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ABOUT GOINGS ON: How to subscribe and submit listings

Contents for October 20, 2014

1. Clifford Owens, Martha Wilson, FF Alumns, in Bomb Magazine, now online

Please visit this link:

http://bombmagazine.org/article/1000288/martha-wilson-and-clifford-owens?utm_source=BOMB+Magazine+Mailing+List&utm_campaign=917fdbf001-Weekend_Reads_10_17_2014&utm_medium=email&utm_term=0_d45e7f673a-917fdbf001-119281&mc_cid=917fdbf001&mc_eid=8f30c11753

thank you.

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2. Dahn Hiuni, FF Alumn, now online at timesofisrael.com

Please visit this link:
http://www.timesofisrael.com/ny-klinghoffer-teach-in-warns-of-slippery-anti-semitic-slope/

thank you.

dahn
www.dahnhiuni.com
dahnhiunidesigns.com
murmursplay.com
isgap.org

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3. Hector Canonge, FF Alumn, fall events

New York based artist, Hector Canonge, continues with the production of a new body of work in South America.
After presenting and exhibiting his work in Argentina, Bolivia, Chile and participating in a performance art program at the 31th Sao Paulo Biennial in Brazil, Canonge will be in Bogota, Colombia until the end of October. The artist will be participating and introducing new works in the following programs and venues:

IV ENCUENTRO (SUB)OBJETIVO
- October 16, 18:30 hrs.
Performance & Talk at Universidad Nacional de Colombia presented by Colectivo Alterna-Vías y Teatro La Ventana.
- October 17, 12:00 hrs.
Public Intervention at El Prado, Prado Veraniego Square.
- October 18, 11:00 hrs.
Conference at Colectivo Alterna-Vias, calle 1340 #46-69.
RESIDENCIA ACCIONArar
- October 18 - 24 en Anolaima.
6° ENCUENTRO ACCION EN VIVO Y DIFERIDO
- October 25, 10:00 hrs
Public Performance at Parque de la 60
IV ENCUENTRO DE ARTES RELACIONALES
- October 26, 18:00 hrs
Performance at Museo de Arte Contemporáneo, Minuto de Dios Bogotá.
- October 28, 15:00 hrs.
Artist Talk & Conference at Santa Fe Gallery.
Hector Canonge is an interdisciplinary artist based in New York City. His work incorporates the use of New-media technologies, physical environments, cinematic and performance art narratives to explore and treat issues related to construction of identity, gender roles, and the politics of migration. Challenging the white box settings of a gallery or a museum, or intervening directly in public spaces his performances mediate movement, endurance, and ritualistic processes. Some of his actions and carefully choreographed performances involve collaborating with other artists and interacting with audiences. His visual arts projects and performance art work have been exhibited and presented in the United States, Latin America, Europe and Asia.
Since July 2014 Canonge has been in South America producing and exhibiting a new body of work in museums, galleries and performance spaces in Argentina, Bolivia, Chile and Brazil where he participated in the 31st Biennial of Sao Paulo. Canonge will continue with his work in Colombia, Ecuador and Peru completing his journey by the end of this year and return to the USA in early 2015. As cultural promoter, Canonge launched ARTerial Performance Lab, an initiative to foster collaboration among performance artists from the Americas, started the project PERFORMEANDO, a program that focuses on featuring Hispanic performance artists living in the USA, and created the series NEXUSURNEXUS presented by the Brooklyn International Performance Art Festival, BIPAF. As curator, Canonge organizes the monthly artists' program A-LAB Forum, directs the monthly independent film series CINEMAROSA, and created the annual Performance Art Festival, ITINERANT. His work has been reviewed by The New York Times, ART FORUM, New York Daily News, Manhattan Times, Hispanic Magazine; by major networks ABC, NBC, CNN, CBS, UNIVISION, etc., and online by Art Experience NYC, NYRemezcla, Turbulence, ART CARDS Review and NYFA News.
More information: hector@hectorcanonge.net
Hector Canonge, Interdisciplinary Artist, www.hectorcanonge.net

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4. Carolee Schneemann, FF Alumn, to receive Aurora Award, Houston Texas, Oct. 23

14TH ANNUAL AURORA AWARD DINNER, HONORING

Carolee Schneemann

AURORA VIDEO LIBRARY AND OFFICE
2442 Bartlett Street
Houston, Texas 77098
713-868-2101
www.aurorapictureshow.org
Aurora Picture Show presents
OTHER SUPPORT
EyeBody: 36 Transformative Actions (1963)
by Carolee Schneemann

LOCATION: AURORA PICTURE SHOW, 2442 BARTLETT STREET
6:00PM
COCKTAILS
7:00PM
DINNER
8:00PM
AWARD PRESENTATION
AND SCREENING
Chaired by Judy Nyquist
Casual Cocktail Attire
Aurora Picture Show will present the 14th annual Aurora Award to an artist
who has exhibited extraordinary originality in the field of moving image art, Carolee
Schneemann. Proceeds from the event will go towards the artistic and educational
programs of Aurora Picture Show, a nationally recognized arts organization that engages
Houston audiences with some of the best moving image art being created today.
Carolee Schneemann has been a pioneer of performance, body art, avant-garde
cinema, and multi-disciplinary art for five decades. Schneemann's bold work has
challenged notions of gender, identity and the body and has influenced countless
artists throughout her career. Her work has been exhibited extensively including a
recent solo exhibition at the Hales Gallery in London. Additionally, her work has
been featured in exhibitions and screenings at Anthology Film Archives, the Los
Angeles Museum of Contemporary Art, the Whitney Museum of American Art, the
Museum of Modern Art, and the Centre Georges Pompidou. In 1996, Dan Cameron
curated a retrospective of her at the New Museum entitled "Up To And Including
Her Limits." Schneemann is the recipient of numerous grants and awards including
a Guggenheim Fellowship, a Gottlieb Foundation Grant, a National Endowment for the
Arts Fellowship, a Rockefeller Foundation Fellowship, and a Lifetime Achievement
Award from the College Art Association.

Past Aurora Award honorees include Bill Viola (2013), Laurie Simmons
(2012), Joan Jonas (2011), Christian Marclay (2010), Doug Aitken (2009), Steina and
Woody Vasulka (2007), Miranda July (2006), Isaac Julien (2005), Ant Farm (2004),
Laurie Anderson, FF Alumn, (2003), William Wegman, FF Alumn, (2002), and Tony Oursler (2001).

STAFF
Sarah Stauder
Executive Director
Mary Magsamen
Curator
Rachel Blackney Tepper
Associate Director
Camilo Gonzalez
Media Arts Education Manager
Jessica Dodington
Membership Associate

CHAIR
Judy Nyquist

MAJOR UNDERWRITERS
Leslie & Brad Bucher
Judy & Scott Nyquist

UNDERWRITERS
Jereann Chaney
Jo & Jim Furr / Gensler
Beverly & Howard Robinson
Bridget & Patrick Wade
Lillian & Bob Warren

SPECIAL THANKS
Elaine Bradford
Thedra Cullar-Ledford
Nancy Douthey
Kia Neill
Beth Secor

BOARD OF DIRECTORS
Carlos Fernandez
President
Lillian Warren
Vice President
Cindy Bishop
Treasurer
Stephen Cullar-Ledford
Secretary
John Haba
Director
Marco Merino
Director
Lane Schultz
Director
Elizabeth Taber
Director
Haig Tcholakian
Director

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5. Cave Dogs, FF Alumns, at Brooklyn Children's Museum, Oct. 24-25

Join acclaimed shadow performance group Cave Dogs as they bring their spectacular, spooky, shadow show to Brooklyn during our Monster Mash Halloween bash! This wildly imaginative, all-ages event promises to be exciting, absurd and downright fun.

Cave Dogs presents the Story Teller and the Mad Scientist, Oct. 24-25, three shows each night, 5-5:30; 6-6:30; 7-7:30; all ages, at The Brooklyn Children's Museum, $13 per person, $8 members. Please buy tickets at this link: http://www.brooklynkids.org/index.php/visit/festivals

Thank you.

Suzanne Stokes
Artistic Director
Cave Dogs Performance Company
cavedogs.org

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6. Dan Perjovschi, FF Alumn, at Kunsthall Trondheim, Norway, opening Oct. 18

Dan Perjovschi
Freedom of Expression
October 18-December 14, 2014

Kunsthall Trondheim
Dronningens gate 28
7011 Trondheim
Norway
Hours: Tuesday-Sunday 11am-4pm

www.kunsthalltrondheim.no

Kunsthall Trondheim continues the fall season with the first Norwegian presentation of Romanian artist Dan Perjovschi. Perjovschi has been a main figure on the international art scene since 1999, when he represented Romania at the Venice Biennale. Renowned for his political and humorous drawings, he has exhibited at a number of important institutions and galleries, but his work remains uncollectible-as he puts it himself-and persistent in the aim to pinpoint the ruptures and complicated relations within today's society, be it the small everyday negotiations, the structures within the art field or the more profound economical and political conditions.

The exhibition at Kunsthall Trondheim lends its title from the drawing Freedom of Expression, which has reappeared with variations in several of Perjovschi´s wall drawing installations during the last ten years. Among the many reflections on the contemporary state of things and comments on social and political issues currently under debate, this topic remains increasingly urgent to highlight. A cornerstone for democracy, protected in our constitutions and the declarations of Human Rights, it is nevertheless constantly threatened, also by those who misuse it to advocate hatred and xenophobia. The reading of the words "From here-To here" is today not a given, but under debate, and for opposed reasons.

Being active as an artist during the severe censorship of the Ceaușescu regim, the right to express oneself freely has always been at the core of Dan Perjovschi´s activities. As he says in an interview in 2012: "Before 1989, it was basic survival. After '89, it has been about managing and maintaining freedom of expression." With a background in journalism, as a member of the editorial staff and political illustrator at the radical magazine 22, his practise has always expanded into a sphere outside of the personal. Together with Lia Perjovschi, he founded the Contemporary Art Archive (CAA) in 1990, an extensive collection of information and material, and an important arena for events and international exchange.

The exhibition title can also be read as a comment on Perjovschi's artistic method. His drawings are done on site; they require the artist´s physical presence, his conversations with people in the different locations, his reflections and his hand. Besides that, he needs pens. There is a certain freedom in this, the choice of a method that is not heavily depending on technical equipment, advanced installations or ultimately-a director's permission. Dan Perjovschi has chosen to make use of the art institution and its role as public space. But his artistic method allows him to act in whatever context he choses. Or to quote the artist himself: "My drawings are temporary therefore free."

Dan Perjovschi was born in 1961. He lives and works in Bucharest and Sibiu, Romania. He has exhibited extensively: at MoMA New York, Kunsthalle Basel, Tate Modern London, Portikus Frankfurt and many other institutions. He has also participated in a number of major international presentations such as the biennales in Venice, Sao Paolo, Paris, Istanbul and Moscow.

More information: contact curator Helena Holmberg: helena@kunsthalltrondheim.no / T +4740640758

Kunsthall Trondheim is as an initiative of the city of Trondheim and the county of Sør-Trøndelag.
Supported by the Art Council Norway.

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7. Frank Moore, FF Alumn, at International Festival of Performance Art, Toronto, 2014

IN MEMORIAM
FRANK MOORE

From the catalogue for
7A*11D International Festival of Performance Art Toronto 2014
http://7a-11d.ca/files/2014_7A_11D_catalogue.pdf

In Memoriam
Frank Moore
June 25, 1946 - October 14, 2013

Frank Moore was way ahead of his time - which is to say that he made his own time and made time his own.

Frank was born with a form of cerebral palsy that left him unable to walk or even speak. Luckily, magically, he was a fearless adventurer who managed to achieve what most radical and uncompromising artists only dream of: respect, notoriety, a loving tribe of family, colleagues and friends, and a profound and enduring body of work that encompasses performance, video, web media and writing. For Frank, luck and magic were qualities that could be nurtured: luck, by learning to bypass or reshape personal expectations that corresponded to limitations; magic, by delving into the power of human intimacy to transform reality.

Spending time with Frank felt a bit like taking a psychedelic drug: heightened intensity, an altered sense of awareness and bodily sensation, and a tendency for everyday tasks to take an eternity while being absurdly engaging. Eating together - which meant having to feed Frank, since he couldn't hold a utensil - could take hours, and was a messy, boisterous affair that sometimes shocked onlookers (especially restaurant owners and
patrons) but was a sensual, libidinal celebration for those doing it.

Talking with Frank meant speaking his words for him as he spelled things out using a head pointer to identify letters on a tablet that was a bit like a Ouija board. It took time and a lot of attention and filling in the blanks and careful verification to communicate this way, but all of that effort contributed to a sense of the significance of what was being said. Sometimes being with Frank meant dropping words altogether, diving into a universe of touch punctuated by Frank's raucous cooing and frequent muscle spasms, and guided by a trust in the warmth, intelligence and mischievousness that seemed to pour out from his pores.

Frank actively promoted an image of himself as a wounded healer, a shaman who used performance art as a way to create a sense of intimacy and community and connectedness. He revelled in facing taboos and exploring the power of erotic play. Yet colourful and exuberant as he could be, Frank was also never afraid of boring his audiences, because he understood boredom as being a doorway to a different state of consciousness. Things always got way more interesting once the impatient ones left.

If Frank was a pioneer of intimate, body-to-body performance, he was also a champion of the way new technologies can amplify individual expression and creativity. He was an early and prolific DIY publisher. Rather than focusing on a limiting image of his spastic body as isolating, he realized his body as a node of myriad connections and endless extension. So much so that even though Frank is dead, one might just as soon say that there is something prescient in his words still posted on the Shaman's Cave page of his
website: "I am always here!" He is here, in the bodies he touched and invited to touch him, in the circle of caregivers who carry on his work, and in the vast archive of materials that his collaborators continue to upload to his website and Vimeo channel.

PAUL COUILLARD
www.eroplay.com | vimeo.com/frankmoore

Based in Berkeley, California, Frank Moore's remarkable output of work included countless intimate ritualistic works for individuals and groups, an ever-changing popular cabaret show called The Outrageous Beauty Revue that ran for three years in the Bay area (San Francisco), numerous videos, publication projects (including a regular 'zine called The Cherotic [r]Evolutionary, personal manifestos such as Art of a Shaman, and his extensive website The Web of All Possibilities), even a web radio station
(LUVeR) and a Vimeo channel. Along the way he attracted a community of creative collaborators, including his wife Linda Mac, colleague and former student Michael LaBash, as well as Corey Nicholl, Alexi Malenky and Erika Shaver-Nelson, who were with him when he died. Frank Moore appeared in the first 7a*11d festival (1997) as part of a series called Five Holes:

Touched,curated under the auspices of FADO. Frank's promotional text for The Cave of the Metasensual Beast, his performance with Michael LaBash and Linda Mac, asked audience members, "Will you let yourself be guided into the cave of passion, imagination, healing human exploring touch, and the unlimited erotic possibilities of blindness? The Beast is waiting for you!"

Staged in the basement of Symptom Hall as one of eight simultaneous performance installations, the piece took place in a fabric cave where, unbeknownst to the audience, Frank lay naked on a mattress. Participants were required to drink a small cup of "somala" (ordinary tap water infused with thousands of years of mythological imaginary around the ability of magical elixirs to invoke altered states, provide protection, and bestow magical powers) and then allow themselves to be blindfolded before entering the cave. Only a few audience members were permitted in the cave at any one time. What happened inside the cave was determined by - and remains the secret of - the individual participants. This was Frank's second trip to Toronto; the first was in 1995, when Pleasure Dome presented his work The Passion Cave at CineCycle. Frank returned to Toronto once more in 1999 as part of FADO'S TIME TIME TIME series, orchestrating Dying is Sexy, a 48-hour erotic, musical, ritualistic, intimate, personal experience that featured a cast of friends, artists, musicians and co-conspirators from Toronto and the United States.

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8. Doug Beube, FF Alumn, at 69 Fort Greene Place, Brooklyn, Nov. 8-9

DOUG BEUBE

Doug Beube's upcoming open studio series Emendation is a comprehensive survey of his bookwork, collage, and mixed media installation. Emandation is a display of the artist's ongoing and often times polemical dialogue with western culture's relationship to information, the written word and the natural world. The exhibition spans Beube's lengthy career covering tremendous thematic ground, including references from Greek Antiquity through contemporary historical methods. Beube's artistic pursuits channel a very delicate balance both personal and global. Intellectually playing with his varied subjects it is his chosen material, the book, that unpacks the contour of his work overall, where even our most sacred and historical achievements are not immune to change and, perhaps, risks extinction.

Marking the first day of the series is Melt, an environmentally sensitive two day installation involving a politically dynamic sextet of books selected and amended according to their content. Each book incised with text, such as the words JUST/ICE paired with Tom Maloney's U.S. Camera '62, ICE/CAP with The National Geographic Society's As We Live We Breath, and corresponding to Alfred Knoff's Arsenals of Foley are inscribed the words RED/ACT. The frozen books are housed in a steel frame alongside an audio component registered to make live a global and personal transformation and meltdown. The ice run-off is then bottled and branded sm/ART Water. This new installation animates Beube's dialogue of socio-political conditions, cultures of violence both physical and psychological, and those structures existing to support the inverse of the latter. Taking place at Beube's Brooklyn brownstone studio, Melt's conditional properties leverage the anachronistic technology of the book into the environment directly.

Doug Beube: Emendation
69 Fort Greene Pl, Brooklyn, NY 11217,
Saturday November 8th, 12:00 pm -7:30 pm
Sunday November 9th 12:00 pm - 6:00 pm

Open by appointment. For more information and to RSVP send email event@jhbgallery.com.

JHB Gallery
26 Grove Street
Suite #4C
New York, New York 10014

Copyright (C) 2014 JHB Gallery All rights reserved.

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9. Jodie Fink, FF Alumn, in Artists Studio Tour, Hoboken, NJ, Nov. 9

Please stop by my studio on the 5th floor of The Neumann Leather Building @ 300 Observer Highway from 12 to 6pm on Sunday November 9th.
Only a few blocks from the PATH train in Hoboken.

And please check out my website: JodieFink.com. Comments are appreciated.

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10. Joseph Keckler, Erin Markey, FF Alumns, at The Cock, Manhattan, Oct. 22

NYPAC BENEFIT GALA
HONORING MX JUSTIN VIVIAN BOND

October 22nd, 2014
The Cock, 29 2nd Ave

Joseph Keckler
Erin Markey
Casey Legler
Sammy Jo
DJ Lina
Juliana Huxtable

Honorary Chair:
Ben Rodriguez-Cubeñas

Co-Chairs:
Paul Bernstein
Justin Conner & Luke Kalat
Michael Crisafulli & Morton Newburgh
Alfred Gillio
Alexander Gorlin
Charles Renfro
Brent Sikkema

Benefit Committee:
Luke P. Brown
Michael Bullock
Samuel Cochran
Christopher Davis
Alexander Galan
Ryan Bradshaw Greene
Pati Hertling
Matthew Lyons
Ryan McNally
Adam Whitney Nichols
Jay Pagano
Carl Swanson
Kendall Werts

NYPAC, the New York Performance Artists Collective, is thrilled to announce our first benefit gala, honoring the legendary writer, singer, painter, and performance artist Mx Justin Vivian Bond, to be held on Wednesday, October 22nd at downtown institution The Cock. This is an especially fitting venue for Mx Bond, who performed at The Cock's original 12th Street location every Saturday, and was the first performer to christen its current - and soon to be former - incarnation. This benefit will be an opportunity to celebrate both Mx Bond and the history of the East Village and Lower East Side, which have been so actively intertwined.

Nominated for a Tony Award for Kiki and Herb Alive On Broadway in 2007, and the recipient of both an Obie and Bessie, Mx Bond has been an influential figure for a new generation of LGBTQ performance artists, many of whom we've supported over the past two years. We're thrilled to honor Mx Bond, who has done so much for queer visibility, dedicating significant time and resources to maintaining diversity in the downtown performance art scene. Join us from 7-10 pm with cocktails and performances by artists Joseph Keckler and Erin Markey. Following the gala, stick around for the after-party, with music by Juliana Huxtable and DJ Lina, and site-specific projections and performance by Casey Legler. Tickets for the gala are $150, tickets for the after-party are $50. All proceeds will support our community of artists and NYPAC's future programming initiatives.
Buy tickets

Mx Justin Vivian Bond is a writer, singer, painter, and performance artist. Mx Bond is the author of the Lambda Literary Award winning memoir TANGO: My Childhood, Backwards and in High Heels, published by The Feminist Press and Susie Says... a collaboration with Gina Garan (Powerhouse Books, 2012). V's debut CD DENDRPOPHILE was self-released on WhimsyMusic in 2011 and was followed by SILVER WELLS in 2012. In 2011 Justin Vivian's art exhibition The Fall of the House of Whimsy was presented at Participant Inc. in New York City. Mx Bond was nominated for a Tony Award for Kiki and Herb Alive On Broadwayin 2007. Other notable theatrical endeavors include starring as Warhol Superstar Jackie Curtis in Scott Wittman's production of Jukebox Jackie: Snatches of Jackie Curtis as part of La Mama E.T.C.'s 50 Anniversary Season, originating the role of Herculine Barbin in Kate Bornstein's groundbreaking play Hidden: A Gender, touring with the performance troupe The Big Art Group and appearing in John Cameron Mitchell's film Shortbus. Other films include Sunset Stories (2012), Imaginary Heroes (2004), and Fanci's Persuasion (1995). Mx Bond is a recipient of The Ethyl Eichelberger Award, The Peter Reed Foundation Grant, and The Foundation for Contemporary Arts Grants to Artists Award for Performance Art/Theater, an Obie and a Bessie.

Joseph Keckler is a singer, musician, writer, and interdisciplinary artist. His most recent performance piece, I am an Opera, was commissioned by Dixon Place. Other performances: South by Southwest, New Museum, Merkin Hall, BAM Fischer, and many other venues. Keckler was recently featured on WNYC Soundcheck and BBC America. He has received residencies from Yaddo and MacDowell, as well as a Franklin Furnace Grant and a Fellowship in Interdisciplinary Work from New York Foundation for the Arts. Current projects include a collection of essays and a new album. The Village Voice recently named him "Best Downtown Performance Artist, 2013."

Erin Markey creates comedic performances and original music for stage and video. Major works include Puppy Love: A Stripper's Tail (P.S. 122), The Dardy Family Home Movies by Stephen Sondheim by Erin Markey (San Francisco Film Society), Looking for Limbo (Lincoln Center Director's Lab) and currently, the recurring Erin Markey at Joe's Pub with Kenny Mellman (Public Theater). She was a featured artist in the critically acclaimed Our Hit Parade (Joe's Pub). She has shown other work at New Museum, Brooklyn Academy of Music (BAM), Under The Radar, 54 Below, Ars Nova and received NYFA's 2012 Cutting Edge Artist Fund Grant. As an actress, Markey is a company member of Obie Award winning Half Straddle, has performed with Young Jean Lee's Theater Company, and starred in Tennessee Williams' Green Eyes, receiving Boston's Elliot Norton Award for Outstanding Performance. She was a series regular on TV's Jeffery and Cole Casserole (LOGO Network).

Casey Legler was raised both in the United States and in France. She is a phi beta kappa and ada comstock scholar graduate from Smith College (2007). Legler's work has appeared in the Guardian, Vogue, V magazine, Time and CNN. She is currently working on a memoir recounting her girlhood and years as an Olympic athlete. In 2013 Legler received much attention for inserting herself into the system of fashion marketing by being the first woman to be represented and employed with Ford exclusively as a male model. In her first solo exhibition at OSMOS Address in New York, running through November 7, 2014, Legler unveils different narrative works of still photography, video, sound and performance wherein each work involves in some way the artist as impersonator and viewer, and the clichéd signatures of social identity that get embroiled in a personification. Undoubtedly deeply personal, Legler's work is also political.

NYPAC, the New York Performance Artists Collective, is a non-profit organization dedicated to advancing the production, accessibility, and scholarship of performative and intermedia art. Conceived in 2013 by Fabian Bernal and Samuel Draxler, NYPAC engages the mass of decentralized but networked artistic talent in the New York region through site-specific performances and events, written and curatorial positions, and online and offsite exhibitions. These projects focus on different contexts of bodies and performers, welcoming queer, feminist, and institutional approaches and critiques. NYPAC is made possible with the generous support of the Rockefeller Brothers Fund.

The New York Performance Artists Collective (NYPAC) is a sponsored organization of "ARTSPIRE, a program of NYFA," a 501(c)(3), tax-exempt organization. Contributions on behalf of NYPAC must be made payable to "ARTSPIRE, a program of NYFA". The value of each Benefit Gala ticket is $50; the value of each Benefit Gala after-party ticket is $25. The amount of your contribution that will be acknowledged for tax purposes will be $100 for each Benefit Gala ticket, and $25 for each Benefit Gala after-party ticket. A copy of NYFA's latest annual report may be obtained, upon request, from ARTSPIRE or from the Office of the Attorney General, Charities Bureau, 120 Broadway, New York, NY 10271.

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11. Ann-Marie LeQuesne, FF ALumn, at Royal College of Art, London, UK, Nov. 5,and more

DID YOU HAVE BREAKFAST THIS MORNING?

Ann-Marie LeQuesne invites you to join

THE 17th ANNUAL GROUP PHOTOGRAPH

The Henry Moore Galleries - Royal College of Art

Kensington Gore, London SW7 2EU

Wednesday, November 5th - 7.00 pm
Please come to the Jay Mews entrance of the College where

you will be directed to the Galleries.

DID YOU HAVE BREAKFAST THIS MORNING? will be a photographic survey of the group. I am going to print out the survey questions as long banners and pin them high on the gallery walls. I will ask participants to become graphic devices, posing answers to the questions. I am thinking about the different ways that we "read" a person and read a word/number and I would like to explore this as the event unfolds. You may find that you share some surprising statistics. We will also test the birthday problem which says that there is a 50% chance that two people will share a birthday if the group has at least 23 people!

I hope you will be able to attend!

Best wishes
Ann-Marie

www.amlequesne.com
www.theannualgroupphotograph.com
www.vimeo.com/annmarielequesne

and

The new edit of TO: is now on Vimeo. This performance took place on the steps of the New York City Post Office on May 3rd. Participants were asked to re-enact actions observed on the steps of this famous building. It was shown at AC Institute in New York in July.

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Goings On is compiled weekly by Harley Spiller