Contents for February 03, 2020 (Scroll down for more information):
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1. Alvin Eng, FF Alumn, at Dixon Place, Manhattan, Feb. 8, Mar. 7, April 18
2. Paula Barr, FF Alumn, at Anthology Film Archives, Manhattan, Feb. 8
3. Coco Gordon, FF Alumn, at Visioni Altre, Venezia, Italy, Feb. 1-13
4. Jim Johnson, FF Alumn, now online at discopie.com
5. Arantxa Araujo, FF Alumn, at Artivismo, Mexico City, Mexico, Feb. 8 and more
6. Kathy Brew, FF Alumn, at MoMA, Manhattan, Feb. 7-16
7. Naimah Hassan, Steve Epstein, FF Alumns, at Alchemical Theater, Manhattan, Feb. 8
8. Barbara Rosenthal, FF Alumn, at Denise Bibro Gallery, Manhattan, Feb. 8, and more
9. Jay Critchley, FF Alumn, at soundcloud.com now online, and more
10. Suzanne Stokes, FF Alumn, at Women’s Studio Workshop, Rosendale, NY, opening February 11
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1. Alvin Eng, FF Alumn, at Dixon Place, Manhattan, Feb. 8, Mar. 7, April 18
Happy New Year (Lunar) and Happy New Decade (solar),
Excited to announce that we are developing a new acoustic punk rock raconteur piece, HERE COMES JOHNNY YEN AGAIN (or How I Kicked Punk), in a three-performance Workshop Residency at Dixon Place, 161-A Chrystie St, in Manhattan. The performances takes place at 7:30 on Saturday nights FEB 8, MARCH 7 and APRIL 18…and I will have a little help from some friends at the end of each show. If you’re in town and around, hope you can join us…Admission is free! More info and venue/event links follow.
All the best,
Alvin & Wendy
DIXON PLACE 2020 Workshop Residency
HERE COMES JOHNNY YEN AGAIN (or How I Kicked Punk)
Written and Performed by Alvin Eng
Direction and Dramaturgy by Wendy Wasdahl
SATURDAYS, Feb 8, March 7, April 18, 2020 @ 7:30pm-Free Admission
161-A Chrystie Street (btw. Rivington & Delancey), Lower East Side, NYC
dixonplace.org / 212.219.0736 / alvineng.com
Merging spoken word and acoustic punk rock raconteur styles, this work-in-progress explores the impact of opium on the Chinese Diaspora as well as NYC’s punk/counterculture world through the dual prisms of William S. Burroughs’ character, “Johnny Yen”–immortalized in Iggy Pop and David Bowie’s song, “Lust For Life”–and my own Grandfather’s opium overdose on the streets of NYC’s Chinatown….with Special Guests for each performance
At “Shoes Off, Mouth Off” Asian American Storytelling Thing,
2020 FunnYmigrant Comedy Festival, Under St. Marks theatre,
(Photo courtesy Ann Yoo Photography)
AND…with a little help from my friends…after the show
Feb. 8 Special Guests
For a “Lunar New Year Lantern Festival Celebration”–Billy Asai, Geoff Lee and Jun Suenaga from our old band, The Emperor’s Club, will perform “Rock Me Gung Hay” from my punk-rap musical, The Goong Hay Kid.
March 7 Special Guests
Rick Ebihara and Perry Yung, founding members of SLANT Performance Group, will join us for a “Tai Chi Dance Tribute to Lou Reed” in honor of Lou’s birthday and his late in life devotion to Tai Chi.
April 18 Special Guest
Soomi Kim will join us for a “Tribute to Iggy Pop,” who celebrates a birthday this month. Soomi recently performed her Iggy/Bowie-informed solo piece, “My Little China Girl” at Dixon Place
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2. Paula Barr, FF Alumn, at Anthology Film Archives, Manhattan, Feb. 8
I am in Mark Rappaport’s film CASUAL RELATIONS which is showing at the Anthology Film Archives. It was Mark’s first feature film. My scenes were shot in my AIR loft at 210 Centre Street. Mark also lived in the building in 1973.
CASUAL RELATIONS
1973, 80 min, 16mm-to-digital
which is showing at the Anthology Film Archives
32 Second Ave, NYC
Sat, Feb 8 at 5:00 and Fri, Feb 14 at 8:45.
“Mark Rappaport’s first feature, made in 1973, has a title resembling that of Manuel DeLanda’s INCONTINENCE: A DIARRHETIC FLOW OF MISMATCHES insofar as it points to formal as well as sexual relationships. In fact, CASUAL RELATIONS bears a distinct relationship to such films as Godard’s 1 + 1 and Makavejev’s WR: MYSTERIES OF THE ORGANISM of the same period, which link together widely different chunks of material almost like beads on a string. Rappaport’s example in this genre can be seen as a culmination and summation of his nine preceding shorts, all made between 1966 and 1971. Divided into chapters, CASUAL RELATIONS casually relates love and vampire movies, sound and image, style and obsession, and makes an excellent introduction to Rappaport’s glamorously home-made art cinema.” -Jonathan Rosenbaum
Preceded by:
Mark Rappaport BLUE STREAK 1971, 15 min, 16mm-to-digital
Sat, Feb 8 at 5:00 and Fri, Feb 14 at 8:45.
Best,
Paula Barr
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3. Coco Gordon, FF Alumn, at Visioni Altre, Venezia, Italy, Feb. 1-13
Si inaugura giovedì 13 febbraio 2020 alle ore 17:00,
FRESH CUTS | TAGLI FRESCHI e EXPLODING RED PIANO KEYBOARD di e con Coco Gordon ricordando il movimento FLUXUS.
Presentazione e testo critico a cura di ASIA ROTA.
In Occasione della presenza dell’Artista FLUXUS Coco Gordon VISIONI ALTRE ha inteso omaggiare il movimento FLUXUS invitando artisti di diversa provenienza ad esporre dal 1 al 13 febbraio 2020, negli spazi della galleria opere di dimensioni 30x30cm. Artisti presenti:
Riccardo Albiero ITALIA, Andreina Argiolas ITALIA, Franco Ballabeni ITALIA, Enrico Baracco ITALIA, Clara Barbieri Pacheco ITALIA, Vittore Baroni ITALIA, Pier Roberto Bassi ITALIA, Mariano Bellarosa ITALIA, Pedro Bericat SPAGNA, Nicola Bertoglio ITALIA, Carla Bertola ITALIA, Sergio Boldrin ITALIA, Giovanni Bonanno ITALIA, Maurizio Bonato ITALIA, Enrico Bonetto ITALIA, Anna Boschi ITALIA, Paolo Bottari ITALIA, Mirta Caccaro ITALIA, Roberto Cannata ITALIA, Barbara Cappello ITALIA, Angela Caporaso ITALIA, Lamberto Caravita ITALIA, Libera Carraro ITALIA, Massimo Cartaginese ITALIA, Lucia Chiavegato ITALIA, Alessandra Chiesa ITALIA, Carmela Corsitto Italia, Maria Credidio ITALIA, Agnese Cunego ITALIA, Daniele Cuoghi ITALIA, Andrea Dal Broi & Nicolò Link HG Andreatta ITALIA, Ruggero D’Autilia ITALIA, Daniel de Culla SPAGNA, Adolfina de Stefani ITALIA, Paola Doria ITALIA, Carla Erizzo ITALIA, Maurizio Favaretto ITALIA, Fernanda Fedi ITALIA, Luc Fierens BELGIO, Mauro Fornasier ITALIA, Leo Franceschi ITALIA, Giuliano Franco ITALIA, Nicola Frangione ITALIA, Barbara Furlan ITALIA, Agatino Furnari ITALIA, Gino Gini ITALIA, Paolo Gobbi ITALIA, Isabel Gomea de Diego SPAGNA, Roberta Gomiero ITALIA, Coco Gordon Stati Uniti, Claudio Grandinetti ITALIA, Elena Greggio ITALIA, Viviana Gris ITALIA, Paolo Gubinelli ITALIA, Alessandra Gusso ITALIA, AngeliKa Höger GERMANIA, Benedetta Jandolo ITALIA, I Santini del Prete ITALIA, LAMIABELLA ITALIA, Pina Lavanga ITALIA, Silvia Lepore ITALIA, Pierpaolo Limongelli ITALIA, Oronzo Liuzzi ITALIA, Anna Laura Longo ITALIA, Gianpaolo Lucato ITALIA, Bruno Lucchi ITALIA, Ruggero Maggi ITALIA, Giuliano Mammoli ITALIA, Silvia Manazza ITALIA, Antonello Mantovani ITALIA, Sergio Marchioro ITALIA, Patrizio Maria ITALIA, Anya Mattila FINLANDIA, MELARANCE (Marité Bortoletto, Silvia Martini, Micaela Spinazzé)ITALIA, Monica Michelotti ITALIA, Virginia Milici ITALIA, Enrico Minato, Gabi Minedi ITALIA, Francesco Mingaroni ITALIA, Mauro Molinari ITALIA, Emilio Morandi ITALIA, Patrizia Nicolini ITALIA, Stefano Ornella ITALIA, Riccardo Parenti ITALIA, Walter Pennacchi ITALIA, Ioan Pilat ITALIA, Teresa Pollidori ITALIA, Veronique Pozzi Painè ITALIA, Massimo Puppi ITALIA, Rossella Ricci ITALIA, Angelo Ricciardi ITALIA, Nino Walter Riondato Italia, Armando Riva ITALIA, Sabina Romanin ITALIA, Imerio Rovelli ITALIA, Gianni Sandonà ITALIA, Roberto Scala ITALIA, Claudio Scaranari ITALIA, Grazia Sernia ITALIA, Domenico Severino ITALIA, Marilena Simionato, Gruppo Sinestetico ITALIA, Lucia Spagnuolo ITALIA, Laura Spedicato, Rossana Stiassi ITALIA, Giovanni e Renata Strada ITALIA, Jaromir Svozilik NORVEGIA, Renata Tabanelli ITALIA, Fausto Trevisan ITALIA, Giorgio Trinciarelli ITALIA, Maddalena Tuniz ITALIA, Paola Turra ITALIA, Stefano Turrini ITALIA, Moreno Ugo ITALIA, Diana Isa Vallini ITALIA, Generoso Vella ITALIA, Angelo Ventimiglia ITALIA, Mario Verdiani ITALIA, Marilena Vita ITALIA, Alberto Vitacchio ITALIA, Antonio Zago ITALIA, Alessandro Zanini ITALIA, Elisa Zardo ITALIA, Fanny Zava ITALIA.
durante l’inaugurazione performance:
“3 DANCES FOR PAPER PIANO” SUPER SKY WOMAN di e con Coco Gordo
L’installazione in progress “EXPLODING RED PIANO KEYBOARD”
di Coco Gordon
avrà inizio il giorno 1 febbraio e culminerà
il giorno 13 febbraio con l’inaugurazione dell’intero progetto.
aperta al pubblico dal 1 al 13 febbraio 2020 con orario 11.00 – 14.00 | 15.00 – 18.00
ingresso gratuito.
“Continuo a potenziare me stessa in quanto donna che sta invecchiando per rendere visibili profonde ricerche culturali, e per creare un impatto sull’etica di pensiero/comportamento e sull’integrazione mente-corpo-spirito della nostra struttura moderna” Coco Gordon
Coco Gordon, di origini italiane, è tra le più significative artiste ” intermediali” americane. Ha radici nel movimento “Fluxus”, anche se oggi preferisce non essere inserita in nessun gruppo specifico. Al centro dei suoi molteplici lavori si colloca l’intenzione di creare consapevolezza nei confronti dei problemi ecologici e sociali del nostro mondo.
Scritto storico-critico a cura di Asia Rota
Nel 1961 George Maciunas fonda il movimento Fluxus “caratterizzato da una totale apertura del linguaggio artistico a tutti i materiali del mondo e a tutti i flussi dell’esistenza”, si tratta non solo di opere fisiche ma anche e soprattutto di azioni che hanno come obiettivo portarci a riflettere sulla quotidianità e sull’arte, sul rapporto fra le due e sulla distanza fra le due.
Le modalità di espressione di questo nuovo movimento sono decisamente ampie: oltre alle opere pittoriche che hanno come punto di partenza l’informale/gestuale, grandi protagoniste sono la performance, l’happening, la musica, il cinema, il design, la letteratura, la corrispondenza postale; in particolare è interessante soffermarsi sul fatto che Fluxus sia un movimento aperto, o come meglio precisa Dick Higgins “un momento nella storia, un’organizzazione, un’idea, un modo di vivere, un gruppo di persone non fisso che compie fluxusvalori”: si tratta di un gruppo aperto e non definitivo di cui tutti possono fare parte anche solo per un momento, e senza necessità di dichiararsi tali davanti agli altri componenti del gruppo.
È un modo di essere all’interno del mondo artistico che include tutti coloro che lavorano con materiali quotidiani, spesso di riciclo, in un particolare rapporto con la vita e con il caso (o caos) in un’etica molto spesso marcata: il nome richiama una trasformazione costante che non consente una definizione chiara e delimitata del movimento, possiamo quindi affermare che si tratti di una ricerca
ancora oggi in continuo sviluppo.
Fluxus mette in discussione la distinzione fra arte e non-arte, ridicolizzando ogni idea di esclusività, di unicità, di individualità dell’artista, ironizzando sulla perizia tecnica, sulla ricercatezza, sull’altezza o profondità d’ispirazione, in questo si intravede una matrice Dada, dalla quale viene però a differenziarsi per l’apertura ad un gruppo di artisti molto più ampio e “popolare”. Fluxus non include solo ciò che viene riconosciuto come opera d’arte, ma anche tutto ciò che è semplicemente rivolto al creativo poiché l’unico vero obiettivo del suo artista è la realizzazione di un lavoro che ha responsabilità primariamente nei confronti dell’arte stessa, non si rivolge alla critica che precedentemente indicava la propria approvazione/ disapprovazione: il successo artistico è connesso alla creatività di un certo lavoro e del suo creatore, in un mondo ideale che esclude la consacrazione da parte della critica, eliminando la vecchia idea di sistema artistico. Il movimento fondato da Maciunas, dunque, si arricchisce di contenuti nuovi tramandati dal passato artistico e dagli avvenimenti storici, ma al tempo stesso semplifica le sue modalità di messa in scena, facendosi più scarno nell’espressione, più povero e/o naturale nella materialità, più rapido nell’elaborazione,
più pulito nel contenuto.
Fluxus conserva molto del precedente Dada, tanto che insieme ad altre forme artistiche contemporanee fra cui la Pop Art, viene spesso richiamato sotto il nome più ampio di Neo- Dada (Maciunas stesso chiamava inizialmente il movimento Neo-dadaism), questi tre diversi movimenti possono giungere a soluzioni visivamente molto simili, ma la differenza sostanziale è intangibile eppure importante: mentre Dada è un tipo di espressione che rifiuta l’arte, quindi un’anti- arte, Andy Warhol dichiara che “tutto è arte”, e Joseph Beuys sostiene che “anche pelare una patata può essere arte”, insomma, mentre il primo elimina l’idea di arte ed invece esalta l’idea di vita come “ben più interessante” rispetto all’arte, la Pop Art innalza la semplicità al livello dell’arte, ed il Fluxus abbassa l’arte al livello della semplicità, mantenendo la stessa ideologia creativa Dada ma semplicemente al contrario di essa non rinnegando l’idea di arte ed ampliandola ad un gruppo aperto e illimitato, la differenza non è tanto nel risultato estetico ma nell’intenzione artistica.
La mostra è visitabile dall’ 1 a Giovedì 13 febbraio 2020,
è organizzata da VISIONI ALTRE | Adolfina de Stefani.
apertura e orari dal mercoledì alla domenica
11.00 – 14.00 | 15.00 – 19.00
Ingresso libero
www.visionialtre.com | infovisionialtre@gmail.com | adolfinadestefani@gmail.com + 349 8682155
VISIONI ALTRE – Campo del Ghetto Novo 2918 – Venezia
comunicato inviato da : www.grupposinestetico.it
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4. Jim Johnson, FF Alumn, now online at discopie.com
Just posted some new drawings on my website: http://discopie.com/Drawings/Drawings1.html
Jim
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5. Arantxa Araujo, FF Alumn, at Artivismo, Mexico City, Mexico, Feb. 8 and more
Arantxa Araujo, The Do-Mystics: Arantxa Araujo and Monique Blom will present work during Mexico Art Week, at Artivismo MX. February 8, CDMX, MX
Video performance – Huerto Roma Verde – Sábado 8 de 7:30- 10 PM
/ˈmeltˌdoun/, Arantxa Araujo (CDMX – NYC).
We The living, Hollie Miller (UK).
The DoMystics: de Arantxa Araujo y Monique Blom (NYC).
Burn to Live, Viviana Druga (Bucarest -Berlín).
Mantenga la Distancia, Katiuska Saavedra (Cuba – CDMX)
and
The Do-Mystics: Arantxa Araujo and Monique Blom in two articles published by The Humanities Council at Princeton University: BEING HUMAN: Reflections on Belonging(s) in Movement
https://humanities.princeton.edu/2020/01/30/being-human-reflections-on-belongings-in-movement/
“The opening performance by the Do-Mystics was in many ways responding to the 2005 letter in the Princeton Alumni Weekly magazine by Gisela Kam, a cataloguer at Firestone Library, titled “A Soulless Place,” which describes how East Pyne’s courtyard was built over a garden, uprooting its poplars, ferns and various inhabitants. The performance, which took place in the same courtyard, brought garlands of foraged stinging nettle among other leaves and vines, an homage to what was once rooted there. The performance itself-as Monique Blom and Arantxa Araujo became silent, moving statues that occupied the courtyard-answered the question: What does it take to stop, slow, interrupt and disrupt the circulation of bodies and the speed of productivity at Princeton? A group of people gathered and witnessed, a pensive and active silence blanketing the space. A runner crossing the courtyard stopped, pulled out his headphones and sat on a bench to watch the performance, and stood up to intervene in a staged tug-of-war between the two performers. At its end, the performers prompted a collective lead-in to the building, as witnesses stirred the dust (literally, dispersed by the performers), activating the “soulless place.” This palimpsestic intervention breathed life into the “dead stone” of this settlement and opened into readings that meditated on the living present and presence of colonial legacies, and on life that grows through their cracks”.
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6. Kathy Brew, FF Alumn, at MoMA, Manhattan, Feb. 7-16
Non-Fiction+ — a sidebar for this year’s Doc Fortnight 2020 curated by Consulting Curator, Kathy Brew — presents a range of non-fiction projects that go beyond traditional screens in a variety of ways and includes a broad spectrum of genres – a performative documentary; a 360 (virtual reality film); a web project; a hybrid film (documentary and magical realism with animation elements); and a range of international projects that have been presented at DocLab in Amsterdam. These projects activate audiences around many different issues raised in our changing technological world and demonstrate the power of cross-platform stories and dynamic audience engagement.
Domesticating Reality: https://www.moma.org/calendar/events/6407
Taking the Horse to Eat Jalebis https://www.moma.org/calendar/events/6408
Red Hero https://www.moma.org/calendar/events/6409
Dear Human https://www.moma.org/calendar/events/6410
Traveling While Black https://www.moma.org/calendar/events/6411
Kathy Brew
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7. Naimah Hassan, Steve Epstein, FF Alumns, at Alchemical Theater, Manhattan, Feb. 8
Saturday, Feb. 8th-7:30pm Alchemical Theater, 104 West 14th Street b/t 6th & 7th ave.
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8. Barbara Rosenthal, FF Alumn, at Denise Bibro Gallery, Manhattan, Feb. 8, and more
Barbara Rosenthal, FF Alumn, TV INTERVIEW
Tues. Feb. 4, 2020, 8PM
on Paul DeRienzo’s “Let Them Talk
In Manhattan, on these 4 cable stations:
FiOS 34
RCN 83
Spectrum 56 & 1996
On the Web, on these 2 channels
MNN.org
Lifestyle channel
Long known as “Old Master of New Media,” Rosenthal will be interviewed about current photo-based work at the Denise Bibro Gallery in New York, and her upcoming photo/video/performance/text/lecture events in Germany and Italy. Her focus, as always is the relationship between Art, Artist, and the Evolving World, with allusions tos the 40-year development of her novel WISH FOR AMNESIA (more info about novel: wishforamnesia.com). This is her fifth time being solo guest on this talk show
and
Barbara Rosenthal, FF Alumn, Exhibition Closing
NYC
PHOTO-BASED ART
Jan. 9 – Sat. Feb 8
Informal Closing Sat., Feb. 8, 4-6pm
DENISE BIBRO GALLERY
Art from the Boros Show
Denise Bibro Fine Art
529 West 20th Street 4W
New York, NY 10011
212-647-7030
denisebibrofineart.com
info@denisebibrofineart.com
Born in the Bronx, 1948, and living in Manhattan most of her life, Rosenthal is presented in the context of other artists producing prodigiously in the five boroughs of New York City. Works from Barbara Rosenthal’s series Surreal to Conceptual Photos, Wafting, Connected will be in this exhibition, and are now also included in the Denise Bibro Fine Art pages of Artsy, along with other related Rosenthal Surreal to Conceptual Photography. https://www.artsy.net/artist/barbara-rosenthal
Barbara Rosenthal
http://en.wikipedia.org/wiki/Barbara_Rosenthal
http://www.barbararosenthal.org/
463 West Street, #A629
NY, NY, USA 10014-2035
+1-646-368-5623 (voice and voicemail, no texts)
eMediaLoft@gMail.com
Skype: barbararosenthal
Twitter: @BRartistNYC
Facebook: barbara.rosenthal1
Instagram: BarbaraRosenthal_eMediaLoft
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9. Jay Critchley, FF Alumn, at soundcloud.com now online, and more
The Lowdown, podcast with Ira Wood, January 7, WOMR.FM 92.1, Provincetown: https://soundcloud.com/womr-podcasts/010720-the-lowdown-jay-critchley
and
37th Re-Rooters Day Ceremony, January 7, 2020, Cape Cod Times: http://www.jaycritchley.com/37th-re-rooters.html
and
A Feminist Rewrite of the Mayflower Compact 2020, available for travel, loan, and exhibition. http://www.jaycritchley.com/uploads/1/1/7/5/117551151/mayflower-compact-flyer.pdf
The Mayflower Compact 2020 is a two-sided banner custom printed by request (metal frame optional). Artist Jay Critchley is available to preside over the unveiling of the Mayflower 2020 banner and offers a performance presentation based on this project, Democracy of the Land: http://www.jaycritchley.com/blog/democracy-of-the-land-truro-center-for-the-arts
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10. Suzanne Stokes, FF Alumn, at Women’s Studio Workshop, Rosendale, NY, opening February 11
Please join us
Opening Reception – Tuesday, February 11
Exhibition of artwork by Suzanne Stokes
On view January 20 – February 28, 2019
Women’s Studio Workshop | 718 Binnewater Lane, Rosendale, N]
“In one drop of water are found all the secrets of all the oceans.” – Kahlil Gibran
The current series of monotypes by Suzanne Stokes explores water as substance, metaphoric allusion, and forms a collective narrative that addresses mankind’s complicated relationship to this essential natural resource. Through the divergent lenses of micro and macro perspectives, she examines the nature of existence and its relationship to water on physical and metaphysical planes. Water means life. We are in a time period of our environmental history where the human race must fully embrace and embody this fact. Earth is the only known planet in this universe that has water and life. Water is the lifeblood of our bodies, our economy, our nation and our well-being. The integration and interaction of the figures with water, in the monotypes, looks at how the interplay of relationships, spiritualism, and stewardship of the earth shapes our modern world.
A variety of printmaking, papermaking and embossing techniques are combined with the press to print monotypes made from a series of layered vellum stencils and natural materials. The monotypes are embossed with a wide variety of plants from the Hudson Valley’s local forests and Maine’s mid-coast Atlantic Ocean.
Reception:
February 11, 5:30 PM
followed by:
New WSW women residents artist presentations
at 6:30 PM
Women’s Studio Workshop
718 Binnewater Lane
Rosendale, NY
Also announcing the launch of my new website
stokesart.net
Stop by and give it a look!
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Goings On is compiled weekly by Harley Spiller
