Contents for September 28th, 2026
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1. Dread Scott, FF Alumn, at Yerba Buena Center for the Arts, San Francisco, CA thru Jan. 31, 2027
2. Regina Silveira, FF Alumn, at Bechtler Museum of Modern Art, Charlotte,NC, thru Feb. 1, 2027
3. Autumn Knight, FF Alumn, selected for Hayama Residency 2026, Kanagawa, Japan
4. Kathy Brew, Yoshiko Chuma, Martha Edelheit, Stefani Mar, Aline Mare, Lucia Minervini, Helen Oji, FF Alumns, at PS122 Gallery, Manhattan, opening Oct. 8 and more
5. LuLu LoLo, FF Alumn, at HB Playwrights Foundation Theatre, Manhattan, Sept. 30
6. Visual Aids, symposium at the New Museum, Manhattan, Oct. 2
7. Dee Shapiro, FF Alumn, at Re Institute, Millerton, NY, Oct. 11
8. Audrey Kindred, FF Alumn, with American Ethical Union, live on Zoom, starting Oct. 7
9. Nina Sobell, Maggie Ens, Arleen Schloss, FF Alumns, at Ilon Art Gallery, Manhattan, thru Nov. 2
10. Gearóid Dolan aka screaMachine, FF Alumn, at MIT Future Fest, Cambridge, MA, Oct. 3
11. Anne Sherwood Pundyk, FF Alumn, at The Parrot Club, Brooklyn, Oct. 23
12. Sheryl Oring, FF Alumn, named inaugural Chair of Fine Arts, Virginia Commonwealth University, Richmond
13. Bob Goldberg, FF Alumn, now online at LakeIvan.substack.com
14. Michelle Handelman, FF Alumn, at Anthology Film Archive, Manhattan, Oct. 4, 13
15. Raquel Du Toit, FF Alumn, at 26 Bridge, Brooklyn, Oct. 21
16. Adam Pendleton, FF Alumn, now online at NYTimes.com
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1. Dread Scott, FF Alumn, at Yerba Buena Center for the Arts, San Francisco, CA thru Jan. 31, 2027
Dread Scott
The Body Politic
Yerba Buena Center for the Arts, San Francisco, CA
September 25, 2026 – January 31, 2027
“Art as Resistance”
A Conversation featuring Dread Scott on the occasion of Fall of Freedom
San Francisco Museum of Modern Art, CA
October 3, 2026 at 1:00 PM
Cristin Tierney Gallery congratulates Dread Scott on his upcoming exhibition, The Body Politic, at the Yerba Buena Center for the Arts in San Francisco, CA.
This exhibition marks the most significant exhibition of work to date by Scott, bringing together newly commissioned and existing works that confront political issues and interrogate American patriotism. Curated by René Morales, The Body Politic is on view September 25, 2026–January 31, 2027.
Well-known for an early work that became the center of national controversy over its use of the American flag, Scott uses his artistic practice to confront the histories and ongoing realities of state violence, racial oppression, and resistance. Working across mediums—from social practice, performance, installation, and sculpture to photography, video, and printed materials—the artist creates rigorously researched projects that challenge viewers to contend with how power is structured, enforced, and challenged. The Body Politic presents recent work including epic body prints, a provocative performance piece, and a series of modified photographs of governmental seats of power.
“It is a wonderful privilege to present Dread Scott’s first institutional solo show,” said Mari Robles, CEO of Yerba Buena Center for the Arts. “It’s exactly the type of work that YBCA exists to support: art that encourages deep engagement with provocative questions about belonging.”
“At the core of Scott’s hard-hitting production is an unflinching critique of prevailing political realities, premised on the idea that art can serve as an effective platform for protest and the struggle for social justice,” said guest curator René Morales. “Scott’s work reminds us of our power and responsibility, as individuals and communities, to fight for freedom and equity. Amid a challenging time marked by instability, division, and tension, his work has never felt more timely.”
The exhibition at YBCA will feature two newly commissioned projects. Defending the Flag will present a guard dressed in a military uniform, holding a rifle, and standing in front of a U.S. flag. The project crystallizes social power dynamics in the form of a tense, close-and-personal encounter between the state and the public, underscoring the charged imbalances embedded in this fraught relationship.
The second commission, a series of body prints called Life/Death/America, depicts the ghostly silhouettes of a broad range of individuals of disparate sizes, age groups, genders, and racial and cultural backgrounds—most clothed, some exposed. Created with the participation of community members, the ethereal, abstracted aesthetic of the body prints alludes to the untimely deaths of many within and outside of U.S. borders. At the same time, it visualizes civil society, emphasizing difference, interdependence, and vulnerability while giving form to the latent strength of a united body politic.
“I’ve been thinking about what makes this period in American history different,” said Dread Scott. “The country was founded in slavery and genocide, followed by a century of invasions and wars. But now it is consolidating a fascist form of rule. Protesters are being murdered, wars of aggression unleashed, immigrants targeted, racism rampant, the rule of law undermined, history rewritten, all wrapped in the American flag. I want my art to confront this horror, inspire people to see our strength, and together imagine how we can get to a world we would actually want to live in.”
The new pieces in the exhibition will be complemented by existing works, including the screenprint Imagine a World Without America (Green Land) (2025) (appearing both inside the gallery and outside the building as a large-scale public art piece), and additional body prints, evincing the artist’s long-time engagement with this form of image-making.
Taken as a whole, the exhibition draws on the urgency of the present moment, inviting viewers to consider their own positions within the systems Scott’s work lays bare. The Body Politic will be complemented by a series of public programs that expand on issues and themes presented in the exhibition.
Yerba Buena Center for the Arts
701 Mission St, San Francisco, CA 94103
Wednesday: 11:00 am – 8:00 pm
Thursday – Sunday: 11:00 am – 5:00 pm
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2. Regina Silveira, FF Alumn, at Bechtler Museum of Modern Art, Charlotte, NC, thru Feb. 1, 2027
Regina Silveira in:
Making an Impression: Pioneering
Latin American Printmakers
Bechtler Museum of Modern Art
420 S Tryon St, Charlotte, NC 28202
September 26, 2026 – February 1, 2027
Touch #11, 2013, Engraved aluminum composite in 6 parts, 82 1/2 x 123 3/4 in (209.6 x 314.3 cm)
Regina Silveira is included in Making an Impression: Pioneering Latin American Printmakers at the Bechtler Museum of Modern Art, Charlotte, NC, which will open this Saturday, September 26, 2026. The show will be on view through February 1, 2027. The institution’s press release follows:
Bechtler Museum of Modern Art is pleased to present Making an Impression: Pioneering Latin American Printmakers, a major exhibition that brings together works by Rufino Tamayo (Mexican, 1899–1991), Jesús Rafael Soto (Venezuelan, 1923–2005), Regina Silveira (Brazilian, born 1939) and Analia Saban (Argentinian, born 1980). On view from September 26, 2026, through February 1, 2027, and curated by Bechtler Curator Dr. Katia Zavistovski, the exhibition examines how artists across generations have transformed the possibilities of printmaking through material and perceptual innovation.
Spanning works on paper, sculptural editions, vinyl installations, and technologically driven processes, Making an Impression highlights printmaking as a dynamic field of experimentation that continually redefines the relationship between image, surface and space. For each of these artists, printmaking serves not simply as a means of reproduction, but as a site of invention.
“Making an Impression reflects the Bechtler’s commitment to expanding how audiences encounter modern and contemporary art,” said Todd D. Smith, Executive Director of the Bechtler Museum of Modern Art. “By bringing together four artists who span more than a century of practice, the exhibition reveals printmaking as one of the most inventive and forward-looking mediums of our time—and underscores the central role Latin American artists have played in pushing its boundaries.”
Rufino Tamayo was one of the most celebrated Mexican artists of the twentieth century, known for developing a modernist visual language that merged international avant-garde styles with references to Indigenous and Mesoamerican art and culture. In the 1970s, he collaborated with the Mixografía printmaking workshop to pioneer a new process that introduced dimensional texture to the medium. The exhibition will feature 45 of his Mixografías, constituting one of the largest presentations of this body of work in the United States.
Jesús Rafael Soto was one of the most influential figures associated with kinetic art and geometric abstraction in postwar Latin America. Born in Venezuela and based in Paris from 1950 onward, Soto created works that investigated optical vibration, viewer participation, and the relationship between line, space, and motion. The exhibition will include a selection of his 2D prints and his 3D serigraphs on Plexiglas, which destabilize fixed perception through layered lines, transparency, and industrial materials.
Regina Silveira is one of Brazil’s most internationally recognized contemporary artists, known for works that challenge perception through distortion and spatial illusion. Since the 1970s, she has worked across printmaking, photography, installation and digital media. The exhibition will include examples of her prints on paper and aluminum, as well as a monumental, site-specific vinyl installation that activates the architecture of the gallery itself.
Analia Saban, born in Buenos Aires and based in Los Angeles, is known for a multidisciplinary practice that reimagines the material, technical and conceptual foundations of artmaking. Working across printmaking, painting, sculpture, weaving and digital technologies, she transforms traditional artistic processes through experimentation and innovation. The exhibition will feature her work spanning a wide variety of printmaking techniques, including examples produced in collaboration with Mixografía, El Nopal, Lapis Press, Gemini G.E.L., and ADLAR Studio.
“These four artists, working across more than half a century, demonstrate how printmaking has evolved far beyond the printed page,” said Dr. Zavistovski. “Tamayo merged printmaking with sculptural relief; Soto extended it into perceptual experience; Silveira pushed it into architectural space; and Saban brings it into new technological territory. Together, they reveal the medium as a continually shifting arena for experimentation—one capable of engaging perception, architecture, technology and the changing conditions of contemporary image-making.”
Each of the featured artists is represented in the collections of leading international institutions, including Museum of Modern Art, New York; Los Angeles County Museum of Art; Tate, London; Centre Pompidou, Paris; and Reina Sofía, Madrid. Making an Impression continues the Bechtler’s commitment to presenting both well-known and underrepresented modern and contemporary artists and to placing modernism in a global, cross-generational context.
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3. Autumn Knight, FF Alumn, selected for Hayama Residency 2026, Kanagawa, Japan
Please visit this link:
https://www.hayamaresidency.com
Thank you.
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4. Kathy Brew, Yoshiko Chuma, Martha Edelheit, Stefani Mar, Aline Mare, Lucia Minervini, Helen Oji, FF Alumns, at PS122 Gallery, Manhattan, opening Oct. 8 and more
ADDED VALUES + / a generous landscape
PS122 Gallery | October 8–31, 2026
150 1st Avenue, (Entrance on 9th Street between 1st Ave and Ave A) NYC
Opening Reception: Thursday, October 8, 6-8 pm
Gallery hours: Wednesday – Saturday, 1-6 pm and by appointment
Performances/Presentations: Several dates & times below.
Can art give back more than it takes?
This October, PS122 Gallery presents ADDED VALUES + / a generous landscape, an exhibition by
the29.art, an intergenerational collective of women artists working across painting, photography,
sculpture, film, performance, installation, and immersive media. Selected through the gallery’s Annual
Open Call, the exhibition proposes that artistic practice can be an act of regeneration—for communities,
for culture, and for the environment.
ADDED VALUES + foregrounds practices that transform materials, spaces, and systems – where
creative interventions become additive rather than extractive and invites viewers to consider how art can
contribute to collective well-being, ecological balance, and new social imaginaries.
Featured works include: Liz Canner’s The Lost City of Mer, an underwater civilization resurfaces through
newly discovered art/ifacts and interactive VR, prompting viewers to reevaluate their own relationship to
the ocean and engage in a de-extinction project; Stefani Mar’s Urban Rubble Garden, transformed a
vacant city lot into a zen garden using elements of the building that once stood there. Susan Salinger’s
Herm 5 and Herm 6, guardians of Lower Manhattan, are part of an ongoing sculpture series in clay of
reimagined ancient Greco-Roman herms as guardians in female form; Kathy Brew’s Following the
Thread photo series presents ancestral weaving practices in Cusco that become a metaphor for
continuity and resistance. Aline Mare’s The Hole at Glendale Narrows, becomes a meditation on the
terrible beauty of environmental collapse; Martha Edelheit’s Slaughtered USA, bears witness to violence.
Performances by Yoshiko Chuma, jennifer jazz, Phoebe Legere, Felice Rosser, Yohanna M. Roa, Susan
Salinger, and Lila Zemborain.
The exhibit will illuminate the delicate balance between consumption and contribution, urging a shift from
mere sustainability to additive practices. These artists do not extract from the environment but offer
something back: attention, empathy, and the possibility of restoration. Together, their works imagine an
“additive” ecology, where the act of making art becomes an act of giving back to the world rather than
taking from it, cultivating a new narrative where generosity is rebellion and care is revolution.
The exhibition features works by the following artists: Kathy Brew, Liz Canner, Yoshiko Chuma, Martha
Edelheit, jennifer jazz, Phoebe Legere, Stefani Mar, Aline Mare, Lucia Minervini, Karen Moss, Helen Oji,
Virginia Reath, Yohanna M. Roa, Felice Rosser, Susan Salinger, Betsy Weis, and Lila Zemborain.
For press inquiries and appointments, contact:
Susan Salinger (917) 327-6201 or Kathy Brew (917) 592-4134
Performances/Presentations:
Thursday October 8
6-8 pm Opening
FLASH! 5 mins performance Yoshiko Chuma and The School of Hard Knocks
Saturday October 10
1-6 pm
FLASH! 5 mins performance Yoshiko Chuma and The School of Hard Knocks
Tuesday October 13
6-8 pm
6-7:30 The Big Omelet of the Rain Times: Cooking Presentation and Discussion with Yohanna M. Roa
7:30 Felice Rosser reads from jennifer jazz’s writing
Saturday October 17
1-6 pm
FLASH! 5 mins performance Yoshiko Chuma and The School of Hard Knocks
Friday, October 23
1-6 pm, The Lost City of Mer, Interactive VR, Liz Canner (sign-up sheet in gallery)
Saturday, October 24
1-3 pm, The Lost City of Mer, Interactive VR, Liz Canner (sign-up sheet in gallery)
3-4:30 pm, Wearable Ecologies: Art, Community, and Climate Action, A Fashion Show Featuring
Designs by Yohanna M. Roa, Artist-in-Residence with Earth Celebrations, Followed by a Public
Conversation Yohanna M. Roa, Artist Felicia Young, Founder and Executive Director of Earth
Celebrations Karen Cordero Reiman, Curator and Art Historian (to be confirmed)
5 pm, The Fish Who Saved New York, Phoebe Legere
FLASH! 5 mins performance Yoshiko Chuma and The School of Hard Knocks
Wednesday, October 28
6 – 8:30 pm
Poetry, Lila Zemborain
Interactive Sound Piece #2, Susan Salinger
FLASH! 5 mins performance Yoshiko Chuma and The School of Hard Knocks
+ Walk-through with exhibition artists
Saturday, October 31
1-6 pm Closing
FLASH! 5 mins performance Yoshiko Chuma and The School of Hard Knocks
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5. LuLu LoLo, FF Alumn, at HB Playwrights Foundation Theatre, Manhattan, Sept. 30
I am honored to be part of the Performing Arts Legacy Project (PAL) An initiative of the Entertainment Community Fund (formerly the Actors Fund) Look forward to being on the Panel with Barbara Kahn and Alicia Kaplan, moderated by PAL founder Joan Jeffri September 30, 2026; 6:00 PM-7:30 PM HB Playwrights Foundation Theatre 124 Bank Street, Admission: 15-20 The Village Trip Festival #Alicia Kaplan #thevillagetrip
https://www.thevillagetrip.com/event/mapping-the-legacy-village-artists-tell-their-stories/
@thevillagetripfestival #alifeinthearts #performingartslegacyproject
Thank you. LuLu LoLo
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6. Visual Aids, symposium at the New Museum, Manhattan, Oct. 2
Visual Aids research symposium hosted at the New Museum on Friday October 2, 2–5:30pm. The event will also be livestreamed.
The full lineup and details are available here: https://visualaids.org/events/detail/the-fourth-annual-visual-aids-research-symposium
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7. Dee Shapiro, FF Alumn, at Re Institute, Millerton, NY, Oct. 11
RE INSTITUTE, MILLERTON, NY
DARK WHIMSY? Or Not! To October 11
FRIDAY, SATURDAY, SUNDAY
DEE SHAPIRO BETSY REGAN
KATE HAMILTON, CLAUDIA RENFRO
KATHLEEN VANCE
DECONSTRUCTING VENUS
EMILY LOWE GALLERY, HOFSTRA UNIVERSITY, HEMPSTEAD NY
TO DECEMBER 11, 2026
RECEPTION SEPTEMBER 24 5:30-7:30PM
DEE SHAPIRO, LEE KRASNER, KATHE KOLLWITZ,
ELIZABETH CATLETT, MARISOL, LORI HOROWITZ,
SUSAN GRABEL
FREE PUBLIC PROGRAM
WOMEN, ART, ACTIVISM
PANEL DISCUSSION
OCTOBER 22, 2026
6:00-7:30 LEE A. GUTHART CULTURAL CENTER THEATER
AXINN LIBRARY, MODERATOR SUZANNE BERMAN
PANELISTS DEE SHAPIRO, LORI HOROWITZ, SUSAN GRABEL
DR. PEPA ANANSTATIO, PAULA LOMELI
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8. Audrey Kindred, FF Alumn, with American Ethical Union, live on Zoom, starting Oct. 7
Please visit this link:
https://mail.google.com/mail/u/0/?tab=rm&ogbl#inbox/FMfcgzQhWfMVDmxztpLnWCXtBcShCkTl?projector=1
Thank you.
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9. Nina Sobell, Maggie Ens, Arleen Schloss, FF Alumns, at Ilon Art Gallery, Manhattan, thru Nov. 2
Downtown Uptown: Women Artists of the Rivington School
featuring:
Victoria Alexander
Mary Campbell
Tobey Crockett
Eileen Doster
Maggie Ens
Raken Leaves
Ingrid Lindfors
Gloria McLean
Maggie Reilly
Arleen Schloss
Nina Sobell
Sue Strande
Suki Valentine
Sally Young
Opening Celebration September 25, 2026 from 6-9pm
a Live Performance with Gloria McLean starts at 7pm
Ilon Art Gallery | 204 West 123rd Street | Harlem
[The following text is excerpted from the preface by Tobey Crockett to the 400 pg. catalog for
W.A.R.S. – Women Artists of Rivington School
THEN AND NOW | D’ALORS À AUJOURD’HUI Celebrating NYC Women Artists of the 1980s in Belleville, Paris, France, Spring 2025]
This extraordinary showcase brings together a dynamic group of women artists who emerged from the revolutionary Lower East Side art scene of New York City, a time whose radical harvest is even more evident now, some forty years later.
The exhibition title symbolizes both artistic resilience and the collective power of creative expression during a time of profound social change. Visitors can expect an immersive experience which includes many media, such as dance, film, music, painting, photography, digital media, social sculpture and more, bridging historical documentation with contemporary relevance.
A loose confederation of like-minded creators, W.A.R.S. (Women Artists of Rivington School) emerged during the greed-driven hustle of the 1980s, one of the most transformative periods in New York’s cultural history. The Lower East Side of the 1980s was a crucible of artistic innovation—an environment where abandoned lots became canvases, and creativity knew no boundaries.
The women included in this two-part show continue to work across diverse media, united by their shared experience of a past characterized by a vibrant, almost anarchic artistic landscape that existed mostly under the radar of the commercial art world. Their work emerged from cultural hubs such as ABC No Rio, The Rivington School, the Sculpture Garden, A’s Salon on Broome Street, Fusion Arts and No Se No—alternative spaces that defined the era’s underground creativity. A documentary film by Stuart Ginsburg about Arleen Schloss and A’s Salon will be another highlight of the exhibition.
Tobey Crockett PhD, Paso Robles, Ca. 2025
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10. Gearóid Dolan aka screaMachine, FF Alumn, at MIT Future Fest, Cambridge, MA, Oct. 3
“Community Is…”: an interactive and performative installation project featuring hand-made LED screens that display video works submitted by the community over a period of 3 months, from an open call for artists.
Using 57,600 LEDs forming a see-through matrix in standing frames, low resolution videos are displayed floating in front of the landscape and architecture visible behind: a kind of contextual awareness situating the content in the environment where it is located. The screens form a two sided wall, with different content on each side: participants provided 2 videos for this, which are related and connected but not visible simultaneously. The screens form readable video content from a distance, drawing the viewer closer, but as they approach the content dissolves into flickering lights, reflecting the concept that community is clearly visible from the outside but lost in the individual uniqueness when up close and inside. Cameras capture the viewers as they approach and mix their silhouettes into the content, allowing the viewers to be performing participants, to join and merge with the community and lose themselves in the close up pixels. On top of that the entire project is being live remixed by Dolan, forming a continuous interaction between artist, screen, participating artists and viewers. Presented as a community participation project and also as a demonstration of how we can leverage technology to communicate in ways not open to linear media forms and standard narrative modalities.
@MIT Future Fest – https://mitfuturefest.org/
School of Architecture, MET Warehouse, 134 Massachusetts Avenue, Cambridge, MA 02139
https://mad.mit.edu/events/met-open-house-mit-future-fest
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11. Anne Sherwood Pundyk, FF Alumn, at The Parrot Club, Brooklyn, Oct. 23
Anne Sherwood Pundyk
The Architecture of Concealment
Crops, stitches, radiant color. When paintings, collages, and drawings expose the mechanics of hiding their subject. A solo exhibition.
The Parrot Club
165 Court Street,
Brooklyn, NY
Fri, Oct 23 from 6:00 – 10:30 pm
Conversation with the artist and curator: 7:30 pm
Contact
Instagram: @parrotclubparrotclub
Email: dylan@dylangreif.com
Phone: (914) 656-9727
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12. Sheryl Oring, FF Alumn, named inaugural Chair of Fine Arts, Virginia Commonwealth University, Richmond
I’m starting a new job that I’m thrilled about and wanted to share the news – today is my first day as the inaugural Chair of Fine arts at VCU in Richmond.
https://arts.vcu.edu/news/vcuarts-welcomes-sheryl-oring-as-new-chair-of-fine-arts/
Thank you.
Sheryl Oring
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13. Bob Goldberg, FF Alumn, now online at LakeIvan.substack.com
Please visit this link:
https://lakeivan.substack.com/p/goldberg-variations-three-recent
Thank you.
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14. Michelle Handelman, FF Alumn, at Anthology Film Archive, Manhattan, Oct. 4, 13
MICHELLE HANDELMAN, Franklin Furnace Alumn, will be screening her film CATSCAN (1989) Anthology Film Archive, NYC, as part of the series AVATARS OF THE WHORE, guest-curated by Ayanna Dozier. Handelman’s film will show in a program of shorts called “Avatars: The Dominatrix Sleeps Tonight” with films by Beth B., FF Alumn, M.M. Serra, Maria Beatty, Azian Nurudin, Ione Wang and others. There will be two screenings on separate days—filmmakers will be in attendance. “Avatars of the Whore” examines a wide range of women working sex across the club, dungeon, street, and bayou to meet multifaceted ends that include breaking a curse, negotiating childcare, seeking erotic enlightenment. The films gathered here reflect a diversity of experiences of working sex – through the various avatars of the profession – that combat the stigmatization of being a “whore” in society.
Special thanks to Ariel Esteban Cayer (Kani Releasing); Michelle Handelman; Brett Kashmere & Zachary Epcar (Canyon Cinema); Mira Nair; Julia Petrocelli (Film-Makers’ Coop); Timothy Petryni (Trashtown Pictures); Elizabeth Purchell (Muscle Distribution); Michael Repsch (Dark Star Pictures); Annapurna Sriram; and Ione Wang.
“Avatars: The Dominatrix Sleeps Tonight”
Sunday, October 04, 4:00 pm
Tuesday October 13, 7:00 pm
Anthology Film Archives
32 2nd Ave., NYC
Click here, and scroll for tickets: https://ticketing.uswest.veezi.com/sessions/?siteToken=bsrxtagjxmgh2qy0b6p646xdcr
Thank you!
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15. Raquel Du Toit, FF Alumn, at 26 Bridge, Brooklyn, Oct. 21
Please visit this link:
https://www.dance.nyc/Dance.NYC/NYFD
Thank you.
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16. Adam Pendleton, FF Alumn, now online at NYTimes.com
Please visit this link:
Thank you.
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Goings On is compiled weekly by Rohan Subramaniam, Archivist
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