Contents for September 16th, 2024
CONTENTS (please click on the links or scroll down for complete information on each post):
CONTENTS (please click on the links or scroll down for complete information on each post):
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Weekly Spotlight: Vern Fisher, FF Alumn, online at the FF LOFT, Sept. 18
1. Arturo Lindsay, FF Alumn, at Brooklyn Public Library, Central Branch, Oct. 6
2. Nicolás Dumit Estévez Raful Espejo Ovalles, FF Alumn, live online, Sept. 17
3. Barbara Hammer, Carolee Schneemann, FF Alumns, at New York Public Library for the Performing Arts, Manhattan, Sept. 19
4. Ed Woodham, FF Alumn, in West Hollywood, CA, Sept. 24, 27
5. Justin Allen, FF Alumn, new publication
6. Nicolás Dumit Estévez Raful Espejo Ovalles Morel, Alicia Grullõn, FF Alumns, at Grace Exhibition Space, Manhattan, Nov. 8, 22
7. John Allen, Theresa Hak Kyung Cha, Patty Chang, Nina Kuo, Yong Soon Min, FF Alumns, at 80WSE Gallery, Manhattan, thru Dec. 20
8. Nicole Eisenman, FF Alumn, now online at NYTimes.com
9. Anh Vo, FF Alumn, at Center for Performance Research, Brooklyn, Oct. 23
10. Stefan Hayn, FF Alumn, at Berlin Art Week, Germany, thru Sept. 17
11. Stephanie Brody-Lederman, FF Alumn, at 484 Gallery, Montauk, NY, opening Sept. 21
12. Julie Harrison, FF Alumn, at Nonzimer, Los Angeles, CA, thru Oct. 18
13. Iris Rose, FF Alumn, at 6th Street & Avenue B Garden, Manhattan, Sept. 17
14. Liz Magic Laser, FF Alumn, now online at NYTimes.com
15. Charles Bernstein, FF Alumn, receives 2025 America Award
16. Ray Johnson, FF Alumn, now online at School of the Art Institute of Chicago
17. R. Sikoryak, FF Alumn, at Dixon Place, Manhattan, Sept. 25 and more
18. Kal Spelletich, FF Alumn, at Anglim/Trimble, San Francisco, CA, thru Oct. 26
19. Halona Hilbertz, FF Alumn, at Main Drag, Brooklyn, Sept. 21
20. Mitzi Humphrey, FF Alumn, at Artspace, Richmond, VA, opening Oct. 25
21. Shelley Haven, FF Alumn, fall news
22. Jo Andres, FF Alumn, at Issue Project Room, Brooklyn, Oct. 9
23. Marina Abramović, FF Alumn, at Moco Museum London, UK, thru March 11 and more
24. Petah Coyne, Kathy Grove, Guerilla Girls, FF Alumns, at Chazen Museum of Art, Madison, WI, thru Dec. 23, and more
25. Aviva Rahmani, FF Alumn, at The Brick, Los Angeles, CA, thru Dec. 21
26. Agnes Denes, FF Alumn, now online at NYTimes.com
27. Helène Aylon, FF Alumn, at Princeton University Art Museum@Bainbridge, NJ, thru Feb. 2, 2025
28. Doug Skinner, FF Alumn, releases new publication
29. RT Livingston, FF Alumn, at Santa Barbara Tennis Club, CA, thru Oct. 3
30. Anne Sherwood Pundyk, FF Alumn, at Oysterponds Historical society, Orient, NY, Sept. 27-29 and more
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Weekly Spotlight: Vern Fisher, FF Alumn, online at the FF LOFT, Sept. 18
Born to rural Texas farmers in 1943, Vernon Fisher’s childhood exposure to painting was only as “something you did to houses.” By the 1980’s, he was exhibiting alongside Andy Warhol and Jean-Michel Basquiat, establishing himself as one of the most important artists of the 20th century. Throughout his career, Fisher was also an influential art professor at the University of North Texas.
Artist Jeff Elrod is a former student and describes his time with Fisher as “life changing.” Another former student, Baseera Khan, recently won the 2023 MTV reality show, “The Exhibit: Finding the Next Great Artist”. Both artists are featured in Breaking the Code.
The film also features MacArthur Genius Grant recipient, Dave Hickey, and the acclaimed art historian, Frances Colpitt, in two of the final interviews recorded before their respective deaths in 2021 and 2022.
Winner of “Best Historical Film” at the 2023 Dallas International Film Festival, Breaking the Code introduces Vernon Fisher to a new generation while also giving the many who already know his work an intimate look at his life and art. A virtual discussion and Q&A will follow this Franklin Furnace LOFT Screening of the film. The discussion will feature former Under Secretary for Art at the Smithsonian Institution Ned Rifkin, Glasstire Publisher Brandon Zech, filmmaker Michael Flanagan and Franklin Furnace’s Ken Dewey Director Harley Spiller. Breaking the Code will be available to stream online via Glasstire TV following the Franklin Furnace LOFT Screening.
The Actual Haptic Tactile Fractal World: An Interview with Dave Hickey by Michael Flanagan
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1. Arturo Lindsay, FF Alumn, at Brooklyn Public Library, Central Branch, Oct. 6
Wed. Oct. 6, 2024, 6 pm
Arte Congo
artists journey on the congo coast of panama
a documentary film by Arturo Lindsay
congoartfilm.com
Brooklyn Public Library
10 Grand Army Plaza, Brooklyn, NY 11238
free and open to the public
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2. Nicolás Dumit Estévez Raful Espejo Ovalles, FF Alumn, live online, Sept. 17
Breath-Body-Mind
for BIPOC Activists / Artivists
& Community Organizers
Pause, Breathe and Recharge
Join us on ZOOM for this FREE 90 minutes of
Breath-Body-Mind Practices taught by Dr. Richard P. Brown
This session is open to those involved in generating positive shifts in the world, and seeking to experience restoration, ease and to gather strength
in preparation for the times ahead.
September 17, 2024
7:00-8:30 PM ET
To register: https://us06web.zoom.us/meeting/register/tZAodu6rqjIuGNK0e4z0gF-I-GnbJzJ48Vrh#/registration
https://www.breathbodymindfoundation.org
https://www.interiorbeautysalon.com
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3. Barbara Hammer, Carolee Schneemann, FF Alumns, at New York Public Library for the Performing Arts, Manhattan, Sept. 19
Avant-Garde Films in the Reserve Film and Video Collection
Thursday, September 19 | 5:30 PM | Library for the Performing Arts
In recognition of Banned Books Week, the Reserve Film and Video Collection at the Library for the Performing Arts is partnering with renowned archivist, film historian, and programmer Jon Gartenberg to present an evening of “naughty” art films from the Library’s historic 16mm film collection. But is art naughty? Join the conversation as Gartenberg and RFVC Film Collection Specialist Elena Rossi-Snook discuss the history and interpretation of these rarely screened works. Select films include Dyketactics (1974) by Barbara Hammer, Fuses (1967) by Carolee Schneemann, and Un Chant D’Amour (1950) by Jean Genet.
to register: https://www.nypl.org/events/programs/2024/09/19/whats-happening-deep-cuts-reserve-film-and-video-collection
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4. Ed Woodham, FF Alumn, in West Hollywood, CA, Sept. 24, 27
Two Free Public Art Workshops with artist Ed Woodham in West Hollywood, California
September 24 & 27, 2024
Los Angeles artists, curators, creatives, and community members are invited to attend one of two free public art workshops with artist Ed Woodham to create a quick temporal work. Participants will also learn about Art in Odd Places (AiOP) a citywide public visual and performance art festival taking place in West Hollywood in 2025 celebrating its 40th anniversary.
Register here:
September 24, 2024 / 1-5pm PST
West Hollywood Aquatics & Recreation Center
8750 El Tovar Place Fairfax and LaBrea Rooms West Hollywood, CA
https://www.weho.org/Home/Components/Calendar/Event/28977/15
September 27, 2024 / 1-5pm PST
Plummer Park Community Center Rooms 5&6
7377 Santa Monica Boulevard Los Angeles, CA
https://www.weho.org/Home/Components/Calendar/Event/28979/15
QUESTIONS? Contact Marcus Mitchell, West Hollywood Public Art Administrator at mmitchell@weho.org / 323-848-3122
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5. Justin Allen, FF Alumn, new publication
Please visit this link:
Thank you.
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6. Nicolás Dumit Estévez Raful Espejo Ovalles Morel, Alicia Grullõn, FF Alumns, at Grace Exhibition Space, Manhattan, Nov. 8, 22
CENTRAL, the first Central American and Caribbean performance art festival, will take place from September to November 2024 in Grace Exhibition Space, located in the Lower East Side, Manhattan, New York. In this festival, attendees will be able to see 24 performances by artists who work from immateriality and the creation of ephemeral experiences from the body, exploring themes such as violence, migration, diaspora, the abuse of power, identity and other problems intrinsic to the human being. Curated by the Mexican artist Pancho López, this festival seeks to build a bridge between the Central American region, some Caribbean islands, and one of the most important global stages in the world in terms of art and culture: New York City.
Dedicated to the memory of the Honduran artist César A. Manzanares, a pioneer performer from the Central American region who recently passed away.
This Festival seeks to bring together 24 performative proposals from September through November 2024. Photography: Ever Rodas | Network of collaborators: The Interior Beauty Salon, BAX, EMERGENYC, RACA, NYLAAT, Museo C.A.V La Neomudejar, Building Bridges Art Exchange, Argentina Performance Art, LL proyectos, YES Contemporary. More info: www.graceexhibitionspace.org
Sep / Oct / Nov / 2024
Starting Friday, September 13 and every other Friday EXCEPT Saturday 28.
Doors: 7:00 members 7.30 general public
Performances: 8:00-10:00
$10-$30 sliding scale entrance fee; members enter FREE
Make a tax-deductible donation – please specify where we can best put your funds to work: artist travel, artist fees, general operations, other …
FRIDAY, SEPTEMBER 13
REGINA JOSÉ GALINDO (GUATEMALA)
ALEXIA MIRANDA (EL SALVADOR)
QUINTÍN RIVERA TORO (PUERTO RICO)
MAURICIO ESQUIVEL (EL SALVADOR – NYC)
SATURDAY, SEPTEMBER 28
LEONARDO GONZÁLEZ (HONDURAS)
HUMBERTO VÉLEZ (PANAMÁ)
MARTON ROBINSON (COSTA RICA)
CARLOS MANUEL RIVERA (PUERTO RICO – NYC)
FRIDAY, OCTOBER 11
EDUARDO VELÁZQUEZ (DOMINICAN REPUBLIC – NYC)
BLANCA VAN HOORDE (PANAMÁ)
PAVEL AGUILAR (HONDURAS)
PAULINA VELÁZQUEZ (COSTA RICA)
FRIDAY, OCTOBER 25
ALEJANDRO DE LA GUERRA (NICARAGUA – NYC)
CRACK RODRÍGUEZ (EL SALVADOR)
VALERIA COBOS (HONDURAS)
NATALIA DOMÍNGUEZ (SALVADOR)
FRIDAY, NOVEMBER 8
MANUEL TZOC (GUATEMALA)
ELIA ARCE (COSTA RICA)
NICOLÁS DUMIT ESTÉVEZ RAFUL ESPEJO OVALLES MOREL (DOMINICAN REPUBLIC – NYC)
VANESSA HERNÁNDEZ GRACIA (PUERTO RICO)
FRIDAY, NOVEMBER 22
SUSANA GONZALEZ-REVILLA (PANAMÁ)
MILKO DELGADO (PANAMÁ)
ALICIA GRULLÓN (DOMINICAN REPUBLIC – NYC)
ILLIMANI DE LOS ANDES (NICARAGUA)
ABOUT PANCHO LÓPEZ
Pancho López (Mexico, 1972) is a performance artist interested in how everyday life and the feelings of human nature, connecs with artistic expressions. Graduated from the Bachelor of Communication Sciences at the Faculty of Political and Social Sciences of the Universidad Nacional Autónoma de México (UNAM).
In 2021 he published the book “Central America in action. An approach to Central American performance and some of its protagonists” edited by the Museum of Contemporary Art and Design (MADC) of San José Costa Rica, with the support of the La Neomudéjar Museum, the Cultural Center of Spain of Costa Rica, the Art Network of Central America (RACA) and the Jumex Foundation. He has been curator for the Museum of Contemporary Art of Panama, the Museum for National Identity (MIN) of Honduras, the Museum of Contemporary Art Querétaro, the Museo La Neomudéjar of Madrid and the Museum of Contemporary Art and Design (MADC) from San José Costa Rica. His retrospective of 25 years of work “El Picnic y la Sobremesa” is currently on display at the Museum of Mexico City.
ABOUT GES
Opened in 2006, Grace Exhibition Space is devoted exclusively to Performance Art. We offer an opportunity to experience visceral and challenging works by the current generation of international performance artists whether emerging, mid-career or established. Our events are presented on the floor, not on a stage, dissolving the boundary between artist and viewer. This is how performance art is meant to be experienced and our mission is the glorification of performance art. Grace Exhibition Space for International Performance Art, NYC is 501(c)3 nonprofit, since 2018. www.graceexhibitionspace.org
To read an interviú between Pancho López and Nicolás go to: https://www.interiorbeautysalon.com/pancho-lopez
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7. John Allen, Theresa Hak Kyung Cha, Patty Chang, Nina Kuo, Yong Soon Min, FF Alumns, at 80WSE Gallery, Manhattan, thru Dec. 20
Please visit this link to Legacies: Asian American Art Movements in New York City (1969-2001), the current New York University exhibition at 80WSE Gallery:
https://80wse.org/exhibitions/legacies-asian-american-art-movements
Thank you.
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8. Nicole Eisenman, FF Alumn, now online at NYTimes.com
Please visit this link:
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9. Anh Vo, FF Alumn, at Center for Performance Research, Brooklyn, Oct. 23
OPEN AiR
Endless Holes: Rebecca Patek, Alex Rodabaugh, and Anh Vo
Tuesday, October 22 and Wednesday, October 23 at 7:00 P.M.
More information: www.cprnyc.org/events/open-air-rebeccapatek-alexrodabaugh-anhvo
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10. Stefan Hayn, FF Alumn, at Berlin Art Week, Germany, thru Sept. 17
We are delighted to announce our anniversary exhibition THE END JUSTIFES THE MEANS. The desire, the abstraction, the foundation for BERLIN ART WEEK, curated by Hans-Jürgen Hafner, and cordially invite you to the opening on Friday, September 13th from 6 p.m. to 9 p.m.
Established in 2009, the foundation is celebrating its fifteenth anniversary this year. The exhibition The End Justifies the Means is intended to honor this. The show, curated by Berlin exhibition organizer Hans-Jürgen Hafner, is about the foundation itself, which its initiator Jochen Kienzle sees as a medium in line with the foundation’s purpose: to actively participate in the production, presentation and communication of art based on the works of the Kienzle collection.
For the Kienzle Art Foundation, this means continuing what Jochen Kienzle always had in mind as a collector and from 1997 to 2010 as operator of the Kienzle & Gmeiner Gallery: to establish a permanent and sustainable relationship with the art of the time and to actively engage with it. Anyone who is not an artist, curator or art critic needs a suitably stubborn register for this. In doing so, the Kienzle Art Foundation shows itself to be a medium beyond the foundation’s purpose: in this way, the founder’s wish to ensure a specific approach to and with art can be articulated. In abstract terms, this includes its production and circulation, work on its value and its meaning, and consequently enters concretely into the field of tension between artistic, curatorial and art-historical-critical practice.
THE END JUSTIFIES THE MEANS. The desire, the abstraction, the foundation is a thematic group exhibition that subjects selected works from the Jochen Kienzle collection to a re-reading that focuses in particular on the aspect of mediality and reflexivity: which visual artistic, media-critical, discourse and context-analytical tools artists use and how they have used these in the spirit of their own historically situated artistic project. Against the backdrop of an art that is stubbornly focused on presence, topicality and materiality, the exhibition also emphasizes the aspect of historical-genealogical development that is embedded in the formation of collections and institutions – not as a natural “course of things”, but as something that can be shaped, changed and altered, with the Kienzle Art Foundation as a reference and comparison point. Originally conceived as both a tableau and a display for the opening exhibition of the Kienzle Art Foundation Loose Joints, Berlin artist Elmar Zimmermann will re-enact his installation “Eine Wand” in relation to the current exhibition theme.
At the same time, the Kienzle Art Foundation is presenting itself in a new graphic design. The appearance was developed in collaboration with cmk Büro für Gestaltung .
The exhibition presents works by Fareed Armaly, Francois Joseph Chabrillat, Friederike Clever, Christian Flamm, Penelope Georgiou, Stefan Hayn, Fred Hugel, Jasmine Justice, Josef Kramhöller, Claudia Kugler, Jonathan Lasker, Tom Meacham, Klaus Merkel, Alfred Müller, Verena Pfisterer, Gunter Reski, Ketty La Rocca, Schleifschnecke (Jesko Fezer & Axel John Wieder), Emil Schuhmacher, Kurt Schwitters, Elmar Zimmermann, Peter Zimmermann.
Hans-Jürgen Hafner (*1972) works as an exhibition organizer, author and art critic. Most recently he curated the exhibition I AM THE AUDIENCE &/Installing Theory: “The Idea of the New” at the kunstbunker – forum for contemporary art, Nuremberg and dealt with models of fictitious artistic authorship. Together with Daniel Kletke, Hafner conceived the first show of the Kienzle Art Foundation in 2010 with the exhibition “Loose Joints” and classified the collection. As an exhibition organizer he has curated numerous other exhibitions, including the first institutional retrospective of the concept art pioneer Henry Flynt. From 2011 to 2016 he was director of the Kunstverein für die Rheinlande und Westfalen, Düsseldorf. Hafner writes for Spike Art Quarterly, Texte zur Kunst and the taz, among others.
OPENING HOURS for BERLIN ART WEEK: Sat, 14 Sep 13-18, Sun, 15 Sep 13 – 17
and by appointment.
For further information please contact office@kienzleartfoundation.de We are delighted to announce our anniversary exhibition THE END JUSTIFIES THE MEANS. The desire, the abstraction, the foundation for BERLIN ART WEEK, curated by Hans-Jürgen Hafner, and cordially invite you to the opening on Friday, September 13th from 6 p.m. to 9 p.m.
Established in 2009, the foundation is celebrating its fifteenth anniversary this year. The exhibition The End Justifies the Means is intended to honor this. The show, curated by Berlin exhibition organizer Hans-Jürgen Hafner, is about the foundation itself, which its initiator Jochen Kienzle sees as a medium in line with the foundation’s purpose: to actively participate in the production, presentation and communication of art based on the works of the Kienzle collection.
For the Kienzle Art Foundation, this means continuing what Jochen Kienzle always had in mind as a collector and from 1997 to 2010 as operator of the Kienzle & Gmeiner Gallery: to establish a permanent and sustainable relationship with the art of the time and to actively engage with it. Anyone who is not an artist, curator or art critic needs a suitably stubborn register for this. In doing so, the Kienzle Art Foundation shows itself to be a medium beyond the foundation’s purpose: in this way, the founder’s wish to ensure a specific approach to and with art can be articulated. In abstract terms, this includes its production and circulation, work on its value and its meaning, and consequently enters concretely into the field of tension between artistic, curatorial and art-historical-critical practice.
THE END JUSTIFIES THE MEANS. The desire, the abstraction, the foundation is a thematic group exhibition that subjects selected works from the Jochen Kienzle collection to a re-reading that focuses in particular on the aspect of mediality and reflexivity: which visual artistic, media-critical, discourse and context-analytical tools artists use and how they have used these in the spirit of their own historically situated artistic project. Against the backdrop of an art that is stubbornly focused on presence, topicality and materiality, the exhibition also emphasizes the aspect of historical-genealogical development that is embedded in the formation of collections and institutions – not as a natural “course of things”, but as something that can be shaped, changed and altered, with the Kienzle Art Foundation as a reference and comparison point. Originally conceived as both a tableau and a display for the opening exhibition of the Kienzle Art Foundation Loose Joints, Berlin artist Elmar Zimmermann will re-enact his installation “Eine Wand” in relation to the current exhibition theme.
At the same time, the Kienzle Art Foundation is presenting itself in a new graphic design. The appearance was developed in collaboration with cmk Büro für Gestaltung .
The exhibition presents works by Fareed Armaly, Francois Joseph Chabrillat, Friederike Clever, Christian Flamm, Penelope Georgiou, Stefan Hayn, Fred Hugel, Jasmine Justice, Josef Kramhöller, Claudia Kugler, Jonathan Lasker, Tom Meacham, Klaus Merkel, Alfred Müller, Verena Pfisterer, Gunter Reski, Ketty La Rocca, Schleifschnecke (Jesko Fezer & Axel John Wieder), Emil Schuhmacher, Kurt Schwitters, Elmar Zimmermann, Peter Zimmermann.
Hans-Jürgen Hafner (*1972) works as an exhibition organizer, author and art critic. Most recently he curated the exhibition I AM THE AUDIENCE &/Installing Theory: “The Idea of the New” at the kunstbunker – forum for contemporary art, Nuremberg and dealt with models of fictitious artistic authorship. Together with Daniel Kletke, Hafner conceived the first show of the Kienzle Art Foundation in 2010 with the exhibition “Loose Joints” and classified the collection. As an exhibition organizer he has curated numerous other exhibitions, including the first institutional retrospective of the concept art pioneer Henry Flynt. From 2011 to 2016 he was director of the Kunstverein für die Rheinlande und Westfalen, Düsseldorf. Hafner writes for Spike Art Quaterly, Texte zur Kunst and the taz, among others.
OPENING HOURS for BERLIN ART WEEK: Sat, 14 Sep 13-18, Sun, 15 Sep 13 – 17
and by appointment.
For further information please contact office@kienzleartfoundation.de
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11. Stephanie Brody-Lederman, FF Alumn, at 484 Gallery, Montauk, NY, opening Sept. 21
Stephanie Brody-Lederman, FF Alumn is in this show “Swan Song” at 484 Gallery, Montauk, Long Island, opening Sept. 21, 6-9 pm
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12. Julie Harrison, FF Alumn, at Nonzimer, Los Angeles, CA, thru Oct. 18
PST Art
Echoes of Voynich
Nonzimer
341 S. Ave. 17, Los Angeles, CA
thru Oct. 18
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13. Iris Rose Tuesday, September 17th. 7:30pm.
The garden at 6th St & Ave B.
FREE.
As part of TWEED’s Garden Variety series in the community gardens of the East Village, Chris Berg and I are playing one requested song from each of our past Pangea shows, starting back in 2017. A “greatest hits” program we’re calling Songbird Hash, followed by a set from Dane Terry. A great way to say goodbye to summer.
Fun fact: 3 weeks later (10/8) the most recent of our shows, The Best of Things, returns to Pangea. Details and ticket link to come.
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14. Liz Magic Laser, FF Alumn, now online at NYTimes.com
Please visit this link:
https://www.nytimes.com/2024/09/10/opinion/trump-fist-gesture.html
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15. Charles Bernstein, FF Alumn, receives 2025 America Award
The Judges for the America Awards are happy to announce their choice for the Award for 2025:
AMERICA AWARDS
FOR A LIFETIME CONTRIBUTION TO INTERNATIONAL WRITING
Awarded by the Contemporary Arts Educational Project, Inc.
in loving memory of Anna Fahrni
The 2025 Award winner is:
CHARLES BERNSTEIN [USA] (1950)
Previous Winners:
1994 Aimé Césaire [Martinique] 1913-2008
1995 Harold Pinter [UK] 1930-2008
1996 José Donoso [Chile] 1924-1996 (awarded prior to his death)
1997 Friederike Mayröcker [Austria] 1924-2021
1998 Rafael Alberti [Spain] 1902-1998 (awarded prior to his death)
1999 Jacques Roubaud [France] 1932
2000 Eudora Welty [USA] 1909-2001
2001 Inger Christensen [Denmark] 1935-2009
2002 Peter Handke [Austria] 1942
2003 Adonis [Syria/Lebanon] 1930
2004 José Saramago [Portugal] 1922-2010
2005 Andrea Zanzotto [Italy] 1921-2011
2006 Julien Gracq (Louis Poirier) [France] 1910-2007
2007 Paavo Haavikko [Finland] 1931-2008
2008 John Ashbery [USA] 1927-2017
2009 Günter Kunert [GDR/Germany] 1929-2019
2010 Javier Marías [Spain] 1951-2022
2011 Ko Un [South Korea] 1933
2012 Ivo Michiels [Belgium] 1923-2012 (awarded prior to his death)
2013 Reiner Kunze [GDR/Germany] 1933
2014 László Krasznahorkai [Hungary] 1954
2015 Edward Albee [USA] 1928-2016
2016 César Aira [Argentina] 1949
2017 Tom Stoppard [b. Czechoslovakia / lives UK] 1937
2018 Haruki Murakami [Japan] 1949
2019 Nicole Brossard [Canada (writes in French)] 1943
2020 Mario Vargas Llosa [Peru] 1936
2021 Rosmarie Waldrop [b. Germany / lives USA] 1935
2022 Gerhard Rühm [Austria] 1930
2023 Ismail Kadare [Albania] 1936
2024 Can Xue [China] 1953
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16. Ray Johnson, FF Alumn, now online at School of the Art Institute of Chicago
We are thrilled to announce that the Ray Johnson Collections database at the Art Institute of Chicago is now available to the public both online and in person. This digital collection includes not only the database but also video tutorials, a usage guide, collection finding aids, selected images from the collections, and more.
https://www.artic.edu/archival-collections/digital-resources/ray-johnson-collections
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17. R. Sikoryak, FF Alumn, at Dixon Place, Manhattan, Sept. 25 and more
We’re back! We have two Carousels this month, with all different guests. See the details below:
Saturday, Sept. 14: Small Press Expo in Bethesda, Maryland
Wednesday, Sept. 25: Brooklyn Book Festival at Dixon Place
Carousel on Sept. 14 at SPX (Small Press Expo) in Bethesda, Maryland
This special edition of Carousel features exhibiting artists and guests, performing live.
Featuring: Jeffrey Brown (Kids Are Still Weird), Joel Christian Gill (Fights), Shing Yin Khor (The Legend Of Auntie Po), Amy Kurzweill (Artificial: A Love Story), Stan Mack (Stan Mack’s Real Life Funnies), and R. Sikoryak (Constitution Illustrated).
Bethesda North Marriott Hotel & Conference Center
September 14, 2024 | 5:00pm – 6:00pm | White Oak Room
More info: https://www.smallpressexpo.com/program-panels/
(I’ll be at SPX all weekend, selling books with Kriota and my brother Joe at Tables I14A and I14B
https://www.smallpressexpo.com/exhibitors/)
and
Carousel on Wednesday Sept. 25 at the Brooklyn Book Festival
THIS IS AN OFFICIAL 2024 BROOKLYN BOOK FESTIVAL BOOKEND EVENT
Carousel returns to Dixon Place for a live show!
Readings of graphic novels, gag cartoons, and comics as performed by the writers and artists.
Followed by a book signing.
Featuring Amy Chu, Angela Fanche, Sarah Firth, Kazimir Lee, Tracy White, and more.
Hosted by R. Sikoryak.
Dixon Place, 161A Chrystie Street, New York, NY 10002
Wednesday, Sept. 25, 2024
Doors: 7:30pm
TICKETS
$15 in advance, $18 at the door
Tickets and more info: https://dixonplace.org/performances/the-carousel-09-25-24/
https://brooklynbookfestival.org/event/carousel-comics-performances-in-person/carouselslideshow.com
Carousel started at Dixon Place in 1997, and we’re thrilled to return!
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18. Kal Spelletich, FF Alumn, at Anglim/Trimble, San Francisco, CA, thru Oct. 26
Anglim/Trimble is pleased to present our latest group exhibition In the Manner of Paul Kos
In this exhibition curated by Kal Spelletich, 19 friends, colleagues and fans honor and reflect on the manner of Paul Kos.
In 1942, Marcel Duchamp created the collage In the Manner of Delvaux which announced his return, after a long absence, to New York City. It was a humorous double forgery that seemed to copy a detail of Paul Delvaux’s Aurore (1937) while being different in every way. It was also the first crucial work in forging a bridge, via the “infra-thin” and the related concept of the “renvoi miroirique” (“mirrorical return”), between The Large Glass and Étant Donnés, the two major works of his career. Paul Kos’s piece Symmetry functions as a similar gesture, invoking Duchamp’s double entendre and providing the context for this group exhibition.
Paul Kos, born in 1942 in Rock Springs, Wyoming, has inspired and taught countless artists in their work and life. Together with some of his contemporaries like Bonnie Ora Sherk, Denis Oppenheim, Bruce Nauman and Rebecca Horn, he was one of the first artists to incorporate video, sound and interactivity into his sculptural installations. Paul has been drawn to the integrity of materials and in finding a place where material, play, chance and meaning can magically come together.
In the Manner of Paul Kos bridges the gap between generations, thought processes, and media, including video, performance, drawing, installation and writing. It offers both an homage to Paul and, referentially, Duchamp’s conceptual legacy.
Featured artists: Rhonda Holberton, Maggie Preston, Jennifer Locke, Chris Sollars, Terry Allen, Cliff Hengst, Chris Cobb, Gay Outlaw, Will Rogan, Justin Hoover, Léonie Guyer, Julien Berthier, Stefan Maier, Ian Treasure, Clive McCarthy, Michael Zheng, William T. Vollman, Kal Spelletich, and essay by Steven Wolf.
In the Manner of Paul Kos is on view through Saturday, October 26.
https://www.anglimtrimble.com/exhibitions/in-the-manner-of-paul-kos
https://www.tttelematiccc.com/galactic-scale-inquiries-into-the-nature-of-the-cosmos
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19. Halona Hilbertz, FF Alumn, at Main Drag, Brooklyn, Sept. 21
Hi y’all,
FETZIG is playing with 3 other great bands at MAIN DRAG on Saturday Sept 21…We’d be delighted to see you!
Halona
8pm – Cobel
9pm – Dirt Bikes
10pm – Fetzig
11pm – Cancel Vulture
Doors open at 7:30
Music starts at 8 sharp
$15
Main Drag Music
50 South 1st Street
Brooklyn NY 11249
Insta: @fetzigband
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20. Mitzi Humphrey, FF Alumn, at Artspace, Richmond, VA, opening Oct. 25
Artspace in Richmond Presents New Exhibitions Oct. 25 through Nov. 16, 2024
Opening Reception: Friday, October 25, from 6 – 9 p.m.
Artist talks: Saturday, October 26 at 2 p.m.
On exhibit in the Main gallery
Prints, installations, and performance pieces by Megan Nolde
Embroidery by Simone Paterson
Mixed media by Martha Prideaux
On exhibit in the Elisabeth Flynn-Chapman gallery
Digital and mixed media by Katie Shaw and Renée Stramel
About the featured artists:
Megan Nolde / Singly None is rooted in the values instilled in Nolde’s rural upbringing in the Shenandoah Valley. Through her works, she shows how the power of community, a collective sense of belonging built on trust, are radical acts in our current culture of individualism and isolation. Megan’s work asks that we choose trust, patience, and humility – through sharing, making, and listening – as a step towards the world we might make possible.
Megan holds dual BFA’s from Virginia Commonwealth University (Printmaking, Art Education) and an MFA in Printmaking from Tyler School of Art at Temple University, Philadelphia, PA. She has shown in Philadelphia, PA; Trenton, NJ; Harrisburg, PA, Richmond, VA, and Harrisonburg, VA. She also owns SAGE, a small business focused on strategic consulting and support for small nonprofits, businesses, and community organizers.Instagram: @huzzah_factory
Simone Paterson / Machine Memory and Motherboardsexplores the intricate evolution of computing from the 1940s to the present, blending machine embroidery, hand beading, and motion graphics to illuminate the hidden labor and technological milestones that have shaped our digital world. By using traditionally feminine crafts like embroidery and beading, her work highlights the often-overlooked human effort involved in technological innovations and the intricate web of labor and knowledge that propels us into an ever more complex future.
Simone was born and educated in Australia, where she earned her Ph.D. The University of Newcastle in New South Wales and M.F.A. from Sydney University, New South Wales. Her solo exhibitions, showcasing diverse applications of technology and textiles, have been featured at A.I.R. Gallery in Brooklyn, New York, the Taubman Museum of Art in Roanoke, Virginia, and at Art Space in Sydney, Australia. As a Copenhaver Scholar in Residence at Roanoke College in 2023, Olin Hall Galleries held a retrospective of her works. She has also presented at the College Art Association in New York and ISEA in South Africa.
She is a retired Associate Professor from Virginia Tech in Blacksburg, Virginia, where she also served as Chair of Undergraduate Studies in Creative Technologies and Chair of Studio at the School of Visual Arts. She also was a member of Virginia Tech’s Executive Committee of the Human-Centered Design graduate program. Instagram: @simonepatersonart
Facebook: simonepatersonart
Martha Prideaux / Plausible features mixed media reflecting an organic process of automatic drawing to create a multi-layered surface that begins with no discernable pattern or structure. From that seeming chaos, she coaxes linear forms to suggest a sense of meaning out of the amorphous. Her work is not meant to be completely understandable, she says, just plausible.
Martha is a Richmond-based professional painter who is known for using cold wax medium and oil paint to build surfaces that are layered and suggest the passing of time. She is represented by Dwell Fine Art and Craft in Northern Virginia and is an artist member of Artspace Gallery. She is on the faculty of the Studio School at the Virginia Museum of Fine Arts and has been an instructor at the Henrico Center for the Arts and Nimrod Hall Artist Residency. Instagram: @marthaprideaux
Katie Shaw and Renée Stramel / Reverb reflects the artists’ iterative and intuitive creative process to produce intricate, repetitive geometric patterns and shapes, especially those that create depth and movement. Using the iconic Chinese “Moon Over the Mountain” motif as a springboard, each artist has, in her own way, been inspired to create work that relies on specific geometries.
Katie Shaw was born in Asheville, North Carolina and now lives in Richmond. She earned a B.F.A., in sculpture with a minor in printmaking, from Virginia Commonwealth University, in Richmond, and an M.F.A. in Sculpture, with concentrations in fiber art and printmaking, from Cranbrook Academy of Art in Bloomfield Hills, Michigan. Over the past twenty years, she has worked as a practicing artist, educator, and curator. Her work has been exhibited regionally and nationally.
Renée Stramel is a broad-ranging visual artist with a long commercial career in art publishing and licensing. Renée’s abstract work celebrates color and form characterized by a playful, expressive use of geometry. Renée works in various media including acrylic, watercolor, digital and analog photography, and digital design. Renée lives in Richmond with her filmmaker husband Jim Stramel. Her inspiration comes from the films of the 1970s and 80s, Mother Nature, and mid-20th century graphic design. She works for residential and commercial clients.
About Artspace: A nonprofit, artist-run organization of experienced professionals as well as emerging artists who work in a variety of mediums including clay, encaustic, interactive installations, mixed media, painting, photography, printmaking, and more.
Artspace Gallery Hours: 12-4 p.m. Wednesday-Sunday or by private appointment.
Address: 2833-A Hathaway Rd., Richmond, VA 23225. Stratford Hills Shopping Center.
artspace
artspacegallery.org
2833-A Hathaway Road
Richmond, VA 23225
804-232-6464 (office)
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21. Iris Rose Tuesday, September 17th. 7:30pm.
Shelley Haven, FF Alumn, fall news
Hi Folks,
I am pleased to share news of my upcoming and soon-ending art exhibitions, onsite drawing and painting workshop, and 2024 painting grant award! I hope you will share this news with interested folks! And follow me on Instagram or Facebook for updates.
I invite you to join me in person or in spirit!
Enjoy summer’s end and autumn’s beginnings with art!
Shelley
@shelley.haven.art
https://www.facebook.com/shelley.haven
Tuesday, September 17, 9:30-12:30: Drawing and Painting in the Garden with Shelley Haven, Untermyer Gardens, 945 N. Broadway, Yonkers NY
Through September 29: Neighboring Visions: Westchester Artists Then and Now, Hudson River Museum, 511 Warburton Ave, Yonkers NY
Closing reception: Thursday, September 19, 5-6:30 pm
RSVP by September 16 to: events@bronxvillehistoricalconservancy.org
I am honored that my gouache painting, Untermyer Gardens III, is included in this exhibition.
Museum hours: Wednesday-Friday 12-5pm, Saturday-Sunday 11am-5pm
https://www.hrm.org/exhibitions/neighboring-visions
September 19 – October 26
One Peaceable Kingdom, Drawing Rooms, 926 Newark Ave, Topps Industrial Building #T101, Jersey City NJ
Artist Reception: Saturday, September 21, 6-8pm
Artists Panel: Sunday, October 12, View & Wine: 2-3pm, Discussion: 3-5pm
I am pleased to exhibit 14 oils and pastels alongside five fantastic other artists.
Gallery hours: Thursday-Friday, 4-7pm, Saturday-Sunday, 2-6pm
Public transit: Journal Square PATH stop, then 15-20 minute-walk
By car: free parking lot
201-208-8032 drawingrooms.org
And, I am thrilled to be awarded a 2024 BRIO (Bronx Recognizes Its Own) grant in painting! Many thanks to the Bronx Council on the Arts for their efforts to make this support possible.
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22. Jo Andres, FF Alumn, at Issue Project Room, Brooklyn, Oct. 9
Please visit this link:
Thank you.
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23. Marina Abramović, FF Alumn, at Moco Museum London, UK, thru March 11 and more
Two Major Marina Abramović Solo Exhibitions at the Moco Museum London and gres art 671, Bergamo, Italy
Marina Abramović
Healing Frequency
Moco Museum London, United Kingdom
Solo exhibition, September 11, 2024 – March 11, 2025
Sean Kelly is delighted to announce the opening of Marina Abramović’s Healing Frequency at the Moco Museum London marking the opening of museum’s new flagship location in London’s Marble Arch. The exhibition brings together 12 sculptures from Abramović’s series Transitory Objects for Human Use and is the debut of a new commission work inviting visitors to participate in a state of collective healing.
In 1988, following her most grueling durational performance in which Abramović walked from one end to the center of the Great Wall of China, she began to create what she refers to as transitory objects. Throughout the years, Abramović has created a series of chairs, beds, and benches adorned with crystals. Each reverberating different energies that invites the publics interaction and encourage moments of contemplation. Visitors can join in silence, reflection or conversation as they explore the exhibition and experience the transformative power of performance art. Healing Frequency challenges visitors to disconnect from the outside world, reassess their reliance on technology, and embrace the potential for personal enlightenment through artistic expression.
For additional information about the exhibition, please visit mocomuseum.com
Marina Abramović
between breath and fire
gres art 671, Bergamo, Italy
Solo exhibition, September 14, 2024 – February 2, 2025
Sean Kelly is delighted to announce the opening of Marina Abramović’s between breath and fire at gres art 671 in Bergamo, Italy. Foregrounding the exhibition is an immersive cinematic installation of Seven Deaths, an operatic film dedicated to Maria Callas portrayed by Abramović. The exhibition will also present thirty works from Abramović’s oeuvre, from her early performance work to her most recent.
The film Seven Deaths is a one-hour, one-minute, and thirty-second performance that is a meditation on the female body as a source of both power and pain. In it, Abramović turns her focus to renowned opera singer Maria Callas, whose stunning soprano voice captivated audiences around the world in the mid-20th century. Through a mixture of narrative opera and film, Abramović recreates seven iconic death scenes from the American-born, Greek singer’s most important roles—in La Traviata, Tosca, Otello, Madame Butterfly, Carmen, Lucia di Lammermoor, and Norma—followed by an interpretive recreation of Callas’ own death performed onstage by Abramović herself.
For additional information about the exhibition, please visit gresart671.org
Exhibition programming
Marina Abramović on Performance Art
Artist Talk
Saturday, September 14, 11:30am-1pm
gres art 671
Via S. Bernardino, 141
24126 Bergamo BG, Italy
For information on Marina Abramović, please visit skny.com
For media inquiries, please email Adair Lentini at Adair@skny.com
For all other inquiries, please email Lauren Kelly at Lauren@skny.com
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24. Petah Coyne, Kathy Grove, Guerilla Girls, FF Alumns, at Chazen Museum of Art, Madison, WI, thru Dec. 23, and more
At the Chazen Museum of Art of the University of Wisconsin, Madison, FF alum Kathy Grove will be exhibiting a dozen works from The Real Guerillas, a long-term collaborative project with Petah Coyne. For over 5 years Grove and Coyne have been tracking down, photographing and interviewing all the members of the original Guerilla Girls – the anonymous collective that began in 1985. All of the “Girls” had aliases as earlier woman artists, so Grove and Coyne have been producing a comprehensive portfolio of portraits of them as their alter-egos. This exhibition will be part of a larger career survey of Coyne’s work How Much a Heart Can Hold on view from September 19th – December 23rd, 2024. During 2025-2026 the exhibition will travel to the Neuberger Museum of Art in Purchase, New York. Then to its final destination at the Lowe Art Museum of Art in Miami, Florida
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25. Aviva Rahmani, FF Alumn, at The Brick, Los Angeles, CA, thru Dec. 21
“Life on Earth: Art & Ecofeminism;” Part of the Getty’s initiative PST Art: Art & Science Collide, an initiative of 70 institutions across Southern California.
September 15- December 21, 2024
“…Aviva Rahmani will be showing her 1972 performance Physical Education, in which the artist returned water from the CalArts campus to the Pacific Ocean … (with) displays from Rahmani’s multi-part, habitat restoration project Ghost Nets (1990-2000) … on view. For the project, the artist rehabilitated 2.5 acres in the Gulf of Maine, demonstrating a multi-disciplinary approach to addressing the fragility of the American wetlands brought about by industrialization.”
Participating artists include: Alliance of the Southern Triangle (A.S.T.). Alicia Barney Caldas, Meech Boakye, Carolina Cayedo, Francesca Gabbiani, Masumi Hayashi, Institute of Queer Ecology, Kite, Leslie Labowitz Starus, Maria Maea, Otobong Nkanga, yetunde olabaju, Alicia Piller, Aviva Rahmani, Tabita Rezaire, Yo-E Ryou, Emilija Skarnulte and A.L. Steiner
The exhibition will travel to West Den Haag in the Hague, Netherlands in 2025. and will be at the Loop in Seoul, South Korea in 2024. The show is curated by Hannah Burstein, Catherine Taft and Kameron McDowell.
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26. Agnes Denes, FF Alumn, now online at NYTimes.com
Please visit this link:
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27. Helène Aylon, FF Alumn, at Princeton University Art Museum@Bainbridge, NJ, thru Feb. 2, 2025
Helène Aylon: Undercurrent
Princeton University Art Museum
Art@Bainbridge
September 14, 2024 – February 2, 2025
The exhibition includes 21 works dating from 1971 to 2015 that exemplify the artist’s life-long engagement in spiritual, societal, and political concerns. Created in a wide range of mediums, they are, according to the exhibition curator Rachel Federman, “unified by the themes of openness and resilience.”
The earliest work on view, Silvery Pane (1971) from the Elusive Silver series, is among the artist’s first process-driven works, inspired by her evolving feminist consciousness to create “painting that reveals itself.” Reflecting and refracting an inner glow, these works change visually with the viewer’s stance and the ambient light.
In 1980, Aylon made the conscious decision to “leave studio work behind,” and instead developed a social practice consisting of installations, actions, and objects focused on feminist, ecological, and religious issues. The exhibition includes photographic documentation of Terrestri: Rescued Earth (1982), perhaps the artist’s best known performative work. Transforming a rented truck into an Earth Ambulance, Aylon and other women set out to “rescue” earth from nuclear research and development sites across the United States. Soil was collected in pillowcases on which the women wrote their nightmares and dreams for the planet. The journey, which began on May 2nd at the Lawrence Livermore National Laboratory in California, culminated at a nuclear disarmament rally at the United Nations on July 4, 1982.
Aylon created Bridge of Knots from the pillowcases that had been used in Terrestri: “Rescued” Earth, first presenting it in 1993 on the facade of the Knoxville Art Museum in Tennessee. In 1995, she installed the work at the Berkeley Art Museum to commemorate the fiftieth anniversary of the nuclear bombings of Hiroshima and Nagasaki, and exhibited it again in 2006 on the facade of the Katzen Art Center at American University in Washington, D.C.
A small selection of the knotted, roped pillowcases is on view in the exhibition together with Bridge of Knots (1993), a single-channel video piece by the artist with sound by Meredith Monk.
In the 1990s, the artist began to revisit her cultural, spiritual, and familial roots with
The G–d Project, a twenty-year examination, through objects, videos, photographs, and major installations, of Jewish traditions and theology from a feminist perspective. In The Book That Will Not Close (1999) Aylon inserted vellum sheets between the pages of the Five Books of Moses, applying a pink marker to highlight passages of cruelty, misogyny, and the absence of women.
The exhibition also features two works from the Turnings series of performative self-portraits that the Helèene Aylon began following her recovery from a near-death experience. Both spiritual and philosophical, they depict the aging artist as she confronts her own mortality and relationship to the earth. Each year, from 2008 to 2016, Aylon enacted, “the melodrama of looking forward and looking back simultaneously.”
Helène Aylon (1931–2020) participated in one-person and group exhibitions in museums and galleries throughout the United States, Europe, and Israel. Her work was most recently seen in the group shows Making Their Mark: Works from the Shah Garg Collection, New York (2023–2024):Territories of Waste, Museum Tinguely, Basel, Switzerland (2022); RE/SISTERS, Barbican Art Gallery, London and FOMU Antwerp (2023–2024); and in solo shows at Leslie Tonkonow Artworks + Projects, New York (2019); Kerry Schuss Gallery, New York (2021); and Mark Selwyn Fine Art, Los Angeles (2020, 2023)
Works by the artist are in the collections of the Whitney Museum of American Art, New York; the San Francisco Museum of Modern Art; the Oakland Museum of California; the Virginia Museum of Fine Arts, Richmond; the Jewish Museum, New York; the Morgan Library and Museum, New York; the Hammer Museum, Los Angeles; the Weatherspoon Art Museum, Greensboro, North Carolina; the American University Art Museum, Washington, D.C.; and those of many other distinguished institutions and private individuals.
Leslie Tonkonow Art Works + Projects
401 Broadway, Suite 411
New York, NY 10013
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28. Doug Skinner, FF Alumn, releases new publication
“Music From Elsewhere” is now available from Strange Attractor Press!
This book collects and discusses music derived from unusual sources,
including music attributed to fairies, trolls, trowies, banshees,
aliens, angels, spirits, time slips, and dreams. You’ll also find
chapters on speculative and cryptographic music, and on music from birds
and other natural sounds. It’s 272 pages, richly illustrated in green
and black (designed by the remarkable Tihana Šare), with 112 pages of
historical sheet music. Also available in a limited hardback edition of
300, with a signed bookplate. Published by Strange Attractor Press in
the UK, and distributed in the US by The MIT Press. More info at:
Also, if you happen to be in Salem, Massachusetts, do visit the current
show in the Peabody Essex Museum, “Conjuring the Spirit World.” My
recording of one of the pieces from “Music From Elsewhere,” a song by
those original Spiritualists the Fox Sisters, will be wafting through
the air. More info at:
https://www.pem.org/exhibitions/conjuring-the-spirit-world-art-magic-and-mediums
Doug Skinner
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29. RT Livingston, FF Alumn, at Santa Barbara Tennis Club, CA, thru Oct. 3
The creative act of self expression without rules or limitations
Jury Competition 2024
This competition represents works in multiple media from over thirty artists. The concept of “@ Play” runs from the abstract to the sublime with color, drama and layers of meaning.
JUROR of AWARDS:
Barbara Cronin Hershberg
Barbara received her B.A. in dance from Lone Mt. College in San Francisco. She received her teaching credential and an M.A. in Early Childhood Education, and an M.A. in Leadership and Organization from UCSB. She has exhibited her work in a variety of venues, including the Carpinteria Arts Center, Atkinson Gallery, Voice Gallery, Channing Peake Gallery and the Ridley-Tree Art Museum at Westmont. The artist is a member of the SBAA, GVAA, SBVA, the Abstract Art Collective and serves as Chairperson on the board of Gallery 113.
ARTISTS RECEPTION & AWARDS:
September 13th, 4:30 – 6:00pm
Awards will be announced at 5:00pm
EXHIBITION DATES: September 7th-October 3rd
Gallery Hours: 10am – 6pm, daily
Celebrating art and people.
Featuring new artists on the 2nd Friday of the month.
Curated by Susan Tibbles
Santa Barbara Tennis Club
2375 Foothill Road, Santa Barbara, CA 93105
805-682-4722
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30. Anne Sherwood Pundyk, FF Alumn, at Oysterponds Historical society, Orient, NY, Sept. 27-29 and more
Greetings:
I have work in two group exhibitions this month on the North Fork.
I hope to see you there!
Anne Sherwood Pundyk
North Fork Art & Artists Group Exhibition
Friday, September 27th to Sunday, September 29th
11am – 5 pm
Oysterponds Historical Society
Old Point Schoolhouse
1555 Village Lane
Orient, NY
and
Banned! Artists Respond to Book Banning
Saturday, September 21st to Friday, October 11th
Closing Reception, Friday, October 11th, 6 – 8 pm.
William Floyd Memorial Library
539 1st St, Greenport, NY
Greenport, NY
I will be showing “Ghost Book,” created for this show. This exhibition runs tandem with Banned books Week 2024 (September 22 – 28th.) In the spirit of this event, artists have been invited to create works that address the harms of censorship and/or celebrate the freedom to read. The finished artworks will be for sale by lottery for $100. Partial proceeds will benefit “Friends of the Library.”
Copyright © 2024 Anne Sherwood Pundyk, All rights reserved.
From Anne Sherwood Pundyk
20 East 35th Street Apt 8D
New York, NY 10016
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Join Franklin Furnace today:
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Goings On for Artists is compiled weekly by Rohan Subramaniam, FF Intern, Summer/Fall 2024
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