Contents for June 15th, 2026
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Frayda Feldman, FF Alumn, In Memoriam
Weekly Spotlight: **FIRST FIFTY VOICES**
1. Chloë Bass, FF Alumn, free singing workshops, June 23-24
2. Fiona Templeton, FF Alumn, at 42nd Street, Manhattan, June 16
3. Nicolás Dumit Estévez, and Irina Danilova, FF Alumns, now online at IrinaDanilova.net
4. Paul McMahon, Linda Mary Montano, Michael Smith, William Wegman, FF Alumns, at Mothership Gallery, Woodstock, NY, thru June 21
5. G. H. Hovagimyan, FF Alumn, now online at https://my.mindbank.ai/gh-doppelganger/dt and more
6. Kimsooja, FF Alumn, at MOCA, Toronto, Canada, thru Aug. 16
7. Vernon Fisher, FF Alumn, at Herbert F. Johnson Museum of Art, Ithaca, NY
8. Galinsky, FF Alumn, at 14th Street Y Theater, Manhattan, June 23
9. Adrianne Wortzel, FF Alumn, at JDJ Gallery, Manhattan, opening July 1
10. Charles Dennis, FF Alumn, now online at NYTimes.com
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Frayda Feldman, FF Alumn, In Memoriam
We are deeply saddened to share the passing of Frayda Feldman.
Frayda Beth Feldman
August 10, 1938 – June 5, 2026
Frayda Feldman, co-founder and longtime director of Ronald Feldman Fine Arts and a leading authority on Andy Warhol prints, passed away peacefully at the age of 87.
Deeply respected for her intelligence and boundless curiosity, Frayda was beloved for her kindness, empathy, and lifelong devotion to family and friends. She had a remarkable ability to make others feel seen, valued, and cared for, always putting the needs of those around her before her own.
Born in Manhattan in 1938, Frayda grew up in a multigenerational household in Forest Hills before moving to Larchmont, New York. She graduated from Mamaroneck High School in 1955 and the University of Michigan in 1959, a school subsequently attended by two generations of her family.
After short stints in publishing and consulting, Frayda joined Ron in launching Ronald Feldman Fine Arts in 1970. As co-founder and director, she served as the operational glue of the gallery for close to 56 years. Over a fifty-year period, Ronald Feldman Fine Arts exhibited the work of more than 1,000 artists, presenting art that addressed the social, political, and cultural issues of its time.
More than anything, Frayda had a gift for building enduring relationships. Through her warmth, organizational skill, and unwavering commitment to others, she helped transform a young gallery into a lasting institution and made generations of artists, collectors, staff members, and visitors feel welcomed and valued.
Throughout the 1980s, Frayda and Ron collaborated with Andy Warhol to conceptualize and publish several of his most iconic portfolios of prints and paintings, including Ten Portraits of Jews of the Twentieth Century, Myths, Ads, Endangered Species, and Moonwalk.
In recent years, Frayda shared her expertise and institutional knowledge with the gallery’s leadership team, which continues to honor and advance the legacy she and Ron built through more than five decades.
Drawing on her unparalleled expertise, Frayda served as editor of Andy Warhol Prints: A Catalogue Raisonné 1962–1987, the seminal reference used by museums, auction houses, dealers, and collectors around the globe. Her scholarship and firsthand knowledge helped establish standards for the study, authentication, and collection of Warhol’s graphic work.
Frayda was a champion of progressive causes, working tirelessly to engage artists in raising funds for Democratic candidates, especially those advancing the arts. Her journey brought her to local artist studios, countless political and art events, Capitol Hill, and the White House.
Empathy was Frayda’s superpower, and caring for family, friends, artists, and colleagues was her true passion. When in her presence, people felt her warmth, attention, unwavering support, and generosity. She possessed a remarkable ability to make people feel seen, valued, and supported, and her kindness left a lasting impression on generations of artists, collectors, and friends.
Ronald Feldman, her husband of 57 years and partner in life and work, predeceased her in 2022.
She is survived by her brother Henry and sister-in-law Carol Futterman and their family; her son Mark Feldman and his wife Nikki Feldman; son Andy Feldman and his wife Lisa Feldman; daughter Julie Golovcsenko; grandchildren Ethan, Charlotte, Jonah, Sam, Nathan, Lucas, Warren, and Roxanne; and great granddaughter Nora.
If you wish to make a donation in Frayda’s name, here are a few of her favorite organizations: People for the American Way, Creative Capital, or Multiple Melanoma Research at Memorial Sloan Kettering Hospital.
Please leave a tribute message at fraydafeldman.com.
Please join us Saturday afternoon, September 26, 2026 at Ronald Feldman Gallery for a celebration of Frayda’s life and her impact – time to be announced.
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Weekly Spotlight: **FIRST FIFTY VOICES**
In 2008, Alicia Grullón was on the verge of giving up art for good. Then she received a Franklin Furnace FUND grant. She didn’t quit — she went on to become a nationally recognized performance and political artist, reenacting Texas Senator Wendy Davis’s eleven-hour filibuster at BRIC, leading a workshop as part of the 2017 Whitney Biennial, exhibiting at the Bronx Museum and El Museo del Barrio, and earning reviews in the New York Times and Hyperallergic. Here’s what that grant meant at the moment it mattered most:
“I received my Franklin Furnace FUND grant in 2008, when I was about to not be an artist anymore. It was an incredible life-changer. Since then my work has evolved into storytelling — using personal experience to document political moments as they happen in real life. I don’t think I could have gotten where I am now without that funding back in 2008, and that recognition of me as an artist.”
This is what your gift actually does. The FF Fund isn’t abstract — it’s a vote of confidence that reaches an artist at the exact moment they’re deciding whether to keep going.
Help us be there for the next artist on that edge. Any amount funds the work — and the recognition — that keeps the avant garde moving forward:
https://secure.givelively.org/donate/franklin-furnace-archive-inc/first-fifty-campaign
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1. Chloë Bass, FF Alumn, free singing workshops, June 23-24
You’re invited to join a singing workshop for Chloë Bass and Bill Dietz’s sound project The wheels hum a song. The project will premiere as part of the Sharjah Architecture Triennial (Sharjah, UAE) in November 2026, and will travel to the Institute of Contemporary Art at Virginia Commonwealth University (Richmond, Virginia) in April 2027. The project is a co-commission between these two institutions, with support from international transmission arts organization Wave Farm (Acra, New York).
At each singing workshop, we (Chloë and Bill) will teach participants two songs from American railway history. No previous singing experience or expertise is required. The songs have simple melodies, and we will learn them together as a group. Workshops will be audio recorded.
All workshops will take place in a location accessible by public transit in either midtown Manhattan or Crown Heights. You will receive the location information and the finalized workshop time on Saturday, June 20th.
Here is a link to the sgn up form – https://docs.google.com/forms/d/e/1FAIpQLSea9qVGF2hdnaDSRARKSJlyw0zta0nbKG9bl4KNU9WD03avlQ/viewform
We hope some Franklin Furnace affiliates can join us!
Warmly,
Chloë
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2. Fiona Templeton, FF Alumn, at 42nd Street, Manhattan, June 16
Underground Poetry
for Unsettled Times
Larry Price, Fiona Templeton, Lee Ann Brown, David Buuck, Kenneth Reveiz, Stephon Lawrence
Inaugural Poetry reading June 16, 6-7:30 pm
Underground Poetry for Unsettled Times is a new monthly poetry series presented by WhiteBox Portable™ at the 42nd Street–8th Avenue transit hub in Manhattan. Curated by Bruce Andrews and Paolo Javier, the program brings contemporary poetry into direct conversation with one of New York City’s busiest public spaces, where language, performance, and daily urban movement intersect. Designed specifically for the acoustic and temporal conditions of the subway environment, the series invites poetry to engage commuters, travelers, workers, and visitors in unexpected encounters with the spoken word.
Launching with readings by Larry Price, Fiona Templeton, Lee Ann Brown, David Buuck, Kenneth Reveiz, and Stephon Lawrence, the project transforms a heavily trafficked transit corridor into a temporary forum for reflection, imagination, and critical exchange. The first installment of a six-part series continuing throughout 2026, Underground Poetry for Unsettled Times will culminate in a publication featuring poetry, images, and critical reflections. WhiteBox Portable is an ongoing public-space initiative curated by Juan Puntes and Yohanna Magdalene Roa, exploring new possibilities for artistic and cultural engagement beyond conventional institutional settings.
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3. Nicolás Dumit Estévez, and Irina Danilova, FF Alumns, now online at IrinaDanilova.net
A conversation on Project 59, between Nicolás Dumit Estévez, and Irina Danilova, now online
Una conversación entre Nicolás Dumit Estévez e Irina Danilova 59 Вопросов Ирине Даниловой от Николаса Думит Эстевеза
https://www.irinadanilova.net/59Questions2.pdf
Thank you – дякую
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4. Paul McMahon, Linda Mary Montano, Michael Smith, William Wegman, FF Alumns, at Mothership Gallery, Woodstock, NY, thru June 21
FUNNY
at Mothership Gallery, Woodstock, NY, thru June 21
6 Hillcrest Avenue, Woodstock, NY 12498
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5. G. H. Hovagimyan, FF Alumn, now online at https://my.mindbank.ai/gh-doppelganger/dt and more
Hi,
I’m very excited to share this project with you. Please let me know your thoughts. Does this work for you? Ask my digital twin some questions such as “who have you collaborated with in the past?” “What was your first New Media Artwork” , What were you doing in the early 1990’s ? etc.. Try the video call.
/gh
FOR IMMEDIATE RELEASE
G.H. HOVAGIMYAN ANNOUNCES PUBLIC LAUNCH OF GH_DOPPELGÄNGER
A Conversational AI Digital Twin Available Online
Accessible online through a dedicated website, GH_Doppelgänger is an evolving artificial intelligence entity constructed from decades of Hovagimyan’s artworks, writings, interviews, lectures, project proposals, performances, and archival materials. Visitors can enter into live conversations with the digital double, asking questions about art, technology, philosophy, media culture, artificial intelligence, and the artist’s extensive body of work.
Rather than functioning as a simple chatbot, GH_Doppelgänger exists as a continuing artistic investigation into identity, memory, authorship, and the increasingly fluid relationship between human consciousness and machine intelligence.
“The Doppelgänger is both an archive and an experiment,” says Hovagimyan. “It is a second self assembled from a lifetime of ideas, projects, conversations, and creative work. The project asks whether an artist can continue to evolve and communicate through a synthetic intelligence built from their own history.”
Developed using the MindBank.ai platform, GH_Doppelgänger draws upon a continuously expanding knowledge base that includes historical documentation, conceptual writings, artist statements, and research accumulated over more than four decades of artistic practice.
The project extends themes that have been present throughout Hovagimyan’s career, including network culture, online identity, social interaction, digital performance, and the construction of alternative realities through emerging technologies. As an early pioneer of internet-based art and networked culture, Hovagimyan’s work has consistently explored how technology transforms human communication and perception.
Visitors may communicate with GH_Doppelgänger through multiple modes of interaction, including text chat, voice conversation, and live video dialogue. Each interaction contributes to an ongoing exploration of what it means to create a persistent digital personality capable of responding, reflecting, and evolving over time.
GH_Doppelgänger is neither a memorial nor a simulation. It is an active artwork operating in the present, inviting participants to engage with a synthetic personality that exists somewhere between archive, portrait, collaborator, and autonomous intelligence.
Website Access
[https://gh.nujus.net/timeline/dop]
Direct Conversation Link
[https://my.mindbank.ai/gh-doppelganger/dt]
About G.H. Hovagimyan
G.H. Hovagimyan is an artist whose work spans performance, video, installation, network culture, augmented reality, and artificial intelligence. A pioneer of internet art and a founding participant in early online art communities, his practice investigates the social, political, and psychological implications of emerging technologies. His projects have been exhibited internationally in museums, galleries, festivals, and online environments.
Media Contact
G.H. Hovagimyan
Email: [gh@nujus.net]
Website: [https://gh.nujus.net]
© 2026 G.H. Hovagimyan
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6. Kimsooja, FF Alumn, at MOCA, Toronto, Canada, thru Aug. 16
Dimensions of a Needle
15 May – 16 August, 2026
Solo exhibition at Museum of Contemporary Arts (MOCA), Toronto, Canada
Kimsooja, To Breathe – Mokum, 2025-2026, Found fabrics and used clothing, ceiling fans. Courtesy of Oude Kerk Amsterdam, Axel Vervoordt Gallery and Studio Kimsooja. Photo by LF Documentation.
Leading conceptual artist Kimsooja presents site-specific installations across Floors 1 and 3 that illuminate the philosophical and material foundations of her practice. Working across diverse mediums, the exhibition unfolds through the metaphor of the needle—an axis, threshold, and point of encounter—through which Kimsooja has long explored handcraft traditions, female labour, nomadism, co-existence, memory, and transformation. Rooted in a philosophy of “non-doing” and “non-making,” her work uncovers rather than imposes. The needle becomes a model of consciousness—piercing yet binding, dividing yet connecting—while stillness emerges as a resistance to the acceleration of contemporary life.
On Floor 1, suspended traditional textiles—collected from Amsterdam’s diverse immigrant communities—hover as portable architectures of memory and as canvases released from their stretchers. Positioned underneath are the Bottari produced on-site in Oude Kerk Church, filled with clothing from the city’s multiple communities. These bundles embody themes of migration, belonging, and identity by resonating with Amsterdam’s history as a city of arrival and departure. Nearby, the video A Needle Woman – Paris (2009) anchors the space in stillness: the artist stands motionless within the city’s flow, a living point threading disparate lives and drawing attention to the urban fabric.
On Floor 3, the Meta Painting works return to painting’s material origin in linen cultivated and hand-processed by the artist, while ceramic vessels and plates from the Deductive Object–Bottari series translates wrapping into weight and void, each pierced or patterned with constellations of needle holes that open form to air and light. Together, these works propose wrapping and piercing as acts that shape not only objects, but consciousness itself—where the simplest fold or incision holds the depth of the unknown.
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7. Vernon Fisher, FF Alumn, at Herbert F. Johnson Museum of Art, Ithaca, NY
Dear Friend,
Mark Moore Fine Art is pleased to announce the acquisition of an important graphic work of artist VERNON FISHER (1943-2023) titled “Objects in a Field” from 1990 by the The Herbert F. Johnson Museum of Art for their Permanent Collection.
The Herbert F. Johnson Museum of Art opened in 1973. Designed by I. M. Pei & Partners, it is named for benefactor Herbert F. Johnson, a distinguished graduate of Cornell’s Class of 1922, the late president and chairman of S C Johnson of Racine, Wisconsin, and a Cornell University trustee.
Since its beginning the Museum has been open to all without charge. Given Cornell University’s land-grant status and its mandate to play an important role in the community, the Johnson Museum continually seeks to fulfill its cultural and educational responsibility to serve a broad and diverse audience.
Today, the Johnson Museum’s permanent collection numbers more than 40,000 works, spanning six millennia and encompassing art from most world cultures. Among the strengths of the collection are the holdings of Asian art; prints, drawings, and photographs ranging from the fifteenth century to the present; modern and contemporary painting and sculpture; European art from ancient times to the present; African sculpture and textiles; and pre-Columbian sculpture and ceramics. The collections are the foundation for all Museum initiatives in teaching, research, and the development of projects to connect people, art, and ideas in creative ways.
VERNON FISHER
Objects in a Field, 1990
Lithograph
36 × 36 in | 91.4 × 91.4 cm
Editions of 10 + Artist Proofs
Collection of the Herbert F. Johnson Museum of Art | Cornell University
Drawing upon his early interest in how people make sense of the world, Vernon Fisher weaves together literary references, pop cultural imagery, and cartography with his own symbolic lexicon. Renouncing the convention of a singular or autonomous narrative, his works imply a seemingly endless metonymic chain.
Art Critic Dave Hickey stated that Fisher works in a kind of formula of “imperfectly analogous juxtapositions of three imperfectly distinct kinds of phenomena (the personal, the social, the natural), described by three imperfectly distinct information systems (the literary narrative, the iconographic image, and the cartographic grid).”
In viewing various works made over time, these “imperfectly analogous juxtapositions” begin to form their own story, revealing Fisher’s expertise in creating a unique and elusive narrative with a comic’s sensibility.
Vernon Fisher is an American artist working in a wide range of media, best known for his skillful combinations and juxtapositions of image and language.
The mid-1970s was the period when Vernon Fisher started his artistic career, in the era marked by the legacies of Pop and Conceptual art. This mixture of styles created a unique fusion between painting and installation, in that way shaping new inspiring compositions derived from juxtapositions of language and imagery. Influenced by this period in contemporary art, but also by artists such as Ed Ruscha and John Baldessari, Fisher began creating his multilayered visual narratives. Resulting works – paintings, installations and collages – represent Vernon Fisher’s view on pop culture and contemporary society, enriched with art-historical and literary references. Often contextualized within a postmodernism, his works share an influential practice of self-appraisal with Cy Twombly and Robert Rauschenberg.
Vernon Fisher was born in 1943 in Fort Worth, Texas. He studied English literature at the Hardin-Simmons University, where he received a BA in 1967. Vernon got his MFA in 1969, from the University of Illinois. As a true Fort Worth child, Fisher was raised and is still living in his hometown, where he enjoys appreciation as one of Texas’s most internationally recognized artists.
Vernon Fisher (b. 1943, Texas) has been included in two Whitney Biennials (most recently in 2000). Museum installations include the Museum of Modern Art (NY), the Hirshhorn Museum (D.C.), and the Museum of Contemporary Art Chicago (IL). Major public collections include: Albright-Knox Museum, Buffalo, (NY), Art Institute of Chicago (IL), Baltimore Museum of Art (MD), Corcoran Gallery of Art, Washington, D.C., Dallas Museum of Art (TX), Denver Art Museum (CO), Frederick R. Weisman Art Museum, Minneapolis (MN), High Museum of Art, Atlanta (GA), Hirshhorn Museum and Sculpture Garden, Washington, D.C., Krannert Art Museum, University of Illinois at Urbana-Champaign, IL, Los Angeles County Museum of Art (CA), Modern Art Museum of Fort Worth (TX), Museum of Contemporary Art Chicago (IL), Museum of Fine Arts, Houston (TX), Museum of Modern Art (NY), Orange County Museum of Art (CA), Phoenix Art Museum (AZ), San Antonio Museum of Art (TX), Museum of Contemporary Art San Diego (CA), San Francisco Museum of Modern Art (CA), Solomon R. Guggenheim Museum (NY), Tucson Museum of Art, (AZ), Whitney Museum of American Art, and The Walker Art Center, Minneapolis (MN). The artist lives and works in Fort Worth, TX.
Images, biography, reviews, on-line catalogs, and general information on VERNON FISHER and his work can be found on our website https://www.markmoorefineart.com/artists/vernon-fisher for your reference.
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8. Galinsky, FF Alumn, at 14th Street Y Theater, Manhattan, June 23
COULD YOU PATENT THE SUN? A 55-Minute Solo Keynote Performance and Live Taping Written and performed by Robert Galinsky
Directed by Cory Michael Herman – Executive Produced by Dr. Nigel Brown
Tuesday, June 23, 2026 | 7PM Curtain | 14th Street Y Theater | NYC
Tickets https://CouldYou14Y.eventbrite.com
NEW YORK, NY – “Could You Patent the Sun?” This June, Robert Galinsky brings his urgent and deeply human 55-minute solo keynote performance Could You Patent the Sun? to the 14th Street Y Theater (344 East 14th Street at 1st Ave.) for a live staged reading and taping on Tuesday, June 23, with doors at 6:30 PM and curtain at 7:00 PM. $10.00 tickets at https://CouldYou14Y.eventbrite.com
When legendary broadcaster Edward R. Murrow asked Jonas Salk who owned the patent to the polio vaccine, Salk’s response… “could you patent the sun?” became one of the most enduring statements about science, service, and the public good. More than seventy years later, at a time when fear, illness, debates over public trust, scientific discovery, and healthcare access shape the daily life of millions, that question remains as relevant as ever.
On Tuesday, June 23, acclaimed playwright and performer Robert Galinsky brings his 55-minute solo keynote performance Could You Patent the Sun? to the 14th Street Y Theater, exploring the extraordinary story behind one of the most consequential ethical decisions in modern history. Directed by Cory Michael Herman and executive produced by Dr. Nigel Brown, the solo theatrical work examines what happens when a world-changing discovery collides with questions of responsibility, access, and human conscience.
Through storytelling, archival imagery, projection design, and live performance, Galinsky brings audiences inside the life and legacy of Jonas Salk. Not simply to revisit history, but to engage with a question that continues to shape our world. Who should benefit from a breakthrough capable of saving millions of lives? This question becomes the moral engine of Galinsky’s solo performance.
“What drew me to this project is that it isn’t really about a vaccine,” says director Cory Michael Herman. “It’s about a choice. Jonas Salk stood at the center of a discovery that changed the world and chose the public good over personal ownership. The audience isn’t simply learning history, they’re wrestling with that question in real time.”
Dr. Nigel Brown adds, “This show speaks directly to the relationship between medicine and trust. Salk’s story reminds us that science is not only about discovery; it is about leadership, responsibility, and the human beings waiting on the other side of the breakthrough.”
Robert Galinsky is an NYC-based playwright, performer, director, and social practice artist whose work spans theater, film, education, and social justice. Recipient of the Muhammad Ali Face of Compassion in America Award, Galinsky has presented performances and lectures at institutions including Oxford University, the Yale School of Medicine, and The Juilliard School. He is the creator and performer of The Bench, A Homeless Love Story, which ran Off-Broadway at the Cherry Lane Theatre and was later adapted into the feature film Sunset & Lorraine.
The production is directed by Cory Michael Herman, a New York–based arts leader and theater director. As Artistic Director of Educational Alliance, he oversees a wide range of multidisciplinary arts programs and performances throughout New York City. His approach to Could You Patent the Sun? focuses on bringing audiences into conversation with the ethical and human questions at the heart of Jonas Salk’s story. Executive Producer Dr. Nigel Brown, a physician, healthcare advisor, and Oxford-trained scholar, brings a vital medical, ethical, and leadership perspective to the production, helping connect Salk’s legacy to contemporary conversations around healthcare, leadership, and public trust.
The creative team also includes legendary projection artist Joshua White of the Joshua Light Show, whose groundbreaking work helped define the visual language of live performance and immersive concert environments; Steve Pavlovsky of Liquid Light Lab; editor and creative collaborator Marian Saunders; and historical image supervisor Tom Anastasi, whose archival research helps ground the production in the visual record of Salk’s era.
EVENT DETAILS
Could You Patent the Sun?
55-minute solo keynote performance Written and Performed by Robert Galinsky
Directed by Cory Michael Herman. Executive Produced by Dr. Nigel Brown
Tuesday, June 23, 2026 Doors: 6:30 PM, Curtain: 7:00 PM
14th Street Y Theater 344 East 14th Street New York, NY Tickets: $10 ticketlink: https://CouldYou14Y.eventbrite.com
Please note this performance is being filmed and recorded; by entering and remaining in the theater, you acknowledge that you may appear in the recording and consent to its use.
ABOUT THE SHOW
Could You Patent the Sun? is a solo theatrical work about Jonas Salk, the polio vaccine, medical ethics, public trust, and the enduring question of whether humanity’s greatest breakthroughs belong to individuals, institutions, or everyone. Through performance, projection, archival imagery, and live storytelling, the production explores Salk’s life and legacy as a lens through which to examine some of today’s most urgent questions about science, leadership, responsibility, and the public good.
Press Contact: 973.568.8236, joe@jt-pr.net
Joe Trentacosta
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9. Adrianne Wortzel, FF Alumn, at JDJ Gallery, Manhattan, opening July 1
Title: Adrianne Wortzel Solo Exhibition of Paintings at JDJ Gallery
Opening Reception: July 1, 6–8pm
On view: July 1–July 24
JDJ Gallery: 370 Broadway, 2nd Floor, New York, NY 10013
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10. Charles Dennis, FF Alumn, now online at NYTimes.com
Please visit this link:
Thank you.
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