Contents for November 08, 2021
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1. Martha Wilson, FF Alumn, now online at The Art of Social Change podcast
2. Dread Scott, FF Alumn, now online at The Brooklyn Rail
3. Rosamond S. King, Nicolás Dumit Estévez Raful Espejo, FF Alumns, now online at The Interior Beauty Salon
4. Kimsooja, FF Alumn, at Leeum Museum of Art, Seoul, Korea
5. Dread Scott, FF Alumn, now online in The New York Times
6. Lady Pink, FF Alumn, now online at Latina.com
7. Danielle Deadwyler, FF Alumn, at Cue Art Foundation, Manhattan, Nov. 19
8. Jay Critchley, FF Alumn, at Cill Rialaig, County Kerry, Ireland, and more
9. Nicole Eisenman, FF Alumn, at Vielmetter Los Angeles, CA, thru Feb. 20, 2022
10. Brahna Yassky, Laurie Anderson, Eric Bogosian, Harley Spiller, Martha Wilson, FF Alumns, now online at Wired
11. Suzanne Lacy, FF Alumn, receives California Arts Council Legacy Artist Fellowship 2021-22, and more
12. Kathy Grove, Alison Saar, FF Alumns, at L/A Louver, Venice, CA, opening Nov. 11
13. Kenneth King, FF Member, now online on Youtube
14. Babs Reingold, FF Alumn, at Creative Pinellas Gallery, Largo, Florida, opening Nov. 13, and more
15. R. Sikoryak, FF Alumn, at City Reliquary, Brooklyn, Nov. 12
16. Adrianne Wortzel, FF Alumn, now online at Juan March Foundation, Madrid, Spain
17. Jacob Burckhardt, FF Alumn, at McNally Jackson bookstore, Manhattan, November 17
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1. Martha Wilson, FF Alumn, now online at The Art of Social Change podcast
Please visit the following website:
https://linktr.ee/theartofsocialchangepodcast
Thank you.
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2. Dread Scott, FF Alumn, now online at The Brooklyn Rail
Please visit the following website:
Thank you.
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3. Rosamond S. King, Nicolás Dumit Estévez Raful Espejo, FF Alumns, now online at The Interior Beauty Salon
The Interior Beauty Salon launches a Q&I between Rosamond S. King and Nicolás Dumit Estévez Raful Espejo.
For more information, please visit the following website:
https://www.interiorbeautysalon.com/rosamond-s-king
Thank you.
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4. Kimsooja, FF Alumn, at Leeum Museum of Art, Seoul, Korea
Kimsooja
To Breathe (2021)
A New Commissioned work at Leeum Museum of Art, Seoul, Korea
Realized on the occasion of the reopening of Leeum, Samsung Museum of Art, To Breathe (2021) is a site-specific installation using diffraction grating film. First presented in 2006 as A Mirror Woman at the Palacio de Cristal of Museo Nacional Centro de Arte Reina Sofía in Madrid, this installation series has been exhibited at venues worldwide, including the Korean Pavilion of the Venice Biennale (2013) and the Centre Pompidou-Metz (2015). At Leeum, the work is installed in the rotunda of architect Mario Botta’s Museum 1 building. By introducing diffraction grating film within this circular chamber, which is characterized by a dome-shaped skylight and series of window frames enclosing its central cavity, the artist allows natural light to constantly transform in tune with the flow of time, changes in weather and movements of the sun throughout the four seasons.
This filtered light envelops the interior spiral staircase and its surrounding walls in prismatic color before reaching ground level, where it casts a circular splash of rainbow hues, and breathes within the museum’s main axis that connects its four floors of galleries. Another type of special reflective film responsive to soft light is installed in order to interact with the rhythm of the window frames placed alongside the spiral staircase, refracting rainbow spectrums that present viewers with variable tableaux unique to their movements. As light passes through the diffraction grating film, which is covered in nano-sized scratches that act as prisms, the interior space is filled with iridescent rays. Such refraction and breathing of the light awaken the audience’s sentiments and thoughts, allowing for both a metaphorical and embodied experience of the artist’s nonmaterial practice of “non-doing, non-making” with light painting.
Ever since the beginning of the world, light played a vital role in sustaining all forms of life, benevolently embracing the world and sharing its radiant bounty with all in need. To Breathe invokes this “light of nature,” as opposed to the museum’s artificial lighting, within the empty interior space and animates it as an organic and non-material spectrum of colorful light.
The entirety of the spiral staircase, including the curved walls that delineate its circular footprint, constantly breathes through the descending rays of refracted light; the resulting visual effect recalls an observation by art historian Hans Sedlmayr, who said that the history of light is more essential than that of space, the dominant subject of art history. As Sedlmayr noted, the history of humankind cannot be isolated from the human relationship to light.
In ancient times and the Middle Ages, light represented God and grace; with the arrival of the Renaissance, sublime and transcendental light served as positive and negative variables in the mathematical order of visual perspective; and by the time modernism had taken hold, light had become the Impressionists’ object of observation in order to manifest their impressions of ever-changing atmospheric conditions. Later on, artificial light served as a tool for László Moholy-Nagy of the Bauhaus to investigate the relationship between art and technology, while the American postwar minimalist Dan Flavin presented light as a phenomenon of accentuated materiality in resistance to Clement Greenberg’s imperative of extreme purity in paintings.
In contrast to the portrayal of light throughout Western art history, To Breathe allows viewers to appreciate the essential quality of light that has not changed since the beginning of time—its ephemeral yet eternal presence. As such, the work serves a contemplative function by awakening our sentiments and thoughts while converting the museum’s rotunda into a sanctum. Light filtered through diffraction grating film yields an unpredictable spectrum whose appearance and disappearance creates an illusion of flowing through the air, swimming along with the currents of nature such as changes in season and weather and, as the title of the work alludes, swelling and subsiding in sync with the breath and gaze of the audience. Depending upon the intensity of nature’s suspiration, the light permeating the space may alternately appear vivid or merely flicker as a subtle, mysterious trace. This light, made visible as a function of nature’s own breath, freely roams the cylindrical void while viewers perceive its iridescent rays coloring their bodies. Transposed into light in To Breathe, Kimsooja’s artistic language transcends notions of materiality and delivers the breath of nature unto all beings within its embrace, from the moment the very first life took its first breath until the present, in the same way that light has always unconditionally sheltered and touched countless beings.
Watch Video of To Breathe (2021) by visiting the following websites:
www.kimsooja.com
https://youtu.be/2QEOjx5V42w
Thank you.
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5. Dread Scott, FF Alumn, now online in The New York Times
Please visit the following website:
Thank you.
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6. Lady Pink, FF Alumn, now online at Latina.com
Please visit the following website:
Thank you.
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7. Danielle Deadwyler, FF ALumn, at Cue Art Foundation, Manhattan, Nov. 19
Artist Talk with Danielle Deadwyler and Tiona Nekkia McClodden
Friday, November 19, 6-7pm ET
RSVP for Zoom link by visiting the following website:
https://www.google.com/url?q=https://cueartfoundation.us7.list-manage.com/track/click?u%3D5831e3a66b513c286ce15eaa9%26id%3D59ddb8585a%26e%3Dcff4306a70&sa=D&source=docs&ust=1636389381078000&usg=AOvVaw1ndF9hR8Zja9JhvCS7-17x
Thank you.
Please join us for a conversation between artist Danielle Deadwyler and curator-mentor Tiona Nekkia McClodden in conjunction with Deadwyler’s solo exhibition, Object-Subject: Flaw is the Only Recourse. The exhibition consists of three bodies of work: a short film, titled CHOR(E)S; the lenticularities, a series of 232 self portraits; and 3 lenticularitiesposters overlaid with text from the 1881 Atlanta Washerwoman Manifesto. Together, these bodies of work explore what bell hooks calls “that act of speech, of ‘talking back,’ that is no mere gesture of empty words, that is the expression of our movement from object to subject — the liberated voice.”
The event will be live-captioned as well as recorded, captioned, and posted to our website after the event. If you have additional access questions or needs, please contact info@cueartfoundation.org (ideally with at least 48 hours before the event) and we will do our best to accommodate you.
RSVP here:
https://www.eventbrite.com/e/artist-talk-with-danielle-deadwyler-and-tiona-nekkia-mcclodden-tickets-191887690247?aff=odeimcmailchimp&mc_cid=8b15015bb7&mc_eid=cff4306a70
Thank you.
For more information, please visit the following website:
https://cueartfoundation.org/danielle-deadwyler?mc_cid=8b15015bb7&mc_eid=cff4306a70
Thank you.
Danielle Deadwyler [she/her/they] is an American-born multidisciplinary performance artist, filmmaker, and actor. Deadwyler’s award winning experimental film work has been presented at the Hartsfield-Jackson International Airport, Atlanta Film Festival, New Orleans Film Festival, Cucalorus Film Festival, and Oxford Film Fest. She has exhibited with MAMBU BADU collective, Mint Gallery, Whitespace Gallery, The Luminary, Atlanta Contemporary Museum, and Spelman College’s Museum of Fine Art Black Box Series, among others. Numerous grants have supported Deadwyler’s works, including IDEA CAPITAL, ELEVATE Atlanta, Living Walls, Synchronicity Theatre, WonderRoot Walthall Fellowship, and Artadia. She is a former Atlanta Film Festival Filmmaker-in-Residence, MINT Gallery Leap Year Fellowship Recipient, a 2020 Franklin Furnace Recipient, and a 2021 Princess Grace Award Winner.
Tiona Nekkia McClodden [she/her] is a visual artist, filmmaker, and curator whose work explores and critiques issues at the intersections of race, gender, sexuality, and social commentary. McClodden’s interdisciplinary approach traverses documentary film, experimental video, sculpture, and sound installations. Most recently, her work has explored the themes of re-memory and narrative biomythography. Her works have been shown at the Institute of Contemporary Art (Philadelphia); the Museum of Modern Art, the Whitney Museum, and MoMA PS1 (New York); Haus der Kulturen der Welt (Berlin); MOCA (Los Angeles); and MCA (Chicago). Most recently, she is the recipient of the 2021-2023 Princeton Arts Fellowship, a Bucksbaum Award for her work in the 2019 Whitney Biennial, and a 2019 Guggenheim Fellowship in Fine Arts, among others. In 2017-18, she curated A Recollection. + Predicated. as a part of the multi-artist retrospective Julius Eastman: That Which is Fundamental, exhibited in Philadelphia and New York. Her writing has been featured on the Triple Canopy platform, in Artforum, Cultured Magazine, Art21 Magazine, and many other publications. Tiona lives and works in North Philadelphia, PA and is the Founder + Director of Philadelphia-based Conceptual Fade, a micro-gallery and library space centering Black thought + artistic production.
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8. Jay Critchley, FF Alumn, at Cill Rialaig, County Kerry, Ireland, and more
Jay Critchley, Residency at Cill Rialaig, County Kerry, Ireland. For more information, please visit the following website:
https://cillrialaigartscentre.com/residencies/
Thank you.
Institute of Sociometry Fair, Globeville Epicenter and Greenville Bar, Denver, November 11-14, 20202021.
For more information, please visit the following website:
http://www.sociometry.com/wpsb/
Thank you.
What is is: Peter Bergman:
Every four years we add a cheat-day to the calendar, elect a President, compete in the Summer Olympics, and convene the is FAIR. Since 1996 we’ve convened six is FAIRS in six different cities on this quadrennial schedule. Plans to bring the seventh is FAIR back to Denver in 2020, after a twenty-year absence, were trampled under the hooves of a white horseman galloping asunder across the land. On suggestion from our council of elders, we elected to hold the is FAIR in 2020, but actually in 2021.
The is FAIR is a pseudo-science fair for free-thinking adults; artists, miscreants, pranksters, and anyone with a good story to tell. Blue-chip artists, your mom (or child), deep thinkers, disaffected hipsters, even sincere romantics are submit a free-standing table-top tri-fold display or documentary film short, addressing the eternal theme of “individuals and their relationship to groups”.
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9. Nicole Eisenman, FF Alumn, at Vielmetter Los Angeles, CA, thru Feb. 20, 2022
Vielmetter Los Angeles
Nicole Eisenman
Man at the Center of Men
November 6, 2021 – February 20, 2022
Vielmetter Los Angeles is honored to present Nicole Eisenman’s 2019 sculpture Man at the Center of Men. Sculpted from plaster, foam, fiberglass, and epoxy resin, Man at the Center of Men is exemplary of Eisenman’s radically indeterminate and open approach to making narratives, metaphors, and allegories of the human experience. Man at the Center of Men was a central element of the artist’s 2019 Whitney Biennial installation, shown on the Whitney Museum of American Art’s 6th-floor terrace, as part of a massive installation of walking figures entitled Procession, 2019. There, the sculpture was together with its fellows through wind, rain, and sun; and has since been exhibited at The Contemporary Austin and the Astrup Fearnley Museum in Oslo.
Here in Los Angeles, viewers can see the work separate from the assembled figures of Eisenman’s procession/parade/protest/migration. And yet, tellingly, Man at the Center of Men is a representation of persons or personhood as structurally co-dependent: The sculpture is a single mass representing one figure on all fours with another figure perched on his back (though the separation between back and bottom is implied, they are in fact fused here and obviously so) sunning their face with light reflected off two mirrors inside the lids of stainless steel trashcans. This bonded pair, and indeed the procession they create together as well as the procession they were part of previously, suggests myriad possible interpretations from reflections on the abject conditions that make possible the experience of privilege and leisure to the entanglements and obligations of mutual aid, generosity, and exploitation. Neither separate nor mutually exclusive, this expanded possibility of meaning highlights the ineffable experience of being a person – grief and loss and terror and tragedy walk right alongside and have a beer with joy and abundance and safety and the mundane.
Nicole Eisenman is a MacArthur Foundation Fellow and was inducted into the American Academy of Arts and Letters in 2018. Their work was included in both the 2019 Venice Biennale and the 2019 Whitney Biennial. Recent solo exhibitions include Giant Without a Body, at the Astrup Fearnley Museet, Oslo, Norway; Sturm und Drang, at the Contemporary Austin, Austin, TX; Baden Baden Baden, at the Staatliche Kunsthalle in Baden-Baden, Germany; Dark Light, at Vielmetter Los Angeles; Dark Light, at Secession in Vienna, Austria; and Al-ugh-ories, at the New Museum, New York.
1700 S Santa Fe Ave, Los Angeles, CA 90021 +1 213 623 3280
For more information, please visit the following website:
vielmetter.com
Thank you.
Copyright © 2021 Vielmetter Los Angeles, All rights reserved.
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10. Brahna Yassky, Laurie Anderson, Eric Bogosian, Harley Spiller, Martha Wilson, FF Alumns, now online at Wired
Please visit the following website:
https://www.wired.com/story/social-media-silent-generation/
Thank you.
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11. Suzanne Lacy, FF Alumn, receives California Arts Council Legacy Artist Fellowship 2021-22, and more
Suzanne Lacy was awarded the California Arts Council Legacy Artist Fellowship Grant 2021-2022
Upcoming Exhibition
What Kind of City?
A Manual for Social Change
The Whitworth, Manchester, United Kingdom
The solo exhibition What Kind of City? features the works Circle and the Square (2015-17), Across and In-Between (2018) and the Oakland Projects (1991-2001). The exhibition is the first major UK presentation of multiple works by Lacy. The exhibition is on view from November 26, 2021 to April 10, 2022.
Lacy continuing her project Telebridge
V-A-C Foundation, Moscow, Russia
Telebridge is a new project designed in collaboration with the Community Engagement and Learning staff of the V-A-C Foundation, during the construction and completion of the Renzo Piano-designed GES2 that will open to the public on December 4, 2021. The Telebridge project–in development since 2018–connects with the ambitions of the V-A-C Foundation to create a “House of Culture” where the public is an essential participant in the construction of a new contemporary cultural engagement space based on contemporary art. Questions we are exploring include the use, ownership and activation of public space.
In 2019, we produced three remote conversations via video transmission between builders who were involved in the massive renovation of the former power station and different Moscow communities. These virtual “tours” of the construction site led by builders exemplified the tentative curiosity and occasional awkward miscommunication at play when a cultural institution attempts to connect with a public constituency.
In October 2021, Lacy returned to Moscow to conduct the second phase of the Telebridge. Thirty community members were the first public witnesses to enter the almost-completed building, representatives of community partnerships built to represent the public and participatory aspects of V-A-C. Three tours were led by a series of questions around a theme: public/private, isolation/ engagement and art /not-art. These carefully vetted topics are foundational to building a sense of ownership and engagement between the institution and particular and specific members of Moscow communities.
In May, 2022, a video installation at the V-A-C GES2 will be activated by on-going Event Labs in different spaces throughout the City.
Current Exhibitions
Body on the Line
MoMA, New York, NY
I Tried Everything (1972), recently acquired by MoMA, is on view in the group exhibition Body on the Line in Gallery 420 on the fourth floor of the museum.
Suzanne Lacy: Uncertain Futures and Cleaning Conditions
Manchester Art Gallery, Manchester, UK
Suzanne Lacy: Uncertain Futures and Cleaning Conditions is a solo exhibition featuring the documentation of Cleaning Conditions (2015) and Lacy’s new project on women in Manchester over 50, Uncertain Futures. The exhibition is up and open to the public now through May 1 2022.
More Together Than Alone
East Quay Gallery, Watchet, UK
More Together Than Alone is a group exhibition featuring Lacy’s work The Circle and The Square (2015-2017). The show is up and open to the public now through January 3rd 2022.
Radical Reel: 40 Years of Moving Image
Leeds Art Gallery, Leeds, UK
Radical Reel: 40 Years of Moving Image is a group exhibition featuring Lacy’s work Whisper, the Waves, the Wind (1983-84) The show is up and open to the public now through January 2nd 2022.
In the Press
Suzanne Lacy’s “Between the Door and the Street” (2013) was referenced in the Hyperallergic article titled “New Anti-Riot Bills Threaten the Work of Social Practice Artists” by Joy Harris
Suzanne Lacy was interviewed by the Japanese Television network Hodo Station, a Japan network, addressing Lacy’s work in the exhibition Another Energy at the Mori Art Museum in Tokyo, Japan. The exhibition features Lacy’s works Inevitable Associations (1976) and International Dinner Party (1979). The exhibition is up until January 16th, 2022.
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12. Kathy Grove, Alison Saar, FF Alumns, at L/A Louver, Venice, CA, opening Nov. 11
FF Alumn Kathy Grove is featured in SEEN/UNSEEN exhibition at L/A Louver, Venice, California November 11, 2021 – January 8, 2022. Curated by FF Alumn Alison Saar. Other artists include Jojo Abot, Rina Banerjee, Vanessa German, Julia Haft-Candell, Kenyatta A.C. Hinkle, Ricardo Vincente Jose Ruiz, Keisha Scarville, and Arthur Simms.
SEEN/UNSEEN builds its energy around the idea of Spirit Portraiture. The belief that spirits can be captured in visual form predates ancient history, but emerged forcefully around the turn of the 20th century with the advent of photography. Thisa new medium ushered in manipulations of image that could “capture” spirits and evoke other phenomenal presences on film.
The artists gathered in this exhibition seem to conjure their images from another plane, giving form to something heretofore unseen and immaterial. Beyond that, they are believers, agitators, healers, and mediums – channeling power and narrative from history, folklore, politics, and ancestral inheritance. They catch hold of something from the great beyond and bring it to life within their work, giving face to the intangible energies that infuse our world.
In making visible what had previously been invisible, these works echo the language of universal change, of social movements like Black Lives Matter and other calls for renewed, more just and more real ways of being seen.
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13. Kenneth King, FF Member, now online on Youtube
Kenneth King New Comedy Movie “Happy Valley Retirement Village”
On my YouTube channel Kenneth King Media:
https://www.youtube.com/channel/UC-iah2fbVd0rJw6H021ZHcw
Having started out as an actor before becoming a dancer and writer, in this antic series “Happy Valley Retirement Village” I wrote and play all 7 madcap characters: Buddy, a construction worker; Basil Wraithbone, reporter for the BBC and London Times; Ole’ Grandpa, oldest 150 years old man; actress Katherine Heartburn, Foo Chi, a cook; Randy PIncer, a Cockney TV addict; and Tallulah Bankhead.
Thank you.
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14. Babs Reingold, FF Alumn, at Creative Pinellas Gallery, Largo, Florida, opening Nov. 13, and more
Exhibition at Creative Pinellas
I’m excited to exhibit in
“Arts Annual 2021”
Creative Pinellas Gallery
November 11 – December 19
Opening Reception November 13th 5-8pm
I’ll be there Saturday November 13th from 6-8pm
Come enjoy this Arts Annual Weekend with works in the gallery and performances in the courtyard on the 13th and 14th
Gallery entrance is free. Event performances are $10 per event
I look forward to seeing you there!
12211 Walsingham Rd. Largo Florida 33778
Babs Reingold, Double Vessel No.8 2021 49″w x149hx 4″d Silk organza, cheesecloth, encaustic, rust, tea, thread, string, color pencil, on paper
Link to tickets for Creative Pinellas
https://www.eventbrite.com/e/arts-annual-2021-weekend-tickets-167116533049
Thank you.
Ongoing
Permanent Diorama at Fairgrounds St. Pete
I’m excited to have “The Last Sea Diorama” permanently installed at the newly opened Fairgrounds St. Pete. This 15,000 sq ft artist-made environment is a choose-your-own-adventure art and technology experience with multiple ways for you to participate in the narrative celebrating weird, wacky, wonderful Florida
To purchase tickets for Fairgrounds St. Pete, please visit the following website: https://fairgrounds.art/
For more information, please visit Babs Reingold’s website:
https://babsreingold.com/
Thank you.
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15. R. Sikoryak, FF Alumn, at City Reliquary, Brooklyn, Nov. 12
Carousel: Comics Performances returns with an outdoor, in-person show at The City Reliquary.
Live readings, music, and projections of graphic novels, cartoons, and more.
Featuring:
Hilary Fitzgerald Campbell
Yinfan Huang
Cynthia Kaplan
Mattie Lubchansky
Joe Dator & Kevin Maher
Bishakh Som
Hosted by R. Sikoryak.
The show will be followed by a book signing.
For more information about the event and participating artists, please visit the following websites:
http://www.cartoonsbyhilary.com
http://www.yinfanhuang.com
https://www.cynthiakaplan.com
http://matt-lub.com
https://joedator.com
https://lovekevin.com
http://www.bishakh.com
https://www.rsikoryak.com
https://www.cityreliquary.org
This is an all-vaccinated event. Please bring proof of vaccination for entry.
The City Reliquary
370 Metropolitan Ave, Brooklyn, NY 11211
Friday, November 12, 2021
Times: 7:30pm door 8:00pm show
Tickets: $10
For more information, please visit the following website:
https://withfriends.co/event/12994004/carousel_comics_performances_and_picture_shows
Thank you.
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16. Adrianne Wortzel, FF Alumn, now online at Juan March Foundation, Madrid, Spain
Adrianne Wortzel, FF Alumn, brief appearance in documentation video celebrating “Art is Art, and Everything Else is Everything Else”, Ad Reinhardt retrospective at Juan March Foundation, Madrid, Spain – October 15, 2021 to January 16, 2022.
For more information about the Exhibition Site, please visit the following website: https://www.march.es/es/madrid
Thank you.
Video at the following website:
https://canal.march.es/es/coleccion/ad-reinhardt-arte-es-arte-todo-demas-es-todo-demas-37996
Thank you.
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17. Jacob Burckhardt, FF Alumn, at McNally Jackson bookstore, Manhattan, Nov. 17
Dear All,
There will be a book launch of The Loft Generation by Edith Schloss (my mother) at 7PM on Wednesday, November 17 at the McNally Jackson bookstore at 4 Fulton street in the South Street Seaport in New York.
I will be reading from the book and will be having a conversation with Phillip Lopate. copies will be available to purchase, of course. Admission is free.
Link with more information and RSVP is below.
I hope to see you there!
Jacob
For more information, please visit the following website:
https://www.mcnallyjackson.com/event/edith-schlosss-loft-generation-conversation-between-jacob-burckhardt-and-phillip-lopate?fbclid=IwAR1KRoQigEb0vz6gcJwthi6Dyl9c-babOpM5xCTJHL6vrYXipkWwrKrvRxY
Thank you.
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Goings On is compiled weekly by Joanna Seifter, Fall Intern, 2021
