Goings On | 03/18/2024

Contents for March 18, 2024

CONTENTS (please click on the links or scroll down for complete information on each post):

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Yong Soon Min, FF Alumn, In Memoriam

1. Alvin Eng, Stefani Mar, FF Alumns, now online at YouTube.com
2. Alison O’Daniel, FF Alumn, now online at NYTimes.com and more
3. Raquel Rabinovic, FF Alumn, now at Hutchinson Modern & Contemporary, Manhattan, opening April 18
4. Cecilia Vicuña, FF Alumn, at ISLAA, Manhattan, opening March 28
5. Kristine Stiles, Pope.L, FF Alumns, now online at Artforum.com
6. Clifford Owens, Pope.L, Lydia Grey, David Hammons, Geoffrey Hendricks, Shaun Leonardo, Adam Pendleton, Rafael Sánchez Xaviera Simmons, FF Alumns, now online at artforum.com
7. Mark Bloch, Bern Porter, FF Alumns, now online at BrooklynRail.org
8. Alina Bliumis, FF Alumn, at Ceysson & Bénétière Gallery, Manhattan, opening March 21
9. Dee Shapiro, FF Alumn at VanDeb Editions, LIC, NY, opening March 21
10. Joseph Nechvatal, FF Alumn, now online and more
11. Marina Abramovic, FF Alumn, at The Stedelijk Museum, Amsterdam, The Netherlands, thru July 14
12. Dan Graham, FF Alumn, at Serralves Library, Porto, Portugal, March 23
13. Kathy Brew, Yoshiko Chuma, FF Alumns, at Westbeth Gallery, Manhattan, Mar. 22
14. Penny Arcade, FF Alumn, at Bridge Street Theater, Catskill, NY, Mar. 22-24
15. Barbara Nitke, FF Alumn, at Onyedika Chuke’s Storage APT, Manhattan, Mar. 21
16. Galinsky, FF Alumn at Sing Sing Maximum Security Prison, Ossining, NY, April 5
17. Suzanne Anker, FF member, new publication
18. Irina Danilova, FF Alumn, at Harriman Institute Atrium, Manhattan, opening March 26
19. Robin Tewes, FF Alumn, now online at untitled-space.art
20. Charles Dennis, FF Alumn, at The Lace Mill, Kingston, NY, March 29-30
21. Mira Schor, FF Alumn, at Centre Pompidou, Paris, France, and more
22. Graciela Cassel, Georgia Lale, FF Alumns, receive LMCC residencies 2024
23. Anne Sherwood Pundyk, FF Alumn, at East End Arts Main Gallery, Riverhead, NY, opening March 23

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Yong Soon Min, FF Alumn, In Memoriam

Yong Soon Min (1953-2024)

It is with great sadness that we announce the passing of artist, curator, and professor Yong Soon Min. Through her multidisciplinary practice, Min investigated the ongoing Korean War, colonialism, intersections of memory and history, and diasporic identity. She was an innovator in the field of American installation art beginning in the 1990s and an inspiration to countless students and art audiences internationally.

Min was born in 1953 during the Korean War in Bugok, a village south of Seoul, South Korea. She immigrated to the United States with her family at age seven, settling in Monterey, California. She began her formal art studies at Monterey Peninsula College in 1970 and transferred to UC Berkeley where she earned her BA, MA, and MFA degrees in art. As a graduate student she befriended the artist and writer, Theresa Hak Kyung Cha, who suggested that Min exhibit her art in the San Francisco Art Institute Annual in 1980. That same year she participated in the studio program of the Whitney Independent Study Program and worked as the master printer for Claes Oldenburg’s “Screwarch Bridge State II” series at Aeropress,New York. As part of the emerging Asian American artist community in the city in the 1980s-90s, Min’s participated in the grassroots organizations Godzilla: Asian American Art Network, and the Asian American Arts Alliance. Here she was encouraged to create visual responses to anti-Asian violence and imperialism. Her identity was intimately shaped by Cold War politics, including the protests against the Vietnam War and the continued division of Korea.

Min joined the faculty of the Department of Art at UC Irvine in 1993 just a few months after the devastation of the L.A. Uprising.  Her classes made a timely impact on many students who were reeling in the wake of the violent spring. During her twenty-one years of teaching, Min urged students to mine their life experiences as a valuable resource for creativity. She also encouraged them to think critically and embrace experimentation in their art practices. Min’s investment in her students inspired them long after their time in the classroom andcreated a community of younger artists connected by her mentorship.  

Since 1980, Min exhibited her work throughout the US and internationally. She participated in the landmark exhibition The Decade Show (1989) and enjoyed solo exhibitions at the Bronx Museum of the Arts (1991), Krannert Art Museum (1997), and Art in General (1998) among others. She took part in the Havana Biennial in 1989, 1994, and 2009, and curated several exhibitions including THERE: Sites of Korean Diaspora (2002) for the Fourth Gwangju Biennale, transPOP: Korea Vietnam Remix (2007-2009) with Viêt Lê, and Annual Report (2008) with Okwui Enwezor at the Seventh Gwangju Biennale.

During a 2010 Fulbright residency in South Korea, Min suffered a cerebral hemorrhage that impacted her speech and memory.This experience and subsequent recovery were the subject of her 2016 exhibition AVM: After Venus (May)formation at thenCommonwealth and Council, Los Angeles. At the time of her death, her work was on view at the Institute of Contemporary Art, Los Angeles, and the Eric Firestone Gallery, New York. 

Min served on the Board of Directors of the Asian American Arts Alliance, Artists Space, Women’s Caucus for the Arts, the College Art Association, the Side Street Gallery, and the Korean American Museum. She received awards from the City of Los Angeles Cultural Affairs Department, the Korea Foundation, Anonymous Was a Woman, and the National Endowment for the Arts. Min’s art is recognized in art historical texts about Californian, Korean, Asian American, and contemporary art. Her work is in the collections of several major museums including the Museum of Modern Art (MoMA), the Los Angeles County Museum of Art (LACMA), and the Seoul Museum of Art. The UCI Jack and Shanaz Langston Institute and Museum of California Art (Langson IMCA) at UCI is organizing a fall 2024 exhibition of her last commissioned work, The Kiss, and and a 2027 retrospective, Yong Soon Min: Both Sides Now.

Min died from breast cancer on March 12, 2024 at her home in Los Angeles in the company of family and friends. Remembrances and photographs can be posted at https://www.forevermissed.com/yongsoonmin/about. Min’s family requests that donations in her honor be given to GYOPO, the collective of Korean diaspora artists and cultural producers: https://www.gyopo.shop/donate

Thank you.

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1. Alvin Eng, Stefani Mar, FF Alumns, now online at YouTube.com

Please visit this link:

https://www.youtube.com/watch?v=E0a5gGEyNrc

Thank you.

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2. Alison O’Daniel, FF Alumn, now online at NYTimes.com and more

Please visit this link:

https://www.nytimes.com/2024/03/14/movies/the-tuba-thieves-review.html?unlocked_article_code=1.00.8_bX.tWglj1N_TiC&smid=url-share

and

The film is a truly unique and immersive experience that we are thrilled will be seen and heard at the Laemmle Theaters from March 21-28!

We hope you will join us for the opening night screening on Thursday March 21st at 7:30pm at the Laemmle Glendale followed by a conversation between Alison and Mike Mills (C’mon C’mon, 20th Century Women) and audience Q&A.

The film will screen daily from March 22-28 at the Laemmle NoHo.

We will continue our nationwide theatrical run https://www.instagram.com/p/C38gRKXxtvk/?ref=nucleo.jor.br

in Minneapolis, Chicago, San Francisco, and more throughout the spring.

All screenings feature open captions and all Q&As will have ASL interpretation.

Tickets are available here: https://www.laemmle.com/film/tuba-thieves

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3. Raquel Rabinovich, FF Alumn, at Hutchinson Modern & Contemporary, Manhattan, opening April 18

Dear Friends,

An exhibition of my recent paintings and drawings will open at Hutchinson Modern & Contemporary (47, East 64th Street, New York, NY 10065) on Thursday, April 18th, 5:00-8:00pm. I would be delighted if you join me at the opening reception.

I shall look forward to seeing you!

Warmly, Raquel

www.raquelrabinovich.com

raquelrabinovich0@gmail.com

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4. Cecilia Vicuña, FF Alumn, at ISLAA, Manhattan, opening March 28

Please visit this link:

https://islaa.org/exhibitions/threads-to-the-south?mc_cid=bf715e1543&mc_eid=3ce1f150ff

Thank you.

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5. Kristine Stiles, Pope.L, FF Alumns, now online at Artforum.com

Please visit this link:

https://www.artforum.com/features/pope-l-kristine-stiles-interview-549526/

Thank you.

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6. Clifford Owens, Pope.L, Lydia Grey, David Hammons, Geoffrey Hendricks, Shaun Leonardo, Adam Pendleton, Rafael Sánchez Xaviera Simmons, FF Alumns, now online at artforum.com

Please visit this link:

https://www.artforum.com/features/clifford-owens-pope-l-1955-2023-549524/

Thank you.

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7. Mark Bloch, Bern Porter, FF Alumns, now online at BrooklynRail.org

https://brooklynrail.org/2024/03/art_books/Bern-Porters-Now-It-Can-BeWhy-Did-It-Fail-Before

Mark Bloch in the Brooklyn Rail with a book review of 

Bern Porter’s Now It Can Be—Why Did It Fail Before?

Bern Porter (1911-2004) was a concrete and visual poet and book artist who also happened to be a brilliant scientist, physicist, and inventor that worked on cathode ray tube technology, which led to the creation of television. When the US entered WWII, he was drafted to work on the Manhattan Project, a job he quit after Hiroshima, clearing the way for the rest of his life as a trailblazing, self-publishing peacenik. By the 1960s, Porter emerged as the new underground hero of appropriated “founds,” his word for re-contextualized fragments from books, magazines, newspapers, manuals, advertisements, and junk mail, isolated and reframed as witty assertions and philosophical inquiries. The ongoing body of work he shaped over the next five decades has stood the test of time. His found texts from this plump little paperback volume are either self-help exhortations conveying urgent advice or the ransom letter-like ravings of a mad scientist running with scissors—or both.

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8. Alina Bliumis, FF Alumn, at Ceysson & Bénétière Gallery, Manhattan, opening

March 21

Dear friends and colleagues

Please join me for the opening reception of my solo show

Florephemeral

Thursday, March 21 6-8pm

Ceysson & Bénétière Gallery

956 Madison Ave, NYC

https://www.ceyssonbenetiere.com/en/exhibitions/alina-bliumis-new-york-2024=1285/.

“In the first, microbial, stages of evolution, all species had the same life. They shared the same body and the same experiences. Everything we are now – whether we are an elephant or an oak, a lion or a mushroom – was concentrated in that same life which first detached itself from silent matter. For billions of years, this life has been transmitted from body to body, from individual to individual, from species to species, from kingdom to kingdom.” Emanuele Coccia, All Species Have the Same Life, GRANTA Magazine 151, April 2020

Ceysson & Bénétière is pleased to present Florephemeral, a solo exhibition with New York based artist Alina Bliumis opening March 21st 2024. The exhibition will be on view through April 27th and is the gallery’s first exhibition with the artist.

Humans have spent all of history seeking what, if anything, defines us—what separates us from the rest of the natural world. First it was the soul, then intelligence, then sentience, among many other hypotheses; each one murkier than the last. One by one, philosophers have unraveled these distinctions until the only one left standing was the quest of exceptionalism itself. The stubborn idea that we are apart seems to be the only thing that actually sets us apart.

In her Endangered series, Alina Bliumis joins a discourse which challenges this impulse all together and asserts that the fundamental quality of life and the history and evolution of humanity is intrinsically linked and intertwined with the fate of the natural world. This series of watercolor drawings, which the artist began in 2022 features sixteen portraits of endangered and extinct flowering plants in custom, hand carved wooden frames. The series will be accompanied in the show by a group of small painted floral portrait studies made by the artist for the exhibition. The term ‘portrait’ here is used in earnest, as the works-which initially may appear to be botanical drawings-actually reveal hidden faces and anthropomorphic features. By turning the flowers into figures, Bliumis subjectifies the plants and asserts the individuality of their stories.

The stories, which often come from indigenous folktales from the plants’ countries of origins, frequently center around mystical or healing properties of the plants. These properties have made them particularly subjected to over-harvesting by humans. In combination with the perilous effects of climate change and the destruction of native wildlife habitats, the overuse of these plants has led to their endangerment and extinction. At first, this news hits differently than, say, the news of the extinction of an animal species; however this is only a function of our perceived distance from the plants. Our empathy wanes the further we are on the tree of life. This is where Bliumis’s imperative comes into play. If we can bring these plants closer, make them more familiar, and tell their stories, can we internalize our shared fate? Can we potentially correct the courses of their species or pay proper respects to those we have already lost?

The assertion of the plants’ subjectivity and their demand for respect is also emphasized in the individualized hand carved frames surrounding each piece. While traditional botanical drawings have typically been kept in folios or appeared as plates in books, carved wood frames are associated with royalty and portraiture. The frames themselves often include details that emphasize the characteristics and personalities of each flower. The rippling fabric-like texture of the Corpse Flower is mimicked in the folds carved into the wood. The delicately windswept Turquoise Ixia is surrounded by fluid waves. The Queen’s Lady’s Slipper’s frame seems to crown the flower in forms that follow the shape of her petals. With extreme care, the artist draws each frame’s design exactly to scale before sending the designs to made by hand by master wood carvers. There is a poetry also in insistence on keeping dying art forms like hand carving alive. Again, the future of the flower and our own futures become intrinsically linked.

Florephemeral is an invitation to see ourselves in creatures so othered that they feel totally apart from us. It is an invitation to invest in their, and our own, protection. If in these flowers we can see humor, grief, history and play, then we may finally understand how very closely we are tied to nature and how—in writer Emanuele Coccia’s words— “everything we are now… was concentrated in that same life which first detached itself from silent matter”.

Francesca Pessarelli, February 2024

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9. Dee Shapiro, FF Alumn, at VanDeb Editions, LIC, NY, opening March 21

Women’s History Month Exhibit  VanDeb Editions 

Lobby 27-18 Northern Blvd. LIC, NY  

March 21St. 6-8 PM

Allison Gildersleeve, Shirley Irons, Dee Shapiro

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10. Joseph Nechvatal, FF Alumn, now online, and more

The March 5 radio interview ~ about Joseph Nechvatal’s early and current audio art/sound work by Nicolas Ballet of the Centre Pompidou conducted at La Générale’s Node Internet Radio Broadcast Series ~ is now online at the link below. During the conversation Nicolas’s selection of my early sound tracks was played as well as a sample excerpt from the new Le mariage d’Orlando et Artaud, même piece.

https://archive.org/details/march-5th-2024-interviewed-of-joseph-nechvatal-by-nicolas-ballet

And

now online at HarsMedia.com

Please visit this link:

There is a review of Joseph Nechvatal’s March 8th audio art installation Le mariage d’Orlando et Artaud, même:

http://www.harsmedia.com/SoundBlog/Archief/_orlandoartaud.php

Thank you.

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11. Marina Abramovic, FF Alumn, at The Stedelijk Museum, Amsterdam, The Netherlands, thru July 14

The Stedelijk Museum Amsterdam, Netherlands Solo exhibition

March 16 – July 14, 2024

Sean Kelly is delighted to announce that Marina Abramovió’s major retrospective opens on Saturday, March 16, at the Stedelijk Museum Amsterdam. This is the second venue of the touring exhibition organized by the Royal Academy in London. Featuring over 60 key works, the exhibition spans five decades of the artist’s career.

The survey features archive footage of legendary performances, photos, videos, sculptures, and live reperformances of four iconic performances that will be staged in the Netherlands for the first time: Art Must Be Beautiful, Artist Must Be Beautiful (1975), Imponderabilia (work with Ulay) (1977), Luminosity (1997) and The House with the Ocean View (2002). Visitors are invited to participate in two performances: Work Relation (work with Ulay) (1978) and Counting the Rice from the Abramovic Method.

Marina Abramovic has been a prominent figure in performance and body art since the 1970s and is considered one of the most important founders of this art form. Using her body as her medium, Abramovic consistently tests her mental and physical endurance.

The exhibition is organized in close collaboration with the artist and the Royal Academy in London.

For additional information about the exhibition, please visit https://www.stedelijk.nl/en

For information on Marina Abramovic, please visit https://www.skny.com/

For media inquiries, please email Adair at Adair@skny.com

For all other inquiries, please email Lauren Kelly at Lauren@skny.com

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12. Dan Graham, FF Alumn, at Serralves Library, Porto, Portugal, March 23

Please visit this link:

https://www.serralves.pt/en/atividades-serralves/2303-memorial-dan-graham/

Thank you.

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13. Kathy Brew, Yoshiko Chuma, FF Alumns, at Westbeth Gallery, Manhattan, Mar. 22

In conjunction with the final week of Women on the Verge, a group exhibit at Westbeth Gallery featuring FF aluma, Yoshiko Chuma, Kathy Brew, (others??), there will be a final performance on Friday, March 22nd at 7 pm featuring Argentine poet Lila Zemborain and translator Christopher Winks who will be reading from Soft Matter (New York: Quantum Prose, 2023). Anna Therese Witenberg will be dancing in relationship to the text.

Other featured artists in the exhibition that is in its final week, on view Wednesday-Sunday, 1-6 pm through March 23rd: Kathy Brew, Martha Edelheit, Michelle Handelman, Julia Heyward, Jennifer jazz, Elizabeth Kresch, Pamela Harris Lawton, Stefani Mar, Aline Mare, Lucia Maria Minervini, Helen Oji, Janet Panetta, Jeanne Quinn, Melinda Ring, Lynne Sachs, Susan Salinger, MM Serra, Shelly Silver, and Pamela Sneed. 

https://westbeth.org/event/women-on-the-verge-exhibition-of-artists-affiliated-with-the29-art/
Kathy Brew

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14. Penny Arcade, FF Alumn, at Bridge Street Theater, Catskill, NY, Mar. 22-24

I’m performing Longing Lasts Longer in Catskill, New York at the wonderful Bridge Street Theater.

March 22, 23, 24.

Tell your upstate friends! TKTS: https://bridgest.org/24solofest4-tickets/.

Produced by White Horse Theater

Penny Arcade

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15. Barbara Nitke, FF Alumn, at Onyedika Chuke’s Storage APT, Manhattan, Mar. 21

Old school slide show

It is my great honor to invite you to an intimate slide show of images from my 1980s American Ecstasy photo series. I’ll be projecting the slides with a Kodak Carousel projector onto the walls of an apartment/project space where I’m having an exhibition. You can read about it here in Forbes Magazine.

https://www.forbes.com/sites/juliabrenner/2024/02/14/new-nyc-art-space-storage-apt-opens-with-barbara-nitke–photography-exhibition-american-ecstasy/?sh=5a344af9c5b0

Onyedika Chuke’s Storage APT

355 Bowery, 3rd Floor

Thursday, March 21st

From 6:00 – 8:00pm

RSVP requested as space is very limited. Email barbara@barbaranitke.com and I’ll add you to the list.Hope you can join us!

Warmly, 

Barbara

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16. Galinsky, FF Alumn, at Sing Sing Maximum Security Prison, Ossining, NY, April 5

You are invited! BEYOND THE BLOCK at Sing Sing Maximum Security Prison in Ossining NY (only 55 mins from Manhattan)… 9am-3pm Friday April 5th, 2024 – Songs, speeches, poems, and performances coached by Robert Galinsky of Literacy for Incarcerated Teens & Galinsky Coaching, and a small team of great coaches, that will inspire you and inform you. It’s an incredible day and will move your spirit and your mind – it’s also a very rare opportunity to have access and to engage with people who are living revolutionary lives and to support them simply with your presence.

Please reply to RSVP with names and emails of anyone you want to invite to join you – logistical details will be provided.

Last year the students broke from the TED events we were previously doing, and they created, branded, and launched the 1st ever Beyond the Block event. It was a full day of spoken word, music, presentations and the choir performed one of Harry Belafonte’s chain gang songs, check out the video links below.

Our 2024 MC for the event is Bryonn Bain Lyrics from Lockdown: The Broadway Show Executive Produced by Harry Belafonte and Rob Reiner.

Official Trailer (two min.)

https://vimeo.com/809414117/c4d7757f00

choir group performs with Aloe Blacc at Sing Sing

https://vimeo.com/811635038

the students describe the creation of the BTB event https://vimeo.com/818476873/b6280167a8

thanks

Galinsky!

galinskynow@gmail.com

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17. Suzanne Anker, FF Member, new publication

“After Eden: The Double Identity of Carbon”

My most recent publication “After Eden: The Double Identity of Carbon” (2024) explores carbon’s ultimate paradox: without carbon we cannot exist, but with too much carbon our existence will cease. Included in the book are sixty-seven full-color works from my “After Eden” photocollage series — works which fuse seasonal changes into a single image. Each day we wake, the seasons remake themselves: a new reality for which I have coined the term “Monoseason.” As temperatures rise and fall, soil turns into mudslides, fires erupt, draughts incinerate crops, diseases shift from animals to humans, and strange viruses mutate globally. “After Eden” confronts us with a phase shift of transgressive, mobile, unpredictable cataclysms, and is the result of borderless barriers wrapping around a planet without containment: a planet which itself has become a collage.

Now available for purchase through my publisher October Works https://octoberworks.com/books

and also at 

https://www.amazon.com/s?k=after+eden+suzanne&crid=1F5RPZBCPCM3Q&sprefix=after+eden+suzanne%2Caps%2C617&ref=nb_sb_noss_1

Special thanks to designer Jeanne Criscola https://criscoladesign.com/

Suzanne Anker https://www.suzanneanker.com/

is a visual artist and theorist working at the nexus of art and the biological sciences. Her work has been shown both nationally and internationally in museums and galleries including the Beijing Art and Technology Biennale, the Daejeon Biennale 2018, Korea, The Center for Art and Media Technology Karlsruhe | ZKM, the International Biennial of Contemporary Art of Cartagena de Indias, Colombia, the Walker Art Center, the Smithsonian Institute, the Phillips Collection, P.S.1 Museum, the JP Getty Museum, and the Museum of Modern Art in Japan. She is the Chair of the Fine Arts Department of School of Visual Arts in New York, where she continues to interweave traditional and experimental media in her department’s Bio Art Laboratory https://bioart.sva.edu/

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18. Irina Danilova, FF Alumn, at Harriman Institute Atrium, Manhattan, opening March 26

Dear Friends and Colleagues,

welcome to the opening reception of the Alphabet Diet Project, Tuesday March 26, 6-8 pm at Harriman Institute Atrium, 420. W. 118th St., 12th Floor, NYC. 10017

https://harriman.columbia.edu/event/exhibit-opening=reception-the-alphabet-diet-project/.

open March 25-May 9, Mon-Fri, 9-5

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19. Robin Tewes, FF Alumn, now online at untitled-space.art

“We are Women”

https://untitled-space.com/we-are-women-collection-for-womens-history=month/?mc_cid=f47b001b7f&mc_eid=c67fa60f15

Online exhibition & art collection 

30 Female Artists Join Forces

to Celebrate Women’s History Month

March 8th – March 31st, 2024

As part of our commitment to supporting women in the arts, we are offering a special promotion of 20% off on all artworks in the collection through the month of March.

https://untitled-space.art/

Use Code: WOMENSHISTORY

The “We are women” collection features artworks by Faustine Badrichani, Lynn Bianchi, Helena Calmfors, Indira Cesarine, Elena Chestnykh, Katie Commodore, Annika Connor, Parker Day, Fahren Feingold, Andrea Ferrigno, Linda Friedman Schmidt, Sophie Goudman-Peachey, Grace Graupe-Pillard, Giulia Grillo aka Petite Doll, Rebecca Leveille, Sarah Maple, Kristin O’Connor, Mary Tooley Parker, Anna Salenko, Leah Schrager, Victoria Selbach, Sarupa Sidaarth, Isabel Sierra aka The Love Whip, Mairi-Luise Tabbakh, Robin Tewes, Kat Toronto aka Miss Meatface, Camilla Webster, Logan White, Tabitha Whitley, and Martha Zmpounou.

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20. Charles Dennis, FF Alumn, at The Lace Mill, Kingston, NY, March 29-30

Please join us for Avant-Garde-Arama Wakes Up, a festival of short works of dance, film, music, performance art and poetry comes to The Lace Mill in Kingston, NY March 29-30.

Tickets and information are available on Eventbrite.

https://thelacemillarts.com/

Cheers, Charles

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21. Mira Schor, FF Alumn, at Centre Pompidou, Paris, France, and more

Centre Pompidou acquires Mira Schor’s

Alterity (1991)

Mira Schor, Alterity, 1991, Oil on 10 canvases, 16 x 20 inches/40.6 x 50.8 cm (each), 16 x 200 inches/40.6 x 508 cm (total)

The gallery is thrilled to announce that the Centre Pompidou in Paris has acquired Mira Schor’s iconic 1991 work, Alterity. This multi-canvas painting addresses thematics of transmission of patriarchal power through a system of surrogates and extensions, themes that characterize Schor’s multi-canvas paintings of the early- to mid-1990s.

Mira Schor, Alterity

Currently On View

Lacan, the Exhibition: When Art Meets Psychoanalysis, Installation view at Centre Pompidou-Metz, Metz, FR, December 31, 2023 – May 27, 2024

The ideas of Jacques Lacan are, alongside the work of Roland Barthes, Michel Foucault, Jacques Derrida and Gilles Deleuze, essential for understanding our modernity. While homages and exhibitions have already been dedicated to these intellectual figures, the thought of Lacan has not been dealt with in museums to date, even though he was strongly attached to works of art.

Lacan was closely involved with 20th-century art and artists, and in his teaching never ceased to draw on the art of all times. His discourse on art has been as fresh as it has been unusual, holding back, intriguing and provoking many contemporary artists. He has interpreted artworks not just as powers that give us something to see, but as dazzling objects that look back at the viewer. In devoting an exhibition to Jacques Lacan, we wanted to surround his fascinating figure with a multitude of such gazes.

Mira Schor: WET at Lyles & King

March 28 – May 4, 2024

Lyles & King

19. Henry Street

New York, NY 10002

646-484-5478

gallery@lylesandking.com

Gallery Hours:

Tuesday – Saturday: 11am – 6pm

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22. Graciela Cassel, Georgia Lale, FF Alumns, receive LMCC residencies 2024

Please visit this link:

https://mcc.net/resources/artist-residencies/arts-center-residency/?mc_cid=

ZaZe5dc91a&mc_eid=2301ee1686

Thank you.

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23. Anne Sherwood Pundyk, FF Alumn, at East End Arts Main Gallery, Riverhead, NY, opening March 23

Please join me for the opening reception of my solo exhibition,

“Beauty Out of Bounds”

Saturday, March 23rd from 4-7 PM.

East End Arts Main Gallery

133 E. Main St.

Riverhead, NY

“Beauty Out of Bounds” brings together large unstretched abstract paintings, stitched works on paper, photography, and my artist book, “The Garden.”

The work in the show is a point of departure for a number of conversations and a performance I will hold in the galleries:

Finding Art in Generational Trauma with filmmaker Mary Hanlon

Saturday, April 6th at 1:00 p.m. in the EEA Main Gallery

Artist to Artist

with artist Rainer Gross and publisher, art writer David Cohen Saturday, April 13 st at 1:00 p.m. in the 11 West Gallery

Painted Space / Architectural Space with architect Andrew Berman

Sunday, April 14th at 1:00 p.m. in the 11 West Gallery

Art is Personal

with art producer, curator Jill Brienza

Saturday, April 27th at 1:00 p.m. in the 11 West Gallery

Rites of Spring Music Festival: Sounds of Images Ill presents “Strange and Wonderful”

with cellist Mariel Roberts and readers from the North Fork community

Sunday, May 5th at 5:00 p.m. in the 11 West Gallery

Please be sure to check https://eastendarts.org/beauty-out-of-bounds/

as details are subject to change.

“Beauty Out of Bounds” presents across East End Art’s two galleries:

EEA Main Gallery: 133E. Main St., Riverhead

11 West Gallery: 11 W. Main St., Peconic Crossing, Riverhead

Gallery hours: Thursdays 12 p.m. – 5 p.m.; Fridays 2 p.m. – 7 p.m.; Saturdays 12 p.m. – 5 p.m.; Sundays 11 a.m. – 3 p.m.

Private tours can be arranged by emailing gallery@eastendarts.org

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For subscriptions, un-subscriptions, queries and comments, please email mail@franklinfurnace.org

Join Franklin Furnace today: 

https://franklinfurnace.org/membership-2023-24/

After email versions are sent, Goings On announcements are posted online at 

https://franklinfurnace.org/goings-on/goingson/

Goings On is compiled weekly by J-Lynn Rose Torres, FF Intern, Winter 2024

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