46: Artists Books from Franklin Furnace Archives, 1976-2022


Franklin Furnace Archive, Inc. & Pratt Institute Library

The 7th Annual “Live at the Library Exhibition”, 2022

abril 21-junio 21, 2022  

 

April 21- June 21, 2022

 

Pratt Institute Library 3rd Floor

Franklin Furnace recopila, conserva y presenta activamente arte en forma de libro publicado internacionalmente desde 1976. La colección de libros de artistas de Franklin Furnace refleja los experimentos de artistas contemporáneos con la forma de libro como medio de provocación, así como sus investigaciones sobre el papel de los libros en nuestra cultura y la era digital.

 

Los libros de artistas han desafiado siglos de tradición artística y finalmente han comenzado a ser reconocidos como valiosos para la historia del arte. El concepto revolucionario del libro de artista radica en otorgar estatus artístico a un objeto común, no precioso y ampliamente distribuido a través de las elecciones y designaciones del artista. Franklin Furnace lo acepta al pie de la letra cuando un artista llama a su trabajo un libro de artista. La misión de la colección de Franklin Furnace es promover libros que rompan los límites y desafíen los supuestos arraigados de lo que constituye el arte.

 

 

Como celebración del 46.º aniversario de FF, esta exposición destaca un libro de artista por año desde 1976 hasta 2022, que representa a 60 artistas internacionales en total. Junto con el trabajo de los creadores de libros de artistas más tradicionales y el de artistas interdisciplinarios cuyas experiencias en performance o mail art influyen en sus publicaciones, “46” también presenta tres nuevos videos que demuestran la interactividad de libros de artistas específicos, así como selecciones de The Anamorphosis Prize, 2015-17, una competencia abierta que celebra la creatividad y los esfuerzos independientes de los artistas que publican libros basados en fotografías. “46” explora la experiencia visual de los libros y la “librería” destacando las innovaciones en el formato físico y planteando preguntas sobre las relaciones entre lo verbal y lo visual, entre los creadores y sus audiencias, convencionales o no. Con el deseo de democratizar e involucrar al público a través de formatos económicos y de gran alcance, los artistas han hecho del libro impreso un “espacio alternativo” fuera de la estructura tradicional de galerías y museos.

 

Leer un libro de artista es experimentar con las nociones de secuencia, repetición, yuxtaposición y duración, al tiempo que permite nuevas posibilidades dentro de las narrativas, los medios y los significados específicos de cada libro. Las obras expuestas en “46” amplían el concepto de materialidad con sus partes móviles, contenedores especialmente construidos y formatos de fácil distribución, incluidos periódicos y folletos. Algunos artistas incluso utilizan formas que impiden pasar las páginas, animando al lector a interactuar con sus obras de formas desconocidas, como voltear, girar, rascar, desplazar y desplegar.

 

“46: Libros de artistas del archivo Franklin Furnace, 1976-2022”, la séptima exposición anual Live at the Library, está comisariada por Fang-Yu Liu y Nicole Rosengurt y presentada en honor a Michael Katchen, archivista principal, Franklin Furnace, en asociación con la Biblioteca del Instituto Pratt y el apoyo del Departamento de Asuntos Culturales de la Ciudad de Nueva York.

Franklin Furnace actively collects, preserves, and presents art in book form published internationally since 1976. The Franklin Furnace Artists’ Books Collection reflects contemporary artist’s experiments with the book form as a provocative medium, as well as their inquiries into the role of books in our culture and the digital age. 

 

Artists’ books have challenged centuries of artistic tradition and have finally begun to be acknowledged as valuable to art history. The revolutionary concept of the artists’ book lies in granting artistic status to a commonplace, non-precious, and widely-distributed object through the choices and designations of the artist. Franklin Furnace accepts it at face value when an artist calls their work an artists’ book. The mission of Franklin Furnace’s collection is to promote boundary-breaking bookworks that challenge the entrenched assumptions of what constitutes art.

 

 

As a celebration of FF’s 46th Anniversary, this exhibition highlights one artists’ book per year from 1976 to 2022, representing 60 international artists in total. Alongside the work of more traditional artists’ book-makers, and that of interdisciplinary artists whose experiences in performance or mail art influence their publications, “46” also features three new videos demonstrating the interactivity of specific artists’ books, as well as selections from The Anamorphosis Prize, 2015-17, an open competition celebrating the creativity and independent efforts of artists who self publish photo-based books. “46” explores the visual experience of books and “bookness” by highlighting innovations in physical formatting and raising questions about the relationships between the verbal and the visual, between creators and their audiences, mainstream or otherwise. With a desire to democratize and engage the public through inexpensive, wide-reaching formats, artists have made the printed book form into an “alternative space” outside the traditional gallery and museum structure.

 

To read an artists’ book is to experiment with notions of sequence, repetition, juxtaposition, and duration while allowing for new possibilities within the narratives, mediums, and meanings specific to each book. The works on display in “46” stretch the concept of materiality with their movable parts, specially-constructed containers, and easily-distributed formats including newspapers and pamphlets. Some artists even use forms which preclude turning pages, encouraging the reader to interact with their works in unfamiliar ways, such as flipping, turning, scratching, scrolling, and unfolding.

 

 

 

“46: Artists’ Books from Franklin Furnace Archive, 1976-2022,” the 7th Annual Live at the Library exhibition, is curated by Fang-Yu Liu and Nicole Rosengurt and presented in honor of Michael Katchen, Senior Archivist, Franklin Furnace, in partnership with Pratt Institute Library and support from the New York City Department of Cultural Affairs.

Artists List

Sculptures of the Mind
1976
Emily H. Davis Art Gallery: The University of Akron, OH

Agnes Denes
(American, b. Hungary 1931)

 

Role Confusion
1977
Women’s Graphic Center: Los Angeles, CA
Jerri Allyn
(American, b. 1952)

 

 

Trunk Pieces
1978
Visual Studies Workshop: Rochester, NY
Jacki Apple
(American, b. 1941)

 

 

Geographic Despair
1979
[Self-published]: Paris, France
Martine Aballea
(French, b. America 1950)

 

 

Condition
1980
[Self-published]
Julia Anne Ryan

 

 

Sperm Art: Sample of New Paint
Mixed Into Sperm
1981
[Self-published]: New York, NY
Rimma Gerlovina & Valery Gerlovin
(Russian, b. 1951,1945)

 

 

Genotexto
1982
[Self-published]: Recife, Brasil
Paulo Bruscky & David Santiago
(Brazilian, b. 1949, 1939)

 

Mother/mate Messages: is there a
difference?
1983
[Self-published]: Buffalo, NY
Lori Christmastree
(American, b. 1936)

 

 

Domestic Screams
1984
[Self-published]: New York, NY
Stephanie Brody Lederman
(American, b. 1939)

 

 

Seven Lady Saints
1985
Women’s Studio Workshop Print Center: Rosendale, NY

Erica Van Horn
(Irish, b. America 1954)

Crash!: The Book
1986
Appearances Press: New York, NY
Juan “CRASH” Matos
(American, b. Puerto Rico 1961)

 

 

We Would Lie On The Air
1987
Light Speed Press: Pittsburg, PA
Anna Mosby Coleman
(American, b. 1962)

 

 

Some Mountains
1988
Pyramid Atlantic: Washington, D.C.
Barbara Harman
(American, b. 1952)

 

 

Rumi’s Room
1989
Softwars: Mexico City, Mexico

 

 

 

Marcos Kurtycz
(Mexican, b. Polish 1934-1996)

 

 

 

Nude Youths: 1508-1510, Sistine
Chapel Ceiling
1990
[Self-published]: St. Paul, MN
Karen Wirth
(American, b.1953)

 

 

Black & Blue: Hearts and Minds
1991
Pyramid Atlantic: Silver Springs, MD
Mel Watkin
(American, b.1954)

 

 

The Planning of Dance
1992
[Self-published]: New York, NY
Haruo Kobayashi
(Japanese, b.1968)

 

 

200,731: Rider Hairstyles On The
Bus Today
1993
Metro Arts Program: Seattle, WA
Helen Lessick & Julie Johnson
(American, b.1954)

 

 

The Library
1994
Kunsthalle Dusseldorf: Dusseldorf, Germany
Svetlana Kopystiansky
(American, b. Russia 1950)

 

 

Post-modern Pin-ups: Pleasure
Activist Playing Cards
1995
Gates of Heck, Inc: Richmond, VA
Annie Sprinkle
(American, b. 1954)

SLJ: Just Another Shitty Little
Journal That Nobody Reads
1996
In-House Books: Cincinnati, OH
Diana Duncan Holmes &
Timothy M. Riordan
(American, b. 1945, 1943)

 

Fabrications
1997
Station Hill Arts: Barrytown, NY
Gisela Gamper & Rachel Pollack
(American, b. 1946)

 

 

K-9 In Girl Gang
1998
Soft Skull Press: New York, NY
Fly
(American, b. 1963)

 

 

Envelope Interior Pin-up Calendar
1999
Coracle Press: Tipperary, Ireland

Erica Van Horn
(Irish, b. America 1954)

 

Genetic Code Copyright
2000
[Self-published]: New York, NY
Larry Miller
(American, b. 1944)

 

 

Blue Moon Over
2001
Moved Pictures: New York, NY

Lawrence Weiner
(American, 1942-2021)

 

 

Pedestrian Times
2002
[Self-published]: Melbourne, Australia
Peter Burke
(Australian, b. 1964)

 

 

Wind Blown Cloud
2003
Morning Star: Edinburgh, Scotland
Alec Finlay
(Scottish, b. 1966)

 

 

Breathe
2004
Shivastan Publications: Woodstock, NY
India Radfar
(American, b. 1968)

 

 

Trans-Siberian Photo Project
2005
[Self-published]: UK
Elly Clarke
(British, b. 1976)

For Arts Sake Devotional Guide
2006
Center for Book Arts: New York, NY
Nicolás Dumit Estévez
(Lebanese-Dominican American, b. 1967)

 

 

Minutes
2007
Hatje Cantz: Ostfildren, Germany
Christine Hill
(American, b. 1968)

 

 

See You In The Morning
2008
Eat Wet Records: New York, NY
Shawn Kuruneru
(Chinese-Sri Lankan, b. Canada 1984)

 

 

The Book of Pogonology: A-Z of
Beards and Mustaches
2009
[Self-published]: London, UK
Áine Cassidy
(Irish, b.1981)

 

Pimo Dictionary
2010
Center for Photography: Woodstock, NY
Yijun “Pixy” Liao
(Chinese b. 1979)

 

 

Title
2011
[Self-published]: London, UK; Kyoto, Japan
Rahel Zoller & Asami Murakami
(British, b. Germany 1986)

 

 

Hearth
2012
Frans Masereel Centrum: Kasterlee, Belgium
Julia Panades
(Spanish, b. 1981)

 

 

LSD: The Library of Julio Santo
Domingo
2013
Yolanda Cuomo Design: New York, NY
Peter Watts
(British, b. 1976)

 

Red String
2014
Anamorphosis Prize Shortlist
Self-published: Japan
Yoshikatsu Fujii
(Japanese, b. 1979)

 

 

Dundonian Diary
2015
[Self-published]: Dundee, Scotland
Peter Christenson
(American, b. 1979)

Obras Completas (Complete Works)
2016
Caniche: Madrid, Spain
Guillermo Mora
(Spanish, b. 1980)

 

 

Built By Hand / I’m Laughing Too
2017
Orange Press: Toronto, Canada

Margot Fagan
(Canadian, b. 1957)

 

 

La Extraordinaria Historia de Julia
Pastrana
2018
Cráter Invertido: Mexico City, Mexico
Laura Anderson Barbata &
Erik Tlaseca
(Mexican, b. 1958, 1989)

 

Falgush (CATCHPHRASE)
2019
[Self-published]: New York, NY
Helen Xinan Ran
(Chinese, b. 1994)

 

Noir
2020
Praun & Guermouche: Stockholm, Sweden
Sandra Praun
(Swedish, b. 1971)

 

 

George’s Lovely Variety
2021
[Self-published]: Pennsylvania
George Ferrandi
(American, b. 1967)

 

 

a map of my bedroom wall
Donated 2022
[Self-published]: Chicago, IL
Madeleine Aguilar
(American, b. 1998)

 

 

Mediaval
1988
Extrapol: Nijmegen, The Netherlands

Knust
(Dutch, founded 1984)