Goings On | 10/12/2026

Contents for October 12th, 2026

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Weekly Spotlight: Kim Ye, FF FUND for Performance Art recipient 2025-26, at Model Airplane Field, Forest Hills, Queens NY, Oct. 18

1. Fang-Yu Liu, FF Alumn, at Interference Archive, Brooklyn, opening Oct. 15

2. Guadalupe Maravilla, FF Alumn, at St. John the Divine, Manhattan, opening Dec. 17

3. Hector Canonge, FF Alumn, at Lyon Bienal, France, Oct. 23-Dec. 15

4. Pablo Helguera, FF Alumn, at Cue Art Foundation, Manhattan, Oct. 21

5. Dolores Zorreguieta, FF Alumn, at Feria Internacional del Libro, Manhattan, Oct. 21-25

6. Mieko Meguro, FF Alumn, at White Columns, Manhattan, Oct. 24

7. Saya Woolfalk, FF Alumn, at The Bronx Museum, Oct. 9, 2026-Mar. 28,. 2027

8. Theresa Hak Kyung Cha, FF Alumn, at Artists Space, Oct. 15 and more

9. Alvin Eng, FF Alumn, at City Lore, Manhattan, Oct. 22, and more

10. Susan E. King, Sol LeWitt, Mary Ellen Long, Lucia Maria Minervini, Bruce Nauman, Adrian Piper, Ed Ruscha, FF Alumns, at the Smithsonian National Museum of American History, Washington, DC

11. Asia Stewart, FF Alumn, at Smack Mellon, Brooklyn, Oct. 22

12. Wanda Raimundi-Ortiz, FF Alumn, at 599 Market Street, Philadelphia, MA, Oct. 18

13. Penny Arcade, FF Alumn, at Howl Happening, Manhattan, Oct. 28

14. Ann Messner, FF Alumn, at Extra Extra Echo, Manhattan, opening Oct. 24

15. Nina Sobell, FF Alumn, at Museum of the Moving Image, Astoria, Queens, Oct. 15

16. Blaise Tobia, FF Alumn, at CUNY Grad Center, Manhattan, thru Dec. 12

17. Fiona Templeton, FF Alumn, at Torn Page, Manhattan, Oct. 31

18. Barry Holden, FF Alumn, at Nathaniel Rogers House, Bridgehampton, NY, Oct. 24

19. Dee Shapiro, FF Member, at Hofstra University, Hempstead, NY, Oct. 22

20. Doug Skinner, FF Alumn, releases new album, and more

21. Judith Bernstein, FF Alumn, now online in Purple Magazine

22. Helen Lessick, FF Alumn, at International Sculpture Conference, Twin Cities, MN, Oct. 22-25

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Weekly Spotlight: Kim Ye, FF FUND for Performance Art recipient 2025-26, at Model Airplane Field, Forest Hills, Queens NY, Oct. 18

“Choreographies of Care” by Kim Ye

The 30-minute movement-based performance combines choreography from the Asian tradition of park dancing with US military parade sequences, Qigong, and gestures taken from pregnancy, childrearing, and sex work. Performed by an intergenerational ensemble to a score that layers Chinese nursery rhymes, traditional East Asian instrumentals, in utero recordings, and “Taps,”  the piece proposes caregiving as a form of national service that requires the sacrifice of feminized, immigrant, and Asian bodies.

​Choreographies of Care is supported by the Franklin Furnace FUND for the 2025–26 season.

​PERFORMED BY: Anh Vo, Gentle Mothh, Jas Lin, Kim Ye, and Tina Ye

​CHOREOGRAPHED BY: Jas Lin, Gentle Mothh

​ORIGINAL SCORE BY: Micah Huang, featuring Tina Ye

​COSTUME DESIGN BY: Gumamela Bloom, made by House of Bloom

Location

Model Airplane Field

Forest Hills, NY 11375, USA

Sunday, October 18

5:15 PM – 6:15 PM

RSVP Link

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1. Fang-Yu Liu, FF Alumn, at Interference Archive, Brooklyn, opening Oct. 15

Call and Response: Songbooks to Power the Movement

Opening: Oct 15th, 2026 7-10pm

Exhibition Date: Oct 15th, 2026 – Jan 31st, 2027

Location: Interference Archive, 317 7th St, Brooklyn, NY

New exhibition opening this month! Join us for Call & Response, an exhibition of songbooks from the archive! Civil rights, feminism, international liberation, corridos, coplas and ballads from the labor movement. And opening night we’ll be having an old fashioned hootenany 🤠 no experience needed, just show up ready to sing! October 15th at 7pm at the archive!

Website: https://interferencearchive.org/exhibition/call-and-response-songbooks-to-power-the-movement/

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2. Guadalupe Maravilla, FF Alumn, at St. John the Divine, Manhattan, opening Dec. 17

Please visit this link:

us.list-manage.com/bTE2Zf59s0c?e=f69ef48970&c2id=5b98723f9a8227fe788929aadc61519c

Thank you.

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3. Hector Canonge, FF Alumn, at Lyon Bienal, France, Oct. 23-Dec. 15

HECTOR CANONGE, FF Alumn, in the 18th edition of the Lyon Bienal: Résonance, October 23 to December 15, 2026, France.

After finishing the presentation of his interdisciplinary world-wide project and initiative, TROTAMUNDOS 2026 (June 15 – October 10, Europe, Asia, Australia and South America), artist Hector Canonge returns to France to participate in the 18e Biennale de Lyon Art Contemporain with his collaborative project “VESTIGES DE L’EPHEMERE” for Résonance 2026 (October 15 to November 30).

Canonge’s “VESTIGES DE L’EPHEMERE” (Remnants of the Ephemeral) is a collaboration with artist Wilson Tapia, and reflects on the relation of corporal actions and the urban terrain’s architectural conformation. Through a series of public interventions in the traditional Traboules of the city of Lyon, the project functions as a catalyst for the creation of a multidisciplinary exhibition, public workshops and academic lectures on the nature of participatory performative actions and psychogeographic experience.

The project’s program for Résonance 2026 consists of Performances (Traboules Lyon City Center) on October 23 to 24, an Exhibition (La Maison des Dauphins, La Tour du Pin) October – November, Vernissage on October 28, a Conference on October 29, and public workshops on October 30. The finissage is scheduled for November 2026. 

More information: http://www.hectorcanonge.net

Email: canonge.productions@gmail.com

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4. Pablo Helguera, FF Alumn, at Cue Art Foundation, Manhattan, Oct. 21

FONOTECA: Bring Records, Take Art with Pablo Helguera + The Clemente

Wednesday, October 21st

6–8 pm; free admission

Join us in the gallery for a listening party with artist Pablo Helguera in support of Fonoteca, a public archive of vinyl records built through community participation, commissioned by The Clemente through their Historias initiative.

Bring records to donate or lend! Contributors will get a gift from the artist.

Learn more and RSVP: https://cueartfoundation.org/upcoming-events/fonoteca?mc_cid=3776afaf4c&mc_eid=cff4306a70

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5. Dolores Zorreguieta, FF Alumn, at Feria Internacional del Libro, Manhattan, Oct. 21-25

Libro Adentro, the debut novel by FF Alumn Dolores Zorreguieta, will be available at the upcoming Feria Internacional del Libro de la Ciudad de Nueva York (FILNYC). Published last May by Luz Fernández Ediciones, the book made its debut at the Buenos Aires Book Fair. It will be available for the first time in New York at the stand of Luz Fernández Ediciones.

La Feria Internacional del Libro (FILNYC) is the largest Spanish-language literary gathering in the United States. Founded by the CUNY Mexican Studies Institute at Lehman College, it is a free fair open to the general public, conceived as a cultural festival where the Spanish language serves as a meeting point for authors, readers, and communities from diverse countries and generations. The theme for this year’s fair is LA LENGUA, El mar que somos.

Dates: October 21–25, 2026

Location: John Jay College (524 W 59th St, New York, NY 10019)

Admission: Free and open to the public

More Info: filnyc.org

https://filnyc.org/

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6. Mieko Meguro, FF Alumn, at White Columns, Manhattan, Oct. 24

Mieko Meguro – Works, New York, 2009-2026

is closing Saturday, October 24th.

Please join us at White Columns for a

Closing party + zine launch:

LOVE LETTER BLANK

Mieko Meguro

on

Saturday, October 24 from 4-6pm

White Columns

91 Horatio Street

New York, NY 10014

Tuesday–Saturday, 11 AM–6 PM

info@whitecolumns.org

Instagram

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7. Saya Woolfalk, FF Alumn, at The Bronx Museum, Oct. 9, 2026-Mar. 28,. 2027

SAYA WOOLFALK

The WoodsWoman Method:

Beyond the Margins

at

The Bronx Museum

October 9, 2026  – March 28, 2027

Woods Women: Sisters

(Jewelweed, Wild Strawberry, Meadowsweet, and Sassafras), 2024

Mixed media collage on paper

39-1/2 x 40-3/8 inches (framed)

In anticipation of Saya Woolfalk’s inaugural installation for The Bronx Museum’s renovated main lobby, opening in 2027, the Museum is collaborating with the artist to share her creative process through Saya Woolfalk: The WoodsWoman Method. Woolfalk has envisioned the WoodsWoman as a botanist-healer and mythic character who is part of her Empathic Universe series.

The WoodsWoman Method functions as both an exhibition and laboratory, bringing together recent works by Woolfalk with pieces from The Bronx Museum’s permanent collection. Curated in collaboration with Bronx Museum Director of Curatorial Programs Eileen Jeng Lynch, Woolfalk has applied the lens of the Woodswoman in selecting works by Huma Bhabha, Robert Blackburn, Abigail DeVille, and Martin Wong that explore speculative worlds, the cosmos, relationships between humans and nature, and forms of collective storytelling.

Birthing a New Sky (Starships and Cosmic Tethers), 2024

Mixed media collage on paper

38-1/4 x 74-5/8 inches (framed)

Saya Woolfalk also plans to collaborate with the Museum’s Education Department on programming that will help inform the development of her final WoodsWoman installation for the renovated main lobby. Debuting in 2027 with the reopening of the Museum’s renovated wing, Woolfalk’s installation will officially inaugurate The Bronx Museum’s new series of artist commissions for its main lobby. Building on a relationship with the artist that began with her participation in the 2009 cycle of the Museum’s AIM Fellowship, the Museum has entrusted her to set the tone for these two new curatorial initiatives.

As Woolfalk states: “I’m deeply excited to return to The Bronx Museum and to revisit the collection through the lens of The WoodsWoman Method. This project brings together ideas that have long been central to my practice, and I hope the presentation creates space for visitors to make unexpected connections and to see the collection, and perhaps the world around them, in new ways.” 

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8. Theresa Hak Kyung Cha, FF Alumn, at Artists Space, Oct. 15 and more

Theresa Hak Kyung Cha: Multiple Offerings

Public Programs

Artists Space presents a series of programs in conjunction with Theresa Hak Kyung Cha: Multiple Offerings, the first retrospective in twenty-five years dedicated to the artist’s groundbreaking work. The series includes three readings co-curated with Nightboat Books, a book launch, and a film screening co-presented with Anthology Film Archives.

October 3: Segue Reading Series: Ken Chen & Cici Wu with Ju Ly Ban

October 15: Book talk for Theresa Hak Kyung Cha: Multiple Offerings

October 17: Segue Reading Series: julie ezelle patton & Cecilia Vicuña

November 14: Segue Reading Series: Benjamin Krusling & Chang Yuchen

November 19: Cinematic Correspondences: Theresa Hak Kyung Cha and Her Filmic Influences

Cha produced an expansive range of works comprising performances for film and video, installation, photography, artist’s books (including her genre-defying book Dictée from 1982), and works on paper, which fill Artists Space’s entire first floor. In her lifetime, Cha contributed to experimental art scenes in New York City, San Francisco, Paris, and beyond. Her work has had a quietly profound influence on subsequent generations of artists.

After emigrating from South Korea to the United States, Cha enrolled at UC Berkeley in 1969, where she studied art practice, comparative literature, and film. Keenly attuned to the active role that audiences play in the creation of meaning, she prioritized nonlinear narratives to allow for more open-ended forms of interpretation–what she termed a method of “Multiple Telling with Multiple Offering.” This retrospective adopts her framework to allow for a range of entry points into the work, guiding visitors through the themes–memory, displacement, and the mutability of language, among others—that recur in Cha’s oeuvre.

Cha moved to New York City in 1980, where she supported herself with several jobs while pursuing her artistic career. She worked as an administrative assistant in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art, taught video art at Elizabeth Seton College in Yonkers, and served as an editor at Tanam Press, a publishing imprint dedicated to artists’ books that was founded by her friend and collaborator Reese Williams.

On November 5, 1982, Cha’s short but prolific career came to an end when she was murdered just weeks before her planned exhibition at Artists Space. At the time of her death, Cha was producing a new photographic series inspired by her time working at the Met. Multiple Offerings presents that unfinished series of black-and-white prints alongside nearly one hundred artworks and archival materials from across her career, highlighting the inventive, playful, and meditative methods of Cha’s practice.

Theresa Hak Kyung Cha: Multiple Offerings is organized by BAMPFA and curated by Victoria Sung, Phyllis C. Wattis Senior Curator, with Tausif Noor, Curatorial Associate. The presentation at Artists Space is organized by Danielle A. Jackson, Curator, and Nusheen Ghaemi, Administrative & Program Assistant. Multiple Offerings is drawn from Cha’s archives, which have been housed and cared for at BAMPFA since 1992 following a generous gift from the Theresa Hak Kyung Cha Memorial Foundation.

Biography

Theresa Hak Kyung Cha (b. 1951, Busan, South Korea; d. 1982, New York City) emigrated to the United States in 1962, settling first in Hawaii and then moving to San Francisco in 1964. The Bay Area remained Cha’s home for most of her life. She attended the University of California, Berkeley, where she received four undergraduate and graduate degrees in comparative literature and art. In 1980, Cha moved to New York City, where she worked as an editor and writer for Tanam Press, producing two important works: Dictée, a book-form collage of poetry, found text, and images; and Apparatus, an anthology of writings on the film apparatus. In 1982, Cha was awarded an artist’s residence at the Nova Scotia College of Art and Design and was preparing for an upcoming exhibition at Artists Space, New York City. Cha’s work has been included in recent exhibitions both nationally and internationally, including 12th Seoul Mediacity Biennale: This Too, Is a Map (2023), Seoul Museum of Art; Whitney Biennial 2022: Quiet as It’s Kept, Whitney Museum, New York City; and Theresa Hak Kyung Cha: Audience Distant Relative, Hessel Museum of Art, Annandale-on-Hudson, New York (2022). In 1990, BAMPFA organized the artist’s first solo exhibition as part of its MATRIX series of contemporary art, followed by her first retrospective in 2001 (Theresa Hak Kyung Cha: Dream of the Audience). The exhibition traveled to seven venues, including University of California, Irvine; Bronx Museum of the Arts, New York; Krannert Art Museum at University of Illinois at Urbana-Champaign; Henry Art Gallery at University of Washington, Seattle; Ssamzie Space, Seoul; Generali Foundation, Vienna; and Fundació Antoni Tàpies, Barcelona. In 1992, Cha’s family donated the entirety of her artworks and archives to BAMPFA, where they form the cornerstone of the museum’s Conceptual Art Study Center and continue to be accessible to researchers today.

Accessibility

Artists Space is fully accessible via a wheelchair lift and automated door in front of the entrance on 80 White Street. The cellar gallery can be accessed via the ground floor elevator. Artists Space welcomes assistance dogs, and has wheelchair accessible non-gender-segregated toilet facilities. If you have any further questions about access please email info@artistsspace.org.

Supporters

Lead exhibition support at Artists Space is provided by Arison Art Foundation and Teiger Foundation.

The exhibition is made possible through lead support from Teiger Foundation. Major support is provided by the Terra Foundation for American Art, the Korea Foundation, the Shah Garg Women Artists Research Fund, and the R.J. Bertero Family Fund. Additional support is provided by E. Rhodes and Leona B. Carpenter Foundation, The Jay DeFeo Foundation, Alexandra Bowes, Stephen Cheng, Miyoung Lee, and Robin Wright.

Support for Artists Space exhibitions and programs is provided by Lambent Foundation Fund of Tides Foundation; The Andrew W. Mellon Foundation; The New York City Department of Cultural Affairs in Partnership with the City Council; Horace W. Goldsmith Foundation; The New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; A.G. Foundation; I.A. O’Shaughnessy Foundation; The Keith Haring Foundation; Helen Frankenthaler Foundation; Hearthland Foundation; The Cowles Charitable Trust; Milton and Sally Avery Foundation.

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9. Alvin Eng, FF Alumn, at City Lore, Manhattan, Oct. 22, and more

 Alvin Eng’s FALL 2026 Events

Thursday,  OCT.  22, from 6:30 – 7:30pm

HERE COMES JOHNNY YEN AGAIN (or How I Kicked Punk)

acoustic punk raconteur–concert version

City Lore, 56 E. 1st St, East Village, NYC

and

Thursday,  NOV.  19, from 6 – 7:30pm

Our Village, Our Town:

A MEMOIR IN PROSE AND A MEMOIR IN VERSE

with Alvin Eng and R. Diskin Black

Hudson Park Library, NYPL , 66 Leroy St,  West Village, NYC

and

Mon,  DEC.  7 @  7pm

First Mondays, Reading Series

presents Material , featuring:

Alvin Eng, Maura Finkelstein, and Keeange Yamhatta-Taylor.

 Performance Space New York (aka P.S. 122), 150 First Ave , East Village, NYC

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10. Susan E. King, Sol LeWitt, Mary Ellen Long, Lucia Maria Minervini, Bruce Nauman, Adrian Piper, Ed Ruscha, FF Alumns, at the Smithsonian National Museum of American History, Washington, DC

Please visit this link:

https://library.si.edu/exhibition/american-stories

Thank you.

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11. Asia Stewart, FF Alumn, at Smack Mellon, Brooklyn, Oct. 22

any experience with men and alcohol

Thursday, October 22nd at 7:30pm

Smack Mellon

92 Plymouth St. Brooklyn, NY 11201

Free w/ RSVP

The “table” performance is back…with a new script updated for a new venue!

More details on this performance from Smack Mellon Curator & Director of Exhibitions Rachel Vera Steinberg:

“The artist will perform as an object of service, appropriating the image of designer Allen Jones’ controversial “Women as Furniture” series. Using the table, and herself, as a site of exchange, she will lead audience members through a series of challenges related to power, service, and control.”

This performance is very fun and extremely unpredictable, and it’s been so delicious & delightful to find new ways to shake it up over the past two years. It’s evolved quite a bit since earlier iterations at The 8th Floor, JACK, The Brick, and A.I.R. Gallery.

I also have some new prints in the How We Work: Smack Mellon at 30 exhibition––let me know if you want a tour before the exhibition closes on December 6th.

(I am also at Smack Mellon on most weekdays — I will be in residence in the studios there until August 2027!)

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12. Wanda Raimundi-Ortiz, FF Alumn, at 599 Market Street, Philadelphia, MA, Oct. 18

Wanda Raimundi-Ortiz has an upcoming performance in Philadelphia on October 17, 2026 called Vamonos Pa’l Monte, commissioned by Mural Arts Philadelphia.

www.muralarts.org/vamonos

Vámonos Pa’l Monte is a neighborhood-based, interdisciplinary public art and engagement project conceived by artist Wanda Raimundi-Ortiz with support from costume designer Kristina Tollefson and Mural Arts Philadelphia; a living tribute to Puerto Rican culture, resilience, and the migration stories that shape communities across the diaspora.

www.muralarts.org/vamonos

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13. Penny Arcade, FF Alumn, at Howl Happening, Manhattan, Oct. 28

Penny Arcade is joining the New York based poets of Lithic Press for a special reading at Howl Happening at 6 E. 1st St. Manhattan

Wednesday October 28th 6:30-8:30 Doors open 6pm

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14. Ann Messner, FF Alumn, at Extra Extra Echo, Manhattan, opening Oct. 24

Echo Extra Echo is pleased to announce raft, an exhibition featuring work by the New York–based multidisciplinary artist Ann Messner, on view from October 24 through November 22. This presentation debuts raft (2014/2026), a large-scale sculptural installation comprising an array of materials—a ladder, a music stand, a satellite dish, speakers, power strips, sheets of neoprene rubber, apple boxes, among other items—found in the urban environment and in the artist’s studio, which indexes and reveals the seemingly prosaic gaps that appear in our surrounding spaces. The objects in raft are dismantled, punctured, exploded, or left whole, and then joined and reassembled by Messner in such a way that conveys the artist’s longstanding consideration of such themes as impermanence, personal experience, and the decision to act.

An opening reception will be held on Saturday, October 24, at 1–6pm. Jeremy Johnston and Nina Felshin will participate in a discussion with the artist at the gallery on Saturday, November 7, at 3pm.

Viewings are by appointment only, though the work can be seen through the windows on the ground-floor level of the apartment building at all hours. Email us at echo.extra.echo@gmail.com to RSVP for the opening or November 7 program or to schedule an appointment to view raft on the Upper West Side another time.

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15. Nina Sobell, FF Alumn, at Museum of the Moving Image, Astoria, Queens, Oct. 15

Oct 15th MOMI “Making Art in the Era of Neurotechnology”’

at 5:00 pm tour of show on now there NOW “Overexposed;” then  GammaTime 5:30-6:30  (the public is invited to participate) / plus I’ll be Showing newly edited 1972-2008 History of BrainWave Drawings; then panel 6:30-7:30 with Regina Harsanyi and artist Rachel Rossin, reception following. 

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16. Blaise Tobia, FF Alumn, at CUNY Grad Center, Manhattan, thru Dec. 12

Blaise Tobia (FF Alum) has fifty of his photographs from 1978 on display in the exhibition Art/Work: the Practice and Politics of CETA and the Arts, 1974-81 at the James Gallery of the CUNY Grad Center (continues to 12/12/26). These were made while he was a documentary photographer for the CCF CETA Artists Project in NYC, one year after earning his MFA at UCSD. The exhibition documents twelve case studies of the Comprehensive Employment and Training Act’s role in employing artists across the U.S. during the 1970s, about 30,000 in all, making it almost as large as the art program of the WPA. Tobia and his wife, fellow UCSD alum and FF alum, Virginia Maksymowicz, coordinate the national organization CETA Arts Legacy Project.

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17. Fiona Templeton, FF Alumn, at Torn Page, Manhattan, Oct. 31

Songs Between Worlds

a diptych

solo performance by Fiona Templeton

Saturday October 31st 2026 8pm TICKETS REMAINING

Sunday Nov 1st 2pm SOLD OUT

at Torn Page

435 West 22nd Street, NYC 10011

reservations advised

Two stories of women and voice

from remote northwest Scotland and remote northeast Japan

written and performed by Fiona Templeton

Fiona Templeton, poet and artistic director of The Relationship

performs solo for the first time in 30 years, in a simplified presentation

running time 90-100 minutes including interval

tickets here: https://www.tornpage.org/events/2026/9/18/songs-between-worlds-written-and-performed-by-fiona-templeton-y92m3

Supported by a NYSCA commission

https://www.fionatempleton.cloud

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18. Barry Holden, FF Alumn, at Nathaniel Rogers House, Bridgehampton, NY, Oct. 24

Please visit this link:

https://www.bridgehamptonmuseum.org/event-details/mind-to-matter-with-barry-holden

Thank you.

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19. Dee Shapiro, FF Member, at Hofstra University, Hempstead, NY, Oct. 22

Women, Art, and Activism

Panel Discussion with DEE SHAPIRO, Lori Horowitz, Susan Grabel

Moderator  Suzanne Berman

Hofstra University Cultural Center 

Leo A.Guthart Cultural Center Theater, Axinn Library

First Floor South Campus

Thursday, October 22, 2026

6:00-7:30 

Admission Free  RSVP 

museum@hofstra.edu

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20. Doug Skinner, FF Alumn, releases new album, and more

Happy October!

My new album, “The Worse It Gets, the Better We Like It,” is now

available on Bandcamp. It contains 20 songs I recorded in the late ’80s

and early ’90s, mostly arranged for ukulele and viola, with either Carol

Benner or David Gold on viola, and now retrieved from aging cassettes

and CDs. Included are “I Wish I Were an Alien,” “How About a Movie?”,

“We’re Just a Bit of Dust,” “I Never Met a Man Who Never Met a Man He

Didn’t Like That I Like,” and other songs with rapid rhyming and lush

viola parts:

dougskinner.bandcamp.com/album/the-worse-it-gets-the-better-we-like-it

My old colleague Bill Irwin is back on Broadway with a new production of

Molière’s “Imaginary Invalid” at the Todd Haimes Theater. It’s in

previews now, and it opens Oct. 22. I mention it here because Bill’s

adaptation is based on my translation:

broadway.org/shows/the-imaginary-invalid

Doug Skinner

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21. Judith Bernstein, FF Alumn, now online in Purple Magazine

Please visit this link:

https://files.constantcontact.com/20b05085301/4af4d2c4-8bf1-4b3c-aa10-ba44df543be8.pdf

Thank you.

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22. Helen Lessick, FF Alumn, at International Sculpture Conference, Twin Cities, MN, Oct. 22-25

Helen Lessick discusses Sculpting Time in Public at the 2026 International Sculpture Center (Sculpture.org) conference at the MInneapolis College of Art and Design, MN.

https://sculpture.org/mpage/Speakers_TwinCities2026

Thank you,

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Join Franklin Furnace today: 

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Goings On is compiled weekly by Rohan Subramaniam, Archivist

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