Contents for June 5, 2023
Please note that Goings On will not be issued the weeks of July 3 and July 10, 2023 and will resume regular weekly publication starting again on July 17, 2023, so please submit items for publication by midnight June 22, 2023 or after July 14, 2023. After 23 years of nonstop weekly Goings On eblasts, our staff is getting a holiday, hooray! Thank you very much.
CONTENTS (please click on the links or scroll down for complete information on each post):
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1. Elaine Angelopoulos, FF FUND recipient 2014-15, at the intersection of Flatbush and Atlantic Avenues, Brooklyn, June 10
2. Frank Moore, FF Alumn, looking for home for LUVeR show tapes
3. Justin Allen, FF Alumn, receives Wendy’s Subway Editor’s Pick prize
4. Glenn Belverio, Su Friedrich, Yvonne Rainer, FF Alumns, at National Gallery of Art, Washington, DC, June 18-25
5. Marisa MorĂĄn Jahn, FF Alumn, at Sapar Contemporary, Manhattan, thru July 15
6. Crystal Z Campbell, FF Alumn, at Artists Space, Manhattan, opening June 9
7. Nao Bustamante, FF Alumn, at The Cheech Marin Center for Chicano Art & Culture, Riverside, CA, opening June 18
8. Dara Birnbaum, Guerilla Girls, Ana Mendieta, Howardena Pindell, Cindy Sherman, Kiki Smith, Betty Tompkins, FF Alumns, at the Brooklyn Museum, thru Sept. 24
9. Ana Mendieta, FF Alumn, at Mo.Co., Montpellier, France, thru Sept. 10
10. Elly Clarke, FF Alumn, at Bishopsgate Institute, London, UK, June 8
11. Jodie Lyn-Kee-Chow, FF Alumn, at PS122 Gallery, Manhattan, June 10-25, and more
12. Guillaume Bijl, FF Alumn, at Art Basel Unlimited, Switzerland, opening June 12
13. Jeanette Andrews, FF Alumn, now online at Cheddar.com
14. Galinsky, FF Alumn, at Book Club Bar, Manhattan, June 15
15. M. Kasper, FF Alumn, translation reissued.
16. Stephanie Brody-Lederman, FF Alumn, at Galerie Jean-Louis Cleret, Guingamps, France, June 17-July 22 and more
17. Paul Zelevansky, FF Alumn, now online at GreatBlankness.com
18. Reverend Billy, Savitri D, Annie Sprinkle & Beth Stephens, FF Alumns, at EarthChxrch, Manhattan, June 11 and more
19. Tamar Ettun, FF Alumn, spring news
20. Judith Bernstein, FF Alumn, at The Box LA, CA, opening June 17
21. Andy Warhol, FF Alumn, now online at NYTimes.com
22. Edit DeAK, Brian O’Doherty, Lucy Lippard, FF Alumns, at Printed Matter, Manhattan, thru June 21
23. Chrysanne Stathacos, FF Alumn, now online at Frieze.com
24. Alina Bliumis, Warren Neidich, FF Alumns, at The Opening Gallery, Manhattan, June 5
25. Arlene Rush, FF Member, at AHA Fine Art, Manhattan, thru July 29
26. Peculiar Works Project, FF Alumns, at The Tank, Manhattan, June 12-14
27. Tobaron Waxman, FF Alumn, online with Jewish Women’s Archive, June 8
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1. Elaine Angelopoulos, FF FUND recipient 2014-15, at the intersection of Flatbush and Atlantic Avenues, Brooklyn, June 10
âBrooklyn Dreamsâ Saturday, June 10th, 2023 3:30- 5:30 pm
(rain date: Saturday, June 17th, 2023, 3:30-5:30 pm)
We will gather at the Ursula Von Rydingsvard sculpture “Ona” near the intersection of Flatbush and Atlantic Avenues in Brooklyn, beginning at 3:30pm.The performance will begin at 3:45 pm.
The duration is 90 minutes followed by a Q/A at the tip of the Barclays Center footprint.
Performance route: Flatbush Avenue south; Dean Street to Vanderbilt Avenue; Vanderbilt to Atlantic Avenue; Atlantic Avenue to the intersection of Flatbush Avenue.
âBrooklyn Dreamsâ recounts the saga of how political and urban development decisions affect each individual life on multiple levels of their daily reality. Angelopoulos will emulate the appearance of a construction worker while singing song ballads and reciting accounts of the effects of urban renewal from conversations recorded 10 years ago. As a performance that roams, Flaneur Angelopoulos will be singing while guiding the audience in a walk around the Atlantic Yards footprint, now in a neighborhood identified as âPacific Parkâ.
A video of the performance will be produced and premiered at a later date.
Elaine Angelopoulos lives and works in New York City. She is an artist with an interdisciplinary approach that bridges her studio practice with audience participation, of select installations and performances. Her work has been exhibited in New York, the United States, and Europe. Visit her website at https://elaineangelopoulos.com/ and you can find her on Vimeo and http://barristersgallery.com/
Instagram: angelopouloselaine
Facebook: elaineangelopoulos
Twitter: angelchick65
Associate Assistant Performer: Anna Adams Stark Consultant/Assistant: Rishauna Zumberg
Documentarians: videography: Charles Dennis, Tsubasa Berg; photography: Teri Slotkin
Franklin Furnace thanks the following for support of its 2014-15 FUND for Performance Art: Jerome Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, and general operating support from the New York State Council on the Arts.
Thank you.
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2. Frank Moore, FF Alumn, looking for home for LUVeR show tapes
From 1999 to 2012, Frank Moore streamed a 24/7 live audio/video internet station, Love Underground Visionary Revolution (LUVeR) from his Berkeley home. âDJsâ from all over the United States and the world did live streaming shows but many created shows on cassette tapes and CDs and mailed them to Frank to play on LUVeR. We are now looking for a home for this large collection of audio cassette tapes and CDs. Included are all of the Frank Moore Shamanâs Den shows that Frank did live almost every Sunday night that included interviews with artists, live performances by bands (in our living room), politicians and other assorted characters that Frank wanted to talk to.
If anyone is interested or knows of a special collection that may be interested in these materials, please contact Linda Mac at mac@eroplay.com
The show tapes include:
All of the Frank Moore’s Shaman’s Den shows on audio cassette tapes
Ralphabeat Radio 1&2
Beer Drinking Hour
More Beer Drinking Hour / Isabella Show
Five Old Men 1
Five Old Men 2 / Entheobotany (Gonzo) / John Boy Audio Network (1 Box)
The Star Man, boxes 1-7
Lucid Moon Potpourri, boxes 1-3
“Saying No to Power”, boxes 1-3
Thinking Out Loud with Bill Mandel, box 1
Dave & Ana Christy #1- 8
Music of the World #1- 5
LUVeR News #1-5
Bay Era Music 2
Other artistsâ audio tapes #1-8
Gerald Smith #1-6
Jesseâs Full Pantry #1
Poetry/Spoken Word #1-5
Starman Show #1-8
S.O.U.P. (cds)
Capt. Fred’s World Cruise/Tom Sanders/Steppin Out of Babylon
Opulence/WeFest 1
WeFest 2
Stranger in a Strange Land, Readings on Tape
Marie Kazalia
Comes Naturally #1
Kirstenâs Kitchen (8mm) / Lunatics, Lovers, Poets
Friendly Persuasion 1/ArolZendik/Just Plain Folks/Jesse Beagle/Paul Goettlich
Spike’s Sounds From The Underground/Hive Melodies/Buzz Radio/Susun Weed/LAN/Steppin Out Of Babylon
Changes w/Elizabeth Gips #1&2
Making Contact 1 & 2
Kantako Human Rights Radio
Dog Show 1
Dan Buck show
Misc. LUVeR shows on cd: (Trippin w/Flower Vato, Can Man lps, Arol Zendik & lots of misc. stuff)
Mind Inscription presents Vintage Futuristic #1
Talking Stick 1-13
Unicorn
The Real Dragon
Jesse Luscious 1
Gerald Smith 7
Poetry Spoken Word 6
Instagon 1
Milton Kerr 1 & 2
Rebel Memes (1 cd spindle)
Music of the World â Stephen Kent (1 bag of cds)
Meridian Gallery Performance Series/Capt. Fred’s World Cruise (lg. cd box)
Thank you.
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3. Justin Allen, FF Alumn, receives Wendy’s Subway Editor’s Pick prize
I’m ecstatic to share that my first book, Language Arts, has been chosen as Wendy’s Subway’s Editor’s Pick, scheduled for publication in spring 2024.
Here is the official announcement:
Justin
Thank you.
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4. Glenn Belverio, Su Friedrich, Yvonne Rainer, FF Alumns, at National Gallery of Art, Washington, DC, June 18-25
Please visit this link:
Thank you.
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5. Marisa MorĂĄn Jahn, FF Alumn, at Sapar Contemporary, Manhattan, thru July 15
Sapar Contemporary
June 2 – July 15, 2023
9 N Moore Street, NYC, 10013
Thank you.
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6. Crystal Z Campbell, FF Alumn, at Artists Space, Manhattan, opening June 9
Crystal Z Campbell: Ode to the Underloved
June 9 â August 19
Opening: June 9, 6-8pm
Artists Space is pleased to present Ode to the Underloved, the first New York institutional solo exhibition by Crystal Z Campbell.
A multidisciplinary artist, experimental filmmaker, and writer, Campbell performs critical excavations of history. Drawing on archival research, they find complexity in public secretsâfragments of information known by many but left unspoken. Campbellâs films use collage, underloved archival material, oral histories, and sonic recordings to examine historical gaps and shape new frameworks for understanding the past. Exploring structural violence and displacement, Campbellâs work moves dynamically between metaphor and reality to foreground acts of omission, failures of collective memory, and sociopolitical narrativesâinformation missing from the narrative of the 1921 Tulsa Race Massacre, questions of immortality and medical ethics with Henrietta Lacksâs âimmortalâ cell line, and gentrification as depicted in a 35mm film reel salvaged from a demolished Black activist theater in Brooklyn.
For their upcoming exhibition, Campbell will build an environment in Artists Space using their latest film, Revolver (2022), at its core. Revolver is an archive of pareidoliaâa phenomenon by which someone sees a pattern or image where none actually existsânarrated by a descendant of Exodusters, the Black Americans who fled to Kansas to escape the violence and discrimination of the Reconstruction Era South.
Allowing the architecture and other conditions of the gallery to create a choreography, Campbellâs filmic installation brilliantly pulls viewers into an embodied experience where they become actors in a kind of living theater, witnesses to complex histories.
Accessibility
Artists Space is fully accessible via a wheelchair lift and automated door in front of the entrance on 80 White Street. The cellar gallery can be accessed via the ground floor elevator. Artists Space welcomes assistance dogs, and has wheelchair accessible non-gender-segregated toilet facilities. For access inquiries please contact Artists Space at info@artistsspace.org or 212 226 3970.
Support
Lead support for rafa esparza: Camino is provided by: Shane Akeroyd and Pete Scantland. Major support is provided by Miyoung Lee. Exhibition support is provided by Michael Hershaft.
Support for Artists Spaceâs exhibitions and programs is provided by The Andrew W. Mellon Foundation, Lambent Foundation Fund of Tides Foundation, The Andy Warhol Foundation, Robert Rauschenberg Foundation, The Cowles Charitable Trust, The Horace W. Goldsmith Foundation, The Helen Frankenthaler Foundation, The New York City Department of Cultural Affairs, The New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, Herman Goldman Foundation, May and Samuel Rudin Family Foundation, The Milton and Sally Avery Arts Foundation, Arison Arts Foundation.
Thank you.
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7. Nao Bustamante, FF Alumn, at The Cheech Marin Center for Chicano Art & Culture, Riverside, CA, opening June 18
Thrilled to be one of the 70 artists included! Artists in Xicanâa.o.x. Body include Laura Aguilar, Celia Ălvarez MuĂąoz, Asco, Mario Ayala, Judith F. Baca, Alice Bag, Nao Bustamante, William Camargo, Barbara Carrasco, Mel Casas, Isabel Castro, Yreina D. Cervantes, Enrique Chagoya, Liz Cohen, Cyclona, Vaginal Davis, Sandra de la Loza, rafa esparza, Justin Favela, Christina FernĂĄndez, Diane Gamboa, Maria Gaspar, Ken Gonzales-Day, Jay Linn Gomez, Fabian Guerrero, Ester HernĂĄndez, Luis JimĂŠnez, Alma LĂłpez, Yolanda LĂłpez, James Luna, Patrick MartĂnez, Delilah Montoya, Marcos Raya, Shizu Saldamando, Tamara SantibaĂąez, Sylvia Salazar Simpson, John Valadez, Patssi Valdez, Ricardo Valverde, JosĂŠ Villalobos, and many others. I apologize to the âmany othersâ I hate that. But these are the names I could find. Repost from @thecheechcenter
Coming June 18, 2023! We are excited to welcome Xicanâa.o.x. Body, Organized by The American Federation of Arts, @amfedarts
Xicanâa.o.x. Body weaves a rich tapestry of diverse media, from the late 1960s through today, including Lowrider cars, poetry, pottery, painting, photography, sculpture, and film. Consisting of approximately 125 artworks by about 70 artists and artist collectives, Xicanâa.o.x. Body adds complexity to understandings of Chicanx art and culture by exploring the visual practices that foreground the body as the site in which imagination and political enunciation are articulated.
Be one of the first to view this exhibition at The Cheech Center and join us for an unforgettable 1-year anniversary! Pura Pachanga is open to the public and completely free! Experience the vibrant spirit of our museum as we showcase incredible exhibits, immersive activities, and live performances.
Please note that in order to gain admission into The Cheech Center on June 18 you must make a reservation in advance. Get your tickets at the link in our bio!
Follow the curators of Xicanâa.o.x. Body
@fajardohill
@gilbert_latinks
@marissa_ofthebul
#ArtLovers #ArtExperience #TheCheech #TheCheechCenter #MeetMeAtTheCheech #TheCheech #RiversideArtMuseum #ILoveRiverside #SoCalMuseums #CaliforniaMuseums #DowntownRiverside
Thank you.
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8. Dara Birnbaum, Guerilla Girls, Ana Mendieta, Howardena Pindell, Cindy Sherman, Kiki Smith, Betty Tompkins, FF Alumns, at the Brooklyn Museum, thru Sept. 24
Please visit this link:
Thank you.
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9. Ana Mendieta, FF Alumn, at Mo.Co., Montpellier, France, thru Sept. 10
Ana Mendieta
Search for Origin
MO.CO. PanacĂŠe, Montpellier, France
June 3 â September 10, 2023
MO.CO.: https://www.youtube.com/watch?v=SBk0E3vcX-M
Galerie Lelong & Co. is pleased to announce that Ana Mendieta: Search for Origin is on view at the MO.CO. PanacĂŠe, Montpellier, France through September 10, 2023.
Over one hundred of Mendieta’s works made between 1968 and 1985 are on view. A dozen works have never before been exhibited, including four early paintings, photographs from recently discovered slides, drawings from the artist’s archive and a reconstruction of the “environment” Untitled: Silueta Series, originally created at the Amelie A. Wallace Gallery, State University of New York, Old Westbury, Long Island in 1978.
The exhibition is organized in collaboration with MUSAC, Museo de Arte ContemporĂĄneo de Castilla y LeĂłn, Spain and the MusĂŠe des beaux-arts in La Chaux-de-Fonds, Switzerland.
About the Artist
In a brief yet prolific career, the Cuban-born artist Ana MendietaÂŽ created groundbreaking work in photography, film, video, drawing, sculpture, and site-specific installations. Amongst the major themes in her work are exile, displacement, and a return to the landscape, which remain profoundly relevant today. Her unique hybrid of form and documentation, works that she titled âsiluetas,â are fugitive and potent traces of the artistâs inscription of her body in the landscape, often transformed by natural elements such as fire and water.
The Estate of Ana Mendieta Collection, LLC, in collaboration with Galerie Lelong & Co., recently catalogued and digitized the entirety of Mendietaâs moving image works, discovering that the artist remarkably made more than 100 in the ten-year period in which she worked in the medium. The groundbreaking exhibition of her moving image works, Covered in Time and History: The Films of Ana Mendieta, was organized by the Katherine E. Nash Gallery, University of Minnesota in 2014, and has since travelled to several institutions worldwide, including NSU Art Museum Fort Lauderdale, Florida; University of California, Berkeley Art Museum and Pacific Film Archive; Bildmuseet, UmeĂĽ, Sweden; Martin Gropius Bau, Berlin; and the Galerie nationale du Jeu de Paume, Paris. Mendietaâs work has been the subject of six major museum retrospectives, the most recent of which, Ana Mendieta: Traces, was organized by the Hayward Gallery, England, in 2013, and travelled to the Museum der Moderne Salzburg, Austria, and the Galerie Rudolfinum, Czech Republic. Ana Mendieta: Earth Body, Sculpture and Performance 1972â1985 was organized by the Hirshhorn Museum and Sculpture Garden, Washington, D.C., in 2005 and travelled to the Whitney Museum of American Art, New York; Des Moines Art Center, Iowa; and Miami Art Museum, Florida.
Mendieta was born in Havana, Cuba, in 1948, and died in New York City in 1985.
Thank you.
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10. Elly Clarke, FF Alumn, at Bishopsgate Institute, London, UK, June 8
June 8th: Dragging The Archive: Queens, Kings… and Things at Bishopsgate Institute
8th June, 7.30pm-10pm
I’m happy to invite you to an evening of thinking and performing about drag and dragging in relation the archive – this time to the Orlando Myxx archive of more than 2400 drag performances that Orlando has filmed in London venues since 2017. The event on Thursday marks the official handing over of this archive (aka Massive Hard Drive) to Bishopsgate Institute (pictured below). The occasion will be celebrated with performances by King Frankie Sinatra and Shakona, whose work is a part of it, and by #Sergina’s demonstrative demo of how to access and use the archive.
Thursday 8th June, 7.30pm
Bishopsgate Institute
230 Bishopsgate
London EC2M 4QH
020 7392 9200
Nearest tube/train: Liverpool Street. It would be a delight to see you.
More info & booking: https://www.bishopsgate.org.uk/whats-on/activity/230608-dragging-the-archive-queens-kings-and-things
Practical info:
This event is running on a tiered ticketing system, meaning that we ask you to pay what you can based on your circumstances.
ÂŁ24 pay-it-forward ticket*, which pays for someone who couldnât otherwise attend
ÂŁ12 standard
ÂŁ8 concessions
Our events and courses are designed for over-18s only. Our special collections and archives, which feature heavily in our programme, include explicit content and our evening events are aimed at an adult audience, with a licensed bar in operation.
Booking link: https://www.bishopsgate.org.uk/whats-on/activity/230608-dragging-the-archive-queens-kings-and-things
Thank you.
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11. Jodie Lyn-Kee-Chow, FF Alumn, at PS122 Gallery, Manhattan, June 10-25, and more
“In pieces…” curated by Rachel Raphaela Gugelberger
Featuring Residency Unlimited 2023 NYC-Based Artists-in-Residence:
Jodie Lyn-Kee-Chow
Miatta Kawinzi
Tatiana Arocha
Abang-guard (Maureen Catbagan + Jevijoe Vitug)
Exhibition dates: Saturday, June 10 – Sunday, June 25, 2023
Location: PS122 Gallery, 150 1st Ave. (Entrance on 9th St. between First Ave. and Ave. A.), New York, NY 10009
Hours: Thursday – Sunday, 1:00-6:00 pm and by appointment
Opening reception: Saturday, June 10, 4:00-6:00 pm
Exhibition Walk-through with the Artists and Curator: Saturday, June 10, 2:30pm
Residency Unlimited announces the 2023 NYC-Based Artists-in-Residence:
https://residencyunlimited.org/programs/announcing-the-2023-nyc-based-artists-in-residence/
And
The installation âJunkanooacome: Rest, Read, Reflectionâ will be open to the public by appointment on Friday & Sunday, June 16 & 18, 1-5pm
Glasshouse Project Inc.
New Paltz, NY 12561
RSVP required
Jodie Lyn-Kee-Chow: June Artist-In-Residence at Glasshouse: https://www.glasshouseproject.org/events/2023/6/11/jodie-lyn-kee-chow-june-artist-in-residence-at-glasshouse
Thank you & hope to see you again soon!
Jodie
Thank you.
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12. Guillaume Bijl, FF Alumn, at Art Basel Unlimited, Switzerland, opening June 12
Meredith Rosen Gallery
Guillaume Bijl
Matratzentraum
Art Basel | Unlimited
Hall 1, U23
June 12-18, 2023
Meredith Rosen Gallery and Galerie Nagel Draxler are pleased to present Matratzentraum, 2003-2023 a Transformation-installation by Guillaume Bijl for Art Basel Unlimited in Basel, Switzerland 2023. The presentation opens Monday June 12 and remains on view through Sunday June 18.
First presented at Ausstellungsshalle Hawerkamp, in MĂźnster, Germany in 2002, Matratzenland-Installation (Mattress Store Installation) is an exact replica of a generic mattress store. Each detail is meticulously considered by Bijl down to the price tags, cellophane wrapped mattresses, bed model, signage, and strip mall fluorescent lighting. A pioneer of readymade installation art since 1979, Bijl has contended with the status of exhibition space by reconstructing stereotypes of functional businesses within art institutions. Bijlâs chosen form of installation is based on a fictional premise wherein the art institution is no longer of use to the public and thus rented to a practical venture, such as a Secondhand car dealership (1984), Fitness Center (1984), Shooting Gallery (1985), Supermarket (1998) among others. Each Transformation-installation is site specific, taking into account the architecture of the space and context of the location within a city. The precision of Bijlâs practice places the viewer in a disorienting scenario, wherein objects hover between the illusion of their expected setting and their situation as art objects
Bijlâs archaeology in real time reveals the practices, behavior, and values of our current moment.Through the displacement of the art space with a functional space, Bijl commodifies our behavior and creates a lens through which we observe ourselves within culture. The mattress, as a site, evokes the banal space of rest, routine, and the basic need for shelter. The precarious concept of home correlates to current events in Europe while questioning the integrity of connoisseurship and object value the art market represents.
The mundanity of a mattress store evokes a deeper investigation into the commodification of home, rest and belonging. These fundamental values of human life are stripped from their intrinsic nature and sold as an appliance. Bijlâs placement of the consumption of home within the locus of an art fair, sheds light on the capitalist nature of value ascription to basic human needs and symbolic beliefs via art. This moment of profound disparity shed new light on the implications of Matratzenland-Installation (Mattress Store Installation). Originally shown in 2003, the restaging of Bijlâs significant contribution to installation art 20 years later emphasizes the lasting impact of this work. As the art world has flourished in the wake of pandemic lockdowns and humanitarian crises of displacement, the capitalist structure of value is more visible on a global scale than ever before.
Guillaume Bijl (b. 1946 Antwerp, Belgium) has been included in numerous solo and group exhibitions internationally, including the Paris Biennial (1982), Kunsthalle Bern (1986), Belgian Pavillion – Venice Biennial (1988), New Museum, New York (1989), Documenta 9, Kassel (1992), Skulptur Projekte, MĂźnster (2007), 11th Lyon Biennial (2011), Istanbul Biennial (2013) and Manifesta 11, ZĂźrich (2016). Recently he has taken part in the following projects: Beaufort (2018), the Adriaen Brouwer year, Oudenaarde (2018), Play, Kortrijk (2018), FĂŠlicien Rops Museum, Namur (2018), Power to the People, Schirn Kunsthalle, Frankfurt (2018), the Bruegel year, Dilbeek (2019), Centre Pompidou, Shanghai (2021), Meredith Rosen Gallery (2021), Galerie Nagel Draxler (2022), and Art Basel Miami Beach with Meredith Rosen (2022).
For more information please contact info@meredithrosengallery.com
Art Basel 2023
Messe Basel
Messeplatz 10
4058 Basel, Switzerland
https://www.artbasel.com/basel
Unlimited opening (by invitation only)
Monday, June 12: 4pm to 8pm, First choice VIP cardholders
Monday, June 12: 6pm to 8pm, Preview VIP cardholders
VIP days (by invitation only)
Tuesday, June 13: 11am to 8pm, First choice VIP cardholders
Tuesday, June 13: 4pm to 8pm, Preview VIP cardholders
Wednesday, June 14: 11am to 8pm
Vernissage (by invitation only)
Wednesday, June 14: 5pm to 8pm
Public days
Thursday, June 15: 11am to 7pm
Friday, June 16: 11am to 7pm
Saturday, June 17: 11am to 7pm
Sunday, June 18: 11am to 7pm
Special nights
Unlimited night: Thursday, June 15: 7pm to 10pm
Meredith Rosen Gallery
11 East 78th Street
New York, NY 10075
212 655 9791
Wed-Sat 12-6
11 East 80th Street
New York, NY 10075
212 655 9791
Wed-Sat 12-6
Thank you.
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13. Jeanette Andrews, FF Alumn, now online at Cheddar.com
Please visit this link:
Thank you.
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14. Galinsky, FF Alumn, at Book Club Bar, Manhattan, June 15
Galinsky, FF Alumn, at âPoetry in New Yorkâ, Book Club Bar, East Village, NYC, Thursday June 15th, 8pm-9:30pm
Galinsky hosts a monthly series âPoetry In New Yorkâ at Book Club Bar (197 East 3rd Street between Ave. A and Ave. B) on Thursday night June 15th. First poet goes on at 8pm sharp. The evening features two poets doing 15 minutes each and second set of five poets doing five minutes each.
This month features
Sakinah Iman http://www.sakinahiman.com
Sarah J. Bridgins http://www.sarahbridgins.com
and of courseâŚ
Galinsky himself http://www.galinskycoaching.com
Book Club features a full bar, great wines, coffee and tea. Come early to browse books and stay late to browse more books! http://www.bookclubbar.com
Thank you.
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15. M. Kasper, FF Alumn, translation reissued
M. Kasperâs translation of the French Lettrist masterpiece âSaint Ghetto of the Loans,â by Gabriel Pomerand, is just out in a new, improved edition from World Poetry Books. https://www.worldpoetrybooks.com/product/saint-ghetto-of-the-loans/
Thank you.
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16. Stephanie Brody-Lederman, FF Alumn, at Galerie Jean-Louis Cleret, Guingamps, France, June 17-July 22 and more
Stephanie Brody-Ledermanâs artworks will be featured in an exhibition at Galerie Jean-Louis Cleret, in Guingamps, Brittany, France. The exhibition is titled âComme Chiens & Chats,â (Like Dogs And Cats) and will run from June 17- July 22. This exhibit is in conjunction with the magazine TROUBLE, which is published in Paris. Brody-Lederman has 2 full page images reproduced in the magazine.
and
Stephanie Brody-Lederman is honored to have her painting Round Midnight, chosen by curator Karyn Mannix, as the artwork for the Spring Improvement Society Invitational exhibition poster. The show opens July 28 at Ashawagh Hall, East Hampton.”
Thank you.
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17. Paul Zelevansky, FF Alumn, now online at GreatBlankness.com
âOh, this old river keeps on rolling though. No matter what gets in the way, and which way the wind does blow⌔
(âWatching the River Flow,” Bob Dylan, 1971)
http://greatblankness.com/portfolio-items/9-new-morning/
Full set:
http://greatblankness.com/portfolio-gallery/new-morning/
PZ, 5/30/2023
Thank you.
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18. Reverend Billy, Savitri D, Annie Sprinkle & Beth Stephens, FF Alumns, at EarthChxrch, Manhattan, June 11 and more
Welcome to the EarthChxrch
Humor & music for earth-lovers
Reverend Billy & The StopShopping Choir
Directed by Savitri D
Every Sunday at 3PM, 36 Ave C at East 3rd, Loisaida NYC
“Mama Earth will shake us ALL off unless we shake shit UP and shut it DOWN.”
—-Bertha Lewis, The Black Institute
June 4th, special guest activist and author Alnoor Ladha of Transition Resource Circle
Transition Resource Circle: https://www.transitionresourcecircle.org/?link_id=0&can_id=3bf01124b082dcc8ebb0573857c3f416&email_referrer=email_1938948&email_subject=moonwalk-in-the-f-train-earthchxrch
June 11th, the legendary Annie Sprinkle and Beth Stephens of Earth LABS walk us into the park for the dedication of the Jordan Neely Memorial Garden
For more info, please contact savitri@revbilly.com
Thank you.
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19. Tamar Ettun, FF Alumn, spring news
Dear friends,
I hope you recovered from the eclipse season, and are ready for summer!
I am thrilled to participate in Pop Up: Inflatable Sculpture curated by Carolyn Bauer at the Shelburne Museum, Vermont. I made a new outdoor sculpture of inflatable demons, Lili and Lilu, for the exhibition (pics attached). The show consists of three solo presentations, my outdoor piece is up on May 13-July 7. I also have seven ceramic demon traps (that I design based on the patterns of my inflatable work) and a video installation on view May 13-October 22. It has been exciting to embody Lilit the demon as an empathic inflatable. If you happen to visit Vermont this summer, please check it out.
Pop Up: Inflatable Sculpture: https://shelburnemuseum.org/exhibition/pop-up/
My book, Texts from Lilit, got a lovely review from Nick Bennet at the Brooklyn Rail. Yay for more conversations about somatic healing!
Brooklyn Rail: https://brooklynrail.org/2023/05/art_books/Tamar-Ettuns-Texts-from-Lilit
I will be creating the installation for Pioneer Works Village Fete, on June 14th. “For the Village FĂŞte, Ettun has installed gigantic sails made of dyed and sewn parachute fabric. The labor involved in making the workâcrafts traditionally seen as women’s workâdefies the materialâs association with military patriarchy, turning it into a space for healing, not warfare.” (I think there are affordable’ish tix for the after party!) Dead Sea was a monumental performance that was up just before the pandemic about sexual violence, compassionate empathy, blame and forgiveness. It was curated by David Everrit Howe, with choreography by Mor Mendel and music by Helado Negro.
Pioneer Works Village Fete: https://pioneerworks.org/programs/2023-village-fete
Dead Sea: https://tamarettun.com/Dead-Sea
We will be at Interlude Artist Residency in Hudson on June 3-25. Interlude is an amazing new’ish family residency that supports the specific needs of artist parents. Seeing how they prepare for our residency (matching up with another artist family with a 2 yrs old, finding a caregiver to watch Max while we work) is giving me hope. As you all know, I have been vocal about the lack of structural support for parent artists, and of course the ones who are hurt the most by it are female artists with experimental practices. Residencies are still designed with a single white man in mind, and it is bonkers for me to think that it will take me at least a decade to return to a residency like Macdowell because of caregiving responsibilities. There are very few family residences, I am hoping this will start to shift as people become more aware of the need and create new systems, maybe with your help đ If you want to talk about it, I am always up for a conversation.
Interlude Artist Residency: https://interluderesidency.com/about/
With tactile magic,
Tamar Ettun
she/they
Thank you.
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20. Judith Bernstein, FF Alumn, at The Box LA, CA, opening June 17
Judith Bernstein
We Donât Owe U A Tomorrow
June 17 – August 12
Wednesday-Saturday, 11-6 PM
Opening reception
June 17, 6-9 PM.
Judith Bernstein presents her new, meteoric series We Donât Owe U A Tomorrow in her sixth solo exhibition with the Box LA. Her psychological paintings are inspired by the catastrophic political climate that dominates the current zeitgeist. Bernstein tackles extremism that threatens the core of democracy through fluorescent paint and gestural brush strokes against infinite black canvases. Swastikas and assault rifles allude to not only a nightmarish tomorrow, but the current reality that we face today. As with much of Bernsteinâs work, humor provides an entry point to contemplate themes of bigotry, abuse, fascism, war, and death. Her iconic imagery intersects with knock out maxims: âTrumpenschlong,â the intentionally misspelled âGasligting Ukraine,â and âWe Donât Owe U A Tomorrow.â In Bernsteinâs universe, there are no guarantees.
Since receiving her MFA from Yale in 1967, Judith Bernstein has developed a reputation as one of the most unwaveringly provocative artists of her generation. For over 50 years, her work has explored connections between the political and the sexual. Steadfast in her cultural, political, and social critique, Bernstein surged into art world prominence in the early 1970s with her monumental anti-war and feminist charcoal drawings of penis-screw hybridsâone of the artistâs most recognizable motifs. Bernstein has been awarded numerous accolades throughout her career and has been the subject of major solo exhibitions at museums in New York and abroad. Her monumental 9 x 12 1â2 feet charcoal drawing Horizontal was purchased by the Metropolitan Museum of Art, NY in 2023.
Judith Bernsteinâs exhibition We Donât Owe U A Tomorrow is curated by Paul McCarthy.
In 2016, the John Simon Guggenheim Memorial Foundation recognized Bernsteinâs accomplishments in the fine arts by awarding the artist its prestigious annual fellowship, and the National Academy of Design elected her a member of the National Academicians. Additional accolades include the American Academy of Arts and Letters Award in Art in 2019, among several others. Bernstein has been the subject of solo exhibitions at The Drawing Center, New York (2017-18); the New Museum, New York (2012-13), Kunsthall Stavanger, Norway (2016), and Studio Voltaire, London (2014), among numerous galleries and venues internationally. She has also exhibited at Kunsthaus Zurich (2021); the Museum of Contemporary Art, Los Angeles (2020); the Smithsonian American Art Museum, Washington, D.C. (2019); Migros Museum, Zurich (2019 and 2015); Bonner Kunstverein, Bonn, Germany (2019); the Whitney Museum of American Art, New York (2016); Institute of Contemporary Art, London (2013); and Hauser & Wirth, Zurich and London (2011-12). Her work is included in the permanent collections of the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Brooklyn Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington, DC; the Jewish Museum, New York; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles; the Smithsonian American Art Museum, Washington, D.C.; Art Institute of Chicago; the Buffalo AKG Art Museum, Buffalo, NY; and the Yale University Art Gallery, New Haven, CT, among others.
Thank you.
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21. Andy Warhol, FF Alumn, now online at NYTimes.com
Please visit this link:
Thank you.
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22. Edit DeAK, Brian O’Doherty, Lucy Lippard, FF Alumns, at Printed Matter, Manhattan, thru June 21
Please visit this link:
Thank you.
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23. Chrysanne Stathacos, FF Alumn, now online at Frieze.com
Please visit this link:
https://www.frieze.com/article/chrysanne-stathacos-re-turn-2023-review
Thank you.
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24. Alina Bliumis, Warren Neidich, FF Alumns, at The Opening Gallery, Manhattan, June 5
Regenerative Bodies, a Conversation over dinner
June 5, 2023, 7 pm
The Opening Gallery
42 Walker Street
Manhattan
Thank you.
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25. Arlene Rush, FF Member, at AHA Fine Art, Manhattan, thru July 29
Balls to the Wall Chapter 3
Opening reception: June 8, 6-9 pm
175 10th Avenue, New York, NY 10010
On view: June 8 – July 29, 2023
Artists:
Jon Allen, Vincent Arcilesi, John Breiner, Nancy Bruno, Franck de las Mercedes, Maria Dimanshtein, Vincent Dion, Jen Dwyer, India Evans, Rafael Fuchs, Max Greis, Akwasi Gyambibi, Denae Howard, Jun Ichiro Ishida, Delphinoto, Jody MacDonald, Ojuang Mayenga, Zach Milder, Laura Murray, Suyeon Na, Roger Nelson, Jodie Niss, Christy Powers, Jeffrey A. Price, Margaret Roleke, Nola Romano, Arlene Rush, Jesse Scaturro, Kevin Scott, Lynn Stein, Mary Tooley Parker, Evan Venegas, Lydia Viscardi, Caroline Voagen Nelson & Andrea von Bujdoss
Gallery hours: Tuesday – Saturday, 10am – 6pm
Thank you.
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26. Peculiar Works Project, FF Alumns, at The Tank, Manhattan, June 12-14
3 Nights onlyâdon’t miss out!
Monday thru Wednesday, June 12-14, 2023 at 7pm
The Attic @ The Tank, 312 W 36th St. 6th floor, New York, NY
Reserve your place: https://peculiarworks.org/freedom_2023_rsvp.php
Admission is free: donations will be gratefully accepted!
PART II: “Let It Be Virtuous to Be Obstinate”
Outlandish conspiracies, anti-government rhetoric, and Shakespeare collide in this revised and updated production first presented by PWP in 1996.
A lone gunman balancing on the edge of reason and delusion is confronted by federal agents in a tension-filled stand-off at an isolated cabin in the woods. Join us for this developmental staged reading with live music as we prepare for the fully immersive presentation in 2024!
Please note: face masks are required for indoor spaces at The Tank.
Cast
Daniel Frey – Brandon Garegnani*
Eleanor – Lynnsey Ooten*
Mother – Nomi Tichman
Anna – Jasmin Malave
Agent Stone – Cecily Benjamin
Agent Wood – David Fine
Supervisory Special Agent Mead – Catherine Porter*
Propagandist – Jack Utrata*
Voices – Oscar Castillo* and Ryan Hartley
Guitar/Vocals: Melissa Gordon
Production team
Director: Nathaniel P. Claridad
Playwright: Barry Rowell
Music: Rob Mitzner and David Ross
Stage Manager: Heather Olmstead*
Lighting: David Castaneda
Costumes: Grace Martin
Producers: Ralph Lewis, Catherine Porter, and Barry Rowell
Our Peculiar Works projects are being made possible with public funds from made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature and from the New York City Department of Cultural Affairs, in partnership with the City Council, and private funds from the Mental Insight Foundation, as well as our many, wonderful, individual donors.
Thank you.
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27. Tobaron Waxman, FF Alumn, online with Jewish Women’s Archive, June 8
June 8 – Jewish Women’s Archive “Beyond Gender Binary”
Thursday, June 8, 8 PM ET: Confronting the Gender Binary
Artist Curator Tobaron Waxman was asked by Jewish Women’s Archive to respond to the following questions in a lecture entitled “Confronting the Gender Binary”:
What is the gender binary? What does it mean to challenge/transcend/ignore it? How can archives and archival work expand our thinking on this?
Tobaron Waxman (they/them) is an artist/curator who combines Jewish concepts and liturgy with “transsexual knowledge.” Their artworks have been exhibited to critical acclaim, including The Jewish Museum Audience Award for their performance installation Opshernish. Since 2017, Tobaron has developed the Trans Collections at The ArQuives, the largest independent 2SLGBTQ+ archive in the world.
Beyond the Gender Binary
New upcoming online history course! Join us June 8-22:
For 50+ years, feminist and trans, nonbinary, and genderqueer thinkers have unsettled one of the foundational beliefs of modern mainstream Western culture: that there exist two sexes, whose physical and psychological characteristics are obvious, knowable, and inherent in the body each person is born with.
In this course, JWA asks: How was the prevailing gender binary constructed? How does it change our understanding of history to bring a Jewish, queer, and trans lens to historical sources? And how can archives expand the current conversation about gender and Judaism?
Register here: https://lp.constantcontactpages.com/su/nd83aWv/June2023OHC
Thank you.
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https://franklinfurnace.org/membership/
After email versions are sent, Goings On announcements are posted online at https://franklinfurnace.org/goings-on/goingson/
Goings On is compiled weekly by Kate Liu, FF Intern, Summer 2023
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