Contents for March 23rd, 2026
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1. Pat Oleszko, FF Alumn, at Smack Mellon, Brooklyn, May 6
2. Howardena Pindell, Barbara Hoffman, Lucy Lippard, Ed Ruscha, FF Alumns at Triple Canopy, April 29
3. Sally Apfelbaum, Kathy Brew, Karen Finley, Beatrice Glow, LuLu LoLo, Susan Newmark, Debra Perlman, Arlene Ruh, Marja Samson, Pamela Sneed, Nina Sobell, Danielle Tegeder, Nadja Verena Marcin, FF Alumns, in Every Woman Biennial, Manhattan, thru April 11
4. David Antonio Cruz, FF Alumn, at PES Futures, Manhattan, thru June 5
5. Glenda Hydler, FF Alumn, at 1027 Grand Street,Brooklyn, April 11-12
6. Robin Tewes, FF Alumn, at PS122, Manhattan, Mar. 29
7. Nicolás Dumit Estévez Raful Espejo Ovalles Morel Atrib, FF Alumn, now online at InteriorBeautySalon.com
8. Benoît Maubrey, FF Alumn, now online at DesignBoom.com
9. John Kelly, FF Alumn, now online at https://artifacts.movie/john-kelly/
10. Jaimie Warren, FF Alumn, at Pioneer Works, Brooklyn, April 12
11. Brooke Toczylowski, FF Alumn, at Emerson College, Boston, MA, opening Mar. 23
12. Paul Lamarre & Melissa Wolf, FF Alumns, at Plato’s Cave, Broklyn, thru April 18
13. Ann Rosen, FF Alumn, at Soho Photo Gallery, Manhattan, opening Mar. 26 and more
14. Robin Tewes, FF Alumn, at Pratt Institute, Brooklyn, April 1
15. Doug Skinner, FF Alumn, new publication
16. Kunio Suzuki, FF Member, at Galerie Planete Rouge, Paris, France, Mar. 27-30
17. Arleen Rush, FF Members, at Bronx River Art Center, opening Mar 28
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1. Pat Oleszko, FF Alumn, at Smack Mellon, Brooklyn, May 6
Please visit this link:
https://secure.givelively.org/event/smack-mellon-studios-inc/spring-benefit
Thank you.
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2. Howardena Pindell, Barbara Hoffman, Lucy Lippard, Ed Ruscha, FF Alumns at Triple Canopy, April 29
A benefit for Triple Canopy,
honoring Howardena Pindell
Wednesday, April 29, 2026
6:30 p.m.
Rule of Thirds
171 Banker Street
Brooklyn, New York 11222
for complete information: https://canopycanopycanopy.com/contents/a-benefit-for-triple-canopy-honoring-howardena-pindell
Triple Canopy is thrilled to honor the artist, curator, and educator Howardena Pindell at our spring benefit on April 29, 2026. Join us at Rule of Thirds for drinks, a seated dinner, and celebrations of Pindell’s work across media and disciplines. We will also award the 2026 Triple Canopy Fellowship to New Red Order, an artist collective whose mischievous installations, performances, and videos envision Indigenous futures.
Triple Canopy’s annual benefit brings together the magazine’s closest supporters and new friends to celebrate the dozens of artists and writers who collaborate with Triple Canopy each year. Joining the festivities means bolstering our efforts to resource artists with the time and creative support needed to produce genuinely experimental projects that might not otherwise be realized. All proceeds help to ensure that we can pay our contributors fairly and insulate them from censorship and market pressures; offer our education programs at no cost to early-career practitioners; and keep the magazine and its activities paywall- and admission-free.
Stay tuned for more information about the full benefit program and afterparty.
Host Committee
Garth Greenan Gallery, Seth Stolbun, White Cube Gallery
Honorary Committee
Jordan Carter, CFGNY, Sean Connelly, Natalie Diaz, Adrienne Edwards, Barbara Hoffman, Candice Hopkins, Steffani Jemison, Deana Lawson, Lucy Lippard, Paul Pfeiffer, Sharifa Rhodes-Pitts, Ed Ruscha, Paul Chaat Smith, Doreen St. Félix, Lowery Stokes Sims
List in formation as of March 18, 2026
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3. Sally Apfelbaum, Kathy Brew, Karen Finley, Beatrice Glow, LuLu LoLo, Susan Newmark, Debra Perlman, Arlene Ruh, Marja Samson, Pamela Sneed, Nina Sobell, Danielle Tegeder, Nadja Verena Marcin, FF Alumns, in Every Woman Biennial, Manhattan, thru April 11
Please visit this link:
https://www.everywomanbiennial.com
Thank you.
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4. David Antonio Cruz, FF Alumn, at PES Futures, Manhattan, thru June 5
black/backroom
David Antonio Cruz
128 Baxter Street in Chinatown, Manhattan, thru June 5. for more info please visit this link:
https://www.pesfutures.org/home
Thank you.
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5. Glenda Hydler, FF Alumn, at 1027 Grand Street,Brooklyn, April 11-12
The Pandemic – photography exhibition in my studio
THE ADDRESS IS:
GLENDA HYDLER
1027 GRAND STREET
BROOKLYN, NEW YORK 11211
APRIL 11TH & 12TH, 2026
12:00-5:00PM
FREIGHT ELEVATOR IS AVAILABLE: Please call me and I can arrange it.
I hope you can make it.
Thank you.
Glenda
917- 301-1496
www.glendafhydler.wordpress.com
www.hydlercostello.wordpress.com
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6. Robin Tewes, FF Alumn, at PS122, Manhattan, Mar. 29
ON VIEW
March 6 — 29, 2026
ARTIST TALK
March 22, 2 — 3:30 pm
CLOSING RECEPTION
March 29, 2 — 4 pm
CURATED BY
Izzy Nova
FEATURING
Sandra Cavanagh, Giustina Surbone, Robin Tewes, Jonathan Torres & Patrick Webb
PS122 GALLERY
150 1st Ave, New York, NY 10009
Open Wednesday — Sunday, 1 — 6 pm
Born from a desire to reach beyond the visible world, Romanticism still reverberates through contemporary art. Held at PS122 Gallery, the exhibition Aromantic takes the exploration of deep emotions and the human experience held by the Romantic traditions as a starting point to address current societal issues and offer a more nuanced, unsentimental worldview.
It features work emphasizing personal and collective feeling, individualism and the sublime in a critique of the struggles and complexities of contemporary life. The selected artists depict narratives and themes drawn from the present, including queer identity, female might, diaspora, animosity, the grotesque and the persistent relevance of mythology and martyrology. Within its thematic critical strength, it formally maintains a focus on the elements of artistic beauty as sustained by the Romantic tradition, such as lush textures, dramatic contrast and evocative compositions.
Through this lens, Aromantic seeks to provide a holistic and authentic representation of life’s multifaceted nature.
For all press inquiries and requests for high‑resolution images, contact mail@izzynova.com
SANDRA CAVANAGH
Sandra Cavanagh was born in Buenos Aires, Argentina. Her early life was pitched on a growing awareness of the prevailing political instability, an overbearing patriarchal society and the dangers of state sanctioned brutality and censorship. Cavanagh read Social Sciences at the University of Belgrano, emigrated to California and later to the UK. She is a Fine Art graduate from the Kent Institute of Art and Design, UK. Since 2010, she’s worked and resided in New York City.
Cavanagh’s work has been exhibited at various venues, including the Hudson Valley Museum of Contemporary Art, Pen & Brush, Gallery 14C, and Westbeth Gallery in New York; Miami National Fine Arts in Florida; and Museo Limen in Italy. In November 2025, she had a solo exhibition at Indiana University of Pennsylvania. From January to April 2026, her work will be shown at The Susquehanna Art Museum, the National Liberty Museum, the University of Bridgeport Art Gallery and the 2026 Every Woman’s Biennial.
She has participated in notable exhibitions such as Aqua Art Miami and the Every Woman Biennale at La Mama Galleria. Her art has received recognition, including the Waave New York Women’s Art Month Award in 2025 and being a finalist for the Women United Art Prize in 2023. Most recently, she has been awarded the 2025 Jackson Art Prize Oil Award and Homiens Art Prize. Cavanagh’s practice has been featured in several publications, including the covers of Create! Magazine and Feminist Space Journal, as well as interviews with Women in the Arts Network, Contemporary Art Collectors, and the Women United Art Prize. Additionally, her work has been highlighted in publications such as The Jersey Journal, Jackson’s, White Hot Magazine, Contemporary Art Collectors and Canvas Rebel.
@sandra_cavanagh_artista
GIUSTINA SURBONE
Giustina Surbone is a painter, video, performance, culinary artist and curator living and working in Brooklyn, NY. Her paintings are an exploration of unfamiliar beauty within the construct of portraiture and the narrative. Her paintings epitomize certain aspects of humanity: ageism, body image, and sexual identity, often with a nod toward art’s historical symbolism. Surbone designs her paintings to deliver a direct impact by virtue of size, style, and the expressive force of her subjects. “My subjects confront themselves and their audience in terms of their inner emotional being to communicate truth and the poignant and transitory nature of life and beauty.”
Venues where Surbone has exhibited in both solo and group shows include McCaig-Welles Gallery, Exit Art, Tribes Gallery, Tabla Rasa Gallery, Gallery Korea, The Flux Factory, Sideshow Gallery, Lascono Gallery, and El Barrio’s Artspace PS 109, Art House Gallery and Pen and Ink Gallery, to name a few. Her work has been published and reviewed in the NY Times, the NY Daily News, Hyperallergic, and Time Out NY, and is in private and Kentler International Drawing Space collections.
In addition to her practice as a painter, Surbone created and produced the Hungry Grlz Project, an ongoing series of works using the table as a focal point for absurd dining experiments and decadent artistic presentations, including painting, performance, installation, video, and photographic works. In 2012, she was commissioned by the Flux Factory to create a public performance work entitled A Bacchanalian Banquet for the Banquet of America Experiment, which was influenced by Greek and Roman saturnalia and Filippo Marinetti’s Futurist Cookbook. Her most recent project, entitled “RAGE,” is based on a global feminist ideology that was initially inspired by the 2016 Women’s March in Washington and the #MeToo movement.
@giustina_surbone_art
ROBIN TEWES
Robin Tewes is a New York City-based artist known since the early 1980s for her representational paintings of frozen, narrative-like moments. She paints everyday people and domestic interiors in a precise, almost deadpan style that Artforum critic Ronny Cohen called “searingly direct” in its presentation of information and emotional impact. Another review by critic Roberta Smith of the NY Times states, “Robin Tewes paints small, meticulously rendered interiors in which disturbing details regularly define the balloon of domestic normalcy.” Tewes often incorporates subtle, graffiti-like text into her paintings, suggesting pointed or disquieting thoughts, conversations, or social commentary on the scene portrayed. Or, as ARTnews Barbara Pollack describes Tewes’ work as maintaining “an edgy balance between surrealism and soap opera.” In addition to her art practice, Tewes has worked as an educator, lecturer, curator, and activist.
@robinjtewes
JONATHAN TORRES
Jonathan Torres (b. 1983, San Juan, Puerto Rico) is a Brooklyn-based artist whose work spans painting and sculpture. He received his BFA from the Escuela de Artes Plásticas in San Juan in 2009 and his MFA from Brooklyn College in 2012. Since 2010, Torres has lived and worked in Brooklyn, NY, and was recently a resident at the Sharpe-Walentas Studio Program in DUMBO.
Torres’ practice delves into themes of otherworldliness and the experience of living in the diaspora. Over the past 15 years, his work has evolved through an exploration of emotional and mental states that shape interpersonal dynamics. His imagery often reflects a mix of crisis and anxiety, imbued with dark humor. Torres’ works are part of numerous public and private collections, including the Museum of Fine Arts (MFA) in Boston and the Museo Contemporáneo de Puerto Rico (MACPR) in San Juan.
@torres__jonathan
PATRICK WEBB
Patrick Webb paints Punchinello’s story. He is a figure co-opted from the Italian Commedia del’Arte improvisational theatre reformed to explore contemporary queer experience. As both I and not I, Punchinello occupies a zone of doubleness that can never be reduced to an “either/or” opposition? For as much as the uncanny speaks to what frightens and unnerves with its queer familiarity, it is also, as the literary theorist Nicholas Royle puts it in his book The Uncanny, “never far from something comic: humor, irony and laughter all have a genuinely ‘funny’ role in thinking on this topic.” To speak of Punchinello as radically individuated vis-à-vis the crowd is to invoke another great thinker of uncanniness, Martin Heidegger. Writing in his uniquely existentialist language, Heidegger argues in Being and Time that moments of uncanniness, always accompanied by Angst, signal an opening of self beyond the mundane, the habitual, the easily known. Heidegger holds open the time and space of possibility, the possibility of an uncanny self not preoccupied with familiar conformity or alienated dislocation, but rather strangely connected to and differentiated from the world. In his own words, from the 1996 translation by Joan Stambaugh, “What could be more alien to them than the self individualized to itself in uncanniness?” Patrick Webb is the recipient of fellowships from the Guggenheim Foundation, Ingram Merrill Foundation, National Endowment for the Arts, Art Matters, and Collex. He has had over 30 solo shows in the US and participated in over 70 group shows. His works are in many corporate and museum collections.
@patrickwebb115
PS122 GALLERY
PS122 Gallery is a not-for-profit alternative exhibition space in the East Village, operating since 1979. The organization gave first exhibitions to artists such as Peter Halley, Keith Haring, and Amy Sillman, among many others; and exhibited hundreds more artists throughout the years like John Ahearn, Michael Ashkin, Lutz Bacher, Louise Bourgeois, Co-Lab, Petah Coyne, Karen Finley, Nan Goldin, Joanne Greenbaum, Arturo Herrera, Alfredo Jaar, Deborah Kass, Byron Kim, Larry Krone, Barbara Kruger, Glenn Ligon, Vik Muniz, Thomas Nozkowski, Mira Schor, Dread Scott, Arlene Shechet, Kiki Smith, Nancy Spero, Denyse Thomasos, and David Wojnarowicz; and writers and curators such as Allen Frame, Ellen Handy, Lucy Lippard, Saul Ostrow, Calvin Reid, and Raphael Rubinstein.
It is an ongoing program of Painting Space 122, the grassroots, artist-run cooperative that helped foster the vibrant cultural community at the City of New York-owned 122 Community Center (122CC). The Gallery’s programs are interdisciplinary and inclusive, highlighting artistic practices and practitioners regardless of age, race, gender, ability, geographic and ethnic origin.
@ps122gallery
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7. Nicolás Dumit Estévez Raful Espejo Ovalles Morel Atrib, FF Alumn, now online at InteriorBeautySalon.com
Nicolás Dumit Estévez Raful Espejo Ovalles Morel Atrib launches conversation with Lily Baldwin at The Interior Beauty Salon
https://www.interiorbeautysalon.com/lily-baldwin
Thank you.
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8. Benoît Maubrey, FF Alumn, now online at DesignBoom.com
Please visit this link:
Thank you
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9. John Kelly, FF Alumn, now online at https://artifacts.movie/john-kelly/
Please visit this link:
https://artifacts.movie/john-kelly/
Thank you.
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10. Jaimie Warren, FF Alumn, at Pioneer Works, Brooklyn, April 12
Please visit this link:
https://pioneerworks.org/programs/second-sundays-april-2026
Thank you.
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11. Brooke Toczylowski, FF Alumn, at Emerson College, Boston, MA, opening Mar. 23
Pleased to be exhibiting 𝙏𝙬𝙚𝙡𝙫𝙚 𝙔𝙖𝙧𝙙𝙨 𝙤𝙛 𝙏𝙧𝙖𝙙𝙞𝙣𝙜 𝘾𝙡𝙤𝙩𝙝 in a pop up show:
𝓜𝓮𝓼𝓼𝓲𝓷𝓰 𝔀𝓲𝓽𝓱 𝓛𝓪𝓷𝓰𝓾𝓪𝓰𝓮
curated by @sophiecaitlindodd @emersoncontemporary @emersoncollege @emersoncuratorialpractices
See more info about this project on my website
𝐀𝐧 𝐨𝐩𝐞𝐧𝐢𝐧𝐠 𝐫𝐞𝐜𝐞𝐩𝐭𝐢𝐨𝐧 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐡𝐞𝐥𝐝 𝐌𝐚𝐫𝐜𝐡 𝟐𝟑𝐫𝐝 𝐟𝐫𝐨𝐦 𝟓-𝟕𝐩𝐦. RSVP required:
Repost:
“Language is deeply tied to culture, history, and our identity. It is a tool of communication and a carrier of meaning that takes infinite forms, functions, and uses. But language also carries implicit politics in how we name, represent, and categorize the world around us.”
Visit the Huret & Spector Gallery from March 23-25 to see “Messing With Language: A Multimodal Pop-Up Exhibition.” Curated by Sophie Dodd (one of our very own Gallery Exhibition fellows!), the exhibition brings together six artists working in the Northeast whose practices critically examine our perceptions of language, and, by extension, of power. Mark Hernandez-Motaghy, @jihyunlee.studio Gevin Miller @renatoverdugo @lmao_gan_ma
The Huret and Spector Gallery is located on the 6th Floor of the Tufte Building. Please enter through the doors at 10 Boylston Place Alleyway. Visitor registration and ID required for visitors without an Emerson ID. https://emerson.edu/
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12. Paul Lamarre & Melissa Wolf, FF Alumns, at Plato’s Cave, Broklyn, thru April 18
This Plato’s Cave exhibition of Robert Allen Witz, “I PAINT OVER.” runs from March 20 to April 18, 2026 and coinciding with the Outsider Art Fair.
Works by the artist will be featured at Powers / Lowenfels Gallery Booth C8.
Plato’s Cave / EIDIA House Studio, 14 Dunham Place, Williamsburg Brooklyn, NY 11249 USA
Hours by appointment, contact: Paul Lamarre: eidiahouse@earthlink.net / 646 226 6478
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“I tend to paint over.” R. Witz.
Small paintings and sculptures from the “Totems” series are featured in the Plato’s Cave Vault Space.
The EIDIA House Plato’s Cave 36th exhibition is the second solo of Robert Allen Witz aka R. Witz (Bob) in the ‘Cave’. As this show coincides with his work showing in the Outsider Art Fair, we would like to state that Witz was never considered an ‘outsider’ artist per se though he was ‘self-taught.’ Like many of his art colleagues going back to the 1980s we observed his stoic, independent style of working in many numbers of mediums. This was a motivating factor prompting us to make BOB’S WORLD the film: https://vimeo.com/716965543/05c3e2bfb0?share=copy&fl=sv&fe=ci
With a total running time of 40 minutes, production ran from 2017 to 2023 and BOB’S WORLD receives 20 awards internationally in the short film category. The exhibition “I PAINT OVER.” seeks to pose questions about the artist that we hope will pique your interest in the film.
One might say that all of R. Witz art works were perpetually ‘works in progress.’ Over the decades of his practice, he would revisit time and again most ‘all’ his creations and ‘paint over’ or add mediums of varied materials. Paintings and sculptures incorporated in the forms of: ‘Milk Cartons’, ‘Totems’, ‘Monuments’ and bronzes—were reworked over time. The works could be embellished with: glued wood appendages, plastic bottle, aluminum can, orange juice containers, string, wire, hairpins, hairbands and collages from his many notebooks. Many of these materials were ‘scavenged’ from trash can, the bodega trash in the building beneath his loft or from the dumpster of FIT, Fashion Institute of Technology which could hold discarded wood scraps from the students experiments.
At the end of his 60 year art career documented in our film, BOB’S WORLD you see the works coalesce in his studio into a cohesive unified style that only he could conjure. Time does play a significant role for these gradual transmogrifications for a unique ‘oneness’ of studio to take form. With the steady and habitual ‘layering over’ on all the varied sculptural forms and paintings it establishes R. Witz a singular modus operandi.
Other News
AIR @ EIDIA House, is now offering Artist In Residence at the inspired EIDIA House Studio—one week to one month from May to December 2026. For more info contact us.
If you happen to have an artist fellowship, grant, or stipend enabling your visit to New York City and Brooklyn please consider our residency. During or at the end of your stay, you would have the opportunity for a solo show in Plato’s Cave featuring your current work. Contact us with your plans and samples of your current “works-in-progress.”
Fractured Atlas is the EIDIA House Inc. 501c3 sponsor pass-through. Your support helps to keep Plato’s Cave Exhibition Series going.
Please consider making a contribution. Your check is written to Fractured Atlas, with EIDIA House written on the memo line and mailed to:
Melissa Wolf
EIDIA House Inc.
426 East 9th St, Apt 1C
New York, NY 10009 USA
You can also visit: eidia.com and click the DONATE button for your personal support.
For PLATO’S CAVE, EIDIA House founders Paul Lamarre and Melissa P. Wolf curate invited fellow artists who create installations (and often accompanying limited edition) for the subterranean space PLATO’S CAVE. EIDIA House boldly states that it does not function as an art gallery, but collaborates with the artist to create provocation in art forms, keeping within an ongoing discipline of aesthetic research.
Contact Paul Lamarre
646 226 6478
@eidiahouse
@bobs_world_the_film
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13. Ann Rosen, FF Alumn, at Soho Photo Gallery, Manhattan, opening Mar. 26 and more
I’m having a solo show, Being Seen: Part III, Soho Photo Gallery, 539 West 23rd St. The dates are, March 25-April 19, and the opening reception is Thursday, March 26th, 6-8pm
I’ve made a short documentary about my project.
I will present Being Seen: A Documentary, as guest lecturer for Soho Photo Gallery’s monthly series on April 15, 6-8pm.
Here’s some links to this information and the documentary on my website:
https://www.annrosen.com/being-seen
Thank you.
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14. Robin Tewes, FF Alumn, at Pratt Institute, Brooklyn, April 1
Robin Tewes: Painting, Activism, and the Politics of Visibility.
Lecture presented by the History of Art and Design Department at Pratt Institute, Alumni Reading Room.
200 Willoughby Avenue, Brooklyn, N.Y. 11205
Wednesday April !, 2026 5-7PM.
Here is the link to the RSVP form: https://forms.gle/macnXHLJgAmiS4cD7
https://en.wikipedia.org/wiki/Robin_Tewes
https://www.aaa.si.edu/collections/robin-tewes-papers-17334
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15. Doug Skinner, FF Alumn, new publication
Rejoice, discerning readers! “Papa Bach and Other Stories” is now
available from Black Scat Books!
Perhaps you lie awake at night, your mind racing with questions. Why did
Yolanda hang a flotation device from the ceiling? What happened to the
Butler Bullion? Can a duck teach a dog to fly? Will Dover and Larson
explore that mysterious door? What typos are most prized by collectors?
Will Thyrsis and Gallus escape the wolf? And what will Bach’s 37
children do when they’re kicked out of the house? These are only a few
of the questions answered by the 28 stories in “Papa Bach.” Treat
yourself and soothe your troubled brow! There’s more info at
blackscatbooks (dot) com.
Also from Black Scat comes the 13th issue of “Typo,” containing an array
of art and literature that is both dazzling and international, edited by
the tireless Norman Conquest. I contributed translations of short pieces
by Alfred Jarry, Tristan Bernard, and Gabriel de Lautrec.
Lastly, there’s a new edition of Bill Ectric’s collection “Themes,
Dreams, and Weems,” which contains an interview with me about my
translation of Pierre-Corneille Blessebois’s libertine oddity “The
Zombie of Great Peru.” You can find it on Amazon.
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16. Kunio Suzuki, FF Member, at Galerie Planete Rouge, Paris, France, Mar. 27-30
Art fair in Paris
An exhibition that appeals to the splendor of Japanese art in Paris.I am exhibiting one small item.
Japanese painter Kunio Suzuki HP
https://kuniro-water.blogspot.com
Galerie Planete Rouge
https://galerieplaneterouge.com/
March 27 (Fri) to 29(Sunday), 2026
11:00~18:00 (until 15:00 on the last day)
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17. Arleen Rush, FF Members, at Bronx River Art Center, opening Mar 28
𝑪𝒉𝒓𝒐𝒏𝒊𝒄𝒍𝒆𝒔 𝒐𝒇 𝑮𝒓𝒂𝒄𝒆: 𝑬𝒙𝒑𝒍𝒐𝒓𝒊𝒏𝒈 𝒕𝒉𝒆 𝑨𝒈𝒊𝒏𝒈 𝑩𝒐𝒅𝒚 opens!
Curated by Lizzy Alejandro
Featuring Aiki, Darlene Aschbacher, Sandra Ayala, Vanezza Cruz, Jill Danenberg, Jessica Lagunas, Juanita Lanzo, Laurene Praget, Arlene Rush, and Sima Schloss, this group of intergenerational artists, ages 40 to 85, challenge ageist and gendered cultural narratives that frame aging—particularly for women—as decline, and reimagine growing older as an integral and beautiful part of the human experience.
On view: March 28 – April 25, 2026
Opening Reception: March 28, Saturday, 5-8pm
Artist talk: April 18, Saturday, 5-6:30pm
Bronx River Art Center
1087 East Tremont Ave
Bronx NY 10460
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Goings On for Artists is compiled weekly by Rohan Subramaniam, Archive Intern
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