Contents for August 11th, 2025
CONTENTS (please click on the links or scroll down for complete information on each post):
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1. Kate Bornstein, Karen Finley, Barbara Kruger, Andres Serrano, Dread Scott, FF Alumns, now online at NYTimes.com
2. Anahí Cáceres, FF Alumn, with China Academy of Art, Hangzhou, China, Aug 18-28 and more
3. Nicolás Dumit Estévez Raful Espejo Ovalles Morel, FF Alumn, named 2025-26 Teaching Scholar in Residence, Social Practice City University of New York
4. Vito Acconci, Regina Silveira, Javier Téllez, FF Alumns, at Kunstmuseum Bonn, Germany, thru Nov. 2025
5. Athena Tacha, FF Alumn, now online at NYTimes.com
6. Anahí Cáceres, FF Alumn, at Consulate of the Argentine Embassy, Rio de Janeiro, Brazil, thru Sept. 2025
7. Ray Johnson, FF Alumn, now online with Art Institute of Chicago, IL
8. Ed Woodham, FF Alumn, at School of Visual Arts, Manhattan, Nov. 1-Dec. 6
9. Bradley Eros, FF Alumn, at Artists Space, Manhattan, Aug. 11
10. Dan Perjovschi, FF Alumn, at Jane Lombard Gallery, Manhattan, opening Sept. 5
11. Tamar Ettun, Barbara Pollack, Dread Scott, Martha Wilson, FF Alumns, at Art at a Time Like This, Manhattan, opening Oct. 10
12. Walter Krochmal, FF Alumn, at La Nacional, Manhattan, Aug. 19
13. Dee Shapiro, Miriam Schapiro, FF Alumns, at D. Wigmore Fine Art, Manhattan, Sept. 3-Nov. 7
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1. Kate Bornstein, Karen Finley, Barbara Kruger, Andres Serrano, Dread Scott, FF Alumns, now online at NYTimes.com
Please visit this link:
Thank you.
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2. Anahí Cáceres, FF Alumn, with China Academy of Art, Hangzhou, China, Aug 18-28 and more
Next week Anahí Cáceres was invited by the China Academy of Art in Hangzhou for the “Silk Road Field Residency in China” in August, with the participation of 10 Western and 10 Chinese artists. They will tour six cities along the ancient Silk Road: Lanzhou, Ningxia, Xiahe, Zhangye, Jiayuguan, and Dunhuang, culminating from August 18 to 28 in Hangzhou with an enriching exchange of experiences and the presentation of works on this theme at the Academy of Art Museum (AAC).
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3. Nicolás Dumit Estévez Raful Espejo Ovalles Morel, FF Alumn, named 2025-26 Teaching Scholar in Residence, Social Practice City University of New York
Social Practice CUNY Welcomes Nicolás Dumit Estévez Raful Espejo Ovalles Morel as the 2025–26 Teaching Scholar-in-Residence.
Link to posting: https://mailchi.mp/a1a9386b6364/spcuny-news-aug2025?e=4a010626b6
We are pleased to announce multidisciplinary artist and educator Nicolás Dumit Estévez Raful Espejo Ovalles Morel as the 2025–26 SPCUNY Teaching Scholar-in-Residence. A longtime practitioner of socially engaged performance, Nicolás brings a decades-long commitment to art as a catalyst for personal and collective transformation. His work dissolves boundaries between performance, pedagogy, and ritual, centering presence, care, and radical belonging as essential frameworks for social change.
As the Teaching Scholar-in-Residence, Nicolás will lead the Spring 2026 Seminar, mentor Fellows across disciplines, and co-develop programming that bridges the classroom with broader public, cultural ecosystems. His appointment reflects SPCUNY’s mission to advance a justice-centered vision for arts higher education — one that uplifts artists whose practices are grounded in community, collaboration, and the ongoing pursuit of collective liberation.
“Nicolás is an artist with exemplary commitment to long-term, quiet, and deep engagement with communities. As a longtime New Yorker and CUNY alum, he carries a lived understanding of the aspirations and challenges that shape our communities,” Co-Director Chloë Bass said. “We are so excited to welcome him to SPCUNY, bringing his grounded practice to light in a new way and to inspire our Fellows and broader network.”
Nicolás’s practice traverses the in-between spaces where art and everyday life intersect, emerging not through objects but through experiences, gestures, and relationships. Rooted in a deep inquiry into migration, cultural hybridity, and identity, his work is shaped by the layered realities of being Lebanese-Dominican, Dominican York, and a Bronxite, and unfolds through relational encounters and spiritual gestures. His explorations of identity and belonging reflect a commitment to transformation and care, offering a nuanced reckoning with American identity — particularly urgent in a moment when national policies increasingly diverge from the values of justice and collective care.
“Attending the City College of New York in the 1990s, upon emigrating from the Dominican Republic, prepared me as a creative to be in community in places like Mostar, Bosnia and Herzegovina; Calaf, Catalonia; and Bishkek, Kyrgyzstan, among others,” Nicolás shared. “Returning to CUNY as the SPCUNY Teaching Scholar-in-Residence, I am looking forward to supporting a new generation of artists, scholars, and practitioners in different fields who are experimenting with new paradigms for social justice, and proposing caring and compassionate ways of engaging our world.”
Nicolás’s work has been presented at institutions including MoMA, El Museo del Barrio, the Queens Museum, the Havana Biennial, PERFORMA, and Franklin Furnace. With degrees from Temple University, Union Theological Seminary, and City College (CUNY), he was a Smithsonian Artist Research Fellow and has held teaching roles at the University of Texas at Austin, Transart Institute for Creative Research, and BAX/EmergeNYC. He is also the founding director of The Interior Beauty Salon, an ongoing endeavor and living organism that explores the intersection of creativity and healing.
In this new position, Nicolás will contribute to shaping SPCUNY’s evolving pedagogical vision, deepening connections to New York City’s cultural landscape, and supporting emerging artists in cultivating practices that are socially responsive and rooted in community.
“Our special Teaching Scholar-in-Residence program has brought socially committed artists and scholars like Natalia Nakazawa and Tom Finkelpearl into transformative dialogue with our Fellows and the wider community,” Co-Director Gregory Sholette said. “Welcoming Nicolás into this legacy feels especially timely — his practice reminds us that care is not peripheral, but foundational to how we imagine and enact justice. At a time when the political landscape poses growing pressures on higher education and the arts, his presence signals a needed commitment to reflection, resilience, and a collective future.”
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4. Vito Acconci, Regina Silveira, Javier Téllez, FF Alumns, at Kunstmuseum Bonn, Germany, thru Nov. 2025
Honored to be part of this fantastic exhibition at the Kunstmuseum Bonn curated by Stephan Berg assisted by Katja Thiele, including such great artists as Munch, Vito Acconci, Christian Boltanski, Marlene Dumas, William Kentridge, Kirchner, Gerhard Richter, Dorothea Tanning, Kara Walker and Jeff Wall among others.
FROM DAWN TILL DUSK
THE SHADOW IN CONTEMPORARY ART
Kunstmuseum Bonn
July 3 2025 – November 2 2025.
The exhibition traces for the first time in a German museum the emancipation of the shadow as an image-producing, yet always media-reflexive theme within contemporary art. It examines the spectrum of shadow worlds, ranging from the existential to the threatening to the political.
https://www.kunstmuseum-bonn.de/en/ausstellungen/from-dawn-till-dusk
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5. Athena Tacha, FF Alumn, now online at NYTimes.com
Please visit this link:
Thank you.
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6. Anahí Cáceres, FF Alumn, at Consulate of the Argentine Embassy, Rio de Janeiro, Brazil, thru Sept. 2025
Anahí Cáceres participates in GRAVURA. 3rd South American Printed Art Exhibition, Rio/Cordoba, August /September 2025, at the Antonio Berni Room, Consulate of the Argentine Embassy in Rio de Janeiro, Brazil.
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7. Ray Johnson, FF Alumn, now online with Art Institute of Chicago, IL
Please visit this link:
https://artic.contentdm.oclc.org/digital/collection/findingaids/id/35327/rec/1
Thank you.
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8. Ed Woodham, FF Alumn, at School of Visual Arts, Manhattan, Nov. 1-Dec. 6
Social Malpractice Art
Build art to undermine unbridled power by subterfuge.
November 1 – December 6 / Saturdays 1-3pm
Five Sessions in person with Ed Woodham, Visual and performance artist
at School of Visual Arts NYC
Learn to recognize when you’re being bamboozled-before it’s too late. Understand how corporations sponsor cultural events to improve their image. Identify developers employing artists as place-makers to smoke screen their plans to bulldoze a neighborhood in disregard of the history, longtime residents, small local businesses, and ethos of the community. In this practicum, members will explore the paths of how art has been utilized as a tool of distraction to drive urban renewal, gentrification and urban development, for profit. We will explore socially engaged public artworks that challenge art washing and protest real estate development projects. Investigate examples from Boyle Heights Alliance Against Artwashing and Displacement to the Chinatown Art Brigade, and from Guerrilla Girls to the YES Men. Through a series of prompts, participants will create public actions from the conceptual stage to fully realized artworks that cleverly confront the status quo. Build art to undermine unbridled power by subterfuge.
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9. Bradley Eros, FF Alumn, at Artists Space, Manhattan, Aug. 11
Abasement #79
Monday, August 11th
7pm
Free, no RSVP required
Performances by MSHR, Kala, Battle Elf, Endless Season, and David First and Madison Greenstone. DJ Nikki Sneakers. Visuals by Wavefield. Projections by Bradley Eros.
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
Abasement is a music series featuring performances, a guest DJ, and a projectionist. Beginning in 2015 at Max Fish bar in New York’s Lower East Side, the evening brings together artists and bands working in free improvisation, jazz, noise, minimalism, and experimental composition. When Max Fish permanently closed due to Covid, one of the few experimental music venues in Manhattan temporarily ceased to exist. Artists Space is pleased to continue hosting Abasement.
Biographies
David First and Madison Greenstone met after a performance that Greenstone had played in. As fate would have it, Greenstone had just recently heard one of First’s albums. Their conversion immediately ran to a deep and common ground and plans were made to get together to play. The very next day First saw Robert Mayson who asked what he’d been up to. First sent Mayson an excerpt of the recording he and Greenstone made and here we are..Madison Greenstone is a clarinetist, writer, and member of TAK Ensemble. Their solo practice, exstatic resonances, explores phenomenological, material and spatial expressivities of sound through richly noisy timbral actions. This practice is documented on their debut album Resonance Studies in Ecstatic Consciousness, released on Relative Pitch Records. Madison performs across the US and internationally as a soloist and chamber musician. They have been presented by the New York Philharmonic, Blank Forms, LAMPO, KM28, ISSUE Project Room, the Vigeland Mausoleum, Night of Surprise, and Bangkok Arts and Cultural Center. Madison resides in Brooklyn. David First has had music released on Important Records, Dais, Thurston Moore’s Ecstatic Peace, Phill Niblock’s XI, Mode (Fall ‘25), and numerous others. He is perhaps best known for his longstanding “Dave’s Waves Sonic Restaurant” audio/video installation which has been presented in Berlin, Belgium, Moscow, The Netherlands, and since 2018 has been open to the public over a dozen times at the Sunview Luncheonette (Greenpoint). First was recently named a New Music USA Creator Fund Awardee for 2025. He has also been the recipient of the Herb Alpert/Ragdale Award for Music Composition for 2019 and a 2019 NYFA/NYSCA Fellowship. Other awards include a Grant to Artists from the Foundation of Contemporary Arts, as well as grants and commissions from the NEA, the Copeland Foundation (in 2010 & 2024), the Mary Flagler Cary Charitable Trust and the Meet the Composer Commissioning USA program.
Endless Season is a collaborative project featuring the legendary maestro Daniel Carter and the rising tenor saxophonist Ayumi Ishito. Daniel Carter is world-renowned for his multi-instrumentalist talents and his awe-inspiring musical innovation. Ayumi Ishito is regarded as one of the most dynamic and creative young musicians in New York’s avant-garde scene. Many believe she embodies the future of this genre, skillfully weaving together sound and imagination.
Three sonic wanderers make up the band Battle Elf: guitarists Gretchen Gonzales & Chris Peters and drummer David Hurley. Their unified electric sound creates universes from ancient dust, telling tales of battles and redemption. Hailing from Detroit, a hub of industry and culture, each member of Battle Elf absorbed the sounds of the world as they grew. They draw from dark memories, pulling energy from CAN, Lee Ranaldo, Sun Ra, Fred Frith, Eddie Hazel, Cosmic Jokers and Ash Ra Tempel… channeling through Krautrock and deep psychedelia.
KALA is a new duo of drummer Ember Vaughan-Lee and guitarist Tashi Dorji.
MSHR is an art collective that collaboratively builds and explores sculptural electronic systems. Their performances and installations integrate electrical signals and human presence, weaving dense networks of causality to form audiovisual environments that babble with life-like current. They explore intuitive and technical gradients between sonic and sculptural forms, using analog circuitry and open-source software to sculpt mutually resonant hyperobjects. MSHR was founded by Brenna Murphy and Birch Cooper in 2011 in Portland, Oregon.The name MSHR is a modular acronym designed to hold varied ideas over time. It can be pronounced as an acronym or like one who meshes.
Nikki Sneakers is a photographer, promoter, and DJ. She has championed and nurtured nearly every aspect of New York’s electronic underground over the past two decades via her involvement in cult parties like Wierd and Nothing Changes, her live music photography, and her work both behind the scenes and behind the bar at some of the city’s most beloved venues.
Wavefield is a collaborative DIY art organization focused on polymedia and video art
Bradley Eros, as always, (since the very beginning of Abasement (.001), 78+ months, or sessions, ago) will project their “hand-made” analog slides, and/or film ~ all night long! *** “eau de cinema”, ‘musique plastique’, “philosophical jaywalker”, “Eros C’est L’amour!”
Abasement has been curated by Joseph Frivaldi and Robert Mayson since 2015.
Accessibility
Artists Space is fully accessible via a wheelchair lift and automated door in front of the entrance on 80 White Street. The cellar gallery can be accessed via the ground floor elevator. Artists Space welcomes assistance dogs, and has wheelchair accessible non-gender-segregated toilet facilities. If you have any further questions about access please email info@artistsspace.org.
Supporters
Artists Space Venue is generously supported by Stephen Cheng, Allan Schwartzman, and David Zwirner.
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10. Dan Perjovschi, FF Alumn, at Jane Lombard Gallery, Manhattan, opening Sept. 5
30×30
September 5th – October 25th, 2025
Opening Reception: Friday, September 5th, 6-8 PM
Featuring:
Mark Bradford, Jane Bustin, Margarita Cabrera, Huguette Caland, Cao Fei, Squeak Carnwath, James Clar, T.J. Dedeaux-Norris, Mounir Fatmi, Carlos Garaicoa, Richard Ibghy & Marilou Lemmens, Teppei Kaneuji, Lee Kit, Lee Mingwei, Via Lewandowsky, LuYang, Tala Madani, Kristin McIver, Azita Moradkhani, Lucy + Jorge Orta, Dan Perjovschi, Michael Rakowitz, Massinissa Selmani, Howard Smith, Eva Struble, Pascale Marthine Tayou, Allan Wexler, Bradley Wood, Sawangwongse Yawnghwe, Nina Yuen
Jane Lombard Gallery is pleased to present 30×30, an exhibition celebrating the legacy of Jane Lombard as a visionary dealer. This landmark exhibition will showcase a wide range of works, highlighting the innovative and boundary-pushing art that has defined Lombard’s focus over the past three decades. The exhibition will be on view from September 5th through October 25th with an opening reception on September 5th, from 6-8 PM.
30×30 features both large-scale installations and intimate works, exploring themes that range from humor in the face of political turmoil, to the role of architecture in the artistic process, to the body and self as a recurring motif in contemporary art. The title of the exhibition alludes to time, but also to a measurement – something we often speak of in art: dimensions. “Thirty by thirty” connotes a ratio, much like how some of the artists in the show create work that is spatial, durational, and experiential – such as Allan Wexler’s investigations of built environments, or Carlos Garaicoa’s urban narratives. Others, like Lee Mingwei’s Stone Journey, stretch across time, unfolding slowly and contemplatively in rhythm with natural cycles.
Bringing together works made across continents and decades, 30×30 underscores Jane Lombard’s commitment to cross-cultural dialogue and to fostering long-term relationships with artists whose practices evolve with the world around them. This exhibition is not a retrospective, but rather a living archive, an active constellation of voices that speak to an ever-expanding ethos. 30×30 celebrates Lombard’s past defined by risk-taking and resilience, while looking ahead to a future of continued experimentation and artistic discovery. With this anniversary exhibition, Jane Lombard Gallery reaffirms its mission as a platform for global voices that shape the contemporary moment.
Featuring 30 artists – a mix of the gallery’s current roster and pivotal figures from Lombard’s past– 30×30 will unveil a distinct array of new and historic paintings, drawings, sculptures, installations, and rare archival material. For 30 years, from Jane Lombard’s early days in Soho and Chelsea, to her current gallery location in Tribeca, Jane Lombard has been committed to championing visionary works that engage with political themes, while maintaining a sense of playful experimentation and formal innovation. This exhibition captures the spirit of a gallerist committed to artists who challenge, provoke, and reflect on the cultural, political, and social urgencies of our time.
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11. Tamar Ettun, Barbara Pollack, Dread Scott, Martha Wilson, FF Alumns, at Art at a Time Like This, Manhattan, opening Oct. 10
Art at a Time Like This Announces
DON’T LOOK NOW: A DEFENSE
OF FREE EXPRESSION
24 Artists Exercising Their First Amendment Rights
Art at a Time Like This
127 Elizabeth Street, New York
Opening Reception: October 10, 6pm–8pm
In a sociopolitical climate increasingly fraught with suppression of creative voices, from the rescinding of federal arts funding to increasing corporate overreach and institutional self-censorship, the nonprofit organization Art at a Time Like This is proud to announce its first gallery exhibition, DON’T LOOK NOW. The group exhibition, opening October 10, 2025 in New York City, brings together 24 artists who have experienced censorship firsthand, highlighting the precarious state of our first amendment rights.
Artists on View:
Leopoldo Bloom, Mel Chin, Abigail DeVille, Tamar Ettun, Shepard Fairey, Andil Gosine, Clarity Haynes, Yvonne Iten-Scott, Alex Jochim, Sari Norman, Katrina Majkut, Kelly Sinapah Mary, Jean Paul Mazzoli, Jessica Doe Mehta, Marilyn Minter, Vũ Khanh Nguyen H., Shey Rivera Rios, Dread Scott, Danielle SeeWalker, Susan Silas, Alissa Syverson, Michelle Talibah, Spencer Tunick, and Martha Wilson.
“We fundamentally support artists’ rights, whether we agree with their point of view or not,” says Barbara Pollack, co-director of Art at a Time Like This, highlighting that they have been working on this exhibition for over a year since their 2024 conference, “Dangerous Art, Endangered Artists”, about the global rise of authoritarian control of the arts. “Our goal is to create meaningful dialogue which cannot happen without the fundamental right to free expression, that is guaranteed by the Constitution.”
The works on view serve as direct evidence of this shifting landscape. Shepard Fairey’s print, My Florist is a Dick, a searing critique of police brutality, was removed by city officials from an Arizona museum. An entire exhibition by Andil Gosine, Nature’s Wild, which included ceramic works by Kelly Sinnapah Mary was canceled by Washington, D.C.’s Art Museum of the Americas earlier this year.
The exhibition also chronicles the personal and professional costs of creating challenging art. Danielle SeeWalker’s 2024 artist residency in Vail, Colorado, was rescinded over her painting G is for Genocide, which depicted a Native American woman in a keffiyeh. Yvonne Iten-Scott’s intricate quilt, Origin, was ejected from a national exhibition for its reference to the female body and, by extension, abortion rights.
Providing essential historical context is the pioneering artist Martha Wilson, who reminds visitors of the 1990s culture wars, a period whose battles over federal funding and artistic freedom echo loudly in today’s increasingly restrictive atmosphere. DON’T LOOK NOW will also give a voice to art students whose graduate programs were shuttered following the loss of NEA funding, and a former USAID employee who painted a tribute to the now-defunct agency.
This exhibition is a direct outgrowth of the organization’s own history. In 2023, Art at a Time Like This faced censorship when billboard companies in Houston, Texas, refused its public art campaign, 8×5: Artists Responding to Mass Incarceration. That experience led to a 2024 symposium, Dangerous Art, Endangered Artists, and has now culminated in DON’T LOOK NOW, an unflinching survey of censorship on American soil.
Programming will be scheduled throughout the exhibition including panel discussions and performances. The full schedule will be available in September 2025.
About Art at a Time Like This
Art at a Time Like This is a nonprofit arts organization providing opportunities for artists and curators to address current events and pressing issues. Now in its fifth year, Art at a Time Like This has consistently upheld the first amendment rights of its participants even when challenged. It has provided platforms for artists from Hong Kong, Afghanistan, Ukraine and other locales where authoritarian regimes prevent free expression for artists. In the United States, we have presented works by artists with experience with the criminal justice system and others with limited rights and recognition.
Our thanks to National Coalition Against Censorship, Don’t Delete Art and Artists at Risk Connection for their invaluable advice and encouragement. Art at a Time Like This also thanks Prisoner Wine Company for their repeated support of their projects since 2023.
Visit our website at www.artatatimelikethis.com
Follow us on Instagram at instagram.com/artatatimelikethis
FOR MEDIA ENQUIRIES
Andy Cushman
Tel: +1-212-675-1800
Blue Medium, Inc.
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12. Walter Krochmal, FF Alumn, at La Nacional, Manhattan, Aug. 19
“A Night at La Nacional” Brings New York City Audiences Animation, Stories of Creation, Cautionary Tales and a Seri Nation Cultural Delegation (Aug. 19)
DATE & TIME: Tues. August 19, 2025 5:30 pm – 9:30 pm
VENUE: La Nacional – 239 West 14th Street (MANHATTAN)
FULL PROGRAMME LINK https://www.bronxworldfilm.org/a-night-at-la-nacional-1
Downtown Manhattan beckons arthouse film lovers to the summer’s end edition of “A Night at La Nacional,” the monthly film^arts event launched this year and which on August 19th offers a programme strong on animation centered on variants of tales of creation/destruction, trauma from inner conflict and war, and the dizzying, unprecedented collision of local and global forces across the planet today.
In its US premiere we have Ziki (SCR/DIR Roberta Palmieri, Olga Sargenti, ITALY, 2024), the arrestingly lifelike stop-motion tale of a Congolese child born in a mud hut then drawn into a world gleaming with coltan, the metal so abundant in his homeland, so essential for digital technology and now spurring conflict, massive displacement, slavery and child soldiers. The Girl and the Pot (SCR/DIR Valentina Homem & Tati Bond, BRAZIL, 2024) frames its creation story in indigenous Amazonian culture; Pisces (SCR Omer Hamawy Ernst/DIR Lee Dror, ISRAEL, 2023, 12:09), in its New York City premiere, tells the tale of an Israeli woman who moves to Japan to work as a family member for rent. The Confrontation (SCR/DIR Tony Dhillon, USA, 2025, 10:00, Horror) takes us on a careening ride through the filmmaker’s psyche. Finally fresh from Festival de Cannes and representing The Bronx we will screen SoulTron the Traveler (SCR/DIR Pierre Guillet, USA, 2025, 06:43, Experimental sci-fi). Pierre is Director of Media for Andrew Freedman Home.
This edition of A Night at La Nacional opens with an exhibit by Zara Monrroy, Cultural Ambassador from the Seri nation of Sonora, Mexico with arts, crafts, poetry and songs; singer, guitarist and poet Carlos Tello; and The Disappeared 2025, excerpt from a short work by Nancy Finn performed by Elizabeth Caruso. Produced in partnership with Bronx World Film, A Night at La Nacional offers filmmakers, performers, artists and communities a lively hub for forging partnerships while drawing new patrons to what the Daily News calls “a hidden gem.”
Admission to “A Night at La Nacional” is free. Donations accepted. Cash bar on premises.
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13. Dee Shapiro, Miriam Schapiro, FF Alumns, at D. Wigmore Fine Art, Manhattan, Sept. 3-Nov. 7
RETURN TO BEAUTY: The Pattern & Decoration Movement, 1975-1985 at D.Wigmore Fine Art. 152 West 57th Street. 3rd floor. SEPTEMBER 3-NOVEMBER 7, 2025
Artists: Dee Shapiro, Miriam Schapiro, Robert Kushner, Kendall Shaw, Nancy Graves, Diane Itter and Lia Cook
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Goings On for Artists is compiled weekly by Rohan Subramaniam, Archive Intern, Summer/Fall/Winter 2024/2025
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