Back to THE HISTORY OF THE FUTUREFall 1999/ Winter 2000

Friday, October 22, 1999   Endurance:

Matt Mullican, Hypnosis Tapes

I began working with hypnosis in the 70's in order to expand the art context and to make it more real. Real theater; world framed; theater that was being felt. I continued this work after my involvement in the late 80's with virtual reality. I was interested in defining space. It was in a sense an act of submerging one's self with the information. The hypnosis work isolates the experience of a context, it separates out the experience of feeling something from the context of the feeling and creates an emotional architecture.

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