Contents for January 13th, 2025
CONTENTS (please click on the links or scroll down for complete information on each post):
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Raquel Rabinovich, FF Alumn, In Memoriam
Richard Foreman, FF Alumn, In Memoriam
1. Xandra Ibarra, Anna Mendieta, Hannah Wilke, FF Alumns, at Personal Space, Vallejo, CA, opening January 26
2. Micki Spiller, FF Alumn, at Gallery Onetwentyeight, Manhattan, opening Jan. 17
3. Nicolás Dumit Estévez Raful Espejo Ovalles Morel, FF Alumn, now online at FairiesInAmerica.com
4. Chloë Bass, Cassils, Kate Gilmore, Guerilla Girls, Jenny Holzer, Alfredo Jaar, Suzanne Lacy, Lynn Hershman Leeson, Shaun Leonardo, Carlos Motta, Shirin Neshat, Lorraine O’Grady, Adam Pendleton, Dread Scott, Xaviera Simmons, Sable Elyse Smith, FF Alumns, in new publication
5. Alicia Grullón, FF Alumn, awarded Creative Time R&D Fellowship 2025
6. Jacob Burckhardt, FF Alumn, at Anthology Film Archives, Manhattan, Jan. 25-27
7. EIDIA House, FF Alumns, now online at Getty.edu
8. Judith Bernstein, FF Alumn, at Kasmin Gallery, Manhattan, thru Feb. 15
9. Alexander Hahn, FF Alumn, at Museum Jorn, Silkeborg, Denmark, thru Mar. 31
10. Mark Bloch, FF Alumn, now online at artefuse.com
11. Moya Devine, Ruth Wallen, FF Alumns at Art Produce, San Diego, CA, Jan. 13-Mar. 1
12. Dona Ann McAdams, FF Alumn, now online at CreativeReview.co.uk
13. Andy Warhol, FF Alumn, at Clamp, Manhattan, thru Mar. 1
14. Nina Sobell, FF Alumn, live online with MediaBurn.org, Jan. 16
15. Guerilla Girls, Barbara Kruger, FF Alumns, now online at NYTimes.com
16. Paul Zelevansky, FF Alumn, now online at https://vimeo.com/1045361245
17. Kathy Brew, FF Alumn, received Gold Award, New York Movie Awards
18. Victoria Keddie, FF Alumn, January update
19. Malcolm-x Betts and Nile Harris, FF Alumns, at Chocolate Factory Theater, LIC, Jan. 13
20. Claes Oldenburg & Coosje Van Bruggen, FF Alumns, now online at NYTimes.com
21. George Peck, FF Alumn, at Black Spring Books, Brooklyn, January 19
22. Joseph Keckler, FF Alumn, at Joe’s Pub, Manhattan, Jan. 13
23. Paul Zelevansky, FF Alumn, now online at https://vimeo.com/1043986480
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Raquel Rabinovich, FF Alumn, In Memoriam
Please visit this link:
https://news.artnet.com/art-world/raquel-rabinovich-obit-2596293
Thank you.
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Richard Foreman, FF Alumn, In Memoriam
Please visit these links:
and
Thank you.
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1. Xandra Ibarra, Anna Mendieta, Hannah Wilke, FF Alumns, at Personal Space, Vallejo, CA, opening January 26
PERSONAL SPACE, Vallejo, CA
Jan 26, 2025 – March 9, 2025
FOLDS
Folds is the first group show of the new year for Personal Space gallery. Curated by Emmy Scharlatt and Lisa Rybovich Crallé, Folds includes Hannah Wilke, Ana Mendieta, and Laura Aguilar, alongside some of the most exciting contemporary artists working today in the Bay Area, LA, NYC, and Chicago, including: Indira Allegra, Irma Yuliana Barbosa, Tamara Blackshear, Liz Hernandez, Xandra Ibarra, Cathy Lu, Nasim Moghadam, Jaklin Romine and Sandie Yi.
Opening Reception Sunday January 26, 2025 from 2-5pm.
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2. Micki Spiller, FF Alumn, at Gallery Onetwentyeight, Manhattan, opening Jan. 17
POP POP UP
January (wed)15 – (sun)19, 2025 1-6pm
Reception: Friday January 17th 6-8pm
Gallery Onetwentyeight
128 Rivington Street (near essex St. F train to Delancey)
Akemi Takeda
Carl Wooly Hewitt
Christopher Craig
Christopher Knowles
Eric Ginsberg
George Hirose
Jefre Harwoods
Jorge Posada
Meg Kaizu
Micki Spiller
Ralf Korbmacher
Rob Van Erve
Sylvia Netzer
Sante Scardillo
Walid Shaharul
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3. Nicolás Dumit Estévez Raful Espejo Ovalles Morel, FF Alumn, now online at FairiesInAmerica.com
Nicolás Dumit Estévez Raful Espejo Ovalles Morel, FF Alumn, now online with Fairies in America / an interview with Elizabeth Kirwin
https://fairiesinamerica.com/nicolas-dumit-estevez-raful-espejo-ovalles/
Thank you.
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4. Chloë Bass, Cassils, Kate Gilmore, Guerilla Girls, Jenny Holzer, Alfredo Jaar, Suzanne Lacy, Lynn Hershman Leeson, Shaun Leonardo, Carlos Motta, Shirin Neshat, Lorraine O’Grady, Adam Pendleton, Dread Scott, Xaviera Simmons, Sable Elyse Smith, FF Alumns, in new publication
For Freedoms: Where Do We Go From Here? by Hank WIllis Thomas, Eric Gotesman, Wyatt Gallery, Michelle Woo, taylor brock, 2024
https://www.forfreedoms.org/activations/book
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5. Alicia Grullón, FF Alumn, awarded Creative Time R&D Fellowship 2025
Please visit this link:
https://creativetime.org/the-2025-fellows/
Thank you.
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6. Jacob Burckhardt, FF Alumn, at Anthology Film Archives, Manhattan, Jan. 25-27
Please visit this link:
https://www.anthologyfilmarchives.org/film_screenings/series/58746
Thank you.
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7. EIDIA House, FF Alumns, now online at Getty.edu
Melissa P. Wolf
Paul Lamarre
EIDIA House
Plato’s Cave
are proud to announce that after a year plus of archival work and digitizing our films (100 plus) The Getty / Getty Research Institute has now just posted the new “finding aid” for FOOD SEX ART the Starving Arts Cookbook / Video Archive.
https://www.getty.edu/research/collections/collection/142P97
Thank you.
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8. Judith Bernstein, FF Alumn, at Kasmin Gallery, Manhattan, thru Feb. 15
JUDITH BERNSTEIN: PUBLIC FEARS
KASMIN GALLERY, NEW YORK
January 6–February 15, 2025
Opening Reception: Thursday, Jan 9, 2025, 6–8pm
509 West 27th Street, New York
Judith Bernstein’s third solo exhibition at the gallery, Public Fears, will survey nearly 60 years of work—from 1966 to the present—underscoring the enduring urgency of Bernstein’s trailblazing artistry. Including new paintings, works on paper, and a restaging of her iconic Signature Piece (1986), this will be Bernstein’s first New York solo exhibition since the acquisition of her major charcoal screw drawing Horizontal (1973) by The Metropolitan Museum of Art in 2023. The exhibition anticipates the artist’s major museum retrospective at Kunsthaus Zurich in 2026.
Judith Bernstein: Public Fears creates a spectacle that transforms the current atmosphere of aggression and turns it into a weapon of critique. The exhibition serves as a testament to the raw resilience and unapologetic drive of an artist who has overcome censorship. In her words: “for me provocation is agitation and unveiling of serious issues with a sledgehammer. Memorable visual impact is my main priority… I confront issues head-on.”
January 6–February 15, 2025
Opening Reception: Thursday, January 9, 2025, 6–8pm
509 West 27th Street, New York
+1 212 563 4474
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9. Alexander Hahn, FF Alumn, at Museum Jorn, Silkebeorg, Denmark, thru Mar. 31
I’d like to share a quick note about a current exhibition: from January 3 to March 31, 2025, the Museum Jorn in Silkeborg, Denmark is showing my video «Getting Nowhere» (1981) as a single-work presentation in a continuous loop (daily from 10 a.m. to 5 p.m.) on the digital big screen of the Museum’s exterior facade. (https://museumjorn.dk/en/exhibit/alexander-hahn-2/)
Thank you.
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10. Mark Bloch, FF Alumn, now online at artefuse.com
Please visit this link:
Thank you.
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11. Moya Devine, Ruth Wallen, FF Alumns at Art Produce, San Diego, CA, Jan. 13-Mar. 1
Moya Devine, Ruth Wallen, FF Alumns at Art Produce, San Diego, CA, Jan. 13-Mar. 1, in FIG: 15 Years. Art Produce 3139 University Ave., San Diego 92102
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12. Dona Ann McAdams, FF Alumn, now online at CreativeReview.co.uk
Please visit this link:
https://www.creativereview.co.uk/dona-ann-mcadams-photographer-memoir
Thank you.
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13. Andy Warhol, FF Alumn, at Clamp, Manhattan, thru Mar. 1
Andy Warhol | Sex Parts
January 9 – March 1, 2025
Opening reception:
Thursday, January 9, 2025
6 – 8 PM
CLAMP is pleased to present Andy Warhol | Sex Parts, an exhibition of screenprints and photographs from the late 1970s.
In 1977, at the height of the gay liberation movement, and just two weeks following Robert Mapplethorpe’s notorious New York exhibition at The Kitchen of his sexually explicit X Portfolio comprised of male subjects and sadomasochistic scenarios, Andy Warhol began photographing his own nudes at the Factory then located on the north end of Union Square. Meant as a radical counterpoint to his commercially driven commissioned portraits, Warhol was not necessarily anticipating the times, but rather sensing them, which “enabled him not only to join the latest trend but to leap to the head of the line” as described by Bob Colacello in The Andy Warhol Catalogue Raisonné, Paintings 1976-1978—Volume 5.
Warhol described the nude imagery as “landscapes,” reflecting his interest in the body as a site open to exploration and discovery, and his interest in the abstract positive-negative space present in the compositions. While the artist had explored sexually explicit material in the 1960s in such films as “Blow Job” (1964) and “Blue Movie” (1969), he preferred to delineate between his films and fine artworks, as he was keenly aware of the innate conservatism of the art world at that time, and the fact that erotic imagery would not be well received by museums or private collectors.
For procuring his male subjects, Warhol relied on confidante Victor Hugo to recruit men of impressive endowment from the New York bathhouses. Back at the Factory, the men were encouraged to strip and make themselves comfortable, and as was typical for the artist, Warhol acted as the shy, coy voyeur photographing the models with a demeanor of remove and distance, never participating in the scenes which unfolded in front of the camera lens. These photographs were employed to produce the series titled Torsos (1977) and later the more graphic Sex Parts and Fellatio silkscreen portfolios—both from 1978.
Notably, faces were never included in the imagery which preserved the models’ anonymity. Further, the sketch-like qualities in Sex Parts distinguishes the series stylistically from Warhol’s other work, which is characterized by big blocks of bold color, layering, and less frenetic lines.
Sex Parts was never sold or distributed through galleries. Rather, Warhol chose to place the artworks privately with collectors, or to gift them to special friends. Sex Parts was never publicly exhibited during Warhol’s lifetime, but the silkscreens did appear in Richard Gere’s 1980 film “American Gigolo” displayed in the drug dealer’s living room. The complete portfolio in the present exhibition was acquired directly from The Andy Warhol Foundation around 1997, a decade after the artist’s death. The portfolio, straight from the original owner, is being sold intact to an institution only (or to an individual open to committing the portfolio to an institution as a promised gift). The prints will not be broken up.
Also included in CLAMP’s show are original Polaroids and photographs shot by Warhol in the Factory, similar to those he used to produce the silkscreens comprising the portfolio Sex Parts. Additionally, CLAMP is presenting a wall vinyl reproduction of a photograph shot by Warhol’s assistant Ronny Cutrone during one of the nude studio sessions.
While less known to the wider public, Sex Parts is a significant series signaling the artist’s final acceptance of his own sexuality. It also opened the door for other progressive and controversial bodies of work such as the Piss, Oxidation, and Cum series.
Thanks to Hedges Projects in Los Angeles for their assistance in organizing the exhibition.
CLAMP
247 West 29th Street, Ground Floor
New York, NY 10001
+1 646 230 0020
Gallery hours:
Tuesday – Saturday
10 AM – 6 PM
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14. Nina Sobell, FF Alumn, live online with MediaBurn.org, Jan. 16
1/16/25: Virtual Talks with Video Activists: Nina Sobell’s BrainWave Drawings
Thursday, January 16th
Hourlong virtual screening/discussion of the BrainWave Drawings of Nina Sobell, moderated by
Prof. Cristina Albu
6pm CST (4pm PST / 7 PM EST)
Free registration HERE!
Note: this event will be closed captioned. For additional accessibility requests, please email info@mediaburn.org.
Join us on Thursday, January 16 at 6pm CST (7pm EST/4pm PST) for a screening and discussion with artist Nina Sobell, tracing her groundbreaking BrainWave Drawing video installations throughout her career. Moderated by art historian Cristina Albu.
In 1973, Sobell worked with engineer Michael Trivich and neuropsychologist Dr. M. Barry Sterman to create her first BrainWave Drawing installation. Using equipment including a PDP-12 at in the Neuropsychology Laboratory of the Veterans Administration Hospital in Sepulveda, California, Sobell and her collaborators connected two people to an EEG machine and provided a monitor for them, measuring their brainwaves and compositing them into a single abstract image, which they could watch superimposed over a video close-up of their faces. For the pool participants, the aim was to sync up their brainwaves to create more coherent images – not something that could be directly controlled. Rather, “syncing up” meant achieving the same energy, the same mood, and inadvertently matching their brainwaves too. The resulting installation was a visually stunning, profound study of the unspoken commonalities and communications between two people. There was, truly, nothing else like it.
Since then, Sobell has revisited the idea of BrainWave Drawing numerous times, incorporating new technology for measuring and visualizing the subjects’ brainwaves. Join us for an overview of Sobell’s BrainWave Drawings through the years, followed by a discussion with Sobell and Albu.
Attendance is free but advanced registration is required. Click HERE to register for this event.
Nina Sobell is a sculptor, multimedia, and performance artist who pioneered the use of EEG technology, closed-circuit television, and internet communication. Early in her career, she focused on experimental forms of interaction and performance, and explored the ways in which technology mediates psychic transformations and modulates the perception of space and time. Her substantial body of work includes live performance and TV, museum installations, sculpture, and interactive video matrices that invited public participation. Her work has been exhibited or screened all over the world, including the Getty Museum, Institute of Contemporary Art, London, the de Saisset Museum, Banff Centre for the Arts, Manchester Gallery, the Contemporary Art Museum-Houston, the DIA Foundation, the Venice Biennale, The Whitney Museum, and many, many others. She is the recipient of numerous awards, including grants from the NEA and the New York State Council on the Arts. Her video work can be viewed on Media Burn’s website.
Cristina Albu is an Associate Professor of Art History at the University of Missouri-Kansas City. Her research addresses how contemporary art enables us to question what and how we perceive. It focuses on artists’ uses of new media such as video and biofeeedback technology to enhance attention and highlight the fluidity of selfhood and interpersonal exchanges. She is the author of Mirror Affect: Seeing Self, Observing Others in Contemporary Art (Minnesota University Press, 2016). Albu is also co-editor (with Dawna Schuld) of a volume of essays titled Perception and Agency in Shared Spaces of Contemporary Art (Routledge, 2018). Her writings have appeared in numerous journals and anthologies, including Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s, Framings, The Permanence of the Transient, Crossing Cultures.
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15. Guerilla Girls, Barbara Kruger, FF Alumns, now online at NYTimes.com
Please visit this link:
Thank you.
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16. Paul Zelevansky, FF Alumn, now online at https://vimeo.com/1045361245
Please visit this link:
Thank you.
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17. Kathy Brew, FF Alumn, received Gold Award, New York Movie Awards
Just learned that MIXED MESSAGES won a Gold Award in the Experimental category at the New York Movie Awards. Gratifying that my first video from 35 years ago still has resonance, due to the “me too” movement. It’s available on Kanopy.
Thank you.
Kathy Brew
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18. Victoria Keddie, FF Alumn, January update
Hello and happy new year.
I’m sharing some upcoming events for the early winter months. Please stay tuned for more announcements of events and performances…
In Minneapolis, MN (and online)
Recently released “Pashal P’Shaw” records out with Raster Media (DE) are available in the US at the Walker Art Center, IDEA 3 museum store.
Please visit https://shop.walkerart.org/ih3/products/victoria-keddie-pshal-p-shaw
This project explores the sonic landscape of eight English diphthongs through recorded EEG sessions with diverse participants. The recording script, influenced by contemporary Western dialect, goes beyond technical analysis to capture the primal essence of phonetic expression and its oral significance. Focused on the spoken aspects of language—oration, conversation, and mimicry—it reflects our beauty in perpetual change and speaks to the raw, vulnerable moments of our shared humanity. Neural software was designed with Matthew Ostrowski. Arrangements mastered by: Jeff Cook. LP booklet design by Olaf Bender, raster media.
The album’s availability accompanies a feature, “Sound and Architecture: A Dialogue of the Improbable and the Intimate,” as part of the Sounds of Space series in the Walker Reader.
In Los Angeles, CA (and online) :
Listen now to the Noon to Midnight: SOUND WINDOWS Radio
Noon to Midnight: Field Recordings, a 12-hour new music marathon at Walt Disney Concert Hall curated by Pulitzer Prize-winning composer Ellen Reid and based around the theme of field recordings. SOUND WINDOWS a series that further explores the field recordings theme. Artists share highlights from their personal field recording libraries and reflect on why these evocative sonic snapshots resonate with them. Including Annea Lockwood, Patrick Shiroishi, Bernie Krause, Victoria Keddie, John Luther Adams, Raven Chacon, Vica Pacheco, KMRU, Mike Harding with Chris Watson, Ka Baird, Lawrence English. Produced by: Matteah Baim, Mark McNeill, and Julia Ward
So far, the LA Phil remains open, but there’s been so much devastation due to wildfires. Please find ways you can help via Mutual Aid Resources
Winter 2025
January 18, 2025 / 18-24:00
Metamorphosen, Salon Sophie Charlotte
Berlin-Brandenburgische Akademie der Wissenschaften
Akademiegebäude am Gendarmenmarkt, Berlin
Victoria Keddie created the sound installation “Pshal P’shaw” as an artist-in-residence at the Max Planck Institute for Empirical Aesthetics in Frankfurt. The project originates from a phonetic experiment the artist carried out in the institute’s laboratories and translated as a poetic and complex composition. How does an artistic work come about in a scientific environment and which translation processes are at work?
A workshop discussion with Victoria Keddie, artist, New York C, Eike Walkenhorst, curator INHABIT, Max Planck Institute for Empirical Aesthetics Frankfurt/M. and Cornelius Abel, laboratory director at the Max Planck Institute for Empirical Aesthetics, Frankfurt/M., moderated by Hansjakob Ziemer, Max Planck Institute for the History of Science.
A live performance follows the discussion inside the Science Forum Atrium at 23:00
January 23, 2025 / 18:00
Guest Artist Talk, Department for Musicology and Media Studies, Humboldt University, Berlin, DE This event is open to both the student body and the public.
January 31, 2025 14:00/ 17:00
SOUND QUESTS 2025: Daytime Viewing
The Fondazione Sandretto Re Rebaudengo, Turin, IT
Seminare and film screening with David Rosenboom, Victoria Keddie, and Gabriele Marino
Presented by : ALMARE – an association hinges on contemporary practices that use sound as an art medium.This program celebrates the work Daytime Viewing by Jacqueline Humbert and David Rosenboom.
Daytime Viewing (1979-80) is an extended narrative song based on a casual analysis of daytime television drama and the audience phenomena such programming addresses. The piece explores the use of fantasy as a survival mechanism against loneliness, illustrating the human compulsion to inflate the mundane to mythological proportions. A central female character weaves tales, using threads of personal experience and the idea of TV as a friend, as a mantra, and as a transformational window between imagined spectacle and the pedestrian plane.
Originally released as a private cassette edition [recorded, 1982; Chez Hum-Boom release, 1983] documenting the collaborative performance piece of the same name by Jacqueline Humbert & David Rosenboom, this work is available on vinyl and digitally via Unseen Worlds Records.
Victoria Keddie and Scott Kiernan’s collaborative project, E.S.P. TV, celebrated this release by revisiting the work via live broadcast performance, “Daytime Viewing-Prime Time, as part of their exhibition, WORK at Pioneer Works, (NY/US) February 10-March 26, 2017. The exhibition was curated by David Everitt-Howe.
For this program, E.S.P. TV invited six contemporary artists working across media in performance, video, sound, and fashion to interpret six characters depicted in the Daytime Viewing teleplay for a live televisual fashion show. Erica Magrey, Heidi Jien Jouet, Dana Bell, Johanna Herr, Shana Moulton, and MV Carbon reinterpreted the original character studies of Daytime Viewing in a live broadcast event. The newly transferred video and photographs of the original performance by Humbert and Rosenboom were integrated into the larger exhibition set in large-scale projections, monitor playback, and a real-time, live-to-tape mix. The full piece was taped and mixed during the actual event for television broadcast — both online and on Manhattan cable TV.
Both works will be screened again for this event, along with a new video-poem by Rosenboom and Keddie. A panel discussion on this work and its influence and the work of Rosenboom and Keddie, will be discussed with moderator Gabriele Marino.
March 12, 2025 / 19:00
The Art und Weise Series: Victoria Keddie
The Goethe Institute, New York City, US
Artist talk with designer and curator, Liz Flyntz. Followed by a live performance.
Liz Flyntz is a designer and curator examining how design impacts human experience. Her writings on early video art, surveillance, experimental architecture, and media history have been featured in Afterimage, The Creators Project, the Journal of Utopian Studies, and Intercourse Magazine. She co-edited The Present is the Form of All Life: The Time Capsules of Ant Farm and LST (Pioneer Works Press), a critical look at Ant Farm’s architectural and time-based works, highlighting how radical artists viewed technological futures.
The series is curated by Zach Feldman at The Goethe Institute, NYC
X Victoria
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19. Malcolm-x Betts and Nile Harris, FF Alumns, at Chocolate Factory Theater, LIC, Jan. 13
hosted by The Chocolate Factory Theater
https://utrfest.org/program/temporary-boyfriend/
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20. Claes Oldenburg & Coosje Van Bruggen, FF Alumns, now online at NYTimes.com
Please visit this link:
Thank you.
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21. George Peck, FF Alumn, at Black Spring Books, Brooklyn, January 19
Next Sunday, January 19th at Black Spring Books. “In a time when, more and more, personal freedoms and freedom of speech are under constant attack, art and dialogue can serve as an antidote. Join us the night before inauguration day to reflect on the endurance of ideas in the face of the rising tide of fascism worldwide. A never before exhibited selection of Shards from the BOOKBURN project will be on display.” 7 PM viewing, 8 PM reading Limited capacity – RSVP hugoperezfilms@gmail.com
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22. Joseph Keckler, FF Alumn, at Joe’s Pub, Manhattan, Jan. 13
Please visit this link:
https://publictheater.org/productions/joes-pub/2025/j/joseph-keckler
Thank you.
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23. Paul Zelevansky, FF Alumn, now online at https://vimeo.com/1043986480
Please visit this link:
Thank you.
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Goings On for Artists is compiled weekly by Rohan Subramaniam, FF Intern, Summer/Fall 2024
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