Contents for June 2nd, 2025
CONTENTS (please click on the links or scroll down for complete information on each post):
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1. Cheri Gaulke, FF Alumn, at TCL Chinese Theatres, Hollywood, CA, June 20
2. Nicolás Dumit Estévez Raful Espejo Ovalles Morel, FF Alumn, at Samphire Hoe, UK, June 21-22
3. John Kelly, FF Alumn, spring news
4. Joe Lewis, FF Alumn, at Charles Gaines Studio, Vernon, CA, June 22
5. Dona Ann McAdams, FF Alumn, now online at BrooklynRail.org
6. Stuart Sherman, FF Alumn, at Filmtheater De Uitkijk, Amsterdam, The Netherlands, June 5
7. Harley Spiller, FF Alumn, in the Wall Street Journal
8. Peter Cramer, Jack Waters, FF Alumns, at MoMA, Manhattan, June 1-18
9. Bob Holman, FF Alumn, in Venice Biennale, Italy, June 8
10. Helen Lessick, FF Alumn, at Creative House Gallery, Inglewood, CA, June 12-Aug. 2
11. Mierle Laderman Ukeles, FF Alumn, at TriBeCa Film Festival, Manhattan, June 8-14
12. Maya Ciarrocchi, FF Alumn, at Longwood Art Gallery, The Bronx, thru July 2
13. Rosemarie Chiarlone, FF Alumn, now online at DimensionsVariable.net
14. Katie Cercone, Robin Tewes, FF Alumns, now online at Untitled-Magazine.com
15. Mark Waskow, FF Member, now online at youtube.com
16. Peter Downsbrough, FF Alumn, now online at Artlead.net
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1. Cheri Gaulke, FF Alumn, at TCL Chinese Theatres, Hollywood, CA, June 20
Hollywood Premiere of “Old Girl in a Tutu: Susan Rennie Disrupts Art History” at Dances With Films
Los Angeles, CA — The Hollywood premiere of the irreverent and empowering short documentary Old Girl in a Tutu: Susan Rennie Disrupts Art History will take place on Friday, June 20 at 4:45 PM at the Dances With Films Festival at the iconic TCL Chinese Theatres in Hollywood.
Tickets available now:
https://danceswithfilms.com/old-girl-in-a-tutu
Arrive early (4:00–4:30 PM) for the “Half-Shell” Photo Shoot, where guests can pose in a reimagined version of Botticelli’s Birth of Venus.
Directed by acclaimed feminist artist and filmmaker Cheri Gaulke, the short documentary stars legendary scholar and activist Susan Rennie, who fearlessly inserts her queer, octogenarian body into iconic masterpieces of Western art. Created entirely using her iPhone and iPad, Rennie’s work reframes the canon with humor, insight, and a glorious disregard for convention.
“Audiences have been delighted by this film because of its bold representation of images we rarely see — an empowered older queer woman baring it all!”
— Cheri Gaulke, Director
Susan Rennie is no stranger to cultural disruption. Along with longtime collaborator Kirsten Grimstad, she co-edited the seminal feminist resources The New Woman’s Survival Catalog (1973) and The New Woman’s Survival Sourcebook(1975), and co-founded Chrysalis: A Magazine of Women’s Culture, published out of the Woman’s Building from 1977 to 1981. The Woman’s Building was a groundbreaking feminist art center in downtown Los Angeles where Rennie, Grimstad, Gaulke, and other collaborators first met and launched their decades-long commitment to feminist cultural work.
Cheri Gaulke, the film’s director, is a pioneer of feminist performance art in Los Angeles whose work spans visual art, public commissions, and award-winning films. Her projects have been exhibited at the Museum of Modern Art (NY), the Museum of Contemporary Art (LA), and on international stages from buses to temples. A passionate advocate for underrepresented communities, Gaulke made one of the first films to center LGBTQ+ teens in the 1990s and is currently completing her first feature documentary, Acting Like Women, about the feminist performance art movement that shaped her career.
Fun Fact: All of Rennie’s images in the film were made using only her iPhone and iPad — a feminist remix of the selfie for the digital age.
Don’t miss this joyous, transgressive, and deeply human film that rewrites art history from the margins — and puts a tutu on it.
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2. Nicolás Dumit Estévez Raful Espejo Ovalles Morel, FF Alumn, at Samphire Hoe, UK, June 21-22
Nicolás Dumit Estévez Raful Espejo Ovalles Morel to enact pilgrimage at Summer Solstice Celebration, Dover, United Kingdom / Organized by The Bee Friendly Trust and joined by White Cliffs Countryside Partnership at Samphire Hoe / Curated by Dr. Luke Dixon
https://www.whitecliffscountryside.org.uk/events/whats-on
The weekend of Saturday 21st and Sunday 22nd June 2025 marks the Summer Solstice. The day is at its longest and summer begins. The Bee Friendly Trust joins with White Cliffs Countryside Partnership at Samphire Hoe to celebrate the solstice with a cornucopia of micro creativity across the Hoe. All the work will be inspired by the extraordinary variety of pollinators and pollinated to be found at the Hoe – from bees and butterflies to rare orchids.
Come celebrate the Summer Solstice with us!
We are excited to announce a new event for the summer, held at the atmospheric and inspiring Samphire Hoe countryside park (pictured).
Set across 30 hectares, this nature reserve will provide a stunning backdrop to two days of artist-led Summer Solstice activities.
A line-up of artists that includes Sarah Ainslie, Steve Chapman and Beth Bayliss will lead workshops in photography, painting and poetry. Plus join USA-based performer Nicolàs Dumit Estévez on a pollinating pilgrimage around this unique site. Our own Dr Luke Dixon will be sharing his passion for bees. Collaborative artworks that respect and celebrate the environmental world will be created. Friendships formed.
Tickets for this event are available via https://www.whitecliffscountryside.org.uk/events/whats-on
Saturday, 21st & Sunday 22nd June 2025.
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3. John Kelly, FF Alumn, spring news
JOHN KELLY PERFORMANCE – SOME NEWS
Dear Friends,
It has turned out to be a busy spring, and as we head into summer, I wanted to share some recent – and upcoming events with you ~
Shadow Yaddo hosted by Elaina Richardson is out now, with performance maestro John Kelly and acclaimed author Paul Lisicky on storytelling, subversion, and a voice that still breaks our hearts – Joni Mitchell. Link to LISTEN (https://yaddo.org/podcast/s5-e2-scars-on-the-soul/)
I’m also joining the writer Paul Lisicky for a live event at Provincetown’s 20 SUMMERS historic Hawthorne Barn series. Unfortunately (or happily) it’s sold out, but if there winds up being video documentation of the event, I’ll be sure to post it on a future mailing.
Weill Boy / Brecht Girl / Eisler Mann – we gave 2 sold-out performances at Joe’s Pub on March 12th & 13th. I could not be happier with how this concert turned out! We performed the music of Kurt Weill, Bertolt Brecht, and Hans Eisler, and songs by Ivor Novello, Harry Warren, Charles Aznavour, and Joni Mitchell. Mila Henry led our phenomenal ensemble of piano, cello, reeds, and guitar. If you’d like to see the video, here is the LINK (https://vimeo.com/1066172449)
As I near the end of my studio space residency (I’m ensconced through July ), I’ve also lined up a number of studio visits with curators, gallerists, and publishing world folk. When I have to vacate the space, I’m hoping to have some further life – as a publication, as an exhibition – for my GRAPHIC MEMOIR – A FRIEND GAVE ME A BOOK. Wish me luck!
SAVE THE DATE – RIMBAUD HATTIE will perform a FREE outdoor concert on Thursday, July 17th, as part of the annual GARDEN VARIETY series at the 6&B Garden (6th Street & Avenue B). More details to follow ~
Our WEBSITE revision is nearing completion! This has developed into a comprehensive, and dare I say impressive ARCHIVE of my entire career. We’re planning on going live by mid-June
Please stay well in these challenging times.
I remain yours,
John
DONATE (https://fundraising.fracturedatlas.org/john-kelly-performance)
Donations to John Kelly Performance made through Fractured Atlas are tax-deductible to the extent permitted by law. Follow the link to make a secure online donation or get information on how to donate by check.
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4. Joe Lewis, FF Alumn, at Charles Gaines Studio, Vernon, CA, June 22
“de las Sombras / from the shadows”
Record launch party, Album signing and Live Musical Performance
June 22, 2025 @ 2 PM
Charles Gaines Studio
2431 East 56 Street
Vernon, CA 90058
“de las sombras / from the shadows” is a musical triptych that gives voice to silenced narratives. Performed by Three Black Bungalows (John Chiodini and Joe Lewis) with guest artists Marisabel Bazan and Charles Gaines, this trilogy uses visceral storytelling and genre-defying artistry to confront systemic injustices head-on. Each song merges harrowing historical echoes with urgent contemporary crises, immigration, civil rights, and substance abuse, bringing marginalized perspectives out of the shadows and into the forefront of America’s conscience.
Marisabel Bazan: Born in Panama City, Marisabel Bazan is an internationally acclaimed artist and singer-songwriter whose work transcends traditional boundaries. Marisabel’s music career is a testament to her versatility and talent. Having been signed by Universal Music, her songs have been featured in TV shows and commercials for major brands, including Toyota and Kellogg’s. Her stint as a former MTV VJ for Latin America demonstrates her ability to captivate and inspire audiences, bringing the same energy and inspiration to her music that she brings to her art.
John Chiodini: Guitarist and composer John Chiodini’s performing career began in the 1960s and 1970s, with appearances in clubs, recording studios, and theaters throughout New England. His extensive experience is a testament to his abilities. As a member of the Boston Pops Orchestra under Arthur Fiedler, John made numerous appearances in concerts and on recordings, including the long-running PBS television series “Evening At Pops.” He also toured with Natalie Cole’s big band for many years.
Charles Gaines: A pivotal figure in the field of conceptual art, Charles Gaines’s body of work employs formulas and systems that interrogate the relationships between the objective and subjective realms. Using a generative approach to create a series of works in a variety of mediums, he has built a bridge between the early conceptual artists of the 1960s and 1970s and subsequent generations of artists pushing the limits of conceptualism today.
Joe Lewis: Artist, composer, and writer, Joe Lewis grew up running around Tin Pan Alley and the halls of the Brill Building, where his father, who sang with the Harry Belafonte Folk Singers, also published music. As a non-media-specific artist, his work can take the form of a song, a photograph, a performance, or a recipe. Joe’s performances, installations, and interventions were well-known in New York’s 70s and 80s downtown art scene.
De las sombras /from the shadows
Recorded, Mixed & Mastered by: Paul Tavenner
Big City Recording Studios,
Granada Hills, CA
Recording date: February 24, 2023
Graphic Design by Francis Spitta
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5. Dona Ann McAdams, FF Alumn, now online at BrooklynRail.org
Please visit this link:
https://brooklynrail.org/2025/05/artseen/dona-ann-mcadams-black-box
Thank you.
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6. Stuart Sherman, FF Alumn, at Filmtheater De Uitkijk, Amsterdam, The Netherlands, June 5
his is an invitation to the launch of
THE STUART SHERMAN PAPERS
plus a screening of short films by Stuart Sherman
5 June, 2025, 19:00–23:00, Filmtheater De Uitkijk
Prinsengracht 452, 1017 KE Amsterdam
Stuart Sherman (1945–2001) was a visual artist, performer, filmmaker, actor, playwright, and poet, best known for his Spectacles: programmes of short, mostly wordless choreographies, performed on portable tabletops using a variety of everyday objects. In addition to his performance and video work, Sherman’s practice comprised an expansive variety of visual and literary media.
In the summer of 2018, I visited the Fales Library in New York to see Stuart’s work up close. Going through the archive in search of performance scores, what I actually found were reams and reams of short stories, poems, notes, film scripts, book reviews, and even feedback written for students from his occasional teaching gigs. In this mass of text work, Stuart played around with the double meanings of words, the repetition of common gestures and scenes, the influence of popular culture on vocabulary and the imagination, and the potential of language to evoke entire worlds.
After several years in the making, The Stuart Sherman Papers is the first publication dedicated to Stuart Sherman’s writing, and I am beyond excited and proud to finally launch the book.
Next to over 200 pages of Stuart’s prose, poetry and other writing, The Stuart Sherman Papers features written contributions by Sally Banes (1950–2020, independent dance critic and scholar), Mark Bradford (executor of the estate of Stuart Sherman), Nicholas Martin (Curator for Arts & Humanities at NYU Special Collections), and Michiel Huijben (artist and publisher, Flat i).
Photographs included in the publication are by Nathaniel Tileston (1942–2019, photographer) and Paolo Rapalino (photographer and videographer).
Graphic design of The Stuart Sherman Papers is by Loes Verstappen.
Lithography by Marc Gijzen. Copy editing by Harriet Foyster.
Order the book from our webshop: https://welcometoflati.bigcartel.com/product/the-stuart-sherman-papers
On 5 June, we will be launching the book at Filmtheater De Uitkijk, the oldest cinema in Amsterdam! You will be able to purchase the book, posters, and postcards for a special launch price, and those of you who pre-ordered can pick up your copies.
Doors open at 19:00, the film programme will start at 20:00. Entrance is free.
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7. Harley Spiller, FF Alumn, in the Wall Street Journal
The Wall Street Journal
Tastes and Traditions’ Review: Marvelous Menus
Restaurants have used illustrations, elaborate descriptions and even emojis to whet the appetites of diners.
By Andrew Coe
May 29, 2025 12:06 pm ET
The quick-response code, or QR code, infiltrated American restaurants in 2020 as we emerged from the Covid-19 lockdowns and began, tentatively, to eat communally again. For diners, the advantage was that the codes were supposedly more hygienic. We simply pointed our phones at the postage-stamp-size hieroglyphs, pulled up the menu and, sometimes, could even place our orders. No need for human contact or touching a potentially contaminated menu.
Tastes and Traditions: A Journey through Menu History
By Nathalie Cooke
Reaktion Books
192 pages
Originally invented in 1994 to help speed up Japanese car production, QR codes appealed to restaurants because they did away with printing costs and could even help expedite food ordering and delivery, leading to quicker table turnover. However, something was lost in this transition. In “Tastes and Traditions: A Journey Through Menu History,” Nathalie Cooke elucidates the value of the traditional restaurant menu. More than a list of dishes, it is a medium that can amuse, flatter, educate and tantalize diners, elevating the restaurant experience.
Ms. Cooke’s copiously illustrated book is filled with color images of menus both ancient and modern, including a bill of fare made up solely of emojis (from a boundary-pushing “immersive dining” restaurant in Bangkok). Some of the most over-the-top examples were designed by artists whose illustrations helped prepare diners for the meal to come. One of the earliest, a 1751 menu for a feast at Louis XV’s “country retreat” (read: palace), is bordered with hand-painted vines, musical instruments and little hunters chasing wild boars, signaling that wine, music and game would be part of the meal. The artist Henri de Toulouse-Lautrec’s 1896 pre-Christmas menu for Paris’s Le Suisse promised a holiday spree with tuxedoed gentlemen drinking champagne and carousing with scantily clad women. As technologies evolved, menus began to include photographs and then, for the ultimate in realism, sculptures of each dish, as in the startlingly accurate food models displayed outside eateries in Japan.
Restaurants have long realized that their menus can serve as advertising. Ms. Cooke, a professor of English at McGill University, includes a “souvenir menu” from Manhattan’s old Shanghai Royal, which the restaurant promised to mail to any address the diner liked. In this case, one Bernie Marlin sent the menu to a pal in 1946 with the enigmatic notation “First date—home 3:30.”
For some, collecting menus became a habit, both for the memento value and in appreciation of their design and content. In fact, a lot of what we know about menu history is thanks to intrepid collectors such as Miss Frank E. Buttolph (1850-1924), who amassed more than 25,000 menus, from Delmonico’s to the New York Hospital dining room, ultimately donating them to the New York Public Library. That Shanghai Royal menu can be found in the University of Toronto’s Harley Spiller Menu Collection, which contains more than 8,000 menus, mostly from Chinese restaurants. Many of these are folding takeout menus, part of the ephemera that litter city streets after deliverymen hand them out by the thousands to drum up new customers.
Menus can be windows onto foreign cuisines. Ever since the mid-19th century, immigrant restaurateurs in New York, San Francisco and other U.S. cities have opened establishments intended to introduce Americans to their native dishes. There can be a long learning curve to this effort, and many owners hit on menus as a way to bridge the cultural gap. Ms. Cooke includes a menu, from the Japanese tea house at the 1893 Chicago World’s Columbian Exposition, that offers three levels of service, culminating in a full tea ceremony serving “tencha,” a tea that until then had “never been known in foreign markets.” More bluntly, the U.S.S.R. Pavilion menu from the 1939-40 New York World’s Fair tells customers: “Our employees are adequately compensated. Following Soviet custom, please do not give tips.”
Menus from Asian restaurants could be particularly didactic, giving instructions on not only the basics of their cuisine but also on how to use chopsticks and, in the case of Fong Wan’s Club Shanghai in 1950s California, a lengthy biography of the owner (although customers may have been more interested in eyeing the photos of the Chinese showgirls on the cover). Unfortunately, the images of the Fong Wan menu, as well as a number of others, are reproduced so small in this book that it’s nearly impossible to read the type.
One fascinating thing about menu collections is that they allow you to trace the evolution of food trends over the decades. In 19th-century London, “lentil cutlets” were a favorite of health menus. In the U.S., the health-food field was once dominated by John Harvey Kellogg of the Battle Creek Sanitarium, who invented meat substitutes such as Protose and Nutose, made of peanut butter, nuts, wheat gluten and other ingredients. These foods then spread across North America; Ratner’s kosher dairy restaurant on New York’s Lower East Side served them like fried liver, with a helping of sauteed onions. The dieting fad began during the 1920s flapper era, and you see it later reflected with “waist watchers” and “low cal” sections on menus. Today, with many diners following special diets, restaurants may sprinkle their menus with little symbols to warn of potential dangers in certain dishes: a chili pepper means spicy, an acorn cautions that nuts or peanuts are present, a “V” denotes vegan, and so on.
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8. Peter Cramer, Jack Waters, FF Alumns, at MoMA, Manhattan, June 1-18
Peter Cramer and Jack Waters are included in QUEER and UNCENSORED –
a major survey of queer film and video at the Museum of Modern Art from May 28 – June 27.
Naked Boys Cleaning by Jack Waters on June 1 & 15 in this program – Bodyscapes
https://www.moma.org/calendar/events/10599
Black & White Study by Peter Cramer on June 11 & 18 in this program: Pestilence
https://www.moma.org/calendar/events/10613
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9. Bob Holman, FF Alumn, in Venice Biennale, Italy, June 8
Please visit this link:
https://www.labiennale.org/en/news/we-are-dinosaur-street-performance-bob-holman
Thank you.
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10. Helen Lessick, FF Alumn, at Creative House Gallery, Inglewood, CA, June 12-Aug. 2
Helen Lessick will be hosting a series of six free, hands-on, artist-led workshops on public art practice at The Creative House Gallery, Inglewood, CA on Saturdays from June 12 – August 2, 2025. For more information Thecreativehousegallery.org
Thank you,
Helen Lessick
Los Angeles
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11. Mierle Laderman Ukeles, FF Alumn, at TriBeCa Film Festival, Manhattan, June 8-14
HI!
The documentary film about my work directed by Toby Perl Freilich has been selected for its world premiere at the upcoming Tribeca Film Festival.
The film is entitled MAINTENANCE ARTIST
I am so excited to invite you to be there!
I hope you can attend one of the screenings that week as follows:
06/08/2025, 5:30PM, Village East Cinemas, 181-189 2nd Avenue, Theater 1, Opening
06/09/2025, 6:15PM at AMC 19th Street East, 890 Broadway – 2nd Screening
06/10/2025, 3:00PM at AMC 19th Street East – 3rd Screening
06/14/2025, 2:45PM at Village East Cinemas, Theater 3 – 4th Screening
We will be in NYC for the first three screenings.
FYI: for tickets and information, here is the Festival’s announcement:
https://tribecafilm.com/films/maintenance-artist-2025
Very very!
Mierle Laderman Ukeles
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12. Maya Ciarrocchi, FF Alumn, at Longwood Art Gallery, The Bronx, thru July 2
Transformative Impact
Transformative Impact is an exhibition that showcases the powerful ways in which four contemporary Bronx artists engage with their communities through socially and environmentally conscious art making. Confronting urgent issues, such as environmental migration, gender equality, and systemic injustice, these artists transform creative practice into a catalyst for awareness, dialogue, and meaningful change.
CURATOR
Lucia Warck-Meister
ARTISTS
Maya Ciarrocchi | Ghislaine Sabiti | dan keith williams | Natalie C. Wood
EVENTS
Opening Reception: Wednesday, May 28, 2025, 6:00 PM – 8:00 PM RSVP Here
Public Program: Wednesday, June 18, 2025, 6:00 PM – 8:00 PM
Closing Reception: Wednesday, July 2, 2025, 6:00 PM – 8:00 PM
https://www.bronxarts.org/programs/connector/longwood-art-project/longwood-art-gallery
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13. Rosemarie Chiarlone, FF Alumn, now online at DimensionsVariable.net
Essay, Creation and Destruction in Miami’s Urban Landscape now online indefinitely at Dimensions Variable. https://dimensionsvariable.net/creation-and-destruction-in-miamis-urban-landscape-alexandra-martinez/
This essay is a review of two solo exhibitions that are connected conceptually. Rosemarie Chiarlone’s exhibition, LANDscape, installed at Under the Bridge and Baron Sherer’s New Works at Bridge Red Studio in North Miami, Florida.
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14. Katie Cercone, Robin Tewes, FF Alumns, now online at Untitled-Magazine.com
Untitled Space launches the inaugural ART EDITION of The Untitled Magazine, titled “THE ART OF RESISTANCE.”
This special issue celebrates the 10th anniversary of The Untitled Space and features nearly 100 contemporary artists whose work powerfully speaks to identity, empowerment, and social justice. It is a dynamic and unflinching testament to the vital role of art in shaping culture and driving change.
You can read more about the launch on the magazine website here: https://untitled-magazine.com/the-untitled-magazine-launches-inaugural-art-edition-with-the-art-of-resistance-featuring-jemima-kirke-rose-mcgowan-and-more/
more on Instagram @theuntitledmagazine @untitledspaceny
Link to the magazine shop: https://untitled-magazine.shop/
This issue aims to cement The Untitled Magazine’s position at the intersection of visual art and editorial innovation.
CONTEMPORARY ARTISTS FEATURED IN THE ART EDITION 001 INCLUDE:
Alanna Vanacore, Alayna Coverly, Alison Jackson, Alison Stinely, Andrew Soria, Anna Delvey, Anna Sampson, Anne Barlinckhoff, Annika Connor, Ashley Chew, Asia Stewart, Bria Fernandes, Brittany Maldonado, Caroline Wayne, Coco Dolle, Cole Witter, Dance Doyle, Delaney Conner, Dena Paige-Fischer, Donna Bassin, Elena Chestnykh, Fahren Feingold, Geoffrey Stein, Grace Graupe Pillard, Helena Calmfors, Indira Cesarine, Irina Lakshin, Iris Brosch, Isabel Sierra Aka The Love Whip, Jasmine De Silva, Jeana Eve Klein, Jemima Kirke, Joanna Grochowska, Joanna Pilarczyk, Jocelyn Braxton Armstrong, Jodie Herrera, Judy Polstra, Kat Toronto aka Miss Meatface, Kate Hush, Katherine Crockett, Katie Cercone, Katie Commodore, Katrina Majkut, Katya Zvereva, Kerry Lessard, Kestin Selwyn Cornwall, Kristin OConnor, Kristy Gordon, Leah Schrager, Leslie Sheryll, Linda Friedman Schmidt, Linda Obobaifo, Lindsay Gwinn Parker, Lisa Levy, Lola Jiblazee, Louise Campion, Lynn Bianchi, Mairi-Luise Tabbakh, Mary Tooley Parker, Melissa Zexter, Mia Brownell, Michael Rose, Michael Wolf, Michele Pred, Molly Crabapple, Mia Moretti + Aubrie Costello, Nadine Robbins, Natalie White, Nick Rhodes, Orly Cogan, Polly Penrose, Rebecca Batz, Reisha Perlmutter, Robin Tewes, Rosa (Rose) McGowan, Rosemary Meza-DesPlas, Ruta Naujalyte, Rute Ventura, Sally Hewett, Sam Heydt, Sarah Blanchette, Sarah Maple, Shawnette George, Sophia Wallace, Sophie Goudman Peachey, Stephanie Hanes, Sunday Olaniyi, Suzanna Scott, Synchrodogs, Tara Lewis, Tracy Brown, Trina Merry, Valerie Carmet, Victoria de Lesseps, Victoria Selbach, Winnie van der Rijn, Zac Hacmon, Zach Grear\
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15. Mark Waskow, FF Member, now online at youtube.com
Please visit this link:
https://m.youtube.com/watch?v=VqXsMVcJ8t4
Thank you.
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16. Peter Downsbrough, FF Alumn, now online at Artlead.net
Please visit this link:
https://artlead.net/project/plakt-peter-downsbrough/
Thank you.
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For subscriptions, un-subscriptions, queries and comments, please email mail@franklinfurnace.org
Join Franklin Furnace today:
https://franklinfurnace.org/membership/
Goings On for Artists is compiled weekly by Rohan Subramaniam, Archive Intern, Summer/Fall/Winter 2024/2025
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