Contents for September 11, 2023
CONTENTS (please click on the links or scroll down for complete information on each post): ~~~~~~~~~~~~~~~~~~~~~~~~
1. Carlos Martiel, FF Alumn, receives inaugural $50,000 Maestro Dobel Latinx Art Prize
2. Coco Fusco, FF Alumn, now online in TheArtNewspaper.com
3. Liliana Porter, FF Alumn, at Bienvenu Steinberg & J, Manhattan, Sept. 14
4. Arturo Lindsay, FF Alumn, now online at Eventive.org
5. #Sergina, FF Alumn, at The Photographers Gallery, London, UK, Sept. 22, and more
6. Mildred Beltré, FF Member, at The Latinx Project, Manhattan, thru December
7. Guadalupe Maravilla, FF Alumn, at 35th Bienal de Sao Paulo, Brazil, thru Dec. 10
8. Nicolás Dumit Estévez Raful Espejo Ovalles Morel, FF Alumn, named 2023 Smithsonian Artist Research Fellow
9. Lynn Book, FF Alumn, fall events
10. Istvan Kantor, EF Higgins III, Anna Banana, Mark Bloch, John Jacob, Sur Rodney (Sur), Chuck Welch, FF Alumns, book launch at Anarchist Book Fair, Manhattan, Sept. 16, and more
11. Kenneth King, FF Member, in PAJ: A Journal of Performance and Art, Fall 2023
12. LuLu LoLo, FF Alumn, at Abrons Art Center, Manhattan, thru Sept. 14
13. Kim Jones, FF Alumn, at The Box, Los Angeles, CA, opening Sept. 16
14. Ken Butler, FF Alumn, now online at vimeo.com
15. Jane Dickson, FF Alumn, at Karma, Manhattan, thru October 28
16. Marcia Resnick, FF Alumn, at Deborah Bell Photographs, Manhattan, opening Sept. 14
17. Sabrina Jones, FF Alumn, at La Plaza, Manhattan, Sept. 16
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1. Carlos Martiel, FF Alumn, receives inaugural $50,000 Maestro Dobel Latinx Art Prize
Please visit this link:
Thank you.
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2. Coco Fusco, FF Alumn, now online in TheArtNewspaper.com
Please visit this link:
Thank you.
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3. Liliana Porter, FF Alumn, at Bienvenu Steinberg & J, Manhattan, Sept. 14
Save the date!
Liliana Porter
Untitled with Her
September 14 – October 14, 2023
35 Walker Street Manhattan
Opening Reception
Thursday, September 14, 6-8pm
Thank you.
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4. Arturo Lindsay, FF Alumn, now online at Eventive.org
“Arte Congo… artists journey on the congo coast of panamá” is the story of both my personal journey back to my homeland and the story of the growth of an art movement that honors the rich history of the Congos of Panamá.
I invite you to join me on this journey by watching the film as it premiered at the 14th Annual BronzeLens Film Festival here in Atlanta in August.
In order to view “Arte Congo… artists journey on the congo coast of panamá” online
Please visit this link:
https://watch.eventive.org/bronzelens/play/64e94bd1af0899004009d583
Then follow the steps below. You will be asked to pay the festival $10 for viewing.
Here are the steps:
a. Click on the “Unlock Now” link.
b. Enter your email address in the pop-up window.
c. Create an account for the BronzeLens Film Festival.
d. Enter your credit card information and click on the “Unlock Now” button to confirm your payment.
From that point on, you will have 72 hours to complete watching “Arte Congo.” I hope you enjoy this movie and look forward to your feedback!
Arturo Lindsay
Thank you.
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5. #Sergina, FF Alumn, at The Photographers Gallery, London, UK, Sept. 22, and more
#Sergina’s Stimulatingly Suggestive Song-Stuffed Seminar cum Webinar – Episode 2 takes place on Friday 22nd September at 19:30 BST online & onsite at The Photographer’s Gallery as part of Screen Walks Weekend: Friday Late with performances also by Nina Davies and trâm.
A drag queen wielding her phone with a Zoom background of people in drag on a Zoom call
#Sergina’s Stimulatingly Suggestive Song-Stuffed Seminar cum Webinar Episode 2 at The Photographer’s Gallery, London
19:30 BST Friday, 22nd September
On 22nd Sept at 7.30pm I will be presenting the second episode of #Sergina’s Stimulatingly Suggestive Song-Stuffed Seminar at The Photographer’s Gallery – a glitched up remake of Episode 1, which took place in the crepiscule / very slow petering out of Covid lockdowns in July 2021. Attendance is free but registration necessary and has performances also that evening by Nina Davies and trâm. Registration required for monitoring and training purposes. More info and booking here. Thanks Sam Mercer for the invitation to be part of this. Official blurb follows:
Three years since its launch, Screen Walks is extending its livestream programme to a series of irl activities. Join us at The Photographers’ Gallery in London for a special weekend of performances, guided tours and group games around themes of digital and networked images.
Join #Sergina’s blended learning webinar-cum-seminar about working and dancing and recruiting for a living. Originally performed at Qwe’re London’s first ever party in 2021, this fresh new rendition incorporates aubergines, dirty data and a merging of the digital with the physical like no other. Come online or onsite, or jump between the two.
#Sergina will be aided and abetted by online and onsite #Security and Handsome Boys Of Any Genders – all exquisitely talented in multiple directions. Attendance at this event online and onsite is Free but you must register to secure your place as places are limited. Participants will be allocated a number at check-in to protect anonymity. The event will be live broadcast and recorded via multiple platforms and may hang about until the cloud bursts.
Register to be a Participant:
On Site: https://thephotographersgallery.org.uk/whats-on/screen-walks-weekend-friday-late
On Zoom: Register for a top secret limited edition Zoom Meeting place.
Or Just Turn Up – unregistered but not necessarily untracked – as a Voyeur:
On Twitch (official gallery stream, 6-9pm): https://www.twitch.tv/screenwalks
On #Sergina’s Instagram: @serg1na
On YouTube: https://www.youtube.com/@sergina8337
Follow @serg1na and @digitalb0dy on Instagram for updates.
Hashtag: #SongStuffedWebinar
and
#Sergina’s Scintillatingly Short But Very Special Top Secret Spillage at Spill Festival Launch, Ipswich
18-21:00 Friday 13th October
This event will be fun. It is Free and you should come. Here’s official blurb:
Join us for speeches, music and performances as we raise a glass to celebrate the start of Spill Festival 2023. This is a chance to get together as the festival begins, to meet the artists and hear more about what’s to come.
Cabaret entertainment will be provided by Sergina, the drag persona of Felixstowe favourite Elly Clarke. You will also be witness to artist Tom Woolner’s strange public dentistry.
Ipswich DJs the Ill Na Nas will provide tunes for moving and grooving as Spill Festival begins
More info & booking:
https://www.spillfestival.com/festival-launch
Thank you.
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6. Mildred Beltré, FF Member, at The Latinx Project, Manhattan, thru December
Dear friends and colleagues,
Happy end of summer!
I’m writing to invite you to the opening of my exhibition as part of my The Latinx Project’s residency entitled Allow Me to Gather Myself .
Please visit this link:
https://www.latinxproject.nyu.edu/gather
Exhibition Opening: Allow Me to Gather Myself
September 8, 2023
6:00-8:00pm
20 Cooper Square, 4th Floor
Please RSVP via eventbrite:
https://allowmetogathermyself.eventbrite.com/
**To visit the exhibition after the opening please contact Xavier Robles Armas at xr2078@nyu.edu
Walk-ins will be available 10 a.m. – 5 p.m. Tuesdays and Thursdays with an email in advance. Additionally, there will be two scheduled tours every month with more dates forthcoming.
September 18th 12 p.m – 1 p.m – The Latinx Project
September 26th 12 p.m – 1 p.m – The Latinx Project
October 17th 4 – 5 p.m. – Artist Tour
**You can also … send me an email if you would like to see the show at some other time. I am happy to meet you at the exhibition space! The exhibition runs through December 2023
About the Exhibition
Mildred Beltré tells the story of gathering black walnuts from Prospect Park near her Brooklyn home to make ink for her art. In her work, the gathering of disparate materials functions within an Afro-diasporic ecology, rooted in her experience as the daughter of Dominican migrants to New York City and in broader histories of mothers and daughters across the African diaspora creating and sharing knowledges. Rooted in grassroots organizing and political thought, Beltré’s work exists within an expanded field of printmaking, drawing and fiber arts.
Thank you.
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7. Guadalupe Maravilla, FF Alumn, at 35th Bienal de Sao Paulo, Brazil, thru Dec. 10
Guadlupe Maravilla, FF Alumn, at 35th Bienal de Sau Paulo, “Choreographies of the Impossible, thru Dec. 10
Thank you.
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8. Nicolás Dumit Estévez Raful Espejo Ovalles Morel, FF Alumn, named 2023 Smithsonian Artist Research Fellow
Smithsonian Announces Its 2023 Artist Research Fellows:
https://www.si.edu/newsdesk/releases/smithsonian-announces-its-2023-artist-research-fellows
The Smithsonian has awarded fellowships to 17 accomplished visual artists from an international pool of candidates as part of the 2023 Smithsonian Artist Research Fellowship Program. Over the course of a one- to two-month residency, each fellow will conduct research at Smithsonian museums and research centers to inform the development of innovative, cross-disciplinary work.
Artists are nominated by art curators, scholars and former fellows and then selected by a panel of art experts. Over 100 artists from around the world have received Smithsonian Artist Research Fellowship Awards since the program began in 2007.
Please visit this link:
The 2023 fellows and their projects will be:
Sanford Biggers (based in the U.S.)
As a conceptual artist investigating the intersections of history, aesthetics, materials and narrative, Biggers will research the use and meaning behind various patterns, symbols and design motifs used in African masks, textiles and objects at the National Museum of African Art.
Andrew Demirjian (based in the U.S.): A New History of the Future
Demirjian will examine archival artifacts related to timekeeping and efficiency at the Cooper Hewitt, Smithsonian Design Museum and the National Museum of American History. Instead of timekeeping employed for surveillance and regulation, Demirjian imagines the possibilities in a world without time scarcity.
Lesley Dill (based in the U.S.): Healing with Unseen Energies
Dill’s research at the Smithsonian American Art Museum and the National Museum of American History will investigate attempts to harness “unseen energies” for healing throughout history by scientists, doctors and artists alike through artifacts and illustrations of early inventions that aspired to heal using invisible energies like magnetism, light rays and x-rays.
Godfried Donkor (based in the U.K. and Ghana): Out of the Archive
Donkor will explore the representations of Ghana as collected and represented within the Smithsonian Libraries and Archives and compare visual representations of Asante culture across collections, from ethnographical interpretations to contemporary artworks.
Nicolás Dumit Estévez Raful Espejo Ovalles Morel (based in the U.S.): All Portraits are Mirrors: Latinidad/Latinixidad within the U.S.-American Imaginary
At the National Portrait Gallery, Estévez will investigate representations of Latinidad/Latinxidad through portraiture within the context of the United States, with a focus on photographs and other media depicting Latinas/os/—especially, but not exclusively, those who have contributed to the collective imaginary of the nation.
Jana Harper (based in the U.S.): Looking for Nanaboozhoo
“Looking for Nanaboozhoo” studies the physical and spiritual traces of the Anishinaabe migration within the National Museum of the American Indian and Smithsonian collections. Harper will visit collections items originating on Mackinac Island and conduct interviews with scholars about the agency of objects.
Suchitra Mattai (based in the U.S.): Sentient Bodies, Sacred Spaces
Exploring the collection and resources of the National Museum of Asian Art, Mattai will research the morphology of the Hindu temple and the history and uses of its iconography for future fiber-based art installations, sculptures and mixed-media paintings that complicate and reimagine a historically “sacred” space concerning the diverse experiences of the Indian diaspora.
Anna Mayer (based in the U.S.): Inherited Fragments and Intentional Erosion
Mayer will explore ideas of colonialism in archaeology and 1960s–1970s Land Art at the Archives of American Art and the National Museum of American History. The research will result in new ceramic work about breaking down, intentional erosion and planned ruins: sculptures designed to disappear or to only ever present a fragment of themselves.
Martha McDonald (based in the U.S.): Homemade Music: Tracing the Evolution of the Appalachian Dulcimer
As an interdisciplinary artist in history and music, McDonald will research the history of the Appalachian dulcimer at the National Museum of American History and Center for Folklife and Cultural Heritage and its impact on ballad singing and the evolution of regional playing styles to develop a new performance project.
Milad Mozari (based in the U.S.): Reverberations of the Radif: Connections between classical Persian and electronic music
Accessing the rich archives of the Center for Folklife and Cultural Heritage, Mozari will analyze Persian experimental works such as Dariush Dolat-Shahi’s records within the collection and translate the notation and rhythmic elements of the music through computer programming.
Lisa Oppenheim (based in the U.S.): Ancient Libraries for Future Reference
Through the collections and expertise of the Smithsonian American Art Museum, the National Museum of American History and the Museum Conservation Institute, Oppenheim will conduct research into the material, social and economic histories around the material of celluloid film.
Rowland Ricketts (based in the U.S.): Imagery & Materials in American Coverlets: The invisible forces that shaped our nation
While studying and documenting coverlets, textile samples and stereographs in the collections of the National Museum of American History, Ricketts will explore the visual language of American symbols and the invisible histories of the 19th-century cotton and dyes for a new series of large, coverlet-inspired weavings.
Sherrill Roland (based in the U.S.): Your Letters are the Footprints I See in the Sand
At the National Museum of African American History and Culture and Smithsonian American Art Museum, Roland will access and study letters written by those in the African diaspora who experienced confinement in the structures of slavery, incarceration, exile and indentured servitude within the American legal system.
Amy Russell (based in the U.S.): Gathering Material from Single Parent Outtakes
Russell will research the Human Studies Film Archive at the National Museum of Natural History and work with outtakes from the ethnographic film Single Parent (1975) by Huber Smith. These source materials will lay the groundwork for future artworks centered on personal history, truth and storytelling.
Clarissa Tossin (based in the U.S.): Preserving Life in Space
Using the collections and archives of the National Air and Space Museum, Tossin will research technologies of human colonization on other planets and the habitats of transport vehicles and spacesuits meant to encase and preserve life in space.
Pablo Vargas Lugo (based in Mexico): Bat Imagination
Studying bats requires immersion in their environment. Vargas Lugo will research bats at the Smithsonian Tropical Research Institute to produce visual and spatial experiences centered on the bat’s perception of the world and the methods people use to understand it.
Amina Zoubir (based in France): Unfold the past body of desire, a North-African erotic exoticism
The research conducted by Zoubir at the National Museum of African Art will introduce questions and perceptions on how to decolonize the archives, deconstruct the body representation during colonial times and create new images and esthetics from the archive’s materials.
Thank you.
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9. Lynn Book, FF Alumn, fall events
Lynn Book Projects, Fall 2023
September performances in Durham with Os, my new duo with experimental bassist David Menestres. Loving our play together and in the company of other fab folks.
September 10 / 8pm @ Shadowbox Studio, 2200 Dominion St, Durham NC. Also sets by Adam Lion, solo vibraphone and Daniel Levin, solo cello.
September 23 / 7pm @ 646-483-8372 for address + RSVP, Durham, NC. Also with Jody Cassell, movement.
September performances in Winston-Salem I’ll be in the company of experimental poets at Wake Forest University as part of the Dillon Johnson Writers Reading series.
September 13 / 5pm @ Brendle Concert Hall, Scales Fine Arts Center, WFU, I’ll voice an imaginary hockey team in Ken Taylor’s “variations in the dream of X” with Ken, poet/theorist Fred Moten and V (Vic Leon).
September 14 / 5pm @ Hanes Gallery, Scales Fine Arts Center, WFU, Ken, V and I will be the ‘warm up’ poets performing short works of our own followed by Fred who will break it out and bring it home.
You can also find a live recording of OS at Field Trip in May on The Watt From Pedro Show just published online + David Menestres talking music/sound/projects: https://link.twfps.com/ibHf
OS will be performing again in Durham on November 8 / 8pm @ Shadowbox with percussionist Jon Mueller.
Please Come + Please Shout + Please Share!
Thank you.
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10. Istvan Kantor, EF Higgins III, Anna Banana, Mark Bloch, John Jacob, Sur Rodney (Sur), Chuck Welch, FF Alumns, book launch at Anarchist Book Fair, Manhattan, Sept. 16, and more
The NYC blast-off of Istvan Kantor’s (alias Monty Cantsin) brand new mail-art novel
“Roll Over Picasso – Ef Higgins III – His Life Art Legend”
Produced and edited by Istvan Kantor, designed by Rachel Pfleger,
published by Autonomedia, over 300pages / bw and color illustrations /
foreword by John Drury / contributors include Artpool, Anna Banana,
Sur Rodney Sur, Julius Klein, Vittore Baroni, Shoko Akiyama, Laszlo Beke,
Mark Bloch, Carl Chew, Ginny Higgins, John Jacob, Ruud Jansen,
Vicki Rovere, Chuck Welch
https://www.facebook.com/monty.amen
https://www.facebook.com/autonomediapress
Sept 16, Anarchist Book Fair – Autonomedia table
Sep 17, Adriaan Van Der Plas gallery, 3- 5pm
Sept 19, Village Works, 7-9pm
Cheeerrrrsss
Istvan / Monty
Thank you.
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11. Kenneth King, FF Member, in PAJ: A Journal of Performance and Art, Fall 2023
Kenneth King’s “Making Movies” was just published in PAJ: A Journal of Performance and Art.
My “Making Movies” article has just been published in the September/Fall issue of PAJ: A Journal of Performance and Art. While in college I unexpectedly met and appeared in the “underground” movies of New American Filmmakers Andy Warhol, Jonas Mekas, and Gregory Markopoulos. This essay moves through my dance video explorations to my recent comedies including my Happy Valley Retirement Village series on my YouTube channel Kenneth King Media, as well as shares insights into the media symbioses of computers, mobiles, and screens.
YouTube link: https://shorturl.at/mpIJ4
More info: kennethkingmedia.com
Thank you.
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12. LuLu LoLo, FF Alumn, at Abrons Art Center, Manhattan, thru Sept. 14
LuLu LoLo
Objects of Permanence, a special installation curated by Mellány Sánchez and presented during New York Fashion Week, seeks to spotlight the rich histories of the Puerto Rican and other migrant community labor forces in New York City’s garment industry.
Reception Wed. , Sept. 6th from 5:30-7:30 pm on view until Sept. 14th Abrons Center 466 Grand Street at Pitt Street
Please visit this link:
https://www.abronsartscenter.org/programs/objects-of-permanence
Thank you.
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13. Kim Jones, FF Alumn, at The Box, Los Angeles, CA, opening Sept. 16
Kim Jones Walking Home
Opening Reception September 16, 5-8 PM.
September 16 – November 4, 2023
Wednesday-Saturday, 11-6 PM
805 Traction Ave, Los Angeles, CA
Two early events profoundly inform the content of Kim Jones’s work. Born in 1944, he was diagnosed with Perthes, a polio-like illness in 1951. He spent three years confined in a hospital and a wheelchair. To combat the boredom, he began to draw intensively. The War Drawings he made were inspired by the war games he played as a child and represented battlefields in which Xs and dots attacked each other. These drawings took on an entirely different layer of meaning after Jones served from 1967-68 in the Vietnam War. The Box Gallery will exhibit Rat Ball (2), a direct reference to Jones’s combat experiences. Both his early illness and Marine service reverberate through his work.
In the mid 1970s, Jones developed his alter ego, Mudman. During the 1980s and 90s, Jones covered himself in mud and appeared in galleries and city streets wearing a construction on his back made out of sticks, pieces of cheesecloth and foam rubber. Appearing as this walking sculpture in 1976, Jones walked the entire 18-mile length of Wilshire Boulevard, from Wilshire One to the Palisades Bluffs. Mudman made the 12-hour walk twice, once during the day and once at night. Though unnerving, the sculpture’s presence is benign, responsive to any passersby who care to interact.
In our first solo exhibition of Kim Jones, we will screen a video of a similar walk he made in San Francisco in 1979.
Jones preserved his Mudman and other one-time performances in photographs. Beginning around 2000, Jones began to incorporate the photos as more than just documentation. He has continued to draw and paint on these prints, using archival materials to create autonomous works. Photographic pieces are connected to the rest of his work by association. These non-narrative drawings often combine fantastic figures, portraits of Mudman, and elements of the War Drawings. Because Jones returns periodically to the drawings, he often notes the span of their development, culminating in the date of full completion. Erasing, changing and transmuting forms and figures are typical of his drawing practice, as is the horror vacui.
Jones’s solo exhibitions include Bridget Donahue Gallery, NYC (2020); Zeno X Gallery, Antwerp, Belgium (2018); The Aldrich Museum of Contemporary Art, Ridgefield, CT (2016); the Venice Biennale (2013), Henry Art Gallery, University of Washington, Seattle, WA (2007) and many other galleries and institutions. He has exhibited at, among other venues, The Drawing Center, NYC (2021); Linda Pace Foundation Collection, San Antonio, TX (2003); the Smithsonian American Art Museum, Washington D.C. (2019); Stavros Niarchos Foundation, Athens, Greece (2017); Boulder Museum of Contemporary Art, Boulder, CO (2017); Los Angeles Museum of Contemporary Art, LA (2015). Jones’s work is included in the collections of Centre Pompidou, Paris; the Whitney Museum of American Art, NY; the Smithsonian American Art Museum, D.C.; Museum of Modern Art, NY; and the Los Angeles County Museum of Art, CA; among others. In 2009, he was awarded the United States Artists Award; in 2015, an Adolph & Esther Gottlieb Foundation Grant. Other awards include the John S. Guggenheim Fellowship, a National Endowment of the Arts Grant, and a Rome Prize Fellowship.
Kim Jones lives and works in New York City
Thank you.
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14. Ken Butler, FF Alumn, now online at vimeo.com
Greetings from Brooklyn,
Here is a link to my new music video Axiomatix ….
It’s a bit shy of 13 minutes in 6 sections … (see press release below for info on how it was made if interested, etc) … please watch on your desktop or big screen if you can … Anyway, I would appreciate any feedback ….
Hope all is well, thanks, KB
“Axiomatix: a suite for hybrid instruments” (in 6 movements)”:
Ken Butler , Video and music, 12:55, 2023
Credits: Sam Schild, editor, Yuli Beeri, sound assistance.
Original clips shot by D. Carlton Bright in 1992. Thanks to Frédérique Trunk.
Axiomatix is an experimental music video in six movements with overlapping layers of the artist playing 29 of his hybrid string instruments constructed from diverse objects. Disembodied hands and arms bow and pluck at noisy strings with a fluttering Cubist/Futurist sensibility, with genre-bending music, and lighting by Rembrandt. Hybrid violins and guitars descend a dissonant sonic staircase as function and form collide in an atmosphere of experimentation and transformation.Recalling the early 20th century chrono-photography of Marey and Bragaglia, the work has a time capsule sensibility as technology has finally enabled an old concept technically unfeasible at the time of conception.
The music was composed by layering short video clips of the artist playing just one note of a melody, each on a different instrument (called “hocketing”). Manipulating the speed and pitch of the video yielded a unique and edgy audio-visual soundscape. The work moves from violins to “violas”, guitars, and then cellos, revealing the full melody in the fifth section (Axilla), containing all 29 instruments. The sixth and final section, (Axis), functions as an epilogue or coda to the piece.
Live versions of the song, with a full band, appear on the Tzadik CD “Voices of Anxious Objects” from 1997, and “KB’s Greatest Hits”, on Hybrid Visions Music, in 2005, as “Axioms.”)
Please visit this link:
http://kenbutler.squarespace.com
Thank you.
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15. Jane Dickson, FF Alumn, at Karma, Manhattan, thru October 28
Promised Land, my first solo show with Karma, is open thru October 28 at 188 and 172 East 2nd Street, New York. This show takes a deeper look at signage and the unavoidable, often invisible psychic price of American promises. Jane Dickson
Thank you.
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16. Marcia Resnick, FF Alumn, at Deborah Bell Photographs, Manhattan, opening Sept. 14
Ahead of Her Time: Marcia Resnick
Sept. 14- Nov. 4, 2023
Reception & Booksigning Thurs Sept. 14 6-8pm
Deborah Bell Photographs
526 W.26th St. R. 411, NYC, 10001
212-249-9400
Thank you.
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17. Sabrina Jones, FF Alumn, at La Plaza, Manhattan, Sept. 16
Saturday September 16th noon-11pm
All events Free
Visit our Book Table from 11am – 7pm
@ La Plaza Cultural Community Garden, East 9 St & Avenue C
Art Performances there from 6:30 PM
I will present a Comics Slideshow in the
Emma Goldman Film Festival @Tompkins Square Park, East Village NYC
From 8pm to 11pm
Featuring Comics from the new WW3: My Body/Our Rights and Race to Incarcerate.
Please visit this link:
https://anarchistbookfair.net/
Thank you.
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For subscriptions, un-subscriptions, queries and comments, please email mail@franklinfurnace.org
Please join Franklin Furnace today:
https://franklinfurnace.org/membership/
After email versions are sent, Goings On announcements are posted online at
https://franklinfurnace.org/goings-on/goingson/
Goings On is compiled weekly by Farideh Sanandaji, FF Intern, Fall 2023
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