vast historical library collections. She will tutor participants through their graphic storytelling practice inspired by their life transition, birth, aging, loss, caregiving, illness, recovery, and more. Kriota will also offer opportunities for those desiring to share their works online. Participants will explore the many forms of graphic medicine by creating a preliminary sketch short comic of their own and learn about the process of making potential single panel comics, mini comics, and graphic memoirs! No artistic or cartooning experience is needed! Participants may use workshop sketching materials provided by NYAM or, if preferred you may bring your own sketch materials or digital drawing media.
Here’s the link for the Graphic Medicine workshop: https://support.nyam.org/event/visual-narratives-a-graphic-medicine-workshop/e828350
Hope you can make one or more of these events.
Good luck!
Kriota Willberg
she/they
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25. Sally Apfelbaum, FF Member, at Elizabeth Foundation for the Arts, Manhattan, opening Sept. 15
Please visit this link:
https://www.studios-efanyc.org/exhibition-52?mc_cid=abba5932e8&mc_eid=e9b4e9b28b
Thank you.
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Goings On is compiled weekly by Rohan Subramaniam, Archivist
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