Contents for March 02nd, 2026
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Weekly Spotlight: Submissions now open for XENO Prize for Artists’ Books and XENO Prize for Performance Art, Franklin Furnace
1. Barbara Hoffman, FF Alumn, now online at Substack.com
2. Anahí Cáceres, FF Alumn, at National Museum of Oriental Art, Buenos Aires, Argentina, Mar. 4-Apr. 26
3. Coco Fusco, Pablo Helguera, Pamela Sneed, FF Alumns, now online at Hyperallergic.com
4. Cassils, Dread Scott, FF Alumns, now online with Fall of Freedom
5. Dynasty Handbag, FF Alumn, at Redcat Theater, Los Angeles, CA, May 1-2 and more
6. Billy X Curmano, FF Alumn, now online at https://billyx.net/files/1398221/web-vol-51-insert.pdf
7. Shirin Neshat, FF Alumn, now online at NYTimes.com
8. Coco Fusco, FF Alumn, to enter New York Foundation for the Arts Hall of Fame, April 23
9. Maya Ciarrocchi, Kara Lynch, FF Alumns, receive 2026 Bronx Cultural Vision grants
10. Wanda Raimundi-Ortiz, FF Alumn, at North Dakota Museum of Art, Grand Forks
11. Cheri Gaulke, FF Alumn, at Athena Film Festival, NY, March 8.
12. Janet Olivia Henry, Ogemdi Ude, Anh Vo, FF Alumns, receive 2026 Foundation for Contemporary Arts Grants to Artists awards
13. Agnes Denes, FF Alumn, to receive 2026 Moholy-Nagy László Award
14. Bob and Bob, FF Alumns, at Craig Krull Gallery, Santa Monica, CA, opening March 21
15. Russet Lederman, FF Alumn, at Printed Matter, Manhattan, opening Mar. 12, and more
Printed Matter, New York City
16. Paul Zelevansky, FF Alumn, now online at https://vimeo.com/1166821468
17. Neal Medlyn, FF Alumn, at The Chocolate Factory, Long Island City, NY, March 25
18. Morgan O’Hara, FF Alumn, now online at Studiolalineaverticale.it/livetransmission
19. John Jesurun, FF Alumn, at Die Verabredung, Cologne, Germany, Mar. 18-22
20. Diana Heise, FF Alumn, at Anderson Ranch, Snowmass Village, CO, and online, Mar. 10
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Weekly Spotlight: Submissions now open for XENO Prize for Artists’ Books and XENO Prize for Performance Art, Franklin Furnace
Now open for submissions: The XENO PRIZE for Artists’ Books. The recipient will receive $5,000 to publish an artist’s book on the topic of book banning/burning in an edition of at least 100 copies.
Artists over the age of 18, across all disciplines, are encouraged to apply. For eligibility requirements and the application, please visit our Submittable page: https://franklinfurnacearchive.submittable.com/submit
The deadline to apply is July 4, 2026. An independent artist jury will select the winner, and the XENO awards will be announced in September 2026.
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The 2025 XENO PRIZE for Performance Art recipient will be selected from among proposals for the 2026-27 Franklin Furnace FUND for Performance Art (deadline April 1, 2026).
The winner will receive $5000 in support of new work by an early-career LGBTQ+-identifying performance artist working in one of the 27 United States where, according to the Human Rights Campaign Foundation, laws and policies restrict gender-affirming care.
States include: AL, AR, AZ, FL, GA, IA, ID, IN, KS, KY, LA, MO, MS, MT, NC, NE, ND, NH, OK, OH, SC, SD, TN, TX, UT, WV, WY.
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1. Barbara Hoffman, FF Alumn, now online at Substack.com
Please visit this link to subscribe to Franklin Furnace Visionary Barbara Hoffman’s new Art Lawyer’s Journal:
https://barbara703.substack.com?utm_source=navbar&utm_medium=web
Thank you.
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2. Anahí Cáceres, FF Alumn, at National Museum of Oriental Art, Buenos Aires, Argentina, Mar. 4-Apr. 26
From March 4 to April 26, 2026, the National Museum of Oriental Art will present “Routes, Traces, and the Firmament” by Anahí Cáceres. Following two trips as a guest of the National Academy of Chinese Art for the “Silk Road Rendezvous International d’Artistes,” the exhibition, curated by M.T. Constantin, includes four installations exploring interconnected archaeological investigations through the ancient routes that shaped cultures across different continents. The exhibition is supported by the Embassy of the People’s Republic of China and the Confucius Institute at the National University of La Plata.
MNA0- Pabellón 3, Viamonte 525, 2° piso. Centro Cultural Borges. Buenos Aires
https://mnao.cultura.gob.ar/exhibicion/rutas-trazos-y-el-firmamento
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3. Coco Fusco, Pablo Helguera, Pamela Sneed, FF Alumns, now online at Hyperallergic.com
Please visit this link:
https://hyperallergic.com/the-us-department-of-hate
Thank you.
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4. Cassils, Dread Scott, FF Alumns, now online with Fall of Freedom
Please visit this link to the recording of the February 19 2026 “Artist Know Your Rights Training” in partnership with the @aclu_nationwide and @falloffreedom
https://www.youtube.com/watch?v=jhODSUTbBDE&t=14s
Thank you.
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5. Dynasty Handbag, FF Alumn, at Redcat Theater, Los Angeles, CA, May 1-2 and more
Please visit this link for tickets to the May 1-2 Redcat shows:
https://www.redcat.org/events/2026/jibz-cameron
and please pre-Order Dynasty’s forthcoming Penguin Random House book via this link:
https://www.penguinrandomhouse.com/books/819814/hell-in-a-handbag-by-jibz-cameron
Thank you.
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6. Billy X Curmano, FF Alumn, now online at https://billyx.net/files/1398221/web-vol-51-insert.pdf
Hi,
Here’s something from the Resistance in Minnesota. Why not share it – if you like it:
https://billyx.net/files/1398221/web-vol-51-insert.pdf
Cheers!
Billy X
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7. Shirin Neshat, FF Alumn, now online at NYTimes.com
Please visit this link:
Thank you.
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8. Coco Fusco, FF Alumn, to enter New York Foundation for the Arts Hall of Fame, April 23
Please visit this link:
https://www.nyfa.org/nyfa-hall-of-fame-benefit
Thank you.
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9. Maya Ciarrocchi, Kara Lynch, FF Alumns, receive 2026 Bronx Cultural Vision grants
Please visit this link:
https://www.bronxarts.org/grants/bronx-cultural-visions
Thank you.
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10. Wanda Raimundi-Ortiz, FF Alumn, at North Dakota Museum of Art, Grand Forks
I’m pleased to thank Claire Oliver Gallery for a major museum acquisition of my piece, Las Evas, detailed below.
Special Acquisition:
Acquired in loving memory of Laurel Reuter, founder and Director Emeritus of the North Dakota Museum of Art, with funds from an anonymous donor.
Wanda Raimundi-Ortiz
Las Evas
2022 – charcoal and PanPastel on 140 lb Arches Stonehenge paper
72 x 150 in / 183 x 381 cm
North Dakota Museum of Art
Grand Forks, ND
ABOUT CLAIRE OLIVER GALLERY
Claire Oliver Gallery is located in Central Harlem in a four-story brownstone. For 33 years, Claire Oliver Gallery has showcased and celebrated artwork, with a focus on work by women and people of color, which transcends and challenges the traditional art historical canon. Our forward-thinking program and exclusive commitment to the primary market allows for an intensive focus that has nurtured and grown the careers of our artists. Many of the gallery’s artists have been included in The Venice Biennale, The Whitney Biennial, and biennales in Sydney, Pittsburgh, and Lyon and have exhibited works in major international museums including the Smithsonian American Art Museum, The Art Institute of Chicago, Center Georges Pompidou, The Philadelphia Museum of Art, and The Los Angeles County Museum of Art amongst others. Claire Oliver Gallery artists are included in the permanent collections of many important museums worldwide including The Smithsonian American Art Museum, The Art Institute of Chicago, The Tate Britain, The Metropolitan Museum of Art, The State Hermitage Museum, MoMA, and the Museum of Arts and Design amongst many others. Claire Oliver Gallery held the first American exhibition for the Russian collaborative AES+F, whose work went on to twice represent Russia in the Russian pavilion of the Venice Biennale. Gallery artists have received prestigious fellowships including Fulbright, Guggenheim, USArtist, and National Endowment for the Arts.
2288 Adam Clayton Powell Jr. Boulevard
New York, NY 10030
212.929.5949
Thank you. Wanda Raimundi-Ortiz
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11. Cheri Gaulke, FF Alumn, at Athena Film Festival, NY, March 8.
Cheri Gaulke brings her short film Old Girl in a Tutu: Susan Rennie Disrupts Art History to New York to the Athena Film Festival at Barnard College. The block of short films called Make/Believe takes place Sunday, March 8th, at 12:00 pm, Held Auditorium, Barnard Hall. This screening will include Gaulke in person as well as her two subjects Susan Rennie and Kirsten Grimstad who graduated from Barnard in the 1960s. The film is also available to stream online March 6-8.
Link to tickets: https://aff26.eventive.org/films/old-girl-in-a-tutu-susan-rennie-disrupts-art-history-6937610b744750af9fa47a6a
About the film:
Feminist scholar, Susan Rennie, seizes her iPhone and sneaks her queer, octogenarian body into master works of art, disrupting the narrative of the male gaze.
This 8-minute film focuses on a gallery showcase of Susan Rennie’s delightful art with unfiltered commentary from the artist, as well as words from exhibition curator Kirsten Grimstad. Grimstad and Rennie co-edited the seminal The New Woman’s Survival Catalog published in 1973.
Writer/Director/Producer/Editor Cheri Gaulke has created an entertaining journey into the mind of an elder, queer artist through a whirlwind of images and ideas.
-Cheri Gaulke
Artist/Filmmaker/Educator/Activist
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12. Janet Olivia Henry, Ogemdi Ude, Anh Vo, FF Alumns, receive 2026 Foundation for Contemporary Arts Grants to Artists awards
The Foundation for Contemporary Arts announces its 2026 Grant to Artists
2026 Grants to Artists Recipients
DANCE
Benjamin Akio Kimitch
jaamil olawale kosoko (Robert Rauschenberg Award)
Ogemdi Ude
Anh Vo
MUSIC/SOUND
Onyx Ashanti
Olivia Block (The Alvin Lucier Award for Music)
Maayan Tsadka
PERFORMANCE ART/THEATER
Lukas Avendaño
Paul Lazar (John Cage Award)
POETRY
Brenda Coultas (C.D. Wright Award for Poetry)
Jennifer Foerster
Edgar Garcia
Harmony Holiday (The Cy Twombly Award for Poetry)
Denise Newman
Timmy Straw
VISUAL ARTS
Teresa Baker (Helen Frankenthaler Award for Painting)
Nanette Carter
Christopher Cozier (Roy Lichtenstein Award)
Kearra Amaya Gopee
Janet Olivia Henry
Nyeema Morgan
Elle Perez
Shirley Tse (Dorothea Tanning Award)
VIOLA FARBER AWARD
Maggie Cloud
This year’s Selection Committee was made up of FCA’s current Board of Directors:
Cecily Brown, Anne Collier, Anthony B. Creamer III, Jennie C. Jones, Wyatt Kahn, Julian Lethbridge, Richard Maxwell, Dean Moss, Okwui Okpokwasili, Emily Wei Rales, Matana Roberts, James Welling, and John Yau.
The Directors of FCA were joined in the grant selection process by Larissa Velez-Jackson (Dance), Nate Wooley (Music/Sound), Niegel Smith (Performance Art/Theater), Mónica de la Torre (Poetry), Janet Wong (Viola Farber), and Lilly Wei (Visual Arts).
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13. Agnes Denes, FF Alumn, to receive 2026 Moholy-Nagy László Award
On behalf of the Moholy-Nagy University of Art and Design (MOME), we would like to reach out to you regarding a matter of great esteem and appreciation. Our institution has long followed and valued the outstanding artistic and intellectual achievements of Agnes Denes, whose work has been a defining source of inspiration for generations.
We are pleased to inform you that the leadership of MOME intends to bestow our
university’s most prestigious honor, the Moholy-Nagy Award, upon Agnes Denes.
The Moholy-Nagy László Award recognizes creators who have made exceptional
professional and intellectual contributions in the fields of contemporary visual and applied arts. This year, based on her unparalleled body of work, we consider Agnes Denes to be an extraordinarily deserving nominee.
The purpose of the Moholy-Nagy Award is to honor individuals whose personal and artistic contributions are closely connected to the values represented by our university. Agnes Denes’s oeuvre—rooted in the harmony of visual experimentation and intellectual depth, while sensitively addressing social and ecological issues—resonates deeply with the legacy of László Moholy-Nagy, who reconceived art at the intersection of visual experience and scientific observation. In this sense, her work embodies the very spirit of the award.
A four-member professional delegation from our university would like to travel to New York in the first half of March to present the award in person.
Sincerely,
Csaba Kovács
Interim rector
https://mome.hu/en/the-moholy-nagy-award
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14. Bob and Bob, FF Alumns, at Craig Krull Gallery, Santa Monica, CA, opening March 21
“…grotesquely beautiful” – Village Voice, 1979
Come see BOB & BOB’s infamous BANKER SERIES from the ’70s being exhibited for the first time in over 30 years (!!!) at the Craig Krull Gallery’s “Bob & Bob: 50 Years of Art / Lost & Found”.
OPENING NIGHT PARTY – MARCH 21, 4-6pm…see ya there!
Craig Krull Gallery, Bergamot Station Arts Center 2525 Michigan Ave # B3, Santa Monica, CA 90404
(310) 828-6410
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15. Russet Lederman, FF Alumn, at Printed Matter, Manhattan, opening Mar. 12, and more
Printed Matter, New York City
Flashpoint! Protest Photography in Print Reading Room
Opening Reception: Thursday, 12 March, 6 – 8 pm
12 March – 31 May 2026
Printed Matter, NYC
Printed Matter presents Flashpoint!, a traveling reading room exhibition organized by 10×10 Photobooks and dedicated to protest photography in print. The presentation brings together a selection of photobooks, zines, posters, pamphlets, independent journals, and alternative newspapers from the 1950s to the present. Across these formats, photography emerges as both a tool of protest and a cultural artifact of resistance, capturing political struggles as they unfold and as they are later remembered.
Printed Matter
231 11th Avenue
New York City
12 March – 31 May 2026
Opening reception: 12 March, 6 – 8 pm
Related Programs
Protest and Resistance Posters
Panel Discussion at Printed Matter
Adrian Franks, Arthur Fournier and Daylon Orr
Thursday, 2 April, 6 pm Details
History Repeats Itself: Curating Protest
Panel Discussion at the New York Public Library
Sponsored by the Miriam & Ira D. Wallach Division of Art, Prints and Photographs
Moderated by Deirdre Donohue with Maggie Mustard and La Tanya Autry
Wednesday, 13 May, 6 pm
By placing photobooks alongside posters, DIY zines, pamphlets, and independent journals, Flashpoint! highlights the manifold roles photography plays in resistance movements. Many featured works are a direct product of activist intervention, while others are carefully constructed publications made retrospectively with the intention to contextualize a historical event. This diversity of works is reflected in their wide spectrum of aesthetic approaches, which range from raw and immediate to deliberate and methodical. Presented together, these materials prompt questions about how images circulate within movements, how urgency shapes visual language, and how protest is recorded (and reinterpreted) through print.
The presentation is based on Flashpoint! Protest Photography in Print, 1950-Present, an anthology published by 10×10 Photobooks in 2024, edited by Russet Lederman and Olga Yatskevich (New York City: 10×10 Photobooks, 2024).
Posters loaned by Fugitive Materials.
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16. Paul Zelevansky, FF Alumn, now online at https://vimeo.com/1166821468
TO THE GREAT BLANKNESS
MAILING LIST:
“Once upon a time, there
was a little house that sat
by a simple dirt road…”
PZ, February, 21, 2026
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17. Neal Medlyn, FF Alumn, at The Chocolate Factory, Long Island City, NY, March 25
The Chocolate Factory Theater Presents
Neal Medlyn In Collaboration With Ulrika Andersson
Made In Heaven
March 25, 2026
7pm
@ The NEW Chocolate Factory Theater
38-33 24th Street, Long Island City, NYC 11101
7/N trains to Queensborough Plaza / F to 21st Queensbridge
“In my observation, Koons’ most ardent detractors skip aesthetic judgment of his art to assert a wish that it not exist.” – Peter Schjeldahl
The Chocolate Factory Theater continues its Spring 2026 season with the premiere of Made In Heaven, a one-night-only performance by performance artist Neal Medlyn in collaboration with painter Ulrika Andersson. Tickets may be purchased in advance at chocolatefactorytheater.org.
Made in Heaven is a new performance and visual art piece by Neal Medlyn in collaboration with Ulrika Andersson featuring live music, dance, painting, and video. Inspired by the Jeff Koons/Cicciolina art disaster, and following large scale works by Medlyn on themes of death and God, Made in Heaven is about sex and the doomed and comic creation of something alluring, menacing, and holy.
Having appeared in many of New York’s bars, nightclubs and alternative performance venues since the early 2000s, Medlyn’s longstanding performance art practice – in close collaboration with Andersson’s practice as a painter – closely and cannily mirrors that of Cicciolina and Koons, whose notorious personal and professional collaboration, also titled Made In Heaven, premiered in 1989 and was disastrously received.
Medlyn and Andersson are drawn to artistic disasters: their own, those of others, famous ones. Placing Medlyn’s past as a go-go boy in the East Village in the early 2000s, when he first moved to New York – and his early, sexualized performance works, with titles like Neal Medlyn, the Paris Hilton of Performance Art (2003), Manfinger (2004), Neal Medlyn is Highly Sexualized and in Danger (2005), and I Shock People by Showing Them My Breasts (2005) – into conversation with Andersson’s current visual art practice with sex workers, Made In Heaven becomes a surprising and interdisciplinary container for their shared interest in the overlaps between the visual art world, the performance world, the service industry, and the sex work industry: all exist in these precarious, ephemeral spaces, all create more or less fleeting ecstasies, all are somewhat harrowing and also manage to be somehow beautiful.
Made In Heaven strives not to be a show about sex, but rather a show that feels like sex – seeking the “vague alarm” with which art critic Peter Schjeldahl described his response to the Koons / Cicciolina project.
In Medlyn’s words: “I’ve seen far too many bad art shows and bad performances “about” sex and so we are trying to make a show that’s like sex, the often sudden, sometimes subtle shifts from the outer to the inner world. What we see, how we touch, what is a good time, what is beyond what we can imagine, what is awkward, what reminds you of the edge of your body and what takes away all words, what makes you laugh, what can flatten you.”
Neal Medlyn last appeared at The Chocolate Factory Theater with the premiere of Miracle in 2016; and previously, with Brave New Girl in 2010.
ABOUT THE ARTISTS
Neal Medlyn is an artist whose work straddles the lines between theater, performance art, comedy, faith, and popular music. His work has been commissioned and presented at the Metropolitan Museum of Art, the New Museum, and the Andy Warhol museum; venues such as Joes Pub, where he has been a regular performer for 19 years including various monthly residences for over ten years, BAM, and The Kitchen; internationally in London, Vienna, Hamburg, and Adelaide; and across the US in bars, galleries, hotels, and Walmart parking lots. He was named one of the top ten performers in New York by Time Out New York, been reviewed by the New York Times and Variety, and has been featured in Rolling Stone, The New Yorker, the Village Voice, among others.
He has created dozens of major works over twenty plus years as a performer and performance maker. Notable recent work, dealing with popular music and death, has taken on Elvis Presley (Comeback Comeback, 2022), Nirvana (The Comfort in Being Sad, 2023), and the Cure (Plainsong, 2024). In 2024, he presented a day-long series of projects at General Theological Seminary, commissioned by the Kitchen, dealing with questions of faith entitled Holy Saturday. Video work of that show was included in Art Work, an exhibit at the Metropolitan Museum of Art, where he works as a security guard.
His Pop Star Series works, which dealt with work and ideas inspired by a diverse range of artists like Insane Clown Posse, Miley Cyrus and Michael Jackson, have been presented at venues such as Dance Theater Workshop, The Kitchen, PS122, the Chocolate Factory and others as well as in various festivals and theaters around the U.S. and abroad such as American Realness, the TBA Festival, the Live Art Festival at Kampnagel in Hamburg, Germany and others. The Pop Star Series was also made into a book published by 53rd State Press. A production of “…Her’s a Queen” the fourth in the Series, was produced and staged by Red Eye Theater in Fall 2018.
His work as Champagne Jerry has appeared at Joe’s Pub, BAM, New York Live Arts and on tour in various music venues, art galleries and Walmart parking lots as well as online. His album “For Real, You Guys” debuted in 2014, followed by “The Champagne Room” in 2016 and “I’ve Grown” in 2018. His albums feature collaborations with Max Tannone, Adam Ad-Rock Horovitz, Bridget Everett, Kathleen Hanna and others. Champagne Jerry was a musical guest on “The Chris Gethard Show” on Fusion TV. His touring stage show was named the best show in Chicago in 2016 and has performed around the U.S. in various clubs, Walmart parking lots and internationally in Vienna, Austria and London, U.K.
Ulrika Andersson is an artist born and raised in New York City. She received her BFA from School of Visual Art, her Post Graduate Diploma from Chelsea College of At in London, UK, and her MFA from Rutgers University where she also teaches. She has been represented by galleries in London and Madrid, and has lived in New York, New Orleans, London, Malmo, and Stockholm.
ABOUT THE CHOCOLATE FACTORY THEATER
Founded in 2004, The Chocolate Factory Theater supports the creation of new work by dance, theater and interdisciplinary artists from its post-industrial facility in Long Island City, Queens. We encourage risk-taking and innovation within the experimental performing arts community by responding to artists’ needs with space, time, money and administrative support throughout their careers. As an artist-founded, artist-run institution – and one of the few remaining spaces wholly devoted to experimental performance in New York City – we believe that the ideas generated within our walls have the potential to improve the lives of New Yorkers, shape broader cultural movements, and inspire change.
An extensive archive of The Chocolate Factory’s past performances is freely available at vimeo.com/chocolatefactory.
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18. Morgan O’Hara, FF Alumn, now online at Studiolalineaverticale.it/livetransmission
Please visit this link for full information about Morgan O’Hara’s exhibition and programs at Studio La Linea Verticale, Bologna, Italy
Studiolalineaverticale.it/livetransmission
Grazie!
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19. John Jesurun, FF Alumn, at Die Verabredung, Cologne, Germany, Mar. 18-22
Dear All,
Following John Jesurun’s exhibition last fall at Die Verabredung,
we are happy to invite you to his new play:
BURN FOLDER
written, directed and designed by John Jesurun
with
Jonathan Franz
Özlenim Meier
Thomas Schubert
Xiaoyao Xu
Produced by Die Verabredung
18–22 March 2026
at Die Verabredung
Doors at 7 pm/ starts at 8 pm/
€15.70 (including booking fees)
Performed in english
Get your tickets here
BURN FOLDER- A new play written, directed and designed by John Jesurun is staged in an intimate site specific Cologne setting. Jesurun’s German cast navigates a verbal and perceptual minefield of enciphered meanings and interpretations. The clandestine personas of four operatives negotiate the dismantling of their own reality from the confines of an anonymous house. Burn Folder is part two of a trilogy which began last year in New York with Letter of Intent.
John Jesurun’s practice is a radical convergence of media technology and theatre, and the transgressions, sensory rewiring, and fluidities therein—long before these techniques became normalized on stage. The theatre is transformed into a live editing room, where filmic language unravels and touches all facets of the performance, including the audience, who is referred to as ‘the camera’.
Born in 1951 in Battle Creek, Michigan, Jesurun studied art before moving into television, where he worked as a content analyst for CBS and later as an assistant producer for The Dick Cavett Show. His experience in the industry would heavily shape his approach to theatre, laying new ground as a director/writer/designer with various communities in New York and abroad. His elaborate narratives unfold in a multi-dimensional language at an urgent pace. Identities, objects, and places are unfixed and morphing, continuously being called into question. Demands and accusations circle between characters in a shared hysteria of multiple meanings and interfaces. His breakthrough live soap opera, Chang in a Void Moon, in its early days was written and performed weekly at the legendary Pyramid Club. It began in 1982, with episodes still emerging into its fourth decade in digital form.
Jesurun has written and directed over 30 plays including Shatterhand Massacree (1985), Deep Sleep (1986), and Snow (2000), in which the stage design surrounds the audience with four live-edited projections connected to 23 cameras. The character of an intern is played by a computer-integrated voice and POV camera ‘virtual actor’. It circulates the space interacting with the live actors. A few years later Firefall (2006) reflects on how our thought and speech patterns have become forms of ‘dissociated circuitry’ in a post-internet world. More recent works include Shadowland (2012-15) and Letter of Intent (2025), the driving language of which, tracks its own relegation to data rather than communication.
Jesurun’s influence at Justus-Liebig University in Gießen, one of several institutions where he taught, left a lasting mark on students who would later be associated with what came to be known as the ‘Gießen School’. He strongly impacted the work of René Pollesch and laid the groundwork for certain strands of post-dramatic theatre, as well as on many contemporary art practices and discourses today.
We would like to thank John Jesurun, Jonathan Franz, Özlenim Meier, Thomas Schubert, Xiaoyao Xu, Apartment 1 and CTMS for the poster design.
We would also like to thank NRW Landesbüro Darstellende Künste, der Stadt Köln and Kunststiftung NRW for their generous support.
Deutzer Freiheit 107
50679 Köln
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20. Diana Heise, FF Alumn, at Anderson Ranch, Snowmass Village, CO, and online, Mar. 10
I am lecturing at Anderson Ranch (there will also be a livestream) on March 10 4.30pm. MST.
Here’s the link! https://www.andersonranch.org/events/visiting-artist-diana-heise/
Thank you. Diana Heise
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Goings On for Artists is compiled weekly by Rohan Subramaniam, Archive Intern
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